Musicians Web pages - Nashville Musicians Association
Musicians Web pages - Nashville Musicians Association
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8 The <strong>Nashville</strong> Musician October-December 2006<br />
Mr. Harold Bradley, President of the<br />
<strong>Nashville</strong> <strong>Association</strong> of <strong>Musicians</strong>’ Local<br />
257, is finally getting a little of the recognition<br />
he so greatly deserves. On Saturday,<br />
Aug. 19, the Country Music Hall of Fame<br />
& Museum saluted Harold, celebrating the<br />
Music City Session Players. This year he<br />
is also being inducted into the Hall of Fame,<br />
in the Recording and/or Touring Musician,<br />
Active Prior to 1980 category. What a huge<br />
honor! Harold is a humble man, a man of<br />
truly great talent, wisdom, and experience,<br />
one who represents you with great compassion<br />
and kindness. He’s been a blessing to<br />
this Local for many years, and we’re all so<br />
very proud of him.<br />
With an adjustment to our phone system,<br />
calling our main line will get you a<br />
personal, friendly greeting. That’s right,<br />
personal. We’re now turning off the automated<br />
system during business hours, and<br />
directing your calls, per your request. It’s<br />
been very well-received, and we’ll do our<br />
best to maintain the communication during<br />
our busier times of the year. Thanks for<br />
letting us know it’s important to you.<br />
Your 2007 Annual Membership Dues<br />
are upon us. Your present membership card<br />
will expire Dec. 31, 2006. To remain in<br />
good standing, you should pay your full<br />
membership on or before that date. Postcards<br />
are being mailed to all active members,<br />
notifying of all itemized amounts, due<br />
Producer’s notice<br />
All payments for recording sessions<br />
are to be made through the office<br />
of Local 257. Please be advised<br />
that AFM may be notified of instances<br />
where this is not done. In such<br />
cases it could jeopardize and violate<br />
the terms of your AFM Phonograph<br />
Record Labor Agreement. Your recording<br />
license with the AFM could<br />
be subject to cancellation! Check with<br />
us now.<br />
CHANGE IN BENEFICIARY?<br />
Be sure to report important<br />
changes to the Union office!<br />
Call (615) 244-9514<br />
Please patronize<br />
The <strong>Nashville</strong> Musician<br />
Advertisers!<br />
Member’s accounts payable<br />
now via VISA or MasterCard<br />
For the convenience of our<br />
members, we now accept both<br />
MasterCard and VISA credit<br />
cards. For information, call<br />
Billy Linneman, Secretary-<br />
Treasurer, Tel: (615) 244-9514,<br />
Ext. 224.<br />
Office<br />
Manager’s<br />
Notes . . .<br />
By Sherri<br />
Dickerson<br />
dates, late fees, etc. The 2007 regular membership<br />
renewal rate is $204.00, and lifetime<br />
members pay a reduced fee of $115.25.<br />
The only increase this year is in the AFM.<br />
Per Capita Dues amount. The Federation<br />
charges each Local a set amount per member,<br />
a small increase of $2.00 this year,<br />
which we pay on a quarterly basis.<br />
If you know of a member who has recently<br />
passed away, please ask a family<br />
member to contact us in regards to their<br />
Funeral Benefit Fund. This fund is paid into<br />
by all members, and has a benefit for any<br />
active member at the time of their death.<br />
The procedure is simple. As a new member,<br />
please fill out the beneficiary card and<br />
we’ll keep it on file. If you’ve been a member<br />
for a while, it may be a good time to<br />
review your listed beneficiary. You can fill<br />
out a new card at any time. Upon the death<br />
of a member, we’ll need an original statecertified<br />
Death Certificate for our files.<br />
Member must be in good standing, with all<br />
dues and charges paid-to-date.<br />
Thanks to Mr. Otto Bash, who graciously<br />
performed the fall trimming of our<br />
Ficus tree. Great job, Otto! I wish you, and<br />
all our members, a very blessed holiday season.<br />
[Note: The Office Manager can be<br />
reached on line at Sherri@afm257.org or<br />
by calling (615) 244-9514, Ext. 240.]<br />
Carolyn Austin displays ribbon<br />
won in official cooking bake-off.<br />
Carolyn Austin<br />
former Union<br />
admin assistant<br />
Carolyn Austin was not only Assistant<br />
to the President, but she was handling the<br />
Electronic Media Services Division<br />
(EMSD) workload for Local 257 over 15<br />
years ago, when we started editing The<br />
<strong>Nashville</strong> Musician.<br />
The lady’s incoming box appeared to be<br />
bottomless, meaning Carolyn would often<br />
burn the midnight oil to make sure people<br />
got their checks in a timely manner, sometimes<br />
working 15-hour days.<br />
“I always wanted the musicians to know<br />
that I was here for them, not merely to collect<br />
their work dues,” confided Local 257<br />
member Austin, in an earlier interview with<br />
this reporter. “I genuinely enjoyed hearing<br />
what it was they did, and to learn about them<br />
and their families. I know whose wife was<br />
sick or who was having a baby. I heard it all:<br />
the good, the bad and the ugly. The members<br />
were my children - and I’m gonna miss<br />
them.”<br />
Sadly, they will now miss Carolyn Totty<br />
Austin, who some affectionately referred to<br />
as “Mama.” She died on Aug. 24 at age 65.<br />
Carolyn was the wife of Local 257 drummer-educator<br />
Tony Austin for 45 years.<br />
On St. Patrick’s Day 1995, when Carolyn<br />
stepped down, her replacement was immediately<br />
assigned an assistant. Today, Melissa<br />
Hamby Meyer heads up this operation, with<br />
an assist from four employees and a parttimer.<br />
“Carolyn Austin retired March 17, after<br />
20 years of dedicated service to our Local,”<br />
stated President Harold Bradley, acknowledging<br />
her tireless devotion to duty in 1995.<br />
“Carolyn is a special person whose heart<br />
went out to all of our musicians and their<br />
families. I especially want to thank her for<br />
the wonderful job she did for me as Assistant<br />
to the President for the past four years.<br />
We all want Carolyn and Tony to enjoy themselves<br />
in retirement, although all of us will<br />
miss the delectable food she so graciously<br />
served to us on numerous occasions.”<br />
Since 1989, Carolyn’s job was to run<br />
EMSD and also Assistant to the President.<br />
Prior to that her duties included scheduling<br />
Music Performance Trust Fund shows and<br />
various other tasks such as assisting members<br />
at the reception window.<br />
In our interview - after 20 years and a<br />
day of service - she explained, “My primary<br />
responsibility was to see that members got<br />
paid for the work they did. For recordings,<br />
which can emcompass demos, limited<br />
pressings or masters; for all types of television<br />
(shows), including network, public television,<br />
pay television, cable television; for<br />
whatever they do, there’s a scale for that particular<br />
type of work. If it’s not a ‘live’ performance<br />
and it’s recorded in any shape, form<br />
or fashion, then it goes to the Electronic<br />
Media Services Division.”<br />
As <strong>Nashville</strong>’s contract supervisor, Austin<br />
had different regulations to comply with:<br />
“The federal government says here are our<br />
guidelines, then the Federation has its rules,<br />
and Local 257 has its rules.”<br />
Carolyn’s duties as Assistant to the President<br />
included dealing with prospective signatories<br />
who wanted to engage musicians for<br />
projects: “I would explain the difference between<br />
union and non-union. A lot of them<br />
don’t know what’s happening, so I tried to<br />
be helpful and tell them.”<br />
She remembered, too, that there were a<br />
number of unscrupulous types arranging recording<br />
sessions, who “come in and talk to<br />
me and though they don’t mean to, they give<br />
themselves away with every word they<br />
speak. Those people are not concerned about<br />
paying a fair share for the musicians’ talents,<br />
they’re only interested n lining their own<br />
pockets. They may have a huge budget for a<br />
recording session - and I mean big bucks -<br />
but the musicans are the cheapest part of that<br />
package. In some instances, my guys won’t<br />
even be a tenth of it.”<br />
Carolyn admitted that dealing with both<br />
sides - session producers and musicians - required<br />
real diplomacy: “Sometimes it was<br />
like walking on egg-shells.”<br />
Despite a heavy workload, she would<br />
bake “goodies” for the office staff or anyone<br />
who wanted a taste until the plates were emptied.<br />
It was in 1975 that then-President<br />
Johnny DeGeorge, a neighbor of the Austins,<br />
called to see if Carolyn would be available<br />
for temporary work at the Local?<br />
“I had a plumbing bill staring at me for<br />
$400 and I didn’t know how we were going<br />
to get the extra money to pay that. Then<br />
Johnny called and asked me to work two<br />
weeks to fill in,” she smiled. “Until that time<br />
I had been tending kids before and after<br />
school, doing arts and crafts for fairs and<br />
Carolyn with her pet Katie Mae.<br />
sewing for people in order to send my children<br />
to private school.”<br />
When DeGeorge realized what a great<br />
worker she was, her duties expanded to full<br />
time, which included working with the<br />
Local’s bookkeeper, Gertrude (Gertie)<br />
DeGeorge, the president’s wife: “There was<br />
no actual job description that we followed,<br />
and for a long time we could basically interchange.<br />
That was good if someone was<br />
out sick or on vacation.”<br />
After DeGeorge departed, she continued<br />
working with subsequent presidents,<br />
Jay Collins and Harold Bradley, each of<br />
whom she noted had different styles. Being<br />
on the job for two decades she saw a lot<br />
of changes, including moving into the<br />
Local’s own building at 11 Music Circle<br />
North, after being located at 1806 Division<br />
Street just off Music Row.<br />
“Of course, the Opryland complex was<br />
just getting going and when they started The<br />
<strong>Nashville</strong> Network (TNN) in 1983, it created<br />
even more contracts for us. And the<br />
face of the Row has really changed so . . .”<br />
She said her personal musical preferences<br />
ran the gamut: “I love everything<br />
from toe-tapping bluegrass to the <strong>Nashville</strong><br />
Symphony and anything in between . . .”<br />
Among her favorite artists were pianist<br />
Floyd Cramer, crooner George Morgan and<br />
folk favorite John Hartford, all of whom she<br />
got to know. She shared a humorous incident<br />
with us concerning Cramer: “The first<br />
time he ever came into the building after I<br />
started working, I was eating a sandwich<br />
and had just taken a bite. When I looked up<br />
and saw Floyd Cramer, I swallowed, but it<br />
just hung there. Here I am choking to death<br />
and everybody in the office is laughing so<br />
hard, nobody thought to pat me on the back<br />
so I could breathe. How I got that bite of<br />
food back up, I’ll never know. I remember<br />
thinking, ‘Lord, help me!’ and then I<br />
thought I must have been blue in the face<br />
and I wasn’t pretty! When I asked him if I<br />
could have his autograph, he said, ‘Sure.’<br />
Then I pulled up about 15 albums I’d been<br />
saving for him to sign!”<br />
Carolyn Totty was born in Memphis,<br />
daughter of D.A. and Ida Totty. She grew<br />
up there, then moved to Chester County,<br />
where she graduated from Chester County<br />
High School in 1959. She later attended<br />
Freed Hardeman College. Tony and Carolyn<br />
were wed in June 1961.<br />
Since 1966, Tony, who was also a<br />
schoolteacher, and his wife, who sang and<br />
played piano, had lived in the <strong>Nashville</strong><br />
area. A member of the Bellevue Baptist<br />
Church, Carolyn enjoyed helping several<br />
area organizations with whatever their<br />
needs were, such as baking, cooking and<br />
sewing, at which she excelled.<br />
According to longtime friend Otto<br />
Bash, today the Local’s Sergeant-At-Arms,<br />
Carolyn was a “giving of herself soul.” He<br />
said she collected labels from soup cans<br />
which helped funding for elementary school<br />
playground equipment, and also aluminum<br />
(Continued on page 9)