Indian Film Culture.P65 - federation of film societies of india
Indian Film Culture.P65 - federation of film societies of india
Indian Film Culture.P65 - federation of film societies of india
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completion <strong>of</strong> the Art Theatre. He later requested Mr.<br />
A.K.Dey to convey his compliments to Suchitra. The work<br />
on equipping the auditorium also was a major task and this<br />
<strong>of</strong> course was a gradual process, making progress over the<br />
years in a phased manner. By 2000, the auditorium was<br />
full equipped with 16 mm twin projectors, 35 mm dual<br />
projectors, and also LCD projection system for DVD<br />
screenings, with a seating capacity <strong>of</strong> 150.<br />
My association with FFSI<br />
Earlier to 1970, the affairs <strong>of</strong> the <strong>film</strong> <strong>societies</strong> in south<br />
came under the purview <strong>of</strong> the South-West Zone, with its<br />
headquarters at Bombay. In 1970 a separate zone was<br />
formed and the first committee consisted <strong>of</strong> Mrs. Ammu<br />
Swaminathan as Vice-President, S.Krishnaswamy as<br />
Jt.Secretary, Adoor Gopalakrishnan, as Liaison Secretary,<br />
and S.V.Venkataraman as treasurer. This was the first committee<br />
that was nominated by the Central Office. The formation<br />
<strong>of</strong> a new zone for south was necessitated because<br />
<strong>of</strong> the rapid growth in activities and also because <strong>of</strong> the<br />
increase in the number <strong>of</strong> <strong>societies</strong> that came up.<br />
This development was sudden, and the formation <strong>of</strong> a new<br />
Zone, instead <strong>of</strong> easing the situation created a big vacuum.<br />
The Bombay <strong>of</strong>fice felt relieved <strong>of</strong> its responsibility on the<br />
excuse that a separate zone was formed for South. Unfortunately,<br />
the nominated committee never took initiative to<br />
meet for lack <strong>of</strong> much needed coordination and funds. The<br />
two Secretaries lived geographically far away from each<br />
other. The <strong>of</strong>fice was expected to function from Joint<br />
Secretary’s <strong>of</strong>fice, but all letters addressed to his <strong>of</strong>fice remained<br />
unanswered. The entire activity came to a standstill.<br />
There was no circulation <strong>film</strong>s, no affiliations, and<br />
nothing happened for more than six months. Many new<br />
<strong>film</strong> <strong>societies</strong> formed in the south waited for FFSI affiliations.<br />
Suchitra <strong>Film</strong> Society, Bangalore founded in 1971,<br />
was one <strong>of</strong> the many who were waiting for affiliation and<br />
guidance from FFSI.<br />
It was at this point <strong>of</strong> time that I as the founder secretary <strong>of</strong><br />
Suchitra <strong>Film</strong> Society took the initiative to visit Madras,<br />
meet the Vice-President and request her for immediate action.<br />
It was found that the Joint. Secretary was at that time<br />
extremely busy with his pr<strong>of</strong>ession as <strong>film</strong>maker and he<br />
could not spare time for this activity. Frequent visits by<br />
me to Madras ultimately yielded results when A.K.Dey,<br />
Secretary, FFSI central <strong>of</strong>fice, took the action to appoint<br />
Mrs. Rajammal Anantharaman as the Asst Secretary <strong>of</strong> the<br />
FFSI South and the <strong>of</strong>fice was established in her residence.<br />
In spite <strong>of</strong> her age and fragile health, Rajammal<br />
Anantharaman took the responsibility to establish the FFSI<br />
<strong>of</strong>fice in South. I also took initiative to suggest holding <strong>of</strong><br />
a conference <strong>of</strong> all the <strong>Film</strong> Societies in South. Mrs.<br />
August 2010 / <strong>Indian</strong> <strong>Film</strong> <strong>Culture</strong> 50<br />
Anantharaman took immediate step to hold the conference<br />
in Madras in 1974 and this was a historical meeting that<br />
established a firm footing for the FFSI in South.<br />
t was at this conference that the most committed <strong>film</strong> society<br />
activists such as H.N.Narahari Rao, A.V.Rajagopal,<br />
K.S.Govindaraj, S.V.Venkataraman, ISK. Devarayalu,<br />
M.Philip and many others from different parts <strong>of</strong> South<br />
India formed a nucleus which laid the foundation for the<br />
growth <strong>of</strong> the movement in South India. It must be recorded<br />
here that the credit for this healthy development should go<br />
to Mrs. Anantharaman. Mention should be made here <strong>of</strong><br />
the role played by the Madras <strong>Film</strong> Society, in <strong>of</strong>fering the<br />
services <strong>of</strong> D.Srinivasan to assist Mrs. Anantharaman in<br />
her FFSI Work. The <strong>federation</strong> really started working in<br />
the south and flow <strong>of</strong> <strong>film</strong>s started reaching the <strong>societies</strong>.<br />
Subsequently the FFSI hired its own premises and started<br />
functioning actively. I continued to serve the FFSI as its<br />
R.C.Member till 1992 and then retired in favour <strong>of</strong> youngsters.<br />
However it was again in 2000 when the FFSI south faced a<br />
crisis, I was again invited to associate with the FFSI and<br />
since then I have served as its Vice President till now (2010).<br />
During the last forty years <strong>of</strong> my association with this activity,<br />
I have served as founder secretary <strong>of</strong> Suchitra <strong>Film</strong><br />
Society for 25 years and then as its president till 2000, and<br />
24 years in FFSI as RC member and as the Vice President.<br />
I gained lot <strong>of</strong> experience in the movement and I have enjoyed<br />
seeing the great <strong>film</strong>s <strong>of</strong> the world and I have discharged<br />
all my responsibilities entrusted to me including<br />
publication <strong>of</strong> books such as: My Days with <strong>Film</strong> Society<br />
Movement, Glimpses <strong>of</strong> Kannada cinema, The Most<br />
Memorable <strong>film</strong>s <strong>of</strong> the World from the Diaries <strong>of</strong> the<br />
<strong>Film</strong> Societies, and the latest one: The <strong>Film</strong> Society Movement<br />
in India.<br />
Presently I am engaged in writing a World <strong>film</strong> directory<br />
giving details <strong>of</strong> 1000 <strong>film</strong>s recommended for <strong>film</strong>s <strong>societies</strong><br />
and also in establishing a library <strong>of</strong> over 1000 DVDs<br />
for study purpose for <strong>film</strong> society activists.<br />
It is here, at this crucial point <strong>of</strong> time that we, particularly<br />
FFSI should review its strategy to meet the fast changing<br />
scenario. If we become complacent and do not rise to the<br />
occasion then we may suffer a serious debacle. Here are<br />
my humble suggestions.<br />
1. The FFSI should make a comprehensive list <strong>of</strong> <strong>film</strong>s,<br />
(at least 1000) <strong>of</strong> the world that are worth screening by the<br />
<strong>film</strong> <strong>societies</strong>. We should be able to give some details <strong>of</strong><br />
these <strong>film</strong>s. It is a welcome proposal to put it on the website.<br />
For the benefit <strong>of</strong> those who do not have access <strong>of</strong> Internet<br />
we can get it printed also. (Conti..on pg 52 )