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ARRI News September 2009 - ARRI Media

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SAT.1 Frühstücksfernsehen<br />

40 Lighting<br />

New SAT.1 TV Studio in Berlin<br />

<strong>ARRI</strong> True Blue tungsten series perfectly matches HD production environment<br />

SAT.1 "Frühstücksfernsehen" (morning show)<br />

Berlin’s creative and media centre is a very<br />

attractive and urban area, located on the<br />

river Spree by the appropriately named<br />

‘television dock’ (Fernsehwerft). <strong>ARRI</strong> Lighting<br />

Solutions has designed and equipped<br />

two TV studios at this location, each featuring<br />

a wealth of new possibilities in lighting<br />

design. One of them is a 400m 2 studio<br />

that was taken over by the privately owned<br />

SAT.1 TV network in early <strong>2009</strong>.<br />

Of particular importance to the new operator<br />

was the flexible grid and power rail system.<br />

Thoughtfully-combined rail pairs offer<br />

a maximum of freedom in positioning the<br />

lighting fixtures horizontally and vertically,<br />

while the custom-designed track system<br />

now transmits DMX signals. Labour-intensive<br />

changes of DMX and power supply<br />

cables are no longer necessary, as the<br />

dimmer system is now installed directly to<br />

the suspension system. All of this results in<br />

a flexible, effective production environment<br />

that offers a highly dynamic system with<br />

more precision and faster setup times for a<br />

wide variety of productions.<br />

The infrastructure is rounded up by a new<br />

ACN network system (ETC NET3) that easily<br />

integrates a 300m 2 RGB backlight wall<br />

into its comprehensive control. The studio is<br />

equipped with about 100 <strong>ARRI</strong> tungsten<br />

lights, including 70 units of the new <strong>ARRI</strong><br />

True Blue series. These state-of-the-art fixtures<br />

perfectly meet the need for high quality<br />

and high light output in an ultra-modern<br />

HD studio.<br />

“We are very glad to see that our major formats<br />

like the SAT.1 morning show, called<br />

TV BREAKFAST, can now be produced in<br />

the capital,” says Managing Director<br />

Michael Förster. “Berlin is setting standards<br />

and so is our new studio – especially with<br />

respect to a technically advanced and costeffective<br />

production environment. This is<br />

why <strong>ARRI</strong> Lighting Solution’s concept convinced<br />

us right from the start.”<br />

SAT.1 belongs to the ProSieben SAT.1<br />

<strong>Media</strong> AG, which also owns the channels<br />

of kabel eins and N24, making it the second<br />

largest TV group in Europe. It was SAT.1<br />

that initiated the era of private television in<br />

Germany in 1984, just a day before the<br />

launch of RTL plus. Since 1996, SAT.1 has<br />

also been on the internet, and was one of<br />

the first German TV channels to make that<br />

step.<br />

Norbert Wunderlich/Frank Schlammer<br />

Mark-II mo<br />

<strong>ARRI</strong>‘s Repres<br />

For many years <strong>ARRI</strong> has taken great<br />

interest in the regions of Central Asia<br />

with it’s contrasting landscapes and rich<br />

cinematic traditions. Initially, as member<br />

of the company pool of the German<br />

Chamber of Commerce in Kazakhstan,<br />

we received excellent support from the<br />

local representative office (AHK-DIHK)<br />

under the direction of Dr. Shinusalijeva.<br />

We are extremely pleased to have<br />

found a competent and professional<br />

partner in Mark-II Productions capable<br />

of representing our interests in all of<br />

Central Asia. For four of those years,<br />

Mark-II Productions has represented<br />

<strong>ARRI</strong> and is pleased to announce their<br />

move to their new premises in the heart<br />

of the city of Almaty.<br />

Having a permanent local presence in such<br />

a large territory is of great importance to<br />

<strong>ARRI</strong> and is proving to be a great platform to<br />

offer the industry the latest film and digital<br />

technologies. It also provides a great opportunity<br />

to host seminars and training workshops<br />

for local filmmakers.<br />

Recognising the local wealth of creativity in<br />

the craft of filmmaking, <strong>ARRI</strong> introduced a<br />

special award for “Best Cinematography“<br />

Thomas Popp presenting the <strong>ARRI</strong> Award for Best<br />

Cinematography to Oleg Sapharaliev

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