english portfolio - Benjamin Zuber
english portfolio - Benjamin Zuber
english portfolio - Benjamin Zuber
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<strong>Benjamin</strong> <strong>Zuber</strong> | selected artworks<br />
Content<br />
pages 3-130 selected artworks<br />
pages 131-134 CV and imprint
Two bad jokes balancing on each other<br />
2012, object | transparent hose, wire, tubeclips, cable
2012, installation view,<br />
various objekts
smart answers to stupid questions<br />
2012, exhibition view<br />
Blackbox Gallery Copenhagen
Quartet<br />
2012, wooden Object and Film<br />
A film shows four strange guys performing<br />
as a string quartet – while they<br />
actually just cut the wooden pieces for<br />
the screen the film is projected on.
Accurecy is in the eye of the beholder<br />
2012, exhibition view (with Daniel Kiss)
ow of holes (drillbattle)<br />
2012, Installation (with Daniel Kiss)<br />
wood, MP3 player, sound of the<br />
drillbattle, ceiling of the gallery with<br />
acoustic boards
straightened<br />
2012, object | stick, hot glue
Charles-Darwin-Ring<br />
2012, installation | various objects<br />
The titel of that work comes from a<br />
map I found online. It shows the way to<br />
a small company in Rostock, Germany,<br />
which is located in a little dead-end<br />
street, boastfully named „Charles-<br />
Darwin-Ring“.<br />
As a non-ring ring can be interpreted<br />
as kind of a phallus symbol, I added<br />
another find from the internet: Every<br />
empty page of a completely digitalized<br />
(german) version of Charles Darwin‘s<br />
„The Descent of Man, and Selection in<br />
Relation to Sex“. On each empty page<br />
a little ruler can be found. Another<br />
Phallus-Symbol with the proud length<br />
of 16 centimeters. They are presented<br />
in a chipboard showcase, face to face<br />
with another ruler on a pedestal which<br />
pretends to be 20 centimeters while its<br />
real length also counts just 16.<br />
A third from the internet is the top-100list<br />
of the biggest carps ever captured,<br />
which is several metres long if you<br />
print it.<br />
Finally the last piece of the installation<br />
comes from fish back to the ring:<br />
Six oversized maki-sushis, made of<br />
toilet paper, gaffer tape and cleaning<br />
sponges.
Photo: Hannes Woidich<br />
Ein Brief (a letter)<br />
2011, installation (mit Daniel Kiss)<br />
various objects
Ein Brief (a letter)<br />
Detail: „Three bucks“, vat paper, handmade<br />
from three US-dollar bills.
ten bucks | 2012, object | vat paper, hand made from ten dollar<br />
bills, showcase (chipboard, drywall, glass)
250g | 2011, installation | wooden frame, clothesline, hand made paper
250g<br />
details
Räuberknoten<br />
2012, installation (failed) | drywall, cw studs, wood, rope
Räuberknoten<br />
above: shoot of the fall after releasing the<br />
knot<br />
below: before the fall<br />
(Photo: Michael Munding)<br />
right side: model
no title (plaster)<br />
2012, plaster object and projection
The projection shows a bag of plaster lying<br />
on a sheet of ice in the sea.<br />
Every time the waves are flushing the<br />
bag it becomes heavier – until the floe<br />
breaks and the bag sinks.<br />
After the recording the bag was recovered,<br />
dried and unpacked and is now<br />
used as projection screen for the documentation<br />
of the process of its formation.
Roh (raw)<br />
2007, installation<br />
55kg of raw yeast dough, autopsy table,<br />
dissecting room
55 kg of raw yeast dough were lying on<br />
an autopsy table in the dissecting room.<br />
During the five days of the exhibition the<br />
dough changed its consistency and shape.<br />
The room was filled with the strong<br />
smell of yeast.
profile<br />
no title | 2012, object<br />
styrofoam, trash bag, water
Fett (fat)<br />
2010, objekt<br />
various boards, butter, portable floodlight,<br />
chain
no title (Schwerebeschleunigung/<br />
apparent gravity)<br />
2011, installation<br />
chipboard, model grass, dimmer, cable,<br />
plugs, bulbs, hot glue
no title (Schwerebeschleunigung/<br />
apparent gravity) | details
Assembling<br />
2012, performance with bulb and hot glue<br />
(duration: ca. 5 minutes)
Dosenöffner (Can-Opener)<br />
2011, objekt<br />
chipboard, stovepipe, chain, can of beer
Physik 1 | 2010, digital printing on vat paper, each 70x50<br />
cm | scanned from an physics-schoolbook and scaled up
Lightbox | 2011, objekt<br />
fluorescent tube, chipboards (sanded from<br />
its inside until it became translucent)
Lightbox | 2011, objekt<br />
fluorescent tubes, chipboards (sanded from its<br />
inside until it became translucent)
Steambox | 2010, object<br />
chipboard-cube, glass bottle, water, immersion<br />
heater (35x25x25 cm)<br />
The immersion heater boils the water.<br />
The steam causes the sides of the formerly<br />
exact cube to bend until its miters<br />
seperate from each other.
Falle (trap) | 2011, object | loose sticked hdf-parts, laser engraved wood grain
Race | 2011, Objekt und Film auf DVD<br />
chipboard with cuts and line (picture on<br />
the left), film with jigsaw-race (filmstill<br />
below)<br />
A single chipboard is leaning on the<br />
wall. Because of three vertical cuts from<br />
different lenght and a horizontal black<br />
line the board resembles an abstract drawing.<br />
A film projection close to the chipboard<br />
exposes its real origin: A kind of<br />
a race between three jigsaws has taken<br />
place on the board. Tilting of the chipboard<br />
allowed the jigsaws to run through<br />
the wood, just driven by gravity and their<br />
engine power.
selfbraking laths | 2012, object<br />
laths, wedge (cut of exactly the same laths),<br />
rolls, rallyestripes made of tape
Doppelknoten | 2012, installation view | various objects
most commonly used | 2012, installation | tie knots<br />
made of perforated tape, ribbon, laths
most commonly used<br />
detail: the four-in-hand-knot
ainbow | 2012, installation<br />
cleaning sponges, used drinking glasses,<br />
glass panel
leveled | 2011, installation | Three Frankfurt<br />
shovels, three water-filled buckets, a two<br />
meter level, three photographies
Men in Blue (ghostbusters) | 2009, collection of photographies<br />
spirit de-possession performance at Gunther von Hagens bodyworlds<br />
with: Julian Baumann, Nina Malotta, Thomas Rustemeyer, Philipp Scholz
Table | 2011, object | table-top support, chipboard, styrofoam, paper, tension belts
Hochsitz zur Beobachtung des jungen Wildes | 2008, installation<br />
professor‘s studio, course tables, tension belts, Petersburg Hanging with collected<br />
paintings of students
Tarnzelt | 2008, installation<br />
stretchers, painted canvas, telescope<br />
The conception for Tarnzelt comes from the<br />
idea of transferring the operating mode of<br />
a regular camouflage tent (used for the observation<br />
of animals) to an artspace.<br />
The triangular tent is built up from three<br />
strechters. A canvas is stretched over them<br />
– painted with painting-camouflage. The<br />
tent is lightweight and easy to transport and<br />
mount.<br />
Inside the tent there is a telescope for observing<br />
other artworks.
Hollywood (made in china) | 2010,<br />
three part installation<br />
instruction manual, chinese calligraphy,<br />
parts of a canopy swing (so called<br />
„hollywood“-swing in Germany)
no title (Su-Shi) | 2011, installation | toilett-paper, paper napkins,<br />
gaffertape, cleaning sponges, bamboo, corrugated board, black mdf,<br />
black foil, photography
Gonzales Cojones | 2011, drawing
Flugmaschine (flying machine) | 2010, Photography<br />
C-Print/Aludibond/Acrylglass, 50 x 75 cm
Origin | 2008, installation<br />
aluminium, varnish, chalk
Frame | 2011, object | digital frame, mirror tile,<br />
glass panel, table tripod
Player | 2011, object<br />
DVD-player, metall rack, DVD with freeze frame
no title (stroked shadow)<br />
2011, object | fleece tile, black insulator
white cube inside-out (closed) | 2011, installation
White cube is a hanging White Cube made<br />
of white stretch film, containing a square<br />
of stretched matte black foil. The room is<br />
lit with fluorescent tubes.<br />
The cube is constructed of two identical<br />
horizontal pieces, which define the form<br />
and the size of the cube. The walls do not<br />
need any support – the lower piece simply<br />
hangs within the film and stretches it<br />
with its weight.<br />
Viewed from the inside, the stretch film<br />
appears to be glossy and opaque white.<br />
But, from the outside the material is<br />
translucent and reminiscent of parchment,<br />
transforming the outer facade into<br />
a kind of a painting.<br />
Finally the whole installation works as an<br />
inside-out White Cube and illuminates<br />
the surrounding exhibition space.<br />
white cube inside-out (open)<br />
2010, installation | White stretch film, pond liner,<br />
fluorescent tubes, laths, tension belts
Heimwerk<br />
2011, installation | „Schiesser“ Undershirt, ingrain<br />
wallpaper (corrugated by wire), various<br />
painting accessory
Platzhirsch | 2011, installation<br />
used towels, fiber glass tent poles, curtain rod,<br />
tent strings<br />
The Platzhirsch is a kind of a banner, made of<br />
camouflage-green used towels.<br />
The single towels are perforated with eyelets,<br />
similar to those of a regular tarpaulin,<br />
which are knotted to each other with string.<br />
Although they were crafted and colored in<br />
a uniform way, they now differ due to their<br />
varying signs of usage.<br />
The flagpole is made of a bunched group of<br />
fiber glass tent poles which bends under the<br />
banner‘s weight. A curtain rod to which the<br />
towels are fixed is suspended from the top<br />
of the banner.<br />
The title of the work also refers to the widespread<br />
habit of claiming public space by<br />
reserving it with a towel.
La Fontaine | 2010, installation at public space (with Thea Möller)<br />
fiberglass, silicone, pipes, rubber ropes, string, hopper
La Fontaine | Detail<br />
La Fontaine is kind of a uncompleted<br />
fountain, which was temporarly installed<br />
during Nurembergs „blauer Nacht“ (public<br />
event, museum night). In a dark backyard<br />
which is even in regular nights often<br />
abused as alternative toilett.<br />
The installed hopper positively invited<br />
to that function. The pipes ensure at the<br />
same time a clean drain into the next gully.<br />
As soon as a pedestrian uses the fountain<br />
as toilett, he instantly becomes the<br />
missing fountain and completes the installation.
avens | 2009, objects (with Nina Malotta)<br />
trash bags, gaffertape
Foto: Marianne Vordermayr<br />
Wesseltoasts | 2008, eatable sculpture<br />
Toast, various spreads<br />
The Wesseltoasts are little eatable objects,<br />
based on a painting by Tom Wesselmann.<br />
Unlike the original, the picture<br />
is not made of oil on canvas, but of conventional<br />
spread (like sausages, ham,<br />
cheese etc.) on toast.<br />
The usage of a custom-built cutter<br />
enables mass production of Wesseltoasts.
The Physical Impossibility of Death in the<br />
Mind of Someone Living<br />
2008, multiple (edition of 20) | Lego bricks,<br />
woodruff jelly
power source<br />
power consumption<br />
indicator<br />
Verbraucher<br />
bulb, painted<br />
light-proof black<br />
Verbraucher | 2009, multiple (edition of 64)<br />
scale energy audit, lamp socket, light bulb, heat resistant<br />
black varnish
<strong>Benjamin</strong> <strong>Zuber</strong><br />
+49 160 94621833<br />
www.benjaminzuber.com<br />
mail@benjaminzuber.com<br />
Lives and works currently in Munich.<br />
Curriculum Vitae:<br />
1982 born in Bamberg/Germany<br />
2003 - 2004 media studies and art history, FAU Erlangen<br />
2004 - 2011 Academy of Fine Arts Nuremberg, „Meisterschüler“ at Professor Michael Munding<br />
2008 - 2009 HFG Karlsruhe (stipend)<br />
2008 - 2009 Guest student Academy of Fine Arts Karlsruhe<br />
2009 Assistant lecturer at the Academy of fine Arts Nuremberg<br />
2010 - 2011 Academy of fine Arts Vienna<br />
Grants and Stipends::<br />
Stipend of Künstlerhaus Eckernförde (2012)<br />
„Debütantenförderung“ (funding for graduates) of the Free State of Bavaria (2012)<br />
Funding of „Erwin und Gisela von Steiner Stiftung“ Munich (for the exhibition „Platzhirsch“ at CirkulationsCentralen, Malmö/Schweden; 2011)<br />
„Kulturförderpreis Bayern“ (E.ON AG and the Free State of Bavaria, 2011)<br />
Artprize of the city of Lauf 2010<br />
Free-Mover stipend of the DAAD (Vienna, 2009)<br />
foreign exchange scholarship of the „Studienstiftung des deutschen Volkes“ (Vienna, 2009)<br />
Second prize of the artist‘s fair Karlsruhe 2009<br />
Nominated for the Artprize of Bosch-Rexroth (2008)<br />
Artprize Brandad Systems - second prize (2008)<br />
Stipend of the „Studienstiftung des deutschen Volkes „(2008)<br />
Grand prize of the city of Lauf 2008<br />
Stipend of the Free State of Bavaria for guest studys at the HFG Karlsruhe (2007)<br />
„Materialpreis“ / annual show of the AdbK Nurenberg, 2007<br />
Artprize Noris 2007<br />
selected publications:<br />
not yet titled, solo catalog of the bavarian funding for graduates, Munich/Nuremberg 2012. (in preparation)<br />
„but this place in this way I have seen“, in: „Lotto Magazin und das Spiel ums Ganze“, Stuttgart 2012 (Interview with Melanie Biedermann).<br />
„anders:wo / 2. Triennale Schweinfurt für zeitgenössische Kunst“, Schweinfurter Museumsschriften, Schweinfurt 2012 (catalog of the exhibition).<br />
„re•turn / 350 Jahre AdbK Nürnberg“, Verlag für moderne Kunst, Nuremberg (catalog of the exhibition). (in preparation)<br />
„Und der Gewinner ist… – Nürnberger Teilnehmer am bundesweiten Wettbewerb von Studierenden der deutschen Kunsthochschulen von<br />
1983 bis 2011“, Verlag für moderne Kunst, Nuremberg 2012 (catalog of the exhibition and essay).<br />
<strong>Benjamin</strong> <strong>Zuber</strong>: „Platzhirsch“, brochure about the solo exhibition at CirKulationsCentralen Malmo, Munich/Malmo 2011.<br />
Rothmüller, Barbara: „Chancen verteilen. Ansprüche und Praxis universitärer Zulassungsverfahren“, Arts & Culture & Education Band 6, hg. von<br />
Agnieszka Czejkowska, Wien 2011 (article).<br />
„Kunststudentinnen und Kunststudenten stellen aus 2011“, Bonn 2011 (catalog of the exhibition).<br />
„The Art of Drive & Control – Der Rexroth-Kunstwettbewerb 2008“, Würzburg 2008 (catalog of the exhibition).<br />
selected exhibitions:<br />
[SE] = Solo exhibition, [C] = Catalog<br />
2013 not yet titled, exhibition of the bavarian funding for graduates, Ausstellungshalle of the academy of fine Arts, Nuremberg,<br />
Nuremberg/Germany [SE] (in preparation)<br />
not yet titled, das weisse Haus, Vienna/Austria (in preparation)<br />
2012 not yet titled (exhibition of the Jahresgaben), Kunstraum München, Munich/Germany (in preparation)<br />
„smart answers to stupid questions“, Black Box Gallery, Copenhagen/Denmark [SE]<br />
„die Präzesion liegt im Auge des Betrachters“ (with Daniel Kiss), curated by Z.A.C.K., Kunstverein Würzburg/BBK Galery at<br />
Kulturspeicher Würzburg, Würzburg/Germany [SE]<br />
„Neu Eröffnung“, Kulturschutzgebiet Dachauerstr./Schwere-Reiter-Str., Munich/Germany<br />
„anders:wo / 2. triennial for contemporary fine Arts Schweinfurt“, curated by Hans-Peter Miksch, Kunsthalle Schweinfurt,<br />
Schweinfurt/Germany [C]<br />
„springhouse“, curated by Sven Christian Schuch and Anna Bründl, Rugestr. 9, Dresden/Germany<br />
„re•turn, 350 Jahre AdbK Nürnberg“, curated by Sebastian Hein, Andreas Oehlert and Ladislav Zajac, Halle 20 auf AEG, Nuremberg/Germany<br />
[C]<br />
„Und der Gewinner ist…“, curated by Andrea Dippel, Kunsthaus Nuremberg, Nuremberg/Germany [C]<br />
„Crossbreeds 2012“, Palais Kabelwerk, Vienna/Austria<br />
„Parallelaktion“, UniCredit Kunstraum, Munich/Germany<br />
„Doppelknoten“, Frappant, Hamburg/Germany [SE]<br />
2011 „Dual“ (with Daniel Kiss), curated by Uwe Schramm and Peter Schmieder, Kunsthaus Essen andKünstlerhaus Dortmund,<br />
Essen and Dortmund/Germany<br />
„Schwerebeschleunigung“, Heyestr. 117, Düsseldorf/Germany<br />
„Platzhirsch“, CirkulationsCentralen, Malmo/Sweden [SE, C]<br />
„Aichacher Kunstpreis“, Kunstverein Aichach, Aichach/Germany<br />
„Young at Art“, Gallery Art Seefeld, Zurich/Schweiz<br />
„Display ´11“, curated by Cornelia Gockel and Peter Wendl, Gallery Steinle Contemporary, Munich/Germany<br />
„Kunststudenten stellen aus“, Bundeskunsthalle, Bonn/Germany [C]<br />
„Saved by Entropie – Time wins again“, curated by Michael Franz and Nadim Vardag, Kunstbunker, Nuremberg/Germany<br />
„Weiße Zelle“, Werkstatt Strunkgasse, Mainz/Germany [SE]<br />
„Terminator 2“, LOVE_ Kunstverein, Vienna/Austria
2010 „Multiple Market“, Black Box Gallery, Copenhagen/Denmark<br />
„Rohmaterial“, Raumstation L, Vienna/Austria [SE]<br />
„Was zubert der Zimmermann“ (with <strong>Benjamin</strong> Zimmermann), curated by Z.A.C.K., Ausstellungshalle of the AdbK, Nuremberg/Germany<br />
[SE]<br />
„Ars Electronica“ (with Black Box Gallery), former tobacco factory, Linz/Austria<br />
„Black&Brunn“, Gallery Brunnhofer, Linz/Austria<br />
„Things you can walk into“ (Regionale 10 / Steiermark, with the class of Pawel Althamer), Schloss Trautenfels, Steiermark/<br />
Austria [C]<br />
„la fontaine“ (with Thea Möller; at the „blauen Nacht / langen Nacht der Museen“), Akademie Galerie, Nuremberg/Germany<br />
[SE]<br />
„Zeugzusammenhang“, curated by Z.A.C.K., Ausstellungshalle of the AdbK, Nuremberg/Germany<br />
„Flugmaschine“, die Vitrine, Nuremberg/Germany [SE]<br />
2009 „Wesselbrot“, Berliner Kunstverein, Münster/Germany [SE]<br />
„Schwarze Kunst“, Zeughaus, Schweinfurt/Germany [C]<br />
„Kalrsruher Künstlermesse 2009“, Regierungspräsidium, Karlsruhe/Germany [C]<br />
„Subversivmesse“, Hafenhalle09, Linz/Austria<br />
2008 „The Art of Drive and Control“ (Ausstellung zum Kunstpreis Bosch-Rexroth), Industrie- und Handelskammer, Würzburg/Germany<br />
[C]<br />
„Biennale di Sculture di Carrara“ (at „Lo Spazio e gli Altri“), Ex Caserma Dogali, Carrara/Italien[C]<br />
„Stellen, Hängen, Legen?“, curated by Kathleen Rahn, Ausstellungshalle of the AdbK, Nuremberg/Germany<br />
„Conflict Research Action Program“, Akademie Galerie Nuremberg and ZKM Karlsruhe/Germany<br />
„Kunstmesse Nürnberg 08“ (exhibition), Akademie Galerie, Nuremberg/Germany<br />
„Nebenstern“, curated by Bianca Häutle and Julia Leicht, former Casino, Nuremberg/Germany<br />
2007 „Art at Work 2007“, Smurfit-Kappa factory, Nuremberg/Germany<br />
„Blaue Nacht Nürnberg“, public space, Nuremberg/Germany<br />
„Rencontres Internationales Paris, Berlin, Madrid“, Madrid/Spain<br />
2006 „Rencontres Internationales Paris, Berlin, Madrid“, Paris/France<br />
Imprint<br />
<strong>Benjamin</strong> <strong>Zuber</strong><br />
selected artworks<br />
September 2012<br />
www.benjaminzuber.com<br />
mail@benjaminzuber.com<br />
images and texts: <strong>Benjamin</strong> <strong>Zuber</strong><br />
(exceptions are marked)<br />
© 2012, <strong>Benjamin</strong> <strong>Zuber</strong>