Olga U. Herrera - The Institute for Latino Studies - University of Notre ...

1890s 1900s 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s
Works Cited
ABRAZO. 1976. “Entrevista con David Torrez.”
Summer: 27–29.
ACE (Alliance for Cultural Equity). 1990. Press
Statement, 2 April. In Bibiana Suárez Papers,
Julian Samora Library, Institute for Latino
Studies, University of Notre Dame, Notre
Dame, IN.
Aldo Castillo Gallery. Website. www.artaldo.com/
index.html (accessed August 7, 2007).
Anderson, Benedict. 1991. Imagined Communities:
Reflections on the Origin and Spread of Nationalism.
London: Verso.
Art Institute of Chicago. 1959. The United States
Collects Pan American Art. Chicago: Art Institute
of Chicago.
ArTrujillo Gallery. 1999. Website. artrujillo.com/
index.html (accessed August 7, 2007).
Badillo, David A. 2004. “Incorporating Reform
and Religion: Mexican Immigrants, Hull
House, and the Church.” In Ganz and Strobel,
31–49.
Balderrama, Francisco, and Raymond Rodríguez.
2006. Decade of Betrayal: Mexican Repatriation in the
1930s. Albuquerque: University of New Mexico
Press.
Bancroft, Hubert Howe. 1893. The Book of the Fair,
an Historical and Descriptive Presentation of the World’s
Science, Art and Industry, as Viewed through the Columbian
Exposition at Chicago in 1893. Chicago and San
Francisco: The Bancroft Company, Publishers.
Also available from the Paul V. Galvin Library
Digital History Collection–Illinois Institute of
Technology, World Columbian Exposition
of 1893, http://columbus.gl.iit.edu (accessed
November 16, 2007).
Buffalo Fine Arts Academy. 1959. Intaglios: The Work
of Mauricio Lasansky and Other Printmakers Who Studied
with Him at the State University of Iowa. Buffalo, NY:
Buffalo Fine Arts Academy.
Biddle, George. 1939. An American Artist’s Story.
Boston: Little, Brown.
Carr, Carolyn Kinder, and George Gurney.
1993. Revisiting the White City: American Art at the
1893 World’s Fair. Washington DC: Smithsonian
Institution.
Casa de Unidad Cultural Arts and Media Center.
1990. Tradiciones del Pueblo: Traditions of the Three
Mexican Feast Days in Southwest Detroit. Detroit: Casa
de Unidad Cultural Arts and Media Center.
———. Website. http://casadeunidad.com/index1.
html.
Catalogue of the Exhibition of Fine Arts: Pan American
Exposition, Buffalo 1901. 1901. Buffalo: David
Gray. Also available online at http://ublib.
buffalo.edu/libraries/exhibits/panam/booklets/
catalogue/index.html (accessed November 19,
2007).
Chicago Public Library. N.d. “Art at the Harold
Washington Library Center.” Pamphlet.
Chile at the Pan-American Exposition: Brief Notes on Chile
& General Catalogue of Chile Exhibits. 1901. Buffalo:
Comisión para la Exposición Pan-americana.
Cockcroft, Eva, John Weber, and Jim Cockcroft.
1977. Towards a People’s Art: The Contemporary Mural
Movement. New York: E. P. Dutton.
El Cosmopolita. 1914. Issue 1, 22 August, Kansas
City, MO.
Daniels, Roger. 2004. Guarding the Golden Door:
American Immigration Policy and Immigrants since 1882.
New York: Hill and Wang.
Danly, Susan, ed. 2002. Casa Mañana: The Morrow
Collection of Mexican Popular Arts. Albuquerque:
University of New Mexico Press.
Davalos, Karen Mary. 2001. Exhibiting Mestizaje:
Mexican (American) Museums in the Diaspora.
Albuquerque: University of New Mexico Press.
Day, Holliday T., and Hollister Sturges. 1986.
Art of the Fantastic: Latin America 1920–1987.
Indianapolis: Indianapolis Museum of Art.
Delpar, Helen. 1992. The Enormous Vogue of Things
Mexican: Cultural Relations between the United States and
Mexico, 1920–1935. Tuscaloosa: University of
Alabama Press.
Estrada, Leo F., José Hernández, and David
Alvírez. 1977. “Using Census Data to Study the
Spanish Heritage Population of the United
____________________________________________________________________________
Toward the Preservation of a Heritage page 76