ARRI News September 2009 - ARRI Media
ARRI News September 2009 - ARRI Media
ARRI News September 2009 - ARRI Media
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SAT.1 Frühstücksfernsehen<br />
40 Lighting<br />
New SAT.1 TV Studio in Berlin<br />
<strong>ARRI</strong> True Blue tungsten series perfectly matches HD production environment<br />
SAT.1 "Frühstücksfernsehen" (morning show)<br />
Berlin’s creative and media centre is a very<br />
attractive and urban area, located on the<br />
river Spree by the appropriately named<br />
‘television dock’ (Fernsehwerft). <strong>ARRI</strong> Lighting<br />
Solutions has designed and equipped<br />
two TV studios at this location, each featuring<br />
a wealth of new possibilities in lighting<br />
design. One of them is a 400m 2 studio<br />
that was taken over by the privately owned<br />
SAT.1 TV network in early <strong>2009</strong>.<br />
Of particular importance to the new operator<br />
was the flexible grid and power rail system.<br />
Thoughtfully-combined rail pairs offer<br />
a maximum of freedom in positioning the<br />
lighting fixtures horizontally and vertically,<br />
while the custom-designed track system<br />
now transmits DMX signals. Labour-intensive<br />
changes of DMX and power supply<br />
cables are no longer necessary, as the<br />
dimmer system is now installed directly to<br />
the suspension system. All of this results in<br />
a flexible, effective production environment<br />
that offers a highly dynamic system with<br />
more precision and faster setup times for a<br />
wide variety of productions.<br />
The infrastructure is rounded up by a new<br />
ACN network system (ETC NET3) that easily<br />
integrates a 300m 2 RGB backlight wall<br />
into its comprehensive control. The studio is<br />
equipped with about 100 <strong>ARRI</strong> tungsten<br />
lights, including 70 units of the new <strong>ARRI</strong><br />
True Blue series. These state-of-the-art fixtures<br />
perfectly meet the need for high quality<br />
and high light output in an ultra-modern<br />
HD studio.<br />
“We are very glad to see that our major formats<br />
like the SAT.1 morning show, called<br />
TV BREAKFAST, can now be produced in<br />
the capital,” says Managing Director<br />
Michael Förster. “Berlin is setting standards<br />
and so is our new studio – especially with<br />
respect to a technically advanced and costeffective<br />
production environment. This is<br />
why <strong>ARRI</strong> Lighting Solution’s concept convinced<br />
us right from the start.”<br />
SAT.1 belongs to the ProSieben SAT.1<br />
<strong>Media</strong> AG, which also owns the channels<br />
of kabel eins and N24, making it the second<br />
largest TV group in Europe. It was SAT.1<br />
that initiated the era of private television in<br />
Germany in 1984, just a day before the<br />
launch of RTL plus. Since 1996, SAT.1 has<br />
also been on the internet, and was one of<br />
the first German TV channels to make that<br />
step.<br />
Norbert Wunderlich/Frank Schlammer<br />
Mark-II mo<br />
<strong>ARRI</strong>‘s Repres<br />
For many years <strong>ARRI</strong> has taken great<br />
interest in the regions of Central Asia<br />
with it’s contrasting landscapes and rich<br />
cinematic traditions. Initially, as member<br />
of the company pool of the German<br />
Chamber of Commerce in Kazakhstan,<br />
we received excellent support from the<br />
local representative office (AHK-DIHK)<br />
under the direction of Dr. Shinusalijeva.<br />
We are extremely pleased to have<br />
found a competent and professional<br />
partner in Mark-II Productions capable<br />
of representing our interests in all of<br />
Central Asia. For four of those years,<br />
Mark-II Productions has represented<br />
<strong>ARRI</strong> and is pleased to announce their<br />
move to their new premises in the heart<br />
of the city of Almaty.<br />
Having a permanent local presence in such<br />
a large territory is of great importance to<br />
<strong>ARRI</strong> and is proving to be a great platform to<br />
offer the industry the latest film and digital<br />
technologies. It also provides a great opportunity<br />
to host seminars and training workshops<br />
for local filmmakers.<br />
Recognising the local wealth of creativity in<br />
the craft of filmmaking, <strong>ARRI</strong> introduced a<br />
special award for “Best Cinematography“<br />
Thomas Popp presenting the <strong>ARRI</strong> Award for Best<br />
Cinematography to Oleg Sapharaliev