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Musicians Web pages - Nashville Musicians Association

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8 The <strong>Nashville</strong> Musician October-December 2006<br />

Mr. Harold Bradley, President of the<br />

<strong>Nashville</strong> <strong>Association</strong> of <strong>Musicians</strong>’ Local<br />

257, is finally getting a little of the recognition<br />

he so greatly deserves. On Saturday,<br />

Aug. 19, the Country Music Hall of Fame<br />

& Museum saluted Harold, celebrating the<br />

Music City Session Players. This year he<br />

is also being inducted into the Hall of Fame,<br />

in the Recording and/or Touring Musician,<br />

Active Prior to 1980 category. What a huge<br />

honor! Harold is a humble man, a man of<br />

truly great talent, wisdom, and experience,<br />

one who represents you with great compassion<br />

and kindness. He’s been a blessing to<br />

this Local for many years, and we’re all so<br />

very proud of him.<br />

With an adjustment to our phone system,<br />

calling our main line will get you a<br />

personal, friendly greeting. That’s right,<br />

personal. We’re now turning off the automated<br />

system during business hours, and<br />

directing your calls, per your request. It’s<br />

been very well-received, and we’ll do our<br />

best to maintain the communication during<br />

our busier times of the year. Thanks for<br />

letting us know it’s important to you.<br />

Your 2007 Annual Membership Dues<br />

are upon us. Your present membership card<br />

will expire Dec. 31, 2006. To remain in<br />

good standing, you should pay your full<br />

membership on or before that date. Postcards<br />

are being mailed to all active members,<br />

notifying of all itemized amounts, due<br />

Producer’s notice<br />

All payments for recording sessions<br />

are to be made through the office<br />

of Local 257. Please be advised<br />

that AFM may be notified of instances<br />

where this is not done. In such<br />

cases it could jeopardize and violate<br />

the terms of your AFM Phonograph<br />

Record Labor Agreement. Your recording<br />

license with the AFM could<br />

be subject to cancellation! Check with<br />

us now.<br />

CHANGE IN BENEFICIARY?<br />

Be sure to report important<br />

changes to the Union office!<br />

Call (615) 244-9514<br />

Please patronize<br />

The <strong>Nashville</strong> Musician<br />

Advertisers!<br />

Member’s accounts payable<br />

now via VISA or MasterCard<br />

For the convenience of our<br />

members, we now accept both<br />

MasterCard and VISA credit<br />

cards. For information, call<br />

Billy Linneman, Secretary-<br />

Treasurer, Tel: (615) 244-9514,<br />

Ext. 224.<br />

Office<br />

Manager’s<br />

Notes . . .<br />

By Sherri<br />

Dickerson<br />

dates, late fees, etc. The 2007 regular membership<br />

renewal rate is $204.00, and lifetime<br />

members pay a reduced fee of $115.25.<br />

The only increase this year is in the AFM.<br />

Per Capita Dues amount. The Federation<br />

charges each Local a set amount per member,<br />

a small increase of $2.00 this year,<br />

which we pay on a quarterly basis.<br />

If you know of a member who has recently<br />

passed away, please ask a family<br />

member to contact us in regards to their<br />

Funeral Benefit Fund. This fund is paid into<br />

by all members, and has a benefit for any<br />

active member at the time of their death.<br />

The procedure is simple. As a new member,<br />

please fill out the beneficiary card and<br />

we’ll keep it on file. If you’ve been a member<br />

for a while, it may be a good time to<br />

review your listed beneficiary. You can fill<br />

out a new card at any time. Upon the death<br />

of a member, we’ll need an original statecertified<br />

Death Certificate for our files.<br />

Member must be in good standing, with all<br />

dues and charges paid-to-date.<br />

Thanks to Mr. Otto Bash, who graciously<br />

performed the fall trimming of our<br />

Ficus tree. Great job, Otto! I wish you, and<br />

all our members, a very blessed holiday season.<br />

[Note: The Office Manager can be<br />

reached on line at Sherri@afm257.org or<br />

by calling (615) 244-9514, Ext. 240.]<br />

Carolyn Austin displays ribbon<br />

won in official cooking bake-off.<br />

Carolyn Austin<br />

former Union<br />

admin assistant<br />

Carolyn Austin was not only Assistant<br />

to the President, but she was handling the<br />

Electronic Media Services Division<br />

(EMSD) workload for Local 257 over 15<br />

years ago, when we started editing The<br />

<strong>Nashville</strong> Musician.<br />

The lady’s incoming box appeared to be<br />

bottomless, meaning Carolyn would often<br />

burn the midnight oil to make sure people<br />

got their checks in a timely manner, sometimes<br />

working 15-hour days.<br />

“I always wanted the musicians to know<br />

that I was here for them, not merely to collect<br />

their work dues,” confided Local 257<br />

member Austin, in an earlier interview with<br />

this reporter. “I genuinely enjoyed hearing<br />

what it was they did, and to learn about them<br />

and their families. I know whose wife was<br />

sick or who was having a baby. I heard it all:<br />

the good, the bad and the ugly. The members<br />

were my children - and I’m gonna miss<br />

them.”<br />

Sadly, they will now miss Carolyn Totty<br />

Austin, who some affectionately referred to<br />

as “Mama.” She died on Aug. 24 at age 65.<br />

Carolyn was the wife of Local 257 drummer-educator<br />

Tony Austin for 45 years.<br />

On St. Patrick’s Day 1995, when Carolyn<br />

stepped down, her replacement was immediately<br />

assigned an assistant. Today, Melissa<br />

Hamby Meyer heads up this operation, with<br />

an assist from four employees and a parttimer.<br />

“Carolyn Austin retired March 17, after<br />

20 years of dedicated service to our Local,”<br />

stated President Harold Bradley, acknowledging<br />

her tireless devotion to duty in 1995.<br />

“Carolyn is a special person whose heart<br />

went out to all of our musicians and their<br />

families. I especially want to thank her for<br />

the wonderful job she did for me as Assistant<br />

to the President for the past four years.<br />

We all want Carolyn and Tony to enjoy themselves<br />

in retirement, although all of us will<br />

miss the delectable food she so graciously<br />

served to us on numerous occasions.”<br />

Since 1989, Carolyn’s job was to run<br />

EMSD and also Assistant to the President.<br />

Prior to that her duties included scheduling<br />

Music Performance Trust Fund shows and<br />

various other tasks such as assisting members<br />

at the reception window.<br />

In our interview - after 20 years and a<br />

day of service - she explained, “My primary<br />

responsibility was to see that members got<br />

paid for the work they did. For recordings,<br />

which can emcompass demos, limited<br />

pressings or masters; for all types of television<br />

(shows), including network, public television,<br />

pay television, cable television; for<br />

whatever they do, there’s a scale for that particular<br />

type of work. If it’s not a ‘live’ performance<br />

and it’s recorded in any shape, form<br />

or fashion, then it goes to the Electronic<br />

Media Services Division.”<br />

As <strong>Nashville</strong>’s contract supervisor, Austin<br />

had different regulations to comply with:<br />

“The federal government says here are our<br />

guidelines, then the Federation has its rules,<br />

and Local 257 has its rules.”<br />

Carolyn’s duties as Assistant to the President<br />

included dealing with prospective signatories<br />

who wanted to engage musicians for<br />

projects: “I would explain the difference between<br />

union and non-union. A lot of them<br />

don’t know what’s happening, so I tried to<br />

be helpful and tell them.”<br />

She remembered, too, that there were a<br />

number of unscrupulous types arranging recording<br />

sessions, who “come in and talk to<br />

me and though they don’t mean to, they give<br />

themselves away with every word they<br />

speak. Those people are not concerned about<br />

paying a fair share for the musicians’ talents,<br />

they’re only interested n lining their own<br />

pockets. They may have a huge budget for a<br />

recording session - and I mean big bucks -<br />

but the musicans are the cheapest part of that<br />

package. In some instances, my guys won’t<br />

even be a tenth of it.”<br />

Carolyn admitted that dealing with both<br />

sides - session producers and musicians - required<br />

real diplomacy: “Sometimes it was<br />

like walking on egg-shells.”<br />

Despite a heavy workload, she would<br />

bake “goodies” for the office staff or anyone<br />

who wanted a taste until the plates were emptied.<br />

It was in 1975 that then-President<br />

Johnny DeGeorge, a neighbor of the Austins,<br />

called to see if Carolyn would be available<br />

for temporary work at the Local?<br />

“I had a plumbing bill staring at me for<br />

$400 and I didn’t know how we were going<br />

to get the extra money to pay that. Then<br />

Johnny called and asked me to work two<br />

weeks to fill in,” she smiled. “Until that time<br />

I had been tending kids before and after<br />

school, doing arts and crafts for fairs and<br />

Carolyn with her pet Katie Mae.<br />

sewing for people in order to send my children<br />

to private school.”<br />

When DeGeorge realized what a great<br />

worker she was, her duties expanded to full<br />

time, which included working with the<br />

Local’s bookkeeper, Gertrude (Gertie)<br />

DeGeorge, the president’s wife: “There was<br />

no actual job description that we followed,<br />

and for a long time we could basically interchange.<br />

That was good if someone was<br />

out sick or on vacation.”<br />

After DeGeorge departed, she continued<br />

working with subsequent presidents,<br />

Jay Collins and Harold Bradley, each of<br />

whom she noted had different styles. Being<br />

on the job for two decades she saw a lot<br />

of changes, including moving into the<br />

Local’s own building at 11 Music Circle<br />

North, after being located at 1806 Division<br />

Street just off Music Row.<br />

“Of course, the Opryland complex was<br />

just getting going and when they started The<br />

<strong>Nashville</strong> Network (TNN) in 1983, it created<br />

even more contracts for us. And the<br />

face of the Row has really changed so . . .”<br />

She said her personal musical preferences<br />

ran the gamut: “I love everything<br />

from toe-tapping bluegrass to the <strong>Nashville</strong><br />

Symphony and anything in between . . .”<br />

Among her favorite artists were pianist<br />

Floyd Cramer, crooner George Morgan and<br />

folk favorite John Hartford, all of whom she<br />

got to know. She shared a humorous incident<br />

with us concerning Cramer: “The first<br />

time he ever came into the building after I<br />

started working, I was eating a sandwich<br />

and had just taken a bite. When I looked up<br />

and saw Floyd Cramer, I swallowed, but it<br />

just hung there. Here I am choking to death<br />

and everybody in the office is laughing so<br />

hard, nobody thought to pat me on the back<br />

so I could breathe. How I got that bite of<br />

food back up, I’ll never know. I remember<br />

thinking, ‘Lord, help me!’ and then I<br />

thought I must have been blue in the face<br />

and I wasn’t pretty! When I asked him if I<br />

could have his autograph, he said, ‘Sure.’<br />

Then I pulled up about 15 albums I’d been<br />

saving for him to sign!”<br />

Carolyn Totty was born in Memphis,<br />

daughter of D.A. and Ida Totty. She grew<br />

up there, then moved to Chester County,<br />

where she graduated from Chester County<br />

High School in 1959. She later attended<br />

Freed Hardeman College. Tony and Carolyn<br />

were wed in June 1961.<br />

Since 1966, Tony, who was also a<br />

schoolteacher, and his wife, who sang and<br />

played piano, had lived in the <strong>Nashville</strong><br />

area. A member of the Bellevue Baptist<br />

Church, Carolyn enjoyed helping several<br />

area organizations with whatever their<br />

needs were, such as baking, cooking and<br />

sewing, at which she excelled.<br />

According to longtime friend Otto<br />

Bash, today the Local’s Sergeant-At-Arms,<br />

Carolyn was a “giving of herself soul.” He<br />

said she collected labels from soup cans<br />

which helped funding for elementary school<br />

playground equipment, and also aluminum<br />

(Continued on page 9)

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