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english portfolio - Benjamin Zuber

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<strong>Benjamin</strong> <strong>Zuber</strong> | selected artworks<br />

Content<br />

pages 3-130 selected artworks<br />

pages 131-134 CV and imprint


Two bad jokes balancing on each other<br />

2012, object | transparent hose, wire, tubeclips, cable


2012, installation view,<br />

various objekts


smart answers to stupid questions<br />

2012, exhibition view<br />

Blackbox Gallery Copenhagen


Quartet<br />

2012, wooden Object and Film<br />

A film shows four strange guys performing<br />

as a string quartet – while they<br />

actually just cut the wooden pieces for<br />

the screen the film is projected on.


Accurecy is in the eye of the beholder<br />

2012, exhibition view (with Daniel Kiss)


ow of holes (drillbattle)<br />

2012, Installation (with Daniel Kiss)<br />

wood, MP3 player, sound of the<br />

drillbattle, ceiling of the gallery with<br />

acoustic boards


straightened<br />

2012, object | stick, hot glue


Charles-Darwin-Ring<br />

2012, installation | various objects<br />

The titel of that work comes from a<br />

map I found online. It shows the way to<br />

a small company in Rostock, Germany,<br />

which is located in a little dead-end<br />

street, boastfully named „Charles-<br />

Darwin-Ring“.<br />

As a non-ring ring can be interpreted<br />

as kind of a phallus symbol, I added<br />

another find from the internet: Every<br />

empty page of a completely digitalized<br />

(german) version of Charles Darwin‘s<br />

„The Descent of Man, and Selection in<br />

Relation to Sex“. On each empty page<br />

a little ruler can be found. Another<br />

Phallus-Symbol with the proud length<br />

of 16 centimeters. They are presented<br />

in a chipboard showcase, face to face<br />

with another ruler on a pedestal which<br />

pretends to be 20 centimeters while its<br />

real length also counts just 16.<br />

A third from the internet is the top-100list<br />

of the biggest carps ever captured,<br />

which is several metres long if you<br />

print it.<br />

Finally the last piece of the installation<br />

comes from fish back to the ring:<br />

Six oversized maki-sushis, made of<br />

toilet paper, gaffer tape and cleaning<br />

sponges.


Photo: Hannes Woidich<br />

Ein Brief (a letter)<br />

2011, installation (mit Daniel Kiss)<br />

various objects


Ein Brief (a letter)<br />

Detail: „Three bucks“, vat paper, handmade<br />

from three US-dollar bills.


ten bucks | 2012, object | vat paper, hand made from ten dollar<br />

bills, showcase (chipboard, drywall, glass)


250g | 2011, installation | wooden frame, clothesline, hand made paper


250g<br />

details


Räuberknoten<br />

2012, installation (failed) | drywall, cw studs, wood, rope


Räuberknoten<br />

above: shoot of the fall after releasing the<br />

knot<br />

below: before the fall<br />

(Photo: Michael Munding)<br />

right side: model


no title (plaster)<br />

2012, plaster object and projection


The projection shows a bag of plaster lying<br />

on a sheet of ice in the sea.<br />

Every time the waves are flushing the<br />

bag it becomes heavier – until the floe<br />

breaks and the bag sinks.<br />

After the recording the bag was recovered,<br />

dried and unpacked and is now<br />

used as projection screen for the documentation<br />

of the process of its formation.


Roh (raw)<br />

2007, installation<br />

55kg of raw yeast dough, autopsy table,<br />

dissecting room


55 kg of raw yeast dough were lying on<br />

an autopsy table in the dissecting room.<br />

During the five days of the exhibition the<br />

dough changed its consistency and shape.<br />

The room was filled with the strong<br />

smell of yeast.


profile<br />

no title | 2012, object<br />

styrofoam, trash bag, water


Fett (fat)<br />

2010, objekt<br />

various boards, butter, portable floodlight,<br />

chain


no title (Schwerebeschleunigung/<br />

apparent gravity)<br />

2011, installation<br />

chipboard, model grass, dimmer, cable,<br />

plugs, bulbs, hot glue


no title (Schwerebeschleunigung/<br />

apparent gravity) | details


Assembling<br />

2012, performance with bulb and hot glue<br />

(duration: ca. 5 minutes)


Dosenöffner (Can-Opener)<br />

2011, objekt<br />

chipboard, stovepipe, chain, can of beer


Physik 1 | 2010, digital printing on vat paper, each 70x50<br />

cm | scanned from an physics-schoolbook and scaled up


Lightbox | 2011, objekt<br />

fluorescent tube, chipboards (sanded from<br />

its inside until it became translucent)


Lightbox | 2011, objekt<br />

fluorescent tubes, chipboards (sanded from its<br />

inside until it became translucent)


Steambox | 2010, object<br />

chipboard-cube, glass bottle, water, immersion<br />

heater (35x25x25 cm)<br />

The immersion heater boils the water.<br />

The steam causes the sides of the formerly<br />

exact cube to bend until its miters<br />

seperate from each other.


Falle (trap) | 2011, object | loose sticked hdf-parts, laser engraved wood grain


Race | 2011, Objekt und Film auf DVD<br />

chipboard with cuts and line (picture on<br />

the left), film with jigsaw-race (filmstill<br />

below)<br />

A single chipboard is leaning on the<br />

wall. Because of three vertical cuts from<br />

different lenght and a horizontal black<br />

line the board resembles an abstract drawing.<br />

A film projection close to the chipboard<br />

exposes its real origin: A kind of<br />

a race between three jigsaws has taken<br />

place on the board. Tilting of the chipboard<br />

allowed the jigsaws to run through<br />

the wood, just driven by gravity and their<br />

engine power.


selfbraking laths | 2012, object<br />

laths, wedge (cut of exactly the same laths),<br />

rolls, rallyestripes made of tape


Doppelknoten | 2012, installation view | various objects


most commonly used | 2012, installation | tie knots<br />

made of perforated tape, ribbon, laths


most commonly used<br />

detail: the four-in-hand-knot


ainbow | 2012, installation<br />

cleaning sponges, used drinking glasses,<br />

glass panel


leveled | 2011, installation | Three Frankfurt<br />

shovels, three water-filled buckets, a two<br />

meter level, three photographies


Men in Blue (ghostbusters) | 2009, collection of photographies<br />

spirit de-possession performance at Gunther von Hagens bodyworlds<br />

with: Julian Baumann, Nina Malotta, Thomas Rustemeyer, Philipp Scholz


Table | 2011, object | table-top support, chipboard, styrofoam, paper, tension belts


Hochsitz zur Beobachtung des jungen Wildes | 2008, installation<br />

professor‘s studio, course tables, tension belts, Petersburg Hanging with collected<br />

paintings of students


Tarnzelt | 2008, installation<br />

stretchers, painted canvas, telescope<br />

The conception for Tarnzelt comes from the<br />

idea of transferring the operating mode of<br />

a regular camouflage tent (used for the observation<br />

of animals) to an artspace.<br />

The triangular tent is built up from three<br />

strechters. A canvas is stretched over them<br />

– painted with painting-camouflage. The<br />

tent is lightweight and easy to transport and<br />

mount.<br />

Inside the tent there is a telescope for observing<br />

other artworks.


Hollywood (made in china) | 2010,<br />

three part installation<br />

instruction manual, chinese calligraphy,<br />

parts of a canopy swing (so called<br />

„hollywood“-swing in Germany)


no title (Su-Shi) | 2011, installation | toilett-paper, paper napkins,<br />

gaffertape, cleaning sponges, bamboo, corrugated board, black mdf,<br />

black foil, photography


Gonzales Cojones | 2011, drawing


Flugmaschine (flying machine) | 2010, Photography<br />

C-Print/Aludibond/Acrylglass, 50 x 75 cm


Origin | 2008, installation<br />

aluminium, varnish, chalk


Frame | 2011, object | digital frame, mirror tile,<br />

glass panel, table tripod


Player | 2011, object<br />

DVD-player, metall rack, DVD with freeze frame


no title (stroked shadow)<br />

2011, object | fleece tile, black insulator


white cube inside-out (closed) | 2011, installation


White cube is a hanging White Cube made<br />

of white stretch film, containing a square<br />

of stretched matte black foil. The room is<br />

lit with fluorescent tubes.<br />

The cube is constructed of two identical<br />

horizontal pieces, which define the form<br />

and the size of the cube. The walls do not<br />

need any support – the lower piece simply<br />

hangs within the film and stretches it<br />

with its weight.<br />

Viewed from the inside, the stretch film<br />

appears to be glossy and opaque white.<br />

But, from the outside the material is<br />

translucent and reminiscent of parchment,<br />

transforming the outer facade into<br />

a kind of a painting.<br />

Finally the whole installation works as an<br />

inside-out White Cube and illuminates<br />

the surrounding exhibition space.<br />

white cube inside-out (open)<br />

2010, installation | White stretch film, pond liner,<br />

fluorescent tubes, laths, tension belts


Heimwerk<br />

2011, installation | „Schiesser“ Undershirt, ingrain<br />

wallpaper (corrugated by wire), various<br />

painting accessory


Platzhirsch | 2011, installation<br />

used towels, fiber glass tent poles, curtain rod,<br />

tent strings<br />

The Platzhirsch is a kind of a banner, made of<br />

camouflage-green used towels.<br />

The single towels are perforated with eyelets,<br />

similar to those of a regular tarpaulin,<br />

which are knotted to each other with string.<br />

Although they were crafted and colored in<br />

a uniform way, they now differ due to their<br />

varying signs of usage.<br />

The flagpole is made of a bunched group of<br />

fiber glass tent poles which bends under the<br />

banner‘s weight. A curtain rod to which the<br />

towels are fixed is suspended from the top<br />

of the banner.<br />

The title of the work also refers to the widespread<br />

habit of claiming public space by<br />

reserving it with a towel.


La Fontaine | 2010, installation at public space (with Thea Möller)<br />

fiberglass, silicone, pipes, rubber ropes, string, hopper


La Fontaine | Detail<br />

La Fontaine is kind of a uncompleted<br />

fountain, which was temporarly installed<br />

during Nurembergs „blauer Nacht“ (public<br />

event, museum night). In a dark backyard<br />

which is even in regular nights often<br />

abused as alternative toilett.<br />

The installed hopper positively invited<br />

to that function. The pipes ensure at the<br />

same time a clean drain into the next gully.<br />

As soon as a pedestrian uses the fountain<br />

as toilett, he instantly becomes the<br />

missing fountain and completes the installation.


avens | 2009, objects (with Nina Malotta)<br />

trash bags, gaffertape


Foto: Marianne Vordermayr<br />

Wesseltoasts | 2008, eatable sculpture<br />

Toast, various spreads<br />

The Wesseltoasts are little eatable objects,<br />

based on a painting by Tom Wesselmann.<br />

Unlike the original, the picture<br />

is not made of oil on canvas, but of conventional<br />

spread (like sausages, ham,<br />

cheese etc.) on toast.<br />

The usage of a custom-built cutter<br />

enables mass production of Wesseltoasts.


The Physical Impossibility of Death in the<br />

Mind of Someone Living<br />

2008, multiple (edition of 20) | Lego bricks,<br />

woodruff jelly


power source<br />

power consumption<br />

indicator<br />

Verbraucher<br />

bulb, painted<br />

light-proof black<br />

Verbraucher | 2009, multiple (edition of 64)<br />

scale energy audit, lamp socket, light bulb, heat resistant<br />

black varnish


<strong>Benjamin</strong> <strong>Zuber</strong><br />

+49 160 94621833<br />

www.benjaminzuber.com<br />

mail@benjaminzuber.com<br />

Lives and works currently in Munich.<br />

Curriculum Vitae:<br />

1982 born in Bamberg/Germany<br />

2003 - 2004 media studies and art history, FAU Erlangen<br />

2004 - 2011 Academy of Fine Arts Nuremberg, „Meisterschüler“ at Professor Michael Munding<br />

2008 - 2009 HFG Karlsruhe (stipend)<br />

2008 - 2009 Guest student Academy of Fine Arts Karlsruhe<br />

2009 Assistant lecturer at the Academy of fine Arts Nuremberg<br />

2010 - 2011 Academy of fine Arts Vienna<br />

Grants and Stipends::<br />

Stipend of Künstlerhaus Eckernförde (2012)<br />

„Debütantenförderung“ (funding for graduates) of the Free State of Bavaria (2012)<br />

Funding of „Erwin und Gisela von Steiner Stiftung“ Munich (for the exhibition „Platzhirsch“ at CirkulationsCentralen, Malmö/Schweden; 2011)<br />

„Kulturförderpreis Bayern“ (E.ON AG and the Free State of Bavaria, 2011)<br />

Artprize of the city of Lauf 2010<br />

Free-Mover stipend of the DAAD (Vienna, 2009)<br />

foreign exchange scholarship of the „Studienstiftung des deutschen Volkes“ (Vienna, 2009)<br />

Second prize of the artist‘s fair Karlsruhe 2009<br />

Nominated for the Artprize of Bosch-Rexroth (2008)<br />

Artprize Brandad Systems - second prize (2008)<br />

Stipend of the „Studienstiftung des deutschen Volkes „(2008)<br />

Grand prize of the city of Lauf 2008<br />

Stipend of the Free State of Bavaria for guest studys at the HFG Karlsruhe (2007)<br />

„Materialpreis“ / annual show of the AdbK Nurenberg, 2007<br />

Artprize Noris 2007<br />

selected publications:<br />

not yet titled, solo catalog of the bavarian funding for graduates, Munich/Nuremberg 2012. (in preparation)<br />

„but this place in this way I have seen“, in: „Lotto Magazin und das Spiel ums Ganze“, Stuttgart 2012 (Interview with Melanie Biedermann).<br />

„anders:wo / 2. Triennale Schweinfurt für zeitgenössische Kunst“, Schweinfurter Museumsschriften, Schweinfurt 2012 (catalog of the exhibition).<br />

„re•turn / 350 Jahre AdbK Nürnberg“, Verlag für moderne Kunst, Nuremberg (catalog of the exhibition). (in preparation)<br />

„Und der Gewinner ist… – Nürnberger Teilnehmer am bundesweiten Wettbewerb von Studierenden der deutschen Kunsthochschulen von<br />

1983 bis 2011“, Verlag für moderne Kunst, Nuremberg 2012 (catalog of the exhibition and essay).<br />

<strong>Benjamin</strong> <strong>Zuber</strong>: „Platzhirsch“, brochure about the solo exhibition at CirKulationsCentralen Malmo, Munich/Malmo 2011.<br />

Rothmüller, Barbara: „Chancen verteilen. Ansprüche und Praxis universitärer Zulassungsverfahren“, Arts & Culture & Education Band 6, hg. von<br />

Agnieszka Czejkowska, Wien 2011 (article).<br />

„Kunststudentinnen und Kunststudenten stellen aus 2011“, Bonn 2011 (catalog of the exhibition).<br />

„The Art of Drive & Control – Der Rexroth-Kunstwettbewerb 2008“, Würzburg 2008 (catalog of the exhibition).<br />

selected exhibitions:<br />

[SE] = Solo exhibition, [C] = Catalog<br />

2013 not yet titled, exhibition of the bavarian funding for graduates, Ausstellungshalle of the academy of fine Arts, Nuremberg,<br />

Nuremberg/Germany [SE] (in preparation)<br />

not yet titled, das weisse Haus, Vienna/Austria (in preparation)<br />

2012 not yet titled (exhibition of the Jahresgaben), Kunstraum München, Munich/Germany (in preparation)<br />

„smart answers to stupid questions“, Black Box Gallery, Copenhagen/Denmark [SE]<br />

„die Präzesion liegt im Auge des Betrachters“ (with Daniel Kiss), curated by Z.A.C.K., Kunstverein Würzburg/BBK Galery at<br />

Kulturspeicher Würzburg, Würzburg/Germany [SE]<br />

„Neu Eröffnung“, Kulturschutzgebiet Dachauerstr./Schwere-Reiter-Str., Munich/Germany<br />

„anders:wo / 2. triennial for contemporary fine Arts Schweinfurt“, curated by Hans-Peter Miksch, Kunsthalle Schweinfurt,<br />

Schweinfurt/Germany [C]<br />

„springhouse“, curated by Sven Christian Schuch and Anna Bründl, Rugestr. 9, Dresden/Germany<br />

„re•turn, 350 Jahre AdbK Nürnberg“, curated by Sebastian Hein, Andreas Oehlert and Ladislav Zajac, Halle 20 auf AEG, Nuremberg/Germany<br />

[C]<br />

„Und der Gewinner ist…“, curated by Andrea Dippel, Kunsthaus Nuremberg, Nuremberg/Germany [C]<br />

„Crossbreeds 2012“, Palais Kabelwerk, Vienna/Austria<br />

„Parallelaktion“, UniCredit Kunstraum, Munich/Germany<br />

„Doppelknoten“, Frappant, Hamburg/Germany [SE]<br />

2011 „Dual“ (with Daniel Kiss), curated by Uwe Schramm and Peter Schmieder, Kunsthaus Essen andKünstlerhaus Dortmund,<br />

Essen and Dortmund/Germany<br />

„Schwerebeschleunigung“, Heyestr. 117, Düsseldorf/Germany<br />

„Platzhirsch“, CirkulationsCentralen, Malmo/Sweden [SE, C]<br />

„Aichacher Kunstpreis“, Kunstverein Aichach, Aichach/Germany<br />

„Young at Art“, Gallery Art Seefeld, Zurich/Schweiz<br />

„Display ´11“, curated by Cornelia Gockel and Peter Wendl, Gallery Steinle Contemporary, Munich/Germany<br />

„Kunststudenten stellen aus“, Bundeskunsthalle, Bonn/Germany [C]<br />

„Saved by Entropie – Time wins again“, curated by Michael Franz and Nadim Vardag, Kunstbunker, Nuremberg/Germany<br />

„Weiße Zelle“, Werkstatt Strunkgasse, Mainz/Germany [SE]<br />

„Terminator 2“, LOVE_ Kunstverein, Vienna/Austria


2010 „Multiple Market“, Black Box Gallery, Copenhagen/Denmark<br />

„Rohmaterial“, Raumstation L, Vienna/Austria [SE]<br />

„Was zubert der Zimmermann“ (with <strong>Benjamin</strong> Zimmermann), curated by Z.A.C.K., Ausstellungshalle of the AdbK, Nuremberg/Germany<br />

[SE]<br />

„Ars Electronica“ (with Black Box Gallery), former tobacco factory, Linz/Austria<br />

„Black&Brunn“, Gallery Brunnhofer, Linz/Austria<br />

„Things you can walk into“ (Regionale 10 / Steiermark, with the class of Pawel Althamer), Schloss Trautenfels, Steiermark/<br />

Austria [C]<br />

„la fontaine“ (with Thea Möller; at the „blauen Nacht / langen Nacht der Museen“), Akademie Galerie, Nuremberg/Germany<br />

[SE]<br />

„Zeugzusammenhang“, curated by Z.A.C.K., Ausstellungshalle of the AdbK, Nuremberg/Germany<br />

„Flugmaschine“, die Vitrine, Nuremberg/Germany [SE]<br />

2009 „Wesselbrot“, Berliner Kunstverein, Münster/Germany [SE]<br />

„Schwarze Kunst“, Zeughaus, Schweinfurt/Germany [C]<br />

„Kalrsruher Künstlermesse 2009“, Regierungspräsidium, Karlsruhe/Germany [C]<br />

„Subversivmesse“, Hafenhalle09, Linz/Austria<br />

2008 „The Art of Drive and Control“ (Ausstellung zum Kunstpreis Bosch-Rexroth), Industrie- und Handelskammer, Würzburg/Germany<br />

[C]<br />

„Biennale di Sculture di Carrara“ (at „Lo Spazio e gli Altri“), Ex Caserma Dogali, Carrara/Italien[C]<br />

„Stellen, Hängen, Legen?“, curated by Kathleen Rahn, Ausstellungshalle of the AdbK, Nuremberg/Germany<br />

„Conflict Research Action Program“, Akademie Galerie Nuremberg and ZKM Karlsruhe/Germany<br />

„Kunstmesse Nürnberg 08“ (exhibition), Akademie Galerie, Nuremberg/Germany<br />

„Nebenstern“, curated by Bianca Häutle and Julia Leicht, former Casino, Nuremberg/Germany<br />

2007 „Art at Work 2007“, Smurfit-Kappa factory, Nuremberg/Germany<br />

„Blaue Nacht Nürnberg“, public space, Nuremberg/Germany<br />

„Rencontres Internationales Paris, Berlin, Madrid“, Madrid/Spain<br />

2006 „Rencontres Internationales Paris, Berlin, Madrid“, Paris/France<br />

Imprint<br />

<strong>Benjamin</strong> <strong>Zuber</strong><br />

selected artworks<br />

September 2012<br />

www.benjaminzuber.com<br />

mail@benjaminzuber.com<br />

images and texts: <strong>Benjamin</strong> <strong>Zuber</strong><br />

(exceptions are marked)<br />

© 2012, <strong>Benjamin</strong> <strong>Zuber</strong>

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