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JOHN JENNINGS<br />

806 South St<strong>at</strong>e Street, No. 3<br />

Champaign, IL 61820<br />

217.419.1071<br />

jayjay@uiuc.edu<br />

EDUCATIONAL BACKGROUND<br />

Jackson St<strong>at</strong>e <strong>University</strong>, Jackson St<strong>at</strong>e <strong>University</strong>, MS, Bachelor <strong>of</strong> <strong>Art</strong>s, Commercial <strong>Art</strong>, 1993.<br />

<strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>at</strong> Urbana-Champaign, Champaign, IL, Master <strong>of</strong> <strong>Art</strong>s, <strong>Art</strong> Educ<strong>at</strong>ion, 1995<br />

<strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>at</strong> Urbana-Champaign, Champaign, IL, Master <strong>of</strong> Fine <strong>Art</strong>s, Graphic <strong>Design</strong>, 1997<br />

ACADEMIC POSITIONS SINCE FINAL DEGREE<br />

2009-2010<br />

Chair <strong>of</strong> Graphic <strong>Design</strong> Program, <strong>School</strong> <strong>of</strong> <strong>Art</strong> + <strong>Design</strong>, <strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>at</strong> Urbana- Champaign<br />

2008-current<br />

Associ<strong>at</strong>e Pr<strong>of</strong>essor <strong>of</strong> Graphic <strong>Design</strong>, <strong>School</strong> <strong>of</strong> <strong>Art</strong> + <strong>Design</strong>, <strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>at</strong> Urbana-<br />

Champaign<br />

2001-2008<br />

Assistant Pr<strong>of</strong>essor <strong>of</strong> Graphic <strong>Design</strong> (Tenure Track), <strong>School</strong> <strong>of</strong> <strong>Art</strong> + <strong>Design</strong>, <strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>at</strong><br />

Urbana- Champaign<br />

1997-2001<br />

Assistant Pr<strong>of</strong>essor <strong>of</strong> Graphic <strong>Design</strong> (Tenure Track), <strong>Art</strong> Department, Jackson St<strong>at</strong>e <strong>University</strong><br />

OTHER PROFESSIONAL EMPLOYMENT<br />

1996-1997<br />

Senior <strong>Design</strong>er, Wolfram Research, Champaign, IL<br />

1995<br />

Graphic <strong>Design</strong>er (Gradu<strong>at</strong>e Assistant) KCPA, Urbana,IL<br />

1996<br />

Graphic Consultant, Treehouse Consulting, Champaign, IL<br />

1996<br />

Teaching Assistant (<strong>Art</strong> & <strong>Design</strong>) UIUC, IL<br />

1994<br />

Graphic Lab Assistant (Gradu<strong>at</strong>e Assistant) <strong>School</strong> <strong>of</strong> <strong>Art</strong> & <strong>Design</strong>. UIUC


1994–1997<br />

Graphic <strong>Design</strong>er (Gradu<strong>at</strong>e Assistant) Counseling Center. UIUC<br />

1994–1995<br />

Graphic Illustr<strong>at</strong>or (Gradu<strong>at</strong>e Assistant) Guided Individual Study. UIUC<br />

RECENT HONORS AND ACHEIVEMENTS<br />

2009<br />

Nomin<strong>at</strong>ed for two GLYPH Comic Awards (“Best Cover” <strong>and</strong> “Rising Star for Independent Publishing”)<br />

for work on the graphic novel <strong>The</strong> Hole: Consumer Culture, Vol. 1. <strong>The</strong> Hole won the 2009 GCA for<br />

“Rising Star for Independent Publishing”. <strong>The</strong> GLYPHS are given out every year <strong>at</strong> Temple <strong>University</strong><br />

for outst<strong>and</strong>ing work in the comics medium th<strong>at</strong> pertains to the depictions <strong>and</strong> concerns <strong>of</strong> African<br />

Americans.<br />

2008<br />

Awarded the Silver Award in the 37th Annual UCDA <strong>Design</strong> Competition for the Going Green section.<br />

<strong>The</strong> entry chosen was the <strong>School</strong> <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Design</strong>’s BFA C<strong>at</strong>alog for the 2007 exhibition. <strong>The</strong> c<strong>at</strong>alog<br />

was co-art directed by Pr<strong>of</strong>essor Eric Benson <strong>and</strong> design by seniors in our graphic design program.<br />

46 entries were reviewed from around the world. Four silver awards were given.<br />

2008<br />

<strong>The</strong> Hole: Consumer Culture, graphic novel I wrote <strong>and</strong> illustr<strong>at</strong>ed in collabor<strong>at</strong>ion with Damian<br />

Duffy, will be used as required reading in various university level media studies <strong>and</strong> American studies<br />

classes around the country including UC Berkeley, Ohio St<strong>at</strong>e <strong>University</strong>, <strong>University</strong> <strong>of</strong> <strong>Illinois</strong><br />

<strong>at</strong> Chicago, <strong>University</strong> <strong>Illinois</strong> <strong>at</strong> Springfiled, California St<strong>at</strong>e <strong>University</strong> <strong>at</strong> Norhtview, Haverford<br />

College, <strong>and</strong> Darthmouth College.<br />

INVITED LECTURES AND ACADEMIC PANELS<br />

2009<br />

<strong>The</strong> Voodoo <strong>of</strong> the Metapicture. Panel on Graphic Novels <strong>at</strong> the African American Liter<strong>at</strong>ure<br />

Conference, Pennsylvania St<strong>at</strong>e <strong>University</strong>.<br />

2010<br />

Lecture Series in <strong>Art</strong> History, Cincin<strong>at</strong>ti Academy <strong>of</strong> the <strong>Art</strong>s, Cincin<strong>at</strong>ti, OH,<br />

April, (Forthcoming).<br />

2010<br />

Roundtable on African American <strong>Art</strong> History for the Associ<strong>at</strong>ion for Critical Race <strong>Art</strong> History, College<br />

<strong>Art</strong> Associ<strong>at</strong>ion N<strong>at</strong>ional Conference, Chicago, IL (Forthcoming).<br />

2009<br />

Symposium on Comics <strong>and</strong> Social Change, Haverford College, Haverford, PA (Forthcoming).


2009<br />

Invited Lecture for AIGA: Central Pennsylvania Chapter, Millersville St<strong>at</strong>e <strong>University</strong>, Millersville, PA<br />

(Forthcoming).<br />

2009<br />

Digging the Hole: Consumer Culture. College <strong>Art</strong> Associ<strong>at</strong>ion N<strong>at</strong>ional Conference,<br />

Los Angeles, CA.<br />

2009<br />

Steel Hard Skin: <strong>The</strong> African American Body Politic. Black Visual Culture Speaker Series, <strong>University</strong><br />

<strong>of</strong> California <strong>at</strong> Berkeley, Berkeley, CA.<br />

2009<br />

<strong>The</strong> Hole: Consumer Culture. Guest Lecture, LIT 215: World Fantasy <strong>and</strong> Horror, Liter<strong>at</strong>ure<br />

Department, St. Louis Community College <strong>at</strong> Forest Park, St. Louis, MO.<br />

2009<br />

<strong>The</strong> Voodoo <strong>of</strong> the Metapicture. American Compar<strong>at</strong>ive Liter<strong>at</strong>ure Associ<strong>at</strong>ion N<strong>at</strong>ional<br />

Conference, Harvard <strong>University</strong>, Cambridge, MA.<br />

2009<br />

Beyond the Frame: African American Comic Book <strong>Art</strong>ists, Present<strong>at</strong>ion. Flint Institute <strong>of</strong> <strong>Art</strong>s, Flint,<br />

MI.<br />

2009<br />

Out <strong>of</strong> Sequence: Underrepresented Voices in American Comics, Gallery talk/public present<strong>at</strong>ion,<br />

<strong>The</strong> Belmar Labor<strong>at</strong>ory <strong>of</strong> <strong>Art</strong> <strong>and</strong> Ideas, Denver, CO,October-December 2008 - April .<br />

2008<br />

Ethics <strong>of</strong> the <strong>Design</strong>er in a Global Economy (EDGE): A Course on Ethics, Diversity <strong>and</strong> Social <strong>and</strong><br />

Environmental Sustainability (with Pr<strong>of</strong>. Eric Benson), <strong>The</strong> London College <strong>of</strong> Communic<strong>at</strong>ion,<br />

London, Engl<strong>and</strong>.<br />

2008<br />

Ethics <strong>of</strong> the <strong>Design</strong>er in a Global Economy (EDGE): A Course on Ethics, Diversity <strong>and</strong> Social <strong>and</strong><br />

Environmental Sustainability (with Pr<strong>of</strong>. Eric Benson), Dekalb, IL, Northern <strong>Illinois</strong> <strong>University</strong>, UCDA<br />

Conference.<br />

2008<br />

Other Heroes: Comics, Cur<strong>at</strong>ion, <strong>and</strong> Research (with Damian Duffy), St. Louis, MO, <strong>The</strong> St. Louis<br />

City <strong>Art</strong>fest, St. Louis Community College <strong>at</strong> Forest Park.<br />

2008<br />

<strong>The</strong> Abyss Gazes Also: Horror <strong>and</strong> Metaphor in the Hole: Consumer Culture (with Damian Duffy), St.<br />

Louis,MO, <strong>The</strong> St. Louis City <strong>Art</strong>fest, St. Louis Community College <strong>at</strong> Forest Park.<br />

2007<br />

Rise <strong>of</strong> <strong>The</strong> See-Jay: Hip Hop <strong>and</strong> Image Culture , Johnson C. Smith <strong>University</strong>.<br />

Charlotte, NC.


2007<br />

Remasters <strong>of</strong> American Comics: Sequential art as new media in the face <strong>of</strong> the transform<strong>at</strong>ive<br />

museum context. 12th Annual Intern<strong>at</strong>ional Comic <strong>Art</strong>s Forum (ICAF). <strong>The</strong> Library <strong>of</strong> Congress,<br />

James Madison Building, Washington D. C.<br />

2007<br />

Virtual Unreality <strong>and</strong> the Shape <strong>of</strong> Time: Virtual comics, postmodern self-referentiality, <strong>and</strong> the<br />

fourth dimension, Comic <strong>Art</strong>s Festival. Cartoon Research Library, Ohio St<strong>at</strong>e <strong>University</strong>, Columbus,<br />

OH.<br />

2007<br />

<strong>The</strong> Abyss Gazes Also: Signifying the Hole <strong>and</strong> Repossessing Consumer Culture , Fine Print:<br />

Altern<strong>at</strong>ive Media <strong>at</strong> P.S.1 Presents: Front Forty Press . P.S. 1 Contemporary <strong>Art</strong> Center. Long Isl<strong>and</strong><br />

City, NY. (with reading from the graphic novel <strong>The</strong> Hole: Consumer Culture).<br />

2007<br />

<strong>The</strong> Road to Other Heroes, Dolleye M.E. Robinson Liberal <strong>Art</strong>s Building, Jackson St<strong>at</strong>e <strong>University</strong>,<br />

Jackson,MS. (with visiting artist workshop <strong>and</strong> cur<strong>at</strong>ed show).<br />

2007<br />

Dark Imaginings: <strong>The</strong> Work <strong>of</strong> John Jennings, Barrows Hall, <strong>University</strong> <strong>of</strong> California <strong>at</strong> Berkeley,<br />

Berkeley, CA.<br />

2007<br />

Trees You Can’t Climb, Video Conference Present<strong>at</strong>ion, Department <strong>of</strong> English <strong>and</strong> Liter<strong>at</strong>ure,<br />

Dartmouth College, Hanover, NH.<br />

2006<br />

Pictures <strong>of</strong> a P<strong>at</strong>h: <strong>The</strong> Work <strong>of</strong> Jennings <strong>and</strong> Duffy, Hopkins Hall, Ohio St<strong>at</strong>e <strong>University</strong>, Columbus,<br />

OH. (with visiting artist workshop <strong>and</strong> exhibition).<br />

2006<br />

Stencil Power, W<strong>at</strong>ts Tower <strong>Art</strong>s Center, Los Angeles, CA. (with visiting artist workshop <strong>and</strong> exhibition).<br />

2007<br />

Voodoo Dolls <strong>and</strong> the Appetite for Hunger: <strong>The</strong>mes <strong>of</strong> racial commodific<strong>at</strong>ion in <strong>The</strong> Hole:<br />

Consumer Culture by Damian Duffy <strong>and</strong> John Jennings. Collegium for African American Research<br />

Conference on Blackness <strong>and</strong> Modernities, Universidad Nacional de Educación a Distancia, Madrid,<br />

Spain.<br />

2007<br />

Dezyne Klass: Exploring Image making through the Visual Culture <strong>of</strong> Hip Hop, American Institute <strong>of</strong><br />

Graphic <strong>Art</strong>s <strong>Design</strong> Frontiers Conference, Denver, CO.


2006<br />

Voodoo Dolls <strong>and</strong> the Appetite for Hunger: <strong>The</strong>mes <strong>of</strong> racial commodific<strong>at</strong>ion in <strong>The</strong> Hole:<br />

Consumer Culture by Damian Duffy <strong>and</strong> John Jennings. 22nd Annual Symposium on African American<br />

Culture <strong>and</strong> Philosophy. Purdue <strong>University</strong>, West Lafayette, IN.<br />

2006<br />

Cursing Voodoo: <strong>The</strong> Horror <strong>of</strong> Racial Commodific<strong>at</strong>ion in <strong>The</strong> Hole: Consumer Culture .2006 Annual<br />

Conference <strong>of</strong> the Mid-Atlantic Popular/ American Culture Associ<strong>at</strong>ion Baltimore, MD.<br />

2006<br />

Virtual Unreality <strong>and</strong> the Shape <strong>of</strong> Time: Virtual comics, postmodern self-referentiality, <strong>and</strong> the<br />

fourth dimension. 11th Annual Intern<strong>at</strong>ional Comic <strong>Art</strong>s Forum (ICAF). <strong>The</strong> Library <strong>of</strong> Congress,<br />

James Madison Building, Washington D. C.<br />

2005<br />

Dezyne Klass: Exploring Image making through the visual culture <strong>of</strong> HipHop. N<strong>at</strong>ional Hip Hop<br />

Conference <strong>at</strong> Purdue <strong>University</strong>.<br />

2004<br />

Webcomics: How Technology Alters Narr<strong>at</strong>ive. N<strong>at</strong>ional Conference on <strong>Art</strong> <strong>and</strong> Storytelling. <strong>School</strong> <strong>of</strong><br />

Visual <strong>Art</strong>. New York, NY.<br />

2004<br />

Gangsta by <strong>Design</strong>: How HipHop affects visual communic<strong>at</strong>ion. AIGA’s ( American Institute <strong>of</strong><br />

Graphic <strong>Art</strong>s) FutureHistory <strong>Design</strong> Educ<strong>at</strong>ion conference. Chicago, IL.<br />

2004<br />

Exploring the Narr<strong>at</strong>ive in <strong>Art</strong> <strong>and</strong> <strong>Design</strong> Pedagogy. Cre<strong>at</strong>ive Space: Digital Space Conference <strong>at</strong><br />

Miami <strong>University</strong> <strong>at</strong> Ohio. Oxford, OH.<br />

REVIEW PANELS (e.g., for Governmental Agencies, Educ<strong>at</strong>ional Institutions)<br />

2006<br />

Panel Moder<strong>at</strong>or, Served as panel moder<strong>at</strong>or for <strong>Illinois</strong> Cre<strong>at</strong>es. <strong>The</strong> panel examined findings from<br />

a st<strong>at</strong>ewide survey <strong>of</strong> the effectiveness <strong>of</strong> arts educ<strong>at</strong>ion in grammar school. <strong>The</strong> event was held <strong>at</strong><br />

the Virginia, <strong>The</strong><strong>at</strong>re in Champaign, IL.<br />

BOOKS AUTHORED OR CO-AUTHORED (in print or accepted)<br />

2010<br />

Jennings, John <strong>and</strong> Duffy, Damian. Black Comix: African American Independent Comics <strong>and</strong> Culture.<br />

New York, NY. Mark B<strong>at</strong>ty Publisher(forthcoming).<br />

2007<br />

Duffy, Damian <strong>and</strong> Jennings, John. <strong>The</strong> Hole: Consumer Culture,vol.1. Chicago, IL: Front Forty<br />

Press, Distributor: <strong>University</strong> <strong>of</strong> Chicago Press.


2008<br />

Duffy, Damian <strong>and</strong> Jennings, John. <strong>The</strong> Hole: Consumer Culture, vol.2. Chicago,IL: Front 40 Press,<br />

Distributor: <strong>University</strong> <strong>of</strong> Chicago Press),(accepted)<br />

BOOKS EDITED OR CO-EDITED (in print or accepted)<br />

2009<br />

G<strong>at</strong>eward, Frances, Jennings, John <strong>and</strong> Duffy, Damian. <strong>The</strong> Blacker the Ink: Constructions <strong>of</strong><br />

Blackness in Comics <strong>and</strong> Sequential <strong>Art</strong>. Detroit, MI: Wayne St<strong>at</strong>e <strong>University</strong> Press.<br />

2007<br />

Kitwana, Bakari. Represent!: <strong>The</strong> Hip Hop Gener<strong>at</strong>ion for Kids. Chicago,IL: Third World Press.<br />

CHAPTERS IN BOOKS (in print or accepted)<br />

2010<br />

Jennings, John. “<strong>The</strong> Sequential Narr<strong>at</strong>ive: Stories in Practice,” in Drawing Ideas:<br />

A Practical Guide for Visualizing Thinking. edited by Editor William Bardel<br />

<strong>and</strong> Mark Baskinger, Carnegie Mellon, Pittsburgh, PA. Spring.<br />

2007<br />

Jennings, John. “<strong>The</strong> Chance Project” Brown v. Board Celebr<strong>at</strong>ion Volume, O’Brien, David ed.,<br />

Champaign, IL. <strong>University</strong> <strong>of</strong> <strong>Illinois</strong> Press,<br />

2006<br />

Jennings, John. “Dezyne Klass: Exploring the Visual Communic<strong>at</strong>ion In Hip Hop Culture” <strong>Design</strong><br />

Research: <strong>Design</strong>ing Culture, Bennett, Audrey, ed. New York: Princeton Architectural Press.<br />

2006<br />

Jennings, John. ”<strong>The</strong> Wanted Poster Project”. American Popular Culture: Historical <strong>and</strong> Pedagogical<br />

Perspectives, Leventman, Seymour, ed. Newcastle on Tyne, UK, Cambridge Scholar’s Press.<br />

2006<br />

Jennings, John. ”Hypograffi: Low Culture + High Ideas”. Graffitecture, Fogelson, Douglas, ed.<br />

Chicago, IL, Front Forty Press.<br />

ONE-PERSON EXHIBITIONS SINCE INITIAL APPOINTMENT<br />

2009<br />

M<strong>at</strong>terz <strong>of</strong> the Fact: the New Line from John Jennings (upcoming), VSU Student Union Gallery,<br />

Virginia St<strong>at</strong>e <strong>University</strong>, Petersburg,VA. September.<br />

2009<br />

M<strong>at</strong>terz <strong>of</strong> the Fact: the New Line from John Jennings, Sawhill Gallery, James Madison <strong>University</strong>,<br />

Harrisonburg,VA. February.


2006<br />

Eye Trauma: <strong>The</strong> Sequential <strong>Art</strong> <strong>of</strong> John Jennings, Hopkins Hall Gallery, Ohio St<strong>at</strong>e <strong>University</strong>,<br />

Columbus, OH October, . This show was in t<strong>and</strong>em with a visiting artist talk, gradu<strong>at</strong>e studio visit,<br />

<strong>and</strong> discussion session about my work in graphic novels with my writing partner Damian Duffy.<br />

GROUP EXHIBITIONS<br />

2010<br />

HELLO!: Annual <strong>Design</strong> Exhibition, <strong>University</strong> <strong>of</strong> South Dakota, Vermilion, SD. (forthcoming).<br />

2009<br />

KSCS Intern<strong>at</strong>ional Invit<strong>at</strong>ional Exhibition <strong>of</strong> Color Works, Garam Hall, Hong-Ik <strong>University</strong>, Seoul,Kor<br />

ea.(forthcoming).<br />

2007<br />

Speak Up St. Louis: <strong>The</strong> American Democracy Project. Regional <strong>Art</strong>s Commission, St. Louis, MO.<br />

Cur<strong>at</strong>ed by Michael Crane.<br />

2007<br />

Looking for a Face Like Mine. Museuam <strong>of</strong> Comics <strong>and</strong> Cartoon <strong>Art</strong>, New York, NY. Cur<strong>at</strong>ed by<br />

Pr<strong>of</strong>essor Bill Foster.<br />

2007<br />

<strong>The</strong> Furious <strong>Art</strong> Show. Eyedrum Gallery, Atlanta, GA. Cur<strong>at</strong>ed by N<strong>at</strong>acha Roussel<br />

2007<br />

HASTAC: the Inform<strong>at</strong>ion Year Intern<strong>at</strong>ional Conference Duke <strong>University</strong>, Durham, NC. <strong>The</strong> highly<br />

collabor<strong>at</strong>ive interactive performance piece “Mixtapestry” was fe<strong>at</strong>ured in this show <strong>and</strong> conference<br />

along with the virtual version <strong>of</strong> “Trees You Can’t Climb” by Damian Duffy <strong>and</strong> myself.<br />

2007<br />

Other Heroes, Jackson St<strong>at</strong>e <strong>University</strong>, Dollye M.E. Robinson Liberal <strong>Art</strong>s Building Gallery, Jackson,<br />

MS. This show focused on racial represent<strong>at</strong>ions in popular culture, centered around ideas <strong>of</strong><br />

“blackness” in the comics medium. (Co-cur<strong>at</strong>ors John Jennings <strong>and</strong> Damian Duffy)<br />

2007<br />

Subvertisements, California St<strong>at</strong>e <strong>University</strong>, Northridge <strong>Art</strong> Galleries, Northridge,CA . This show<br />

was cur<strong>at</strong>ed by <strong>The</strong> Center for the Study <strong>of</strong> Political Graphics.<br />

2006<br />

<strong>The</strong> Soul Powered <strong>Art</strong> Show, Seven Studioz. Jackson, MS. This show was cur<strong>at</strong>ed by Ken P<strong>at</strong>terson<br />

(aka Leroy Rockwell). It focused on artwork inspired by 70s Funk culture <strong>and</strong> Blaxploit<strong>at</strong>ion film.<br />

2006<br />

Hip Hop 86-88: <strong>The</strong> Golden Era, Southwest <strong>Art</strong> Center, Atlanta, GA. This show was cur<strong>at</strong>ed by<br />

Radcliffe Bailey <strong>and</strong> fe<strong>at</strong>ured ten artists who competed for this group show. <strong>The</strong> pieces centered<br />

around Hip Hop <strong>and</strong> its culture.


2006<br />

Portraits Inclusive, Hopkins Hall Gallery, Ohio St<strong>at</strong>e <strong>University</strong>, Columbus, OH. Part <strong>of</strong> a celebr<strong>at</strong>ion<br />

<strong>of</strong> the classically painted portraits <strong>of</strong> the Ohio St<strong>at</strong>e <strong>University</strong> presidents, this additional show fe<strong>at</strong>ured<br />

a vast array <strong>of</strong> portraits <strong>of</strong> various historic personalities.<br />

2006<br />

Raise Your Voice: <strong>The</strong> American Democracy Project, <strong>Art</strong> Center Gallery, <strong>University</strong> <strong>of</strong> Central<br />

Missouri. Warrensburg, MO.<br />

2006<br />

<strong>The</strong> <strong>Art</strong>ooning Show, <strong>The</strong> Main Street Gallery, Groton, NY. Fe<strong>at</strong>ured cartooning <strong>and</strong> gallery comics<br />

from across the n<strong>at</strong>ion.<br />

2006<br />

Prison N<strong>at</strong>ion: Posters on the Prison Industrial Complex, <strong>The</strong> W<strong>at</strong>ts Tower <strong>Art</strong> Center, Los Angeles,<br />

CA.<br />

2006<br />

Dear Diary: <strong>The</strong> Autobiographical Comic Book, Athens Institute for Contemporary <strong>Art</strong>, Athens, GA.<br />

2005<br />

Commercial Visions: Personal Illustr<strong>at</strong>ions, Parkl<strong>and</strong> College Gallery, Parkl<strong>and</strong> College, Champaign,<br />

IL.<br />

2005<br />

Warning: Contains Graphic Images. A Cultural Critique Through Comics, Union Gallery, <strong>University</strong> <strong>of</strong><br />

Wisconsin <strong>at</strong> Milwaukee. Fe<strong>at</strong>ured works by cartoonists who use the medium for social justice issues<br />

including <strong>Art</strong> Spiegelman <strong>and</strong> Craig Thompson.<br />

2005<br />

<strong>The</strong> Cold Busted <strong>Art</strong> Show, <strong>The</strong> Defoores Center, Atlanta, GA. This show was cur<strong>at</strong>ed by Jabari<br />

Graham <strong>of</strong> <strong>Art</strong>s, Be<strong>at</strong>s+ Lyrics. It fe<strong>at</strong>ured portraits <strong>of</strong> celebrities who have been arrested.<br />

2005<br />

<strong>Art</strong>s Be<strong>at</strong>s + Lyrics, <strong>The</strong> High <strong>Art</strong> Museum, Atlanta, GA. This show was cur<strong>at</strong>ed by Jabari Graham <strong>of</strong><br />

<strong>Art</strong>s, Be<strong>at</strong>s,+ Lyrics. This show fe<strong>at</strong>ured work inspired <strong>and</strong> rel<strong>at</strong>ed to Hip Hop culture.<br />

2005<br />

Race: Enter Personal Politics, Athens Institute for Contemporary <strong>Art</strong>, Athens, GA .<br />

2005<br />

125th Anniversary <strong>Art</strong> Show, Jackson St<strong>at</strong>e Memorial Gallery, Jackson St<strong>at</strong>e <strong>University</strong>, Jackson, MS.<br />

This show was a collection <strong>of</strong> alumni work <strong>and</strong> precious pieces from the JSU art collection.


IMAGES OF ARTWORK REPRODUCED IN PUBLICATIONS (Printed <strong>and</strong> Online)<br />

2010<br />

“Funsten 500”, “Sarah White”, “Frederick Douglass”, “James Baldwin”, Celebr<strong>at</strong>e Peoples’ History,<br />

edited by Josh McPhee, S<strong>of</strong>t Skull Press,(forthcoming).<br />

2010<br />

“Dawg 1”, “Dawg 2”, “B#Tch”, “Chickenhead”, Words, Be<strong>at</strong>s, <strong>and</strong> Life: Global Journal <strong>of</strong> Hip Hop,<br />

Volume 4, No. 2, Washington, D.C.,(forthcoming).<br />

2009<br />

“Prisons Suck,” <strong>and</strong> “Prisons=Slavery”, THERE: Journal <strong>of</strong> <strong>Design</strong>, <strong>University</strong> <strong>of</strong> MInnesota, pgs. 27<br />

<strong>and</strong> 31.<br />

2008<br />

“W<strong>at</strong>chmen,” “Idiotboxer”, “Prison Inc.”, “Save U.S.” (Printed), Reproduce <strong>and</strong> Revolt. edited by<br />

MacPhee, Josh, <strong>and</strong> Rodgriguez, Favianna. New York, NY: S<strong>of</strong>t Skull Press.<br />

2008<br />

Lupton, Ellen. Indie Publishing. Princeton Architectural Press, New York, NY.<br />

SUBJECT OF REVIEWS OR PUBLISHED ARTICLES (Printed <strong>and</strong> Online)<br />

2009<br />

Bhana-Young, Hershini, “Aliens <strong>of</strong> the 21st Century: <strong>The</strong> Rise <strong>of</strong> the See-Jay,” This article is or a collection<br />

<strong>of</strong> essays on performance <strong>and</strong> black identity <strong>and</strong> is forthcoming. This piece is a chapter on<br />

my artwork <strong>and</strong> a close analysis <strong>of</strong> the tropes evident in the work regarding Afro-futurism, racism,<br />

<strong>and</strong> consumption <strong>of</strong> racialized stereotypes.<br />

2009<br />

John Jennings: Diversity <strong>Art</strong>ist in Residence, James Madison <strong>University</strong>, Sawhill Gallery,<br />

Harrisonburg, VA. This was a full-color, 84 page c<strong>at</strong>alog detailing my visit to JMU as a “diversity”<br />

scholar in residence for two weeks during my sabb<strong>at</strong>ical which gener<strong>at</strong>ed the ideas for M<strong>at</strong>terz <strong>of</strong><br />

the Fact, my one man show on race <strong>and</strong> consumption <strong>of</strong> the black body.<br />

2009<br />

Guilbert,Georges-Claude. Review <strong>of</strong> <strong>The</strong> Hole: Consumer Culture, vol. 1, GRAAT a peer reviewed<br />

journal <strong>of</strong> Anglophone Studies for . May . (http://www.gra<strong>at</strong>.fr/review4_Duffy.htm)<br />

2008<br />

Gardner, Jared. Review <strong>of</strong> <strong>The</strong> Hole: Consumer Culture, vol. 1, www.guttergeek.com. (http://<br />

www.guttergeek.com/page184/june2008/hole/hole.html)<br />

2008<br />

Cabezuelo, Pedro. Review <strong>of</strong> <strong>The</strong> Hole: Consumer Culture, vol. 1, Rue Morgue Magazine, No. 84.<br />

2008<br />

My graphic novel <strong>The</strong> Hole: Consumer Culture was fe<strong>at</strong>ured to in the printed article “Wh<strong>at</strong>’s E<strong>at</strong>ing<br />

You?”, UVC Magazine.


2008<br />

My graphic novel <strong>The</strong> Hole: Consumer Culture was referred to in the printed article “You Should<br />

Know...”, Chicago Magazine.<br />

2008<br />

My graphic novel <strong>The</strong> Hole: Consumer Culture was referred to in the printed article “Press Play”,<br />

URB Magazine.<br />

2008<br />

My graphic novel <strong>The</strong> Hole: Consumer Culture was referred to in the online article “<strong>The</strong> Hole by<br />

Duffy <strong>and</strong> Jennings”, www.popcultureshock.com, April (http://www.popcultureshock.com/ thehole-by-duffy<strong>jennings</strong>/<br />

43518/)<br />

2007<br />

K<strong>at</strong>hy Hanrahan, “Heroic Visions,” <strong>The</strong> Associ<strong>at</strong>ed Press. This article was circul<strong>at</strong>ed worldwide<br />

<strong>and</strong> was picked up by news agencies in the UK, Australia, Jamaica, Taiwan, Greece <strong>and</strong> France.<br />

Prominent news services picked up in the United St<strong>at</strong>es as well; CNN.com, Forbes.com, MSNBC, <strong>The</strong><br />

San Francisco Chronicle <strong>and</strong> many other papers across the country.<br />

2007<br />

Nientara Anderson, “Comics: In Black <strong>and</strong> White,” <strong>The</strong> Jackson Free Press.<br />

2007<br />

Sherry Lucas, “Beyond Superheroes,” <strong>The</strong> Clarion Ledger.<br />

2007<br />

Jeffrey W<strong>at</strong>son, “Interview: Dawud Anyabwile,” (http://www.thedailycrossh<strong>at</strong>ch.com) <strong>The</strong> Daily<br />

Crossh<strong>at</strong>ch.<br />

2006<br />

Melissa Merrill, “Visual History <strong>of</strong> Hip-Hop,” <strong>The</strong> News Gazette.<br />

2005<br />

Melissa Merrill, “Horrific St<strong>at</strong>ements,” <strong>The</strong> News Gazette.<br />

2005<br />

Brian Warmoth, “Filling a Hole with Words <strong>and</strong> Pictures,” <strong>The</strong> Weekly Buzz.<br />

VISITING ARTIST WORKSHOPS SINCE INITIAL APPOINTMENT<br />

2010<br />

New Mexico St<strong>at</strong>e Universtiy.<br />

2007<br />

Jackson St<strong>at</strong>e <strong>University</strong>, Jackson, MS.<br />

2006<br />

Ohio St<strong>at</strong>e <strong>University</strong>, Columbus, OH.


2006<br />

W<strong>at</strong>ts Tower <strong>Art</strong> Center, Los Angeles, CA.<br />

PUBLIC COLLECTIONS<br />

2007<br />

Doshisha <strong>University</strong>, Kyoto, Japan. (“RAGE” poster, “<strong>The</strong> Hole” poster, “Urban Vampire” poster,<br />

“Stoneye Jackson” poster (1) <strong>of</strong> each..<br />

2006<br />

Center for the Study <strong>of</strong> Political Graphics, Los Angeles, CA, . (Prison Poster series (6), Rage. Digital<br />

Illustr<strong>at</strong>ions printed on archival paper).<br />

2004<br />

Jackson St<strong>at</strong>e <strong>University</strong>, Jackson, MS, . (Boxcutter. Digital Illustr<strong>at</strong>ion on archival paper).<br />

COMMISSIONS (<strong>Design</strong> work)<br />

2009<br />

CrowDawg Bicycle-fitters logo for OJC, Urbana, IL.<br />

2009<br />

Barack Obama: Saddleback Graphic Biography, Saddleback Publishing via Public<strong>at</strong>ion Services, New<br />

York, NY. I illustr<strong>at</strong>ed a 25 page comic for children on the life <strong>of</strong> Barack Obama.<br />

2006<br />

<strong>Design</strong>er, Rap Sessions Hip Hop culture <strong>and</strong> community panel proposal.<br />

2005<br />

<strong>Design</strong>er, Poster <strong>Design</strong> for “<strong>The</strong> Cold Busted Show”.<br />

2005<br />

<strong>Design</strong>er, Brochure <strong>Design</strong> for Bakari Kitwana Lecture Series.<br />

2004<br />

<strong>Design</strong>er, Universoul Circus KIDZ CLUB logo.<br />

2004<br />

<strong>Design</strong>er, Farish Street Logo/Corpor<strong>at</strong>e Sponsors’ Packet<br />

2003<br />

<strong>Design</strong>er, Without Sanctuary Exhibition promotional m<strong>at</strong>erials.<br />

2003<br />

<strong>Design</strong>er, MDEQ “Actcess” Banner design.<br />

2003<br />

<strong>Design</strong>er, MDEQ ERC Banner design.


2003<br />

<strong>Design</strong>er, MDEQ ERC Brochure design <strong>and</strong> layout.<br />

2003<br />

<strong>Design</strong>er, CD Cover <strong>Design</strong> for Semaj.<br />

2003<br />

<strong>Design</strong>er, CD Cover <strong>Design</strong> for the Primeridian.<br />

2003<br />

<strong>Design</strong>er, Mississippi Learning Institute Corpor<strong>at</strong>e Identity.<br />

2003<br />

<strong>Design</strong>er, Universoul Circus/Burger King Project character designs.<br />

2003<br />

<strong>Design</strong>er, Writes <strong>of</strong> Passage CD <strong>Design</strong>.<br />

2003<br />

<strong>Design</strong>er, Anjel Majick Studios.<br />

2003<br />

<strong>Design</strong>er, Farish Street Heritage Festival Proposal.<br />

2002<br />

<strong>Design</strong>er, Smith-Robertson Museum “Hair” Exhibitionposter design.<br />

2002<br />

<strong>Design</strong>er, Gibbs/Green Celebr<strong>at</strong>ion promotional m<strong>at</strong>erials.<br />

2002<br />

<strong>Design</strong>er, MDEQ Actcess Brochure.<br />

2002<br />

<strong>Design</strong>er, Vending Machine Graphic.<br />

2002<br />

<strong>Design</strong>er, “<strong>The</strong> Attic” Poetry Book Cover <strong>and</strong> Book design.<br />

2002<br />

<strong>Design</strong>er, Brock Innov<strong>at</strong>ive Group logo.<br />

2002<br />

<strong>Design</strong>er, Misha’s Models logo.<br />

2002<br />

<strong>Design</strong>er, Juana Records CD design, Inc.<br />

2002<br />

<strong>Design</strong>er, Smith Robertson Museum logo <strong>and</strong> identity.


2002<br />

<strong>Design</strong>er, JSU logo <strong>and</strong> identity.<br />

2002<br />

<strong>Design</strong>er, JSU 125 logo <strong>and</strong> identity.<br />

2002<br />

<strong>Design</strong>er, Writes <strong>of</strong> Passage Flyer design.<br />

2002<br />

<strong>Design</strong>er, Primeridian CD Package design.<br />

2002<br />

<strong>Design</strong>er, Biggame77 logo.<br />

2002<br />

<strong>Design</strong>er, Actcess Kiosk Display.<br />

2002<br />

<strong>Design</strong>er, Misha’s Models Promotional m<strong>at</strong>erial designs.<br />

COMMISSIONS (Illustr<strong>at</strong>ion work)<br />

2007<br />

Illustr<strong>at</strong>or, for “Ben Templesmith’s: Wormwood Graphic Novel”, March , Idea Works Publishing.<br />

2006<br />

Illustr<strong>at</strong>or , for “Dead Men Tell No Tales”, February , Arcana Press.<br />

2006<br />

Illustr<strong>at</strong>or, Book Illustr<strong>at</strong>ions for “<strong>The</strong> Hip-Hop Gener<strong>at</strong>ion for Beginners”.<br />

2006<br />

Illustr<strong>at</strong>or, Illustr<strong>at</strong>ions for “Day Eight”, <strong>University</strong> <strong>of</strong> <strong>Illinois</strong>’ Chancellor’s Office/K<strong>at</strong>rina Summit<br />

Committee.<br />

2006<br />

Illustr<strong>at</strong>or, Illustr<strong>at</strong>ions for “<strong>The</strong> Mixxtapestry”.UUIC/Duke <strong>University</strong><br />

2005<br />

Illustr<strong>at</strong>or, Spot Illustr<strong>at</strong>ions for Arcana Press.<br />

2003<br />

Illustr<strong>at</strong>or, JSU Football Team Illustr<strong>at</strong>ion Project.


EXHIBITIONS CURATED<br />

2008<br />

Out <strong>of</strong> Sequence: Underrepresented Voices in American Comics, <strong>The</strong> Krannert <strong>Art</strong> Museum,<br />

<strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>at</strong> Urbana-Champaign, Champaign, IL co-cur<strong>at</strong>ed by: Damian Duffy (selected<br />

artists, wrote pieces for c<strong>at</strong>alog, selected essays <strong>and</strong> artists for caltalog, helped design show)<br />

2007<br />

Other Heroes: African-American Comics <strong>and</strong> their Cre<strong>at</strong>ors, Jackson St<strong>at</strong>e Univeristy <strong>Art</strong> Gallery,<br />

JSU, Jackson, MS, co-cur<strong>at</strong>ed by: Damian Duffy (selected artists, cre<strong>at</strong>ed promotional pieces for<br />

show, wrote grants for show, contacted charities for show, coordin<strong>at</strong>ing design <strong>and</strong> content <strong>of</strong> c<strong>at</strong>alog,<br />

installing show)<br />

2006<br />

Hip-Hop Expressionz 2: <strong>The</strong> Visual Culture <strong>of</strong> Hip-Hop, Illini Student Union Gallery, <strong>University</strong> <strong>of</strong><br />

<strong>Illinois</strong> <strong>at</strong> Urbana-Champaign, Champaign, IL (selected artists, wrote gallery guide, helped with promotion)<br />

2006<br />

<strong>The</strong> Anti-H<strong>at</strong>e Show, Illini Student Union Gallery, <strong>University</strong> <strong>of</strong> <strong>Illinois</strong> <strong>at</strong> Urbana- Champaign,<br />

Champaign,IL.(selected works). co-cur<strong>at</strong>ed by: K<strong>at</strong>hie Hargraves ( undergradu<strong>at</strong>e in the <strong>School</strong> <strong>of</strong><br />

<strong>Art</strong> <strong>and</strong> <strong>Design</strong>.)<br />

2006<br />

Hip-Hop Expressionz: <strong>The</strong> Visual Culture <strong>of</strong> Hip-Hop, Illini Student Union Gallery, <strong>University</strong> <strong>of</strong><br />

<strong>Illinois</strong> <strong>at</strong> Urbana-Champaign, Champaign, IL (selected work, helped promote)<br />

SERVICE<br />

Public Service<br />

2007-current<br />

Board <strong>of</strong> Directors <strong>of</strong> Educ<strong>at</strong>ion for HABLA! Underground (Harvesting Asian Black <strong>and</strong> L<strong>at</strong>ino Aristists)<br />

a Los Angeles based non-for-pr<strong>of</strong>it organiz<strong>at</strong>ion th<strong>at</strong> seeks to educ<strong>at</strong>e young minorities <strong>and</strong> underserved<br />

popul<strong>at</strong>ions in the arts.<br />

2008<br />

Ad Hoc advisory committee for the redesign <strong>of</strong> the Graphic <strong>Design</strong> curriculum <strong>at</strong> Jackson St<strong>at</strong>e<br />

<strong>University</strong>, Jackson, MS in order to secure NASAD accredit<strong>at</strong>ion.<br />

2008<br />

Don<strong>at</strong>ed artworks for L<strong>at</strong>e Night Space, proceeds went to further to program <strong>and</strong> mission <strong>of</strong> Habit<strong>at</strong><br />

for Humanity, Champaign, IL, .<br />

2008<br />

Public Lecture: Other Heroes: <strong>The</strong> work <strong>of</strong> Duffy <strong>and</strong> Jennings, Go Graphic Project, Urbana Free<br />

Library, Urbana, IL.


2007<br />

Cur<strong>at</strong>ed show “Other Heroes” <strong>at</strong> Jackson St<strong>at</strong>e <strong>University</strong>. Proceeds <strong>of</strong> sale <strong>of</strong> c<strong>at</strong>alog will go to<br />

Hurricane K<strong>at</strong>rina Survivors.<br />

2006<br />

<strong>Design</strong>er. <strong>Design</strong>ed a buswrap for the Champaign-Urbana Public Health District th<strong>at</strong> urges under<br />

served youth to get tested for HIV/AIDS <strong>and</strong> other STDs.<br />

2006<br />

Moder<strong>at</strong>or. Moder<strong>at</strong>ed <strong>Illinois</strong> Cre<strong>at</strong>es forum on arts educ<strong>at</strong>ion in schools.<br />

2005<br />

Presenter. Str<strong>at</strong>ton Elementary on being an illustr<strong>at</strong>or <strong>and</strong> graphic designer.<br />

2004<br />

Presenter. Champaign-Public Library about censorship in comics.<br />

2003<br />

Presenter. <strong>The</strong> People’s Empowerment Program is a Jackson, Mississippi based non-pr<strong>of</strong>it organiz<strong>at</strong>ion<br />

dedic<strong>at</strong>ed to cre<strong>at</strong>ing a bridge between the community <strong>and</strong> local government. I cre<strong>at</strong>ed their<br />

corpor<strong>at</strong>e identity for them.<br />

2003<br />

<strong>Design</strong>er. <strong>The</strong> Brock Innov<strong>at</strong>ive Group (BIG) is a local company th<strong>at</strong> in coordin<strong>at</strong>ion with Pepsi Cola<br />

awarded several Champaign area high school students for their efforts in their educ<strong>at</strong>ion. I designed<br />

awards for the program.<br />

2003<br />

<strong>Design</strong>er. Jackson St<strong>at</strong>e <strong>University</strong> hosted the first ever st<strong>at</strong>ewide student summit. I don<strong>at</strong>ed my<br />

design skills to cre<strong>at</strong>e a logo <strong>and</strong> promo m<strong>at</strong>erials for the event.<br />

2003<br />

<strong>Design</strong>er /illustr<strong>at</strong>or: t-shirt images for the Danville High <strong>School</strong> Football Team. <strong>The</strong> Vikings’ line<br />

men were the recipients <strong>of</strong> my work.<br />

<strong>University</strong> Service<br />

Committees<br />

2008/09<br />

Faculty Sen<strong>at</strong>e represent<strong>at</strong>ive<br />

2008<br />

Served on Ad Hoc Advisory committee for developing a ‘technoscience’ exhibit for the Center for<br />

Advanced Study<br />

2008<br />

Committe Member. Ad Hoc Chancellor’s Advisory committee for developing an after school art class<br />

for underserved students in the Champaign-Urbana school system.


2009-current<br />

Committee Member. Gradu<strong>at</strong>e Curriculum Committee, <strong>School</strong> <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Design</strong><br />

2006-current<br />

Committee Member.Events Committee, <strong>School</strong> <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Design</strong><br />

2006<br />

Committee Member. Served on planning committee for the African American Studies <strong>and</strong> Research<br />

Program’s N<strong>at</strong>ional Black Power Conference.<br />

2006<br />

Committee Member. Served on search committee for gradu<strong>at</strong>e college director <strong>of</strong> minority affairs.<br />

2006<br />

Committee Member. Served on a committee as art director, organizer, <strong>and</strong> collabor<strong>at</strong>or for the<br />

k<strong>at</strong>rina summit which was sponsored by the seedbed initi<strong>at</strong>ive on transdomain cre<strong>at</strong>ivity.<br />

2007<br />

Committee Member. Served on search committee for assistant cur<strong>at</strong>or position <strong>at</strong> Krannert <strong>Art</strong><br />

Museum.<br />

2006<br />

Committee Member. Served on search committee for director <strong>of</strong> educ<strong>at</strong>ion for Krannert <strong>Art</strong> Musuem.<br />

2005<br />

Committee Member.Served on search committee for a career counseling position with the FAA college.<br />

2007<br />

Committee Member. Served on recruitment committee.<br />

2006<br />

Committee Member. Served on search committe for programmer.<br />

2006<br />

Committee Member. search committee for assistant pr<strong>of</strong>essor <strong>of</strong> graphic design.<br />

2004<br />

Committee Member. Served on search committee for assistant pr<strong>of</strong>essor <strong>of</strong> found<strong>at</strong>ions.


<strong>Design</strong> Services<br />

2008<br />

<strong>Design</strong>ed banner exhibition for the Office <strong>of</strong> the President <strong>and</strong> the African American Studies <strong>and</strong><br />

Research Program’s partnership with the HistoryMakers project.<br />

2008<br />

<strong>Design</strong>ed promotional m<strong>at</strong>erials for the Office <strong>of</strong> the President’s special lecture by historian Timuel<br />

Black.<br />

2008<br />

<strong>Design</strong>ed promotional m<strong>at</strong>erials for the African American Studies <strong>and</strong> Research program’s n<strong>at</strong>ional<br />

conference “Rupture, Repression <strong>and</strong> Uprising”.<br />

2008<br />

<strong>Design</strong>ed promotional m<strong>at</strong>erials for the Krannert Center for Performing <strong>Art</strong>s’ forum on the “N” word<br />

with author Jabari Asim.<br />

2008<br />

Co-designed (with Damian Duffy) the c<strong>at</strong>alog for the upcoming exhibit “Out <strong>of</strong> Sequence:<br />

Underrepresented Voices in American Comics”.<br />

2008<br />

Co-designed (with Damian Duffy <strong>and</strong> Anne Sautman) community outreach <strong>and</strong> academic programming<br />

for the upcoming exhibit “Out <strong>of</strong> Sequence: Underrepresented Voices in American Comics”.<br />

2007<br />

<strong>Design</strong>er. <strong>Design</strong>ed poster for Las Krudas performance for IPRH.<br />

2006-7<br />

<strong>Design</strong>er for the African-American Studies <strong>and</strong> Research Program.<br />

2007<br />

<strong>Design</strong>ed flyer for UC Hip Hop’s “Hip Hop Appreci<strong>at</strong>ion” week.<br />

2006<br />

<strong>Design</strong>er: <strong>Design</strong>ed promotional m<strong>at</strong>erials for the Center on Democracy in a Multi-racial Society’s<br />

symposium “Imagining Bodies”.<br />

2006<br />

<strong>Design</strong>er. <strong>Design</strong>ed logo <strong>and</strong> t-shirt for Summer Research Opportunities Program.<br />

2006<br />

<strong>Design</strong>er. <strong>Design</strong>ed programs for the k<strong>at</strong>rina summit.<br />

2006<br />

Illustr<strong>at</strong>or/<strong>Design</strong>er. Collabor<strong>at</strong>ed with programmers, musicians, <strong>and</strong> students from UIUC <strong>and</strong> Duke<br />

<strong>University</strong> to cre<strong>at</strong>e “Mixtapestry”; a virtual interactive Hip Hop <strong>and</strong> dance performance install<strong>at</strong>ion<br />

for the CANVAS. This debuted during the k<strong>at</strong>rina summit.


2006<br />

<strong>Design</strong>er. <strong>Design</strong>ed a poster for “Sisters in Cinema” for the film studies program.<br />

Other Services<br />

2008<br />

Presented on a panel (with Eric Benson) on our course Ethics <strong>of</strong> the <strong>Design</strong>er in a Global Economy<br />

<strong>at</strong> the Center for Democracy in a Multiracial Society’s “Race <strong>and</strong> Diversity” conference <strong>at</strong> the Illini<br />

Student Union.<br />

2008<br />

Facilit<strong>at</strong>ed (with Eric Benson) student design work for the eventual sustainable redesign <strong>of</strong> the Illini<br />

Union Board IBook for the UIUC Environmental Council.<br />

2008<br />

Facilit<strong>at</strong>ed (with Eric Benson) student design work for the proposed sustainable resdesign <strong>of</strong> campus<br />

recycling containers for the UIUC department <strong>of</strong> Facilities <strong>and</strong> Services.<br />

2008<br />

Facilit<strong>at</strong>ed (with Eric Benson) student design work for the 40th anniversary celebr<strong>at</strong>ion <strong>of</strong> the<br />

Project 500 endeavor, which effectively integr<strong>at</strong>ed the university in 1968.<br />

2008<br />

Facilit<strong>at</strong>ed (with Eric Benson) student design work <strong>and</strong> install<strong>at</strong>ion work for the Krannert Center for<br />

Performing <strong>Art</strong>s’ series <strong>of</strong> plays entitled “Approaching Africa”.<br />

2008<br />

Facilit<strong>at</strong>ed (with Eric Benson) student design work <strong>and</strong> install<strong>at</strong>ion work for the Krannert <strong>Art</strong><br />

Museum th<strong>at</strong> was exhibited in t<strong>and</strong>em with the Bearnie Searle exhibit.<br />

2006-07<br />

Speaker. Spoke in course on images <strong>of</strong> black women in film. 2007<br />

Cur<strong>at</strong>or. Cur<strong>at</strong>ed <strong>and</strong> co-cur<strong>at</strong>ed shows for the Illini Union <strong>Art</strong> Gallery.<br />

2007<br />

Dedic<strong>at</strong>ed class project to helping the Academy for Entrepreneurial Leadership’s efforts in celebr<strong>at</strong>ing<br />

N<strong>at</strong>ional Entrepreneurship Week. This week cre<strong>at</strong>ed by congress was the inaugural year for the<br />

event.<br />

2007<br />

Don<strong>at</strong>ed posters to the MLK committee for their screening <strong>of</strong> “After Innocence” <strong>at</strong> the Virginia<br />

<strong>The</strong><strong>at</strong>re.<br />

2006<br />

Speaker. Spoke <strong>at</strong> “<strong>Art</strong> Night” for minority gradu<strong>at</strong>e students event.<br />

2003-current.<br />

Mentor. Served as mentor for the Summer Research Opportunities Program.


2006<br />

Moder<strong>at</strong>or. Served as moder<strong>at</strong>or for a session on black visual culture during theAfrican-American<br />

Studies <strong>and</strong> Research Program’s “Black Power Conference”.<br />

2003<br />

Organizer. Co-directed <strong>and</strong> organized a n<strong>at</strong>ional poster design competition called <strong>The</strong> Chance<br />

Project with colleague Robb Springfield th<strong>at</strong> dealt with celebr<strong>at</strong>ing the 50th anniversary <strong>of</strong> Brown v.<br />

Board. This was part <strong>of</strong> the Brown v. Board Jubillee.<br />

2006<br />

<strong>Design</strong>ed poster series for a Krannert Center for Performing <strong>Art</strong>s event called “Deep Azure”. <strong>The</strong><br />

play was a reading in the studio <strong>of</strong> the KCPA. It is an amalgam <strong>of</strong> Hip Hop <strong>and</strong> Shakespearean narr<strong>at</strong>ives.<br />

2003<br />

Wrote grant to get sequential art/media theorist Scott McCloud to speak.<br />

2002<br />

<strong>Design</strong>ed poster for the Krannert Center for Performing <strong>Art</strong>s spoken word poetry event called<br />

“Wh<strong>at</strong>’s the Word?”.<br />

2007<br />

Co-art directing <strong>of</strong> BFA c<strong>at</strong>alog with Eric Benson.<br />

2005-06<br />

Guest Lecturer. Guest lectured in introduction to visual culture.<br />

2006<br />

Guest Lecturer. Guest lectured in design history survey course.<br />

2003-05<br />

Guest Lecturer. Guest lectured in contemporary issues course for found<strong>at</strong>ions.<br />

2003<br />

Co-ordin<strong>at</strong>or. Served as coordin<strong>at</strong>or/ medi<strong>at</strong>or for the annual event dealing with the freshmen expo.

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