Olga U. Herrera - The Institute for Latino Studies - University of Notre ...

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Mexican-born artists living and working in the Chicago metropolitan area, including contemporary artists such as René Arceo, Esperanza Gama, Marcos Raya, Alejandro Romero, and Mario Castillo. A projected and potentially complementary showplace, currently but a virtualmuseum(a“museumwithoutwalls”), is envisioned by Puerto Rican painter Oscar L. Martínez as the Latin American Museum of Art to be. As an evolving multiethnic institution, it promises to further enhance a Latino and Latin American presence that will include but will not be limited to representing Mexican and Mexican American artists in the Midwest during the twenty-first century. Quite possibly the most audacious Midwestern Latino cultural initiative today is the annual exhibition cosponsored by the International Latino Cultural Center (ILCC) of Chicago, renowned for its long-established annual Latino Film Festival, and the Aldo Castillo Gallery. In 2007 the ILCC and the Gallery feel that they are helping create “a world where all cultures’ artistic and intellectual manifestations are celebrated with forums for discussion, education, and exhibition.” 12 12 Brochure for the exhibition 3+3=6: Three Women, Calavera created for a Día de los Muertos workshop The Snite Museum at the University of Notre Dame continues to present fine exhibitionsofLatinoartandphotography and has hosted a Día de los Muertos installation annually since 2000. Since 1999 the newly established Institute for Latino Studies has mounted many exhibitions on the Notre Dame campus at their Galería América @ ND and at the Crossroads Gallery in downtown South Three Men, Expressing Six Latin American Countries, the Aldo Castillo Gallery, August 10–September 1, 2007. Foreword Bend and in other spaces in La Porte and Fort Wayne, Indiana, and in Michigan. Olga Herrera makes a compelling case for a newly considered assessment of the enduring presence since the end of the nineteenth century of Latin American and Latino art and artists in the Midwestern States. A substantive chronologyofrepresentativeexhibitions since 1893 disabuses us of incorrect assumptions and misperceptions. Two bibliographies further substantiate the new and corrective perspective. This book is, then, an important first step in the process of reevaluating the accuracy of the cultural and historical record to date. Víctor Alejandro Sorell University Distinguished Professor and Associate Dean, College of Arts and Sciences, Chicago State University; Senior Art Historian Consulting for the Institute for Latino Studies Gilberto Cárdenas Julian Samora Chair in Latino Studies Assistant Provost and Director Institute for Latino Studies University of Notre Dame xv
xvi Cover of ¡Arte Caliente! Selections from the Joe A. Diaz Collection exhibition catalog, 2004, the South Texas Institute for the Arts. Vincent Valdez, I Lost Her to El Diablo, You Can Have Her; I Don’t Want Her Anymore, 2004 (reproduced with permission of Vincent Valdez). After its 2004 opening at the South Texas Institute for the Arts and showing at the National Hispanic Cultural Center in Albuquerque, New Mexico, the exhibition traveled to the Fort Wayne Museum of Art in Fort Wayne, Indiana, where it was shown from November 2006 to January 2007.
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Latino Artists 1987, May 12- June 2
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Latino Artists 1993, June 18- Sept.
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Latino Artists 2000, Apr. 28- June
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Latino Artists 2004, Dec. 10- 2005,
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Latino Artists 2006, Oct. 12- 2007,
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Toward the Preservation of a Herita
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Bancroft, Hubert Howe. The Book of
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Edelman, Catherine. María Martíne
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Jewell, E. A. “Exhibition of Mexi
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Newland, Randa. “The Iowa Print G
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———. Chicago Latino Project.
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Selected Organizations’ Websites*
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