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FESTIVAL<br />
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PROGRAMME<br />
ARTISTIC DIRECTOR DRAGOJ.'YIAIEINER
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Minister<br />
Ministre<br />
Ministry of Ministere de la<br />
Culture and Culture et des<br />
Communications Communications<br />
Dear rriends:<br />
It gives me great pleasure to welcome you to the 28th<br />
annual MariPosa <strong>Folk</strong> <strong>Festival</strong>-<br />
6th Floor 6e 6tage<br />
77 Bloor Street West 77 ouest, rue Bloor<br />
Toronlo, Ontario Toronto, Ontario<br />
M7A 2R9 M7A 2R9<br />
{41 6} 965-8098 (416) 96s-8098<br />
As those of you who have attended the <strong>Festival</strong> before<br />
know, it is i wonderful celebration of folk music that<br />
encourages everyone to join in. For those who are<br />
attendiig for tlre first time, you have a great treat in<br />
store for you.<br />
By the end of the weekend, you.will have had a chance<br />
iil U" part of a valuable activity--th.e. preservation of<br />
folk music in this province. The <strong>Festival</strong> is to be<br />
congratulated for its successes in promoting and<br />
preierving these traditional forms.<br />
The <strong>Mariposa</strong> <strong>Folk</strong> Foundation has mobilized its<br />
supporteis to ensure that it continues to perform i!t<br />
""iir valuable work. AtI the volunteers, patrons and<br />
statf are to be commended for their efforts. As a<br />
recognition of these efforts, my I'linistry has been<br />
proui to assist them through programs such as<br />
Investment in the Arts.<br />
My best wishes for a successful and fun-filled<br />
<strong>Festival</strong>.<br />
Yours sincerely,<br />
Lily Oddie Munro<br />
Mi-nister
<strong>Mariposa</strong><br />
The<strong>Festival</strong> 1988<br />
June 24,25,26<br />
<strong>Festival</strong> Programme<br />
Editor: Sandy Moffat / Pricecheck*<br />
Advertising Manager: Bob Stevens<br />
Advertising Sales: Kut6a Nicoll<br />
lllustrations: Thach Bui<br />
Editorial Contributors: Blue }lbters, SteYe Pritchard, Collen Peterson,<br />
Estelle Klien, Peter Jellard, Lynn Hurry Ruth Jones McVeigh' Joe<br />
Lewis, Ellen Sinclair, Don Malpass, lvan Kotulsky, Mark Lewis, Donna<br />
Marchand (Photographer), Drago Maleiner, Uz Dusome' Bob Stevens,<br />
Diana Jervis-Read, Ken Brown, Arlene Mantle, Tony Quarrington'<br />
Richard Flohil & Associates J.D. Stevens David Wbrren<br />
Steve Fruitman Jennifer Berwick Diana Ferguson<br />
Typesetting : lSlS Communications Ltd.<br />
Richard Flohil & Associates<br />
Lynn Lidelle, Joan Curley, Daina Fulford<br />
Printer: Delta lifebb Graphics<br />
<strong>Mariposa</strong> '88 is produced and operated by the <strong>Mariposa</strong> <strong>Folk</strong> Founda'<br />
tion, a registered non-profit charitable organization dedicated to the<br />
pres.rati-on and promotion of folk music and folk arts in canada. This<br />
froduction takes place with special assistance from Molson Ontario<br />
Breweries Ltd. and Molson Park<br />
<strong>Mariposa</strong> <strong>Folk</strong> Foundation<br />
Board of Directors<br />
President: Lynne Hurry<br />
Vice President:T. Ann SmileY<br />
Secretary: David Wbren<br />
Treasurer: Kenneth G, Connerc<br />
Recording Secretary: Michael Blugerman<br />
Members at Large: Heather Bakker, Joe Bennaroch, Michael Boshes,<br />
Steve Fruitman, Norm Greer, Steve Starchev, Jan Tilston<br />
Statf<br />
Executive Director: Liz Dusome<br />
Production Manager: Frank Saunders<br />
Administrative Assistant: Laurie Humphries<br />
Executive Go-fer: Brian Blakney<br />
<strong>Mariposa</strong> is an active member of <strong>Festival</strong>s Ontario, The Ontario Council<br />
of <strong>Folk</strong> <strong>Festival</strong>s and The Arts Coalition of Toronto.<br />
Liz Dusome: Executive Director<br />
Liz, a veteran of <strong>Mariposa</strong>, is<br />
responsible for publicity<br />
fundraising, budgets and finance.<br />
Her cheerful voice answers<br />
questions in the oftice where she<br />
acts as a pillar of the <strong>Mariposa</strong><br />
community.<br />
Fnnk Saunders: Production Manager<br />
lf anything is going wrong, Frank<br />
can fix it. His duties range from<br />
event /ogistrbg planning<br />
contracti ng, licensi ng, production<br />
and distribution of print materials,<br />
tlcket sa/es and the superuision of<br />
our computer systems, to making<br />
sure that everyone knows about the<br />
next parTy!
I<br />
<strong>Festival</strong> Organizing Group<br />
Chairman: Jeff tiFed<br />
Artistic Director: Drago J. Maleiner<br />
Artistic Director's Assistants: Steve Fruitman, Kevin Nan<br />
Logistics: Less \lUbston, John Sladek<br />
Communications: Jim Oriotis<br />
Volunteer Services: Heather Bakker, Bonnie Greig, Brian Blakney<br />
Site: Norm Greer, Katrina Knight<br />
Publicity/Media: Bob Stevens, Richard Flohil<br />
Performer's Services: Brenda Collins, Bruce Craig, Mike Dent, Joe<br />
Lynch, Rick Mann, Rick Parrish, Cathy Stat, Dante Anderson, Jim<br />
Christiansen<br />
Comptroller: Kenneth G. Conners, Lynne Hurry<br />
Photo Documentation: Brian Pickell<br />
Audio Documentation: Gord Magrill<br />
Contra Services: Donna Marchand, Laurie Humphries<br />
Accreditation: Ann Smiley<br />
Sponsorship: Doug Little<br />
On Site Fundraising: litrayne Curley, Jean Dusome<br />
Programme Book:Sandy Moff;at, Bob Stevens<br />
Bars: Jan Tilston, Bill Marshal<br />
Emporium: Bernie Conroy, Beverley Fox<br />
Info Booth: Mava Salmon<br />
Security:Linda Rawbon<br />
Sound: Joe Bennaroch<br />
Stage: Peter Monahan<br />
<strong>Folk</strong>play: Bonnie Cyr<br />
Dance Tent: Steve Fuller<br />
Crafts: Ellen Sinclair<br />
<strong>Mariposa</strong> NOTES: Maureen Mccaul<br />
Blues/Celtic Tent: Steve Conner Supervised Play: Jan Tilston<br />
Labatt's <strong>Folk</strong> Music & <strong>Folk</strong>ways<br />
uit{oe Leuls<br />
SATTIRDAYS 12 NOOIY - 4:00 PM<br />
At 3:OO PMJobn Valqr,teyn<br />
joins<br />
Joe Lewis for the "Blues Hour"<br />
Comolete repair. refinishino &<br />
restdration dervice for fre-tted<br />
musical instruments.<br />
For an appointment call<br />
.<br />
(416)787.1s31<br />
40O Hooewell Avenue. Toronto
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M /a<br />
'uln1:noA<br />
Jau!aleyyf obetO<br />
ga
The folk<br />
at cAnAc<br />
want to<br />
meet the<br />
folk at<br />
<strong>Mariposa</strong><br />
Welcome to the <strong>Mariposa</strong> Festlval.<br />
CAPAC ls the Composers Authors ancl Publishers<br />
Assoclation of Canada. We're the organizatlon'that<br />
collects llcence fees from the people who use music<br />
- raclio and televlslon statlons, nlght clubs, bars,<br />
even this festlval - and dlstrlbute lt to the people<br />
who createcl the muslc that's belng played.<br />
We clo this job in Canada for more than I8,OOO of<br />
ourown members - ancl for hundredsof thousan$sof<br />
other composers In slmllar organlzatlons arouncl the<br />
world, Inclucllng ASCAP in the US, PRS In Brltain,<br />
ancl SACEM In France.<br />
lf you have questions about how CAPAC works<br />
to help composers and songwrlters - or if you're a<br />
wrlter yourself - get In touch. Our representative<br />
at the <strong>Mariposa</strong> Festlval is Richard Flohil; the CAPAC<br />
members on the program know who he is, and they'll<br />
point hlm out to you. * Or relax, enfoy the music,<br />
and wrlte or call us (collect lf necessary)<br />
when the Festlval's over.<br />
Have a great time; pray for sunshine!<br />
Among the CAPAC members performlng at the Marlposa Festlval:<br />
Bob Bossltl, Andrew Cash, Curtls Drledger, Norm Hacklng,<br />
The Harbord Trlo, Mlchal Hasek, Paul lames, Tony Quarrlngton, Messenlah'<br />
Erlc Nagler, Ken Whlteley.<br />
ttiltlllllllllll<br />
Compopcrs, Authors &<br />
Fublshcrr Ascochtlon of f-anada<br />
l2ro lry srrccr, toronto, ont., il5l 2c2 (416) 92+44.27 rAXr 416 924 1|,ir7<br />
1245 oucrt, nrc Shcrbrookc, burclu 1470, llontrGal P.Q. H3G lG2<br />
(tl{) 2t&4755 fAXr 514 ztt Ot2t<br />
lllS lobron Strcct, Sultc 703' Vrncouvcr' l.G V6E l!9<br />
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re<br />
ONTARIO<br />
COUNCIL<br />
The year 1988/89, marks the 25th anniversary of the Onurio Ara Council. Our principal<br />
initiative this year is the introduction of Mwing Forward, our Five-Year Plan. l0(/hile our<br />
anniversary was not the sole reason for this initiative, it does provide a significant occasion for<br />
reviewing the past and addressing the future.<br />
As you may know, our Five-Year Plan presents a powerful argument for substantidly increased<br />
funding to the afts, on the basis that the arts have reached maturity as a major force in Onario.<br />
Over the l;r;t 25 yean, the are have become a potent sector in society, as imporant and<br />
necessary to our well-being as heakh and education.<br />
The Council's public aaivities marking the 21th anniversary are directed toward highlighting the<br />
contribution of the arts to the quality of our lives and mising the profile of the many attiss who<br />
have made this possible.<br />
The Govemment of Onario and the Onario Ara Council are collabonting this year on an<br />
anniversary program to include the following event$:<br />
' Govemment recogpition in the Legislatue<br />
on April 26,1988, of the Council's<br />
anniversary and the role of the ara in<br />
provincial life;<br />
. The production of a video documentary<br />
on the arts and artiss of Onario,<br />
designed for national and regional primetime<br />
telwision, as well as other venues. to<br />
be premiered inJune 1988;<br />
. The preparation and distribution of public<br />
service announcements, promoting the<br />
arts, for telerdsion and radio broadcast;<br />
. Involvement of the Premier and<br />
Ontario artists in the Province'<br />
Canada Day Celebrations at Queents<br />
Park on July 1;<br />
. Other public aaivities tkoughout the<br />
province during fu y""t, all emphasizing<br />
the sature and achievement of the arts and<br />
artists of Onario.<br />
151 Bloor Street West. Suite 500<br />
Toronto, Onario M5S tT6 ' (416)<br />
96r-1660<br />
The Ontario Arts Council is an agency of the Govemment of Onario
W<br />
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D6<br />
John Cephas and PhllWlgglns are<br />
maslers of the blues. Ceohas was born<br />
in 1930 in the smalltown of Bowling<br />
Green, Virginia, and learned much of<br />
his intricate guitar style from recordings<br />
by the likes of Blind Boy Fuller and<br />
Gary Davis. From 1973 tol977 hE<br />
worked with barrelhouse Big Chief<br />
Ellis, but after Ellis'death he teamed<br />
up with harmonica player Phil Wiggins,<br />
almost 25 years his junior, and lhe pair<br />
make a formidable duo, combining the<br />
best of the old and nEw blues idioms.<br />
h<br />
Tom Chapln is making his second appearance<br />
at <strong>Mariposa</strong>. Tall, lanky, and<br />
utlerly charming, he is a songwriter<br />
and performer who still finds that he's<br />
inspired by the creative energy ol his<br />
lale brother, Harry. His five years hosting<br />
the memorablE ABC-TV show<br />
Make a Wishis still the achievement<br />
many listeners remember best, but<br />
once they've experienced the warmth<br />
and humour of his live performance<br />
they become - as thousands of others<br />
have - devoted fans.<br />
Tracy Chapman is suddenly one of<br />
the most talked-about young artists in<br />
North America, and one with a great<br />
rad'o hit, Fast Car. Born and raised in<br />
Cleveland, music was alwaYs Part of<br />
her life (her mother is a singer of bolh<br />
popular and gospel material), and she<br />
learned her craft in small clubs and<br />
coffeehousEs during hertime at Tufts<br />
University in Massachusetts. Her first<br />
album, on Elektra, is likely to go gold in<br />
Canada; her <strong>Mariposa</strong> visit is her firsl<br />
appearance in Canada. As the Eoslon<br />
Herald gul it: "Tracy Chapman is a rare<br />
and charismatic singer/songwriter who<br />
can grab the altentioh of a listener in a<br />
moment,'<br />
Eldon Cooper is one of the best dance<br />
callers in southern Ontario; be'll be<br />
leading hardy dancers through their<br />
paces in the dance tent at <strong>Mariposa</strong>.<br />
COUNTRY VAUDEVILLE draws heavily<br />
on the English Music Hall tradition of<br />
the turn of the century using minimal<br />
accompaniment and complex vocal<br />
harmonies to put their point (hoWever<br />
silly it may be) across. Peter and Paul<br />
are veterans of many Celtic music<br />
sessions, pickup groups and country<br />
dance bands (e.9. lnisfail, Flying Cloud<br />
All-Stars, Back Up and Push). They<br />
continue to rely on their grounding in<br />
the British lsles folk tradition when<br />
interpreting their material, however<br />
various its origins, and include<br />
traditional songs and tunes in their<br />
repertoire. They are equally at home in<br />
an a cappella workshop or an<br />
instrumental tune session.<br />
The Cranberry Lake Jug Band is one<br />
of the last of a disappearing species -<br />
a band that plays the cheerful, optimistic,<br />
funny blues-orienled jug band music<br />
of the '20s. BasEd in upstate New<br />
York, the group wield guitars, mandolins,<br />
kazoos, slide whistles, jugs and<br />
washboards with skill and great good<br />
humour. They've been doing this for<br />
wsll over 12 years, and lhey also know<br />
how to call squaro dances, play some<br />
fine old-timey music, and if you want<br />
'em<br />
to try some Quebec liddle music,<br />
they'll do that as well.<br />
Curtls Drledger is a wry, witty songwriter<br />
who built his Toronto-area reputation<br />
as the de-facto leader of the Cee<br />
Dees, an unusual band that makes relatively<br />
few public appearances. His<br />
conlemplative life as a gardener has<br />
allowed him to create sonle of the most<br />
offbeat songs you've ever heard, writlen<br />
wilh a sense of humour that's hard<br />
to categorizs. But it this is Queen<br />
Street dance music, it's dElivered with<br />
a solid beat, and roots that feed on<br />
many diff erent musical_inf luences.<br />
Donovan remains one of the livEliest<br />
reminders ol folk's early days, when,<br />
back in Britain, he was considered Dylan's<br />
rival. Back then - and stilltoday<br />
- he mixes a lantasy world with delicate,<br />
gentle melodies we all know; Mellow<br />
Yellow, Sunshine Superman, Wear<br />
Your Love Like Heaven, and dozens<br />
more. He is also a marvellous storyteller<br />
with alfectionate memories of the<br />
'60s (ask him to recount his adventures<br />
with the Maharishi and the Beatles in<br />
India), good new songs from the '80s,<br />
and a warm, relaxed and thoroughly<br />
charming way of getting audiences involved<br />
in his music.
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.
|lE<br />
ffi<br />
8!<br />
mustcstore<br />
415 QUEEN ST W TORONTO '<br />
593-8888<br />
Steve's Music turns uP the heat<br />
with gEeat prices all summer<br />
long. With sizzling specials from<br />
virtually every major manufacturer<br />
of quality eEripment, it's<br />
bound to be a HOT HOT SUM'<br />
MER!!! Steve's carries everything<br />
from guitqrs and amplifiers,<br />
PA slnterhs large and<br />
small, recording equipment for<br />
pro and beginner alike, drums<br />
and percussion and everYthing<br />
midi from keyboards to com'<br />
puters.<br />
Also watch for special events<br />
sponsored by Steve's Musie hap'<br />
pening all summ€r long.<br />
Steve's prices are special<br />
because Steve's is a speclal<br />
music store!!<br />
We at Steve's hope You have a<br />
great summer and remember,<br />
.,IF YOU LOVE MUSIC. . . PI.AY<br />
IT!!!"
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-rpne - steel u! spe qnp eoJe-oluoJol<br />
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6u
a0<br />
Leo Kottke is probably the best 12string<br />
guitarist on the road today; his<br />
foggy, attrac{ive voice (he once likened<br />
it to goose farts on a damp morning)<br />
and his warm and selfdeprecating personal'lty<br />
have helped make him a favourhe<br />
with guitar fans and "new age"<br />
music enthusiasts alike. He visited<br />
Toronto recenlly with fellow-guitarist<br />
Michael Hedges, with whom he has<br />
been touring, and followed it up with a<br />
Bathurst Street Theatre solo show a<br />
few weeks ago.<br />
300 Yonge St. S., Barrie<br />
722-3010<br />
Anne Lederman has bEen involved in<br />
traditional music aclivities for more<br />
lhan 20 years as a fiddler, singer,<br />
muhi-instrumenlalist, researcher and<br />
teacher. She plays in an astonishing<br />
number of musical traditions, lrom<br />
French-Canadian to Balkan and from<br />
swing to country music. And she sings<br />
in English, French, Ojibwa, Gaelic and<br />
occasionally som e eastern European<br />
languages as well. She is also one half<br />
of Muddy York, but is now working as a<br />
solo performer most o[the time.<br />
Losler, MacKenzle and Chrlstoper all<br />
came from Atlantic Ganada, but now<br />
Gilles, Ken and John live in Montreal.<br />
Gilles is a veteran of <strong>Mariposa</strong> evenls<br />
going back for years, playing fiddle, piano<br />
and bass. while Ken MacKenzie<br />
plays pipes and whistles. Guitarisl<br />
John Christopher writes and sings<br />
songs based on Newfoundland's history,<br />
but also works in the country and<br />
blues traditions.<br />
GOOD LUCK<br />
MARIPOSA FESTIVAL<br />
for a very successful event<br />
Lyle Lovett has become an important<br />
nEw voice in country music with the<br />
success of his second ahum for MGA,<br />
Pontirc, and hE is making his first<br />
Toronto-area appearanoe with this visit<br />
to <strong>Mariposa</strong>. Originally from Texas, Lovett<br />
was "discovered'by Guy Clark,<br />
and his fusion of country, folk and jazz<br />
influences makes his music unique.<br />
Lyle is bringing his full 11-piece band to<br />
<strong>Mariposa</strong>, and if he causes a lew raised<br />
eyebrows, the subtlety, charm and humour<br />
of the music will entrance you.<br />
Magoo is one of the organizers (the<br />
president, in fact) of the Blue Sky <strong>Festival</strong><br />
in Glarendon, Ont., and hE is also<br />
their MC and resident character. He<br />
has a rubber face, a bealen-up guitar,<br />
and he has been known to bark at audiences<br />
- but it's all in great good fun.<br />
He'll be one of the MC's at <strong>Mariposa</strong>,<br />
and you couldnl find a more intriguing,<br />
amusing man lo do the job.<br />
NOWAT:<br />
f500 Tiinity Dr., Mississauga<br />
(1 minute north of the 401 on Dlxie)<br />
670-2544<br />
LEASING * RENTAIS * SALES * PARTS * SERVICE * COLLISION
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fI<br />
Messenlah is one ol the most popular<br />
bands on the Canadian club circuit,<br />
taking its infectiously sunny music from<br />
the CarribEan direct to dancers and listeners.<br />
But therE's an edge to Messenjah's<br />
music - sure you can dance, but<br />
lhere's plenty lo think about loo.<br />
Marla Muldaur began her career as<br />
the fiddle player wilh the Even Dozen<br />
Jug Band - and her contributions to<br />
music since have included hll records<br />
(is there anyone who doesn't remem'<br />
ber Midnight at the Oasis?l and aiazzinflscted<br />
live performance unit that<br />
swings in a decidedly posilive way.<br />
She has mads numerous records in a<br />
variety of idioms, and one of her best<br />
was a powerful gospel album recorded<br />
with the Chambers Brothers. Expect<br />
fireworks at <strong>Mariposa</strong> from Muldaur -<br />
this is her first appearance at the festival,<br />
and she'll raise some eyebrows.<br />
Her music today is a reminder that the<br />
jazz, gospel, and folk worlds are indeed<br />
connested.<br />
San Murata and Terry Jones<br />
will present a concert of what<br />
Jones calls "sentimental songs<br />
from the '30s and'40s". Jones is a<br />
onetime member of Perth CountY<br />
Conspiracy; Murata is one of Canada's<br />
leading graphic artists and has<br />
been responsible for the design<br />
and execution of the MariPosa Poster<br />
this year. He's also a fine fiddler.<br />
Erlc Nagler shuns the label of "children's<br />
entertainer". lnstead, he calls<br />
himself a "family singef - and that's<br />
just about the most accurate descrip<br />
tion anyone cpuld comE up with. He's a<br />
banjo and liddle player who also rips<br />
olf cheerful solos on the sewerphone<br />
(a miraculous contraption of his own<br />
devising) and a dozen olher instruments.<br />
He's popular with kids of all<br />
ages as the result of his solo @ncerts<br />
and his numerous appearances on The<br />
Elephant Showwith his friends Sharon,<br />
Lois & Bram.<br />
Nazka is a group that specializes in the<br />
music of Soulh America's Andean regions,<br />
and was formed in Toronlo two<br />
years ago. Two of the group's members,<br />
Miguel Vasquez and Jos6 Sanhueza,<br />
had performed in a group with<br />
the same name in Chile, while the other<br />
members (Rodrigo Chavez, StEve<br />
Wingfield, Edgardo Moreno and Jayne<br />
Browne) had all played in other bands<br />
specializing in South p-rris31 61gsic.<br />
New Grass Revlval is one of the very<br />
best Nashville bands around -four<br />
first-rank bluegrass players who believe<br />
it isnt sacrilege to rock out, play Marvin<br />
Gaye hits, and add a new-PennY shine<br />
and unbeatable energy to the bluegrass<br />
tradition. The band has been recording<br />
since 1972, with lounders Sam Bush<br />
(mandolin) and John Cowan (bass and<br />
lead vocals) ioined by Bela Fleck (banjo)<br />
and Pat Flynn (guitar). ln their early<br />
days, NGR used to bs the suPPort acl<br />
for Leon Russell, but now they're earning<br />
headline status on their own. And<br />
on the rare occasions when thoy're not<br />
on ihe road, Bush and Fleck, in particular,<br />
have flourishing careers as Nashville<br />
session players.<br />
\
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snut ,rralg
Bonnle Raltt has not appeared in the<br />
Toronto area for well over a decade,<br />
and her soullul vocals have been sorely<br />
missed. Now as well-known lor her<br />
commitment to a variely of important<br />
causgs as she is as a performer, Bonnie<br />
Raitt is stillone of the best slidE<br />
guitar players playing anywhere, and<br />
her music - informed by the blues tradition<br />
and tempered by a number of<br />
line songwriters, whose work she admires<br />
- is still as fresh and vital as<br />
ever it was.<br />
Moses Rascoe may be 71 years old,<br />
br.rt he's a classic country blues player<br />
who seems to get better all thE time,<br />
and he's going to reach even bigger audiencEs<br />
than he did when he made his<br />
<strong>Mariposa</strong> debut last year. He bEcame a<br />
professional musician only a couple of<br />
years ago, but he brings a lifetime of<br />
playing and singing experience to his<br />
audiencEs. For 40 years as a truck driver,<br />
he kept his guitar by his side, both<br />
for company on long runs, and as a<br />
msans to earn some exlra cash from<br />
time to time in bars and after-hours<br />
joints. Now he's building a n6w c€treer<br />
in folk clubs, at concsrts and lestivals<br />
like this. lt's nevEr too late to start a<br />
new lifel<br />
Jlm Rlder is a Toronto singer and<br />
songwriter who has played a major role<br />
in bringing acoustic music back to wider<br />
audiences in Toronto clubs. He'll be<br />
hosting an open stago at <strong>Mariposa</strong>, and<br />
helping introduce some good n€wcomers<br />
to the joys and uncertainties of<br />
playing to live audiences.<br />
lUorld llrt & Decor<br />
O AFRICAN RICORDS & TAPTS<br />
Lody Smith Block Mombozo; King Sunny Ade; Fronco; Tobu Ley; Bhundu<br />
Boys ond hundreds of other ortists from vorious Africon countries<br />
O AFRICAN ART<br />
mosks; stotues; bosketry; botiks; pointings;<br />
fobrics; ortifocts from most countries<br />
O KINYA SISAL BAGS<br />
best prices ond quolity<br />
803 Queen St. West, Ioronto, Tel: JOJ- 6J40
'esodpeyl 611 le^psel<br />
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The Toronto Morrls Men add a sPecial<br />
dash ol colour to <strong>Mariposa</strong>, with<br />
their bright costumes and intricatelypatterned<br />
dances, manY of them<br />
bteeoEd in British tradition. Over'ome,<br />
moriis dancers usually celebrated holidavs<br />
with dances in lront of pubs, and<br />
thd Toronto group's festival ssssions<br />
will include app€arances by their mascot,<br />
Billthe Plastic Duck, who is responsible<br />
lor the dancers' refresh'<br />
ments. Molson Expofi, of coursel<br />
YOUR CONCERT<br />
CONNECTION<br />
WELCOMES<br />
,i;"'tl't")-/"'."f l'<br />
336 Yonge St. (BASS Outlet Superstore)<br />
Cederbrae Mall GASS Outlet)<br />
Thornclitfe Market Place (BASS 0utlet)<br />
Hudson's Bay Centre<br />
Genard Square<br />
Eaton Centre (Dundas Mall) (BASS 0utlet)<br />
*13 7"<br />
Loudon Walnwrlght lll now sPends<br />
most of his performing linte in Britain'<br />
where his self-deprecating sense of<br />
humour and the edgy brilliance of his<br />
songs seems to relate to that country's<br />
dry, Python-esque national mood.<br />
Once known onlY for his summer hYmn<br />
to driving to the cottage, Dead Skunk'<br />
his in-person popularity has continued<br />
to grow as his satire has extended to<br />
lampoon over-achievers everywhere<br />
(both masculine and feminist)' divorce,<br />
long distance love affairs, and golf.<br />
COMIN'HOME TO ST{Y<br />
,o 17"<br />
Thornhill Square (BASS 0utlet)<br />
Dixie Mall, Mississauga (2 Stores) (BASS 0utlet)<br />
South Common Mall (BASS 0utlet)<br />
Markham Place (Steeles & HwY. 404)<br />
Traialgar Village Mall, 0akville<br />
Burlington Mall (BASS Outlet)<br />
Ken Whlteley is one of the most versa'<br />
tile musicians anywhere, and Toronto<br />
music fans are lucky that he lives in the<br />
city. His own band, the Paradise Rsview,<br />
tackles r&b styles with gusto, with<br />
Ken playing guitars, mandolin, banjo'<br />
piano, and almost any other instrument<br />
ihat comes to hand. He's also a producer<br />
who has specialized in children's<br />
records (ahhough he Produced John<br />
Hammond's latest album) and with his<br />
brother Chris and assorted younger<br />
lriends and relations, co-leads the JuniorJug<br />
Band.<br />
E'ASS.:<br />
TrEKEffilasiEa-<br />
AT MOST SL'NRISE STORES<br />
AND FROM CBS DIRECT<br />
*lB<br />
9"<br />
FEATURING<br />
THE<br />
RICKY SKAGGS<br />
SINGLE<br />
..THAT'S<br />
WHY<br />
I'[T WALKIN"'<br />
PLUS MANY MORE<br />
Lincoln Mall, St. Catharines (BASS Outlet)<br />
Oshawa Shopping Centre (BASS 0utlet)<br />
l\4arket Square, Kitchener<br />
Lvnden Park Mall, Brantford<br />
Eiton lrilarket Sq., Brantford (BASS outlet)<br />
209 Dundas St., London (BASS 0utlet)
I<br />
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spull llB lo slB^<br />
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u @f4<br />
This list of performer's records and cassettes is as complete as we could make it, but we apologize for the inevitable<br />
errors and omissions. Many of the records are unavailable and are listed for the interest of collectors. <strong>Mariposa</strong> offers<br />
for sale, at the Record Emporium, as many of the currently available records and tapes as possible. Do take<br />
advantage of this once a year, three day long, folk & blues record store.<br />
ARTIST<br />
Barra MacNeils<br />
Diana Braithwaite<br />
The Barra MacNeils<br />
"African<br />
Harvest"<br />
Saul Broudy<br />
Travels with Broudy<br />
John Allan cameron<br />
Song For The Mira<br />
Good Times<br />
Freeborn Man<br />
Andrew Cash<br />
Andrerv Cash<br />
Phil Cephas & John Wiggins<br />
Doo Days of Auoust<br />
Tom Chaplin<br />
Lile is like That<br />
City ol Mercy<br />
Let Me Back Into Your Lile<br />
Tracy Chapman<br />
Tracy Chapman<br />
Cranberry Lake Juo Band<br />
old Time & Juqband Music<br />
Lo',vdown Sympnony<br />
ll This Ain't Genius<br />
Curtis Driedger & Cee-Dee's Ceedees<br />
Secret Policeman's 0ther Ball<br />
A Gilt FIOM A FIOWET TO A GATdCN<br />
catch The wind<br />
Lady of the Stars<br />
Greatest Hits<br />
l!!instrel Boy<br />
Universal Soldier<br />
Sunshine Supermafl<br />
Mellou/ Yellow<br />
0pen Boad<br />
whai's Bin Did & what's Bin Hid<br />
Donovan in Concert<br />
Erabajagal<br />
Jonathan Edrvards<br />
Foster & Lloyd<br />
Arlo Guthrie<br />
Norm Hackin0<br />
John Hammond<br />
8ob Bossin<br />
with Strin0band<br />
RECOFD '{ATE<br />
Jonathan Edwards<br />
Have A Good Time For Me<br />
Lucky Oay<br />
Orioinal Piano Artistry 0l Jonathan Edwards<br />
Foster & Lloyd<br />
Alice's RestauGnl<br />
Eest 0f Arlo Gulhrie<br />
HABP<br />
Precious Friend<br />
Redwood Collection<br />
Together In Concert<br />
Norm Hackinq Live<br />
Cut Roses<br />
Stubborn Ghost<br />
Triumvirate<br />
Live<br />
Frogs For Snakes<br />
Mileage<br />
Nobody But You<br />
Best 0f John Hammond<br />
Big City Elues<br />
Blues Erplosion<br />
Country Elues<br />
FootvJork<br />
John Hammond<br />
John Hammond Solo<br />
Hot Tracks<br />
So Many Boads<br />
The Generic Bob Bossin<br />
Home Remedy lor Nuclear War<br />
Bossin's West Coast<br />
Canadian Sunset<br />
Stringband<br />
Lrve<br />
LAEEL<br />
World Records<br />
Independent cassette<br />
Adelphi<br />
Glen Coe<br />
Freedom<br />
Glen Coe<br />
lsland J<br />
Flying Fish<br />
Fantasy/Sundance<br />
Spectre/Sundance<br />
Flying Fish<br />
Eleclra<br />
Swallowtail<br />
Swallowtail<br />
Kicking [,lule<br />
Freddom<br />
lsland<br />
CBS<br />
Showcase<br />
Alleqiance<br />
CBS<br />
Pye<br />
Spot<br />
Eplc<br />
Epic<br />
Epic<br />
Marble Arch<br />
Epic<br />
Epic<br />
AC0<br />
AC0<br />
AC0<br />
CBN<br />
RCA<br />
BPS<br />
Warner 8ros.<br />
Bedwood<br />
Warner Bros.<br />
Redwood<br />
RPS<br />
Trouser Snake Records<br />
lndoor Eecords<br />
Rosedale ffecords<br />
Edsel<br />
Stony Plain<br />
Stony Plain<br />
Stony Plain<br />
Stony Plain<br />
Vanguard<br />
Vanquard<br />
Atlantic<br />
Vanguard<br />
Vanguard<br />
Vanguard<br />
Vanguard<br />
Vanguard<br />
Vanguard<br />
Nick<br />
Nick<br />
Nick<br />
Nick<br />
Nick<br />
Nick<br />
IIIUilEER YEAB<br />
wRc t-4689<br />
1987<br />
AD 20r'1<br />
GMI-003<br />
FR-019<br />
GMr-002<br />
lsL-1 185<br />
FF.394<br />
1976 't982<br />
TT 401 1987<br />
96-07741<br />
1977<br />
1 980<br />
1 987<br />
FB.EP-OO5<br />
9698<br />
ES-1 71<br />
SHLP 1 33<br />
AV 437<br />
wPE 26439<br />
DOW,13<br />
sPR 851 4<br />
BN-2621 7<br />
E-3001 25<br />
MALS.795<br />
8N-26386<br />
8N-26481<br />
sD-862<br />
sD-7036<br />
sD-361 04<br />
104<br />
6372-B<br />
BS-6267<br />
8SK-31 1 7<br />
409<br />
8SK-3644<br />
411<br />
28-2214<br />
rNDR-79071<br />
8DR-N008<br />
ED-228<br />
sPL-1 058<br />
sPL-1 042<br />
sPL-1 035<br />
sPL-1 105<br />
11-12<br />
791 53<br />
801 49<br />
791 98<br />
79400<br />
2148<br />
79380<br />
19424<br />
791 78<br />
NtcK c2<br />
NICK C3<br />
NrcK c4<br />
NICK 1<br />
NICK 2<br />
NICK 6
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r80r-d8<br />
zrr6-Jd<br />
t9z6-cd<br />
0r96-cd<br />
s08/0-cd<br />
z/ t6-cd<br />
6186-Cd<br />
18r9z-vcn<br />
/2r08-0c<br />
96/ r8-Cd<br />
zt66-cd<br />
z0 880<br />
60 I t-tds<br />
tlzl-0s<br />
982-39<br />
99r6r-0s<br />
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0rzl-0s<br />
/z r8 r-0s<br />
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Tony ouarrington<br />
with Joe Hall:<br />
EonnieRaitt<br />
Moses Rascoe<br />
Don Ross<br />
with 0liver Schroel<br />
Ricky Skaggs<br />
Jamie Snider rYith Red lsland<br />
with w0nderful Gnnd Eand<br />
TIP Splinter<br />
Loudon Wainvlright lll<br />
Ken Whiteley<br />
80 BRADFORD STREET<br />
BARRIE, ONTARIO<br />
L4N 3A8<br />
MOTORCYCLES<br />
POWER EQUIPMENT<br />
AT1/'S, TRACTORS<br />
c.slde<br />
Top Ten Wrlilen All over lt<br />
Joo Hall<br />
0n The Avonue<br />
Rancho Banana<br />
Dimct To Delet€<br />
Critics Choice<br />
Give lt Up<br />
The Glow<br />
Grsen Lioht<br />
Homo Plate<br />
Nine Lives<br />
Eonnie Raitt<br />
Slreet Li0hts<br />
Sweet Forgiveness<br />
Takin'My Time<br />
Moses & The Blues<br />
Moses Rascoe: Live at Godfrey's<br />
Kelewin<br />
Underground Freedom<br />
Don Ross rvith Kelly Mc0owan<br />
Eye Music<br />
That's lt<br />
Live ln London<br />
Ska0gs & Rice<br />
Hiohways & Heartaches<br />
SYreel Temptatlons<br />
Family & Friends<br />
Love's Gonna Gel Yu<br />
Want For The Sun To Shine<br />
Comin' Home To Say<br />
Country Boy<br />
Second Genention ElueoBss<br />
Elue0nss: World's Groatost Siow<br />
ln Pursuit ol the Wild Eologna<br />
Livino in a Foo<br />
TIP Splinter I Frionds<br />
Mooncoin<br />
Fame & Wealth<br />
A Live one<br />
I'm Alright<br />
Alhum lll<br />
Anenpted Moustache<br />
Sluggers lvife<br />
Brioht Side<br />
Sland The Slorn<br />
f,-,\<br />
IT- SALES, SERVICE,<br />
g,o<br />
ffi llg, Effiir.s r42<br />
705-728-9177<br />
Poslority/Woodshed<br />
lmpulse<br />
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Po$erity<br />
Locomdive<br />
Takoma<br />
Uvarner 8ros.<br />
Warner Bros.<br />
lvarner Bros.<br />
Ul/amer 8ros.<br />
Warner 8ros.<br />
ll,amer 8ros.<br />
Wamer Bros.<br />
Warner Bros.<br />
Wamer Bros,<br />
Ind0p0ndent cassette<br />
Flyino Fish<br />
Independent<br />
IndependBnt<br />
Independent<br />
Independent<br />
Hebel<br />
cBs<br />
Stony Plain<br />
c8s<br />
Stony Plain<br />
Stony Plain<br />
c8s<br />
CBS<br />
CBS<br />
Epic<br />
8eb€l<br />
Stony Plain<br />
Independent<br />
Independent<br />
Private<br />
Privale<br />
Stony Plain<br />
Slony Plain<br />
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cBs<br />
cBs<br />
MCA<br />
Pyramid<br />
Pyramid<br />
008<br />
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80 BRADFORD STREET<br />
BARRIE, ONTARIO<br />
L4N 348<br />
NEW LOCAT'ON NOW OPE U'<br />
12,OOO SQ. FT. OF AIR CONDITIONED SHOWROOM<br />
HONDA YAMAHA<br />
MOTORCYCLES<br />
SNOWMOBILES<br />
ATV'S<br />
1 986<br />
1987<br />
r986<br />
1986<br />
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1978<br />
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PARTS, ACCESSORIES
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BA<br />
TERRY WEDGE: Peter is a fl ute maker<br />
from Brampton, Ont.Included in his<br />
collection are transverse flutes,<br />
notch flutes (like the "Kenya" of the<br />
Andes, or the Chinese Hsiao) and<br />
end blown flutes like the "CAVAL"<br />
of<br />
the Balkans, The Nay of Turkey and<br />
Egypl and the legendary "Shakuhachi"<br />
of Japan. His fabric flute<br />
cases are from folk woven sash material<br />
from South America.<br />
DOROTHY PARSHALL: A self-taught<br />
potter from Bancroft, Ontario. Dorothy<br />
is relatively new at pottery as a<br />
career but has made good use of<br />
her time and is already a veteran of<br />
several different craft fairs throughout<br />
Ontario.<br />
RICK WATSON OF THE BRASS<br />
FORGE: Unique brass jewellry including<br />
arm bands and earings. As<br />
the name suggests, Rick forges his<br />
brass materials and works out of<br />
Mooretown, Ontario.<br />
ROSS BLACKSHAW OF WOOD'N<br />
STUFF: Ross makes 21 different animal<br />
banks using Canadian white<br />
pine and maple woods. He also displays<br />
a variety of cars and trucks<br />
and puzzles and other toys your children<br />
will love!<br />
SHERI DEKOVEN: Sheri brings her<br />
beautifu I thread and copper art jewel-<br />
ffiruu<br />
Music&DanceCamp<br />
Aug 2-7,088<br />
At:<br />
Woodland Tiails Conference Cenffe<br />
Aurora, Ontario<br />
For Info Call (416) 657-1708<br />
lery all the way from Vancouver, B.G.<br />
Sheri sold her craft in markets, fairs<br />
and boutiques in Australia before<br />
bring her unique designs home to<br />
Canada. Sheri handcraftsall herown<br />
work with beautiful precision and<br />
skill.<br />
PAMELA MEAGHER: Reproduces<br />
her beautiful wildflowers onto limited<br />
edition prints. Pam is a Canadian<br />
wildflower artist using the freedom<br />
of watercolour and the Precision<br />
of drafting pen.Pam'swork has<br />
been on display at the Royal Horticultural<br />
Show in London, England<br />
and her work can be found in private<br />
and corporate collections worldwide.<br />
JAN DONALDSON: You may have<br />
seen Jan's work down on Queen St.<br />
East where she runs a fulltime business.<br />
Jan's quilted designs are bright<br />
colourful and fun and make a wonderful<br />
addition to any wardrobe.<br />
CAROL WOOD: Carol specializes in<br />
children's clothing using colourful<br />
fabric and design that will appealto<br />
children and adults alike.<br />
TRAGEY MoDONNELL OF POINT OF<br />
VIEW:Tracey uses black and white<br />
photography touched up with Paint<br />
resulting in intriguing pictures with<br />
a human interest theme.<br />
With<br />
Bob Dalsemer<br />
The Friends of<br />
Fiddler's Green<br />
Alistair Brown<br />
Tan Kearney<br />
Grit Laskin<br />
GeoffMcClintock<br />
David Parpy<br />
Ian Robb<br />
Lawrence<br />
Stevenson<br />
Anne Lederman<br />
Magpie<br />
HEIDI AND KRISTEN LEPP: NEED A<br />
NEW SUMMER WARDROBE? GhECK<br />
out the tie-dye fabric clothing, crqations<br />
of this sister act from St. Catharines,<br />
Ontario.<br />
ARJEN AND JERINE VERKAIK OF<br />
SKYART: This creative couPle have<br />
become known as the'SkyPeoPle'<br />
or 'Storm Chasers'. Together they<br />
capture the sky in fascinating photographs<br />
that illustrate the temper<br />
and the beauty of the heavens.<br />
DONNA PULICHUK: A jeweller working<br />
out of Toronto handcrafts her<br />
own earrings, necklaces, bracelets<br />
and bangles. Take a look!<br />
Don't miss this year's expansive and<br />
electic bazaar. Some of our vendors,<br />
you will recognize from past Years<br />
while other merchants are with us<br />
for the first time. Browse through<br />
some of the import booths including<br />
South American crafis dearer Kevin<br />
Trast and Jim Skilling, Jewellers<br />
Cecelia Krongold, Gabriel Dumont,<br />
Rodiigo Ghavez and Leather Craftsman,<br />
Catherine Howard, Reg James<br />
- Ghildren's Toys & Puzzles, Steve<br />
Polzin - Dolphin Caravan - Prepares<br />
beautiful brass sculptures variety<br />
of iewellery - employs fusion<br />
welding - burnished coPPer designs,<br />
Les MacKay - l-ayman House<br />
Ll,t.g,*r*y<br />
Toronto, Ontario M4L lHl
'otlvovNvc<br />
No|lvsrNv9Ho Ntruvn 3Hr
g+<br />
THE ON THE LINE MUSIC<br />
COLLECTIVE BELIEVES<br />
THAT PEOPLE'S MUSIC<br />
AND LABOUR STRUGGLES<br />
ARE NO STRANGERS.<br />
There have been no great social<br />
movements without music, nor will<br />
there be any great movements in the<br />
future without the songs of struggle<br />
that help to bind us together in the<br />
fight for change. The labour movement<br />
has a rich history of music,<br />
and songs like "solidarity Forever",<br />
"Union "Which<br />
Maid", Side Are You<br />
On?" and "Bread and Roses", have<br />
their place in our history forever. Talk<br />
to any worker in their 50's or 60's,<br />
and ask them about Joe Hill or Joe<br />
Glazer, and you'll probably detect a<br />
nostalgic smile as the memory of<br />
picket line singing floods over<br />
them. But encouraging union activism<br />
through music is bY no means a<br />
phenomenon that faded after the<br />
1940's.<br />
"Don't<br />
scab for the bosses'<br />
don't listen to their lies,<br />
lJs poor folks ain't got a chance,<br />
unless we organize.<br />
Which side are You On?<br />
Which side are You On?"<br />
Florence Reece.<br />
Today the labour movement is facing<br />
one of its greatest battles' The<br />
multi-national, in its complete disregard<br />
for people's welfare evidenced<br />
by the labour in some other Place'<br />
presents an ever present threat. We<br />
see labour rallying all across this<br />
country in opposition to the Free<br />
Trade Agreement with the United<br />
States. The new technology which<br />
is being rapidly thrust upon workers,<br />
places us in even greater isolation<br />
and threatens to diminish our voices.<br />
"fur<br />
twent1 Years l've worked in<br />
this tactory<br />
I thought that I had iob securW<br />
But the robots have arrived and<br />
the vDT's have thrived<br />
And there isn't any room left here<br />
for me."<br />
Arlene Mantle<br />
There is no questioning the imPact<br />
of such activities as picket-line singing.<br />
This is not something new, but<br />
something we own and have not<br />
been putting to full use. Perhaps in<br />
the period of calm following the<br />
bloody battles of our eady history<br />
we let slip one of our most valuable<br />
tools, our ability to sing'together.<br />
While we honed uP our skills at<br />
negotiating and bargaining table<br />
strategizing, we stopped doing<br />
something that pulls ustogether, inspires<br />
us, attracts suPPort from<br />
others and really threatens management,<br />
we stopped singing!<br />
"Oh you can't scare me, I'm<br />
stickin' to the union"<br />
WoodY Guthrie<br />
The On The Line Music Collective is<br />
a small non-profit group of cultural<br />
workers and musicians committed<br />
to using their talents for social<br />
change. We Perform at concerts'<br />
picket lines, demonstration, rallies,<br />
and community tunctions. We conduct<br />
collective songwriting sessions<br />
with labour and community groups<br />
and we Produce educational materials<br />
using music.<br />
In the spring of 1986, we went to<br />
Cedar Glen Conference Centre in<br />
Bolton and over the course of a (loo-ong)<br />
day we recorded a taPe with<br />
and for the members of the Canada<br />
Employment and lmmigration Union,<br />
a part of the Public Service Alliance<br />
of Canada. We made this tape as a<br />
gesture of solidaritywith the workers<br />
prior to a vote that would decide<br />
whether they would strike or accept<br />
the (meagre) terms of a new contract<br />
offer from the Treasury Board'<br />
The Public Service Alliance as a<br />
whole (95,000 members) chose to<br />
accept the offer; the only component<br />
that voted NO was the group<br />
we made the taPe for' PerhaPs some<br />
of the strength needed to take this<br />
stand came from the songs on the<br />
tape, allof which were written in collective<br />
sessions. The "Public Sector<br />
Blues" was written on the spot of the<br />
day.<br />
"Too<br />
manY lies, enough is<br />
enough,<br />
Firstwe get wlse and then we get<br />
tough,<br />
Your otter is an insult we'll surelY<br />
refuse<br />
MulroneY Your baloneY,<br />
Gjves us the Public Sector<br />
Blues"<br />
On the tape, workers give sPoken<br />
introductions to the songs, noting<br />
how they came to be written and the<br />
specific issues and grievances they<br />
address. The technical problems of<br />
getting 50 workersto sing along with<br />
pre-recorded band tracks Provide<br />
some of the taPe's many moments<br />
of humour!<br />
September 1988 will see the release<br />
of Arlene Mantle 'TOGETHER" an<br />
album Produced for the Canadian<br />
Autoworkers Union capping a working<br />
relationship of many years with<br />
this union. The albgm contains the<br />
Union anthemn, traditional workers'<br />
songs such as "Joe Hill", "Solidarity<br />
Forever" and "Bread and Roses."<br />
There is also a variety of newly created<br />
music about labour issues and<br />
social change: "No Free Trade",<br />
"Retirees'Waltz" "Our<br />
and World"'<br />
The album is an ambitious Production<br />
ranging in style from Rock 'n<br />
Roll to CountryAVestern; from Maritime<br />
<strong>Folk</strong> to Swing/Blues'<br />
"Oh<br />
what a tuture, oh what a fate<br />
To be the biggesf and the<br />
poorest of the 51 states,<br />
Our country's on the line, our<br />
neck's in the noose,<br />
Watch the eagle COOKthe<br />
Canada g/oose"<br />
A. Mantle/R. Fielding<br />
The Canadian Autoworkers is a<br />
union that particularly recognizes<br />
the role of the artist in labour struggles:they<br />
have for some time used<br />
music at Conferences and Conventions<br />
and arranged to have us sing
'6uos<br />
ugtueu<br />
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ol palse arcrn sdnorb doqsyonn aq1<br />
'uo!l3v e^ll"LuJlllv uo ocuaJeluoc<br />
rnoqP-l lo uollPropal olieluo ue lv<br />
's6uos mau orour uene Fulllm Uels<br />
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uoeq seq dno:6 e acu6 '1uauulano6<br />
ol suolleluasa;d ur Jo sallleJ<br />
'saull<br />
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s6uos eql nd sdnorO aq1lo Aueu l(1a<br />
-!cos rno u!lual!s lsou aql uauo aJP<br />
oq/$ asoql ol acpn ang6 s6uos aseql<br />
'nrs;xes pue urslceJ lsulebe al66ru1s<br />
orll ro 'saplunoc raqlo ul sol66ruF<br />
qpl figrep;gos's1q6p [e6's1q6p erc;<br />
-lalr\'suolllpuoc 6u11rom'6upnoq<br />
ll oq 'anss! Jlaql punole {6alB.tls<br />
pue srsA;eue'uolssncs!p 6u;1e1111ce;<br />
pue sdnolO qyrn Ouqaeu Aq s6uos<br />
alprn eM 'IJo/n rno lo UBd e6iel<br />
B suleuor 6urlrrrnbuos anllcalloC<br />
'o<br />
lruns ol alqP<br />
s! o^llcalloc lleus Jno 'saps Jlaql<br />
q6norql 'suo;lezlue6lo lnoqEl aql<br />
Aq papunl eram Aaql ueqrn uana<br />
'an!l<br />
1 fuleg,<br />
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-u/t o eql Jopun uleuloJ'sjo)uomolnv<br />
uelpPueC eq1 pue ssel6uo9 lnoqe'l<br />
uP!peu?g oq1 se qcns sdnol6 lnoqel<br />
rol ouop aneq a l suo;pnpold eq1<br />
'Iooq6uos rnau s,le6aag<br />
alad u! papnlcu! sern<br />
'aslnoc r{pnp<br />
JnoqBl e u! sJallo/n qil/'i uoFsas<br />
onllcolloc B u! uagrm',,(peuel go<br />
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uogburreng'I/allueyl'V<br />
,aw qJlM'a^ert aq epu awoc<br />
'aa4 pue uelpeuec<br />
aclo.p nop uoun eal ul<br />
acrcA Uapuodapul ue aueq<br />
'fuotsltl<br />
il,aM<br />
pnoJd Jno qilr/.'eos aq p sJartsH<br />
'ebueqc<br />
of aw$ e<br />
'notd<br />
of owlt<br />
'swe0<br />
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duplew'pnilJol 6u1loyy,,<br />
'puPlpunornoN<br />
lo sJoI.toM<br />
palllv puB pooJ 'uaureqsll eql<br />
lo sraquretu 000'gz oql 'pJBoq uo<br />
6u;r.r.roc;am 1o fuo1c6 luegal oql lo<br />
pue uolun uBlpBu?C e se s6uluu;Eaq<br />
,v\au lo uollPJqeloc e oslB s! plocaJ<br />
or|I'unqp aqlalpur ol uolslcap aql<br />
palduro.rd srql pue .,aclsnut slr{ te6<br />
o/v\ uec alaqg,, Ise ol ue6eq Aeql<br />
'uago<br />
aJoul s6uos Jnoqel rnau pup<br />
plo aql pJBaq sFruolun sv'opBred<br />
{e6 rnoqel eq1lo yed se uo6ernAeq<br />
P uo anlt Oururlo;lad pueg eun aql<br />
uo aql pPq lBcol_sJoljo,r\onv ouo<br />
lequaldeg 1sEI 'aproul esleJ pue<br />
l$repglos asEarcul ol saull gaqc;d 1e<br />
',uo<br />
zoLL-Lei (9r?)<br />
gMz Hgy\ luo'oluorol<br />
'aupailoc t#'pu unocrs^oo otg<br />
clsnw au!1 aq uo lo sjaq<br />
-uaul pue slellrn6uosTlebu;s erc<br />
uopuprengAuol pue pluEt/rl auauv<br />
aRuByUv<br />
'ppoi ,,iolaoM ano<br />
rno 'ppolA<br />
rno s,tt puv<br />
puelfuana u1<br />
sn ot ,ulop a4/fel4 pqrA p Uool<br />
pue$ e dlel ol lob aa,aA<br />
rcq7a6o1 ewoc ol 106 ea,a1tr,,<br />
'sjno<br />
lp aJe<br />
[aq1 pue - puel oql ssorce g1e 6uns<br />
pue uail!/vr 6u1aq ala s6uos rvreu<br />
pup pacnpord 6ureq sr ye lenstn /nau<br />
'pe1ce<br />
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FUATIIIIING N0nTI| AillllRIOA'S<br />
CI,ASSIITST COUNTRY IINTI]IIININilI]NT<br />
00ilil1 DAIU;Y AND 00il1D nIINGIIY<br />
I'OIT OAJIIN COI]NTITY COOKIN'!<br />
I]VI}ITY NIGNT IS I'AIIIY NIGIIT<br />
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WHO YOU WOULD IITE<br />
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B8<br />
Comin Home to<br />
Stay - Ricky<br />
Scaggs<br />
'dil<br />
Antonio Rose" from the Pen of Bob<br />
Wills sparkles with instrumental<br />
solos.<br />
My favorite from the album are<br />
"Angel on My Mind, Thats WhY I'm<br />
Walkin", and "Home is Where You<br />
Are", a duet with Sharon White. Both<br />
pieces grab your heart and don't let<br />
go - a unique trait of real country<br />
music. In short Comin Home to StaY<br />
is a country music pleasure.<br />
The name Ricky Scaggs has long<br />
been indentified with outstanding innovative<br />
country music. His current<br />
refease Comin Home to StaY, is a<br />
slick, polished set of passionate performances<br />
laced with a distinctive<br />
traditional flavour.<br />
Along with Scaggs, a virtuoso supporting<br />
cast of excellent sidemen<br />
drive the album. The fiddling of<br />
Bobby Hicks is downright glowing;<br />
and the tasteful pedal steel of Lloyd<br />
Green and Terry CrisP commands<br />
attention. Occasional aid is also lent<br />
by Jerry Paiylas on debo, J.P. Grave<br />
on banjo, Mark O'Conner on fiddle,<br />
and even Carl Jackson's sPicY guitar<br />
licks on one one track. Sharon<br />
White's clear tenor and high baritone<br />
singing provides for great harmony<br />
on three numbers.<br />
But Scaggs himself clearlY dominates<br />
the music. With his expressive,<br />
keen vocals and over-dubbed<br />
harmonies, he produces a smooth<br />
glossy blend. This in conjunction<br />
with is Mhmic and articulate mandolin<br />
and accustics guitar-work, create<br />
the overall substance to the<br />
album.<br />
As with prior etforts, Scaggs has<br />
provided his fans with a broad<br />
cross-section of well-crafted music<br />
from some ol the best written available.<br />
The songs "l'm Tired", and<br />
"Lord,<br />
She Sure is Good so Lovin<br />
Me", a Randy Travis comPosition,<br />
are clearly remincient of 50's fiddle<br />
and steel country classics. Scaggs'<br />
rendition of "Hold Watcha Got", the<br />
Jimmy Martin bluegrass original will<br />
most certainly put a smile on even<br />
his critical mouth. "lf Steve Pritchard CKLN.<br />
Andrew Cash:<br />
Time and Place:<br />
lsland-lsl-1 185<br />
Andrew Cash has a knack for writing<br />
songs that are catchy enough to<br />
be radio singles, but have enough<br />
depth and sincerity to stand the test<br />
of repeated listenings. He hasagood<br />
reputation as a socially aware songwriter<br />
and performer from his days<br />
with the popular punk group L Etranger.<br />
The new album will add to this<br />
reputation although it has a more<br />
relaxed and varied pop sound. Cash<br />
performed regularly in a folk setting<br />
over the past year which iS reflected<br />
by an acoustic sound on several<br />
tracks on the album. There are some<br />
excellent tunes from L'Etranger such<br />
as Trail of Tears, Midnight Gone, and<br />
Places as well as strong new materialsuch<br />
as Smile Me Down and Do<br />
Not Adjust Your Set. Lyrics are interesting,<br />
the singing is strong and the<br />
playing by the rest of the band is all<br />
round solid. Good instrumental work<br />
by Guitarist Nichols and Fiddler/<br />
You Don't Believe<br />
The Bible", the one gospel<br />
Accordionist Ediger increase listenaring<br />
pleasure. A worthwile album for<br />
rangement is Poignantly comPle-<br />
anyone interested in finely crafted<br />
mented by the excePtional harmonies<br />
of the entire White FamilY - and inspiring music.<br />
"San<br />
Buck, Sharon and Cheryl;and Reviewed by Peter Jellard.<br />
The Barra McNeils<br />
World Records WRC1 -4689<br />
The McNeils are a family of outstanding<br />
musical abilitY now living in<br />
Syiney Mines, Nova Scotia, The<br />
"Barrra"<br />
in their name is a nod to<br />
their Scottish highland heritage. At<br />
this year's festival you'll be able to<br />
see Sheumas on the piano, Kyle on<br />
violin and mandolin, Stewart, the<br />
lead vocalist, on penny whistle and<br />
bass, and Lucy, age 17, on violin<br />
and bodhran.<br />
While the record is an excellent<br />
demonstration of their technical abilities,<br />
particularly with the instrumental<br />
material, it does not convey the<br />
warmth and sensitivity to the audience<br />
which was evident at their recent<br />
gig at the Horseshore Tavern in<br />
Toronto.<br />
Kyle's Cape Breton sWle violin is<br />
outstanding; while I do not wish to<br />
downgrade the very real contribution<br />
to the group made by the other<br />
members, Ifind itthe "backbone"<br />
of<br />
the album. I find the slower Pieces<br />
such as "The Marquis of Huntly's<br />
Snuff Mill" (great name, eh?) and<br />
"Highland<br />
Queen" to be most demonstrative<br />
of his playing skills.<br />
On the other hand, Stewart's composing<br />
skills are also critical to the<br />
high qualityof thegroup. From "Eating<br />
Bonnach" firmly rooted in the<br />
tradition, through the tune for "Willie<br />
C.", a song aboutthe "passing away"<br />
of a ship, to the jazzY Yet folkY "One<br />
for Jetfy" it is clear that the group's<br />
musical inventiveness owes a great<br />
deal to Stewart's abilities.<br />
Sheumas' piano Playing, while almost<br />
entirely of a very high standard,<br />
occasionallY lapses into a<br />
certain flashiness, most evident in<br />
the faster pieces.<br />
The songs chosen for the album<br />
betray the sentimentality evident in<br />
much Cape Breton material, but do<br />
not become overly mawkish. TommY<br />
Makem's<br />
"No More Good Times" is<br />
given a fine rendering; "Willie C."<br />
recalls Stan Rogers "Jeannie C."
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BLUE SERGE<br />
(Read Blues Surge)<br />
Many peoPle have discovered the<br />
blues of late, targely on the coaftails<br />
of Robert Cny, But for many the blues<br />
has atways been there as a mainstaY<br />
of their musicat diet. Here are a few<br />
brues facts Provided to You bY<br />
G/Rf's "The mately 600 members. The Toronto<br />
Blues Society Newsletter lists ten<br />
radio programs that PlaY blues or<br />
mostly blues in the Toronto area -<br />
no other city can claim that. Two<br />
maior radio stations, Q107 and<br />
CFNY, bring blues to large audiences;<br />
CBG AM's<br />
Blues Hour" o-host and<br />
Toronto Blues Society lrea surer John<br />
Valenteyn.<br />
by John Valenteyn<br />
Blues, the folk music of the rural<br />
Black American South, is doing very<br />
well in Southern Ontario. The Toronto<br />
Blues SocietY has aPProxi-<br />
"SaturdaY Night<br />
Blues" is a national network show<br />
"The<br />
out of Edmonton; CJRT-FM's<br />
Blues Hour" is available by satellite<br />
to cable subscribers throughout the<br />
province; and CFNY's DaddY Cool<br />
is also available to anyone in North<br />
America with a satellite dish.<br />
On the live music front, clubs that<br />
book blues seem to be doing well.<br />
Albert's Halland the Horseshoe continue<br />
to book the important acts, and<br />
there is one, the Black Swan, that<br />
has a local blues act every night<br />
except Sunday and twice on Saturday.<br />
The Hoodoo Lounge in Kitchener<br />
has to turn people away with its<br />
recently inaugurated blues policy.<br />
Larger venues like the Diamond Club<br />
and Entex are booking more blues.<br />
And blues is featured prominently in<br />
<strong>Festival</strong> season. The Harbourfront<br />
Soul 'N' Blues <strong>Festival</strong> is four days<br />
of blues. <strong>Mariposa</strong> has always had<br />
some blues and continues to do so.<br />
In fact, there are manY Toronto area<br />
performers who were heavilY influenced<br />
by artists MariPosa has<br />
brought over the years.<br />
All of this activity has not gone<br />
unnoticed. Toronto was one of onlY<br />
nine North American cities chosen<br />
as locations for the Chicago Blues<br />
<strong>Festival</strong><br />
"Win ATripTo Chicago" promotion<br />
campaign. The Toronto Blues<br />
Society won a W.C. Handy Award as<br />
Blues Organization of the Year in<br />
1 986. The Handys, awarded bY The<br />
Blues Foundation in MemPhis, are<br />
starting to achieve international recognition<br />
(thisyear, B.B. King willhost<br />
the November event with guests<br />
Bobby Bland and Little Milton). The<br />
Blues Foundation is making great<br />
strides in 'networking' blues - it used to be combined with<br />
traditional music - and in Canada<br />
the Canadian Academy of Recording<br />
Arts & Sciences (CARAS) has<br />
announced it is creating a Juno category<br />
for blues and roots music.<br />
The list goes on: Movies like<br />
"Crossroads", "The<br />
Color Purple"<br />
and<br />
among the<br />
various blues societies and festivals<br />
and fans. The U.S. GrammY Awards<br />
now have a separate category for<br />
"Aventures<br />
in Babysitting" (with<br />
its wonderful appearance by Albert<br />
Collins), commercials (Levi Strauss),<br />
W shows (Dion Payton in "Miami<br />
Vice").<br />
Through all of this the music is<br />
thriving. Young musicians are playing<br />
in blues bands and older musicians<br />
are coming out of retirement<br />
to play once again. lt is safe to say<br />
that they could use more work but<br />
there is probably more now than<br />
there has been in some time.<br />
<strong>Mariposa</strong>'88: The Blues Tent is a<br />
Juke Joint!<br />
The juke joint was where you would<br />
go on Saturday after a hard week's<br />
work. In the Mississippi Delta, the<br />
men would workthe fields Saturday<br />
mornings and then gather the family<br />
together and head into town to Pick<br />
up whatever supplies were not available<br />
around the farm. Then for some<br />
it was off to the iuke. The best example<br />
was the highlight of the movie<br />
"The<br />
Color Purple". The word<br />
"juke"<br />
seems to be derived from "dzugu"<br />
which means<br />
"wicked" in the Bambara<br />
language in North Africa.lt may<br />
also be related to the word 'Joog" SING<br />
@uT!<br />
in<br />
the Gullah tribe where it means<br />
"disorderly".<br />
The interior of North<br />
Africa, which is now known as the<br />
Sahel, was where most of the slaves<br />
that ended up in the United States<br />
Sing Out! Magazln€ provldes a unlqu€ly<br />
dlverse and entertalning 3€lectlon<br />
came from.<br />
of traditlonal and conl€mPorary<br />
And these places often were<br />
tolk muslc.<br />
wicked and disorderly as the boot-<br />
Each l33ue i3 a coll€ctot's lt€m<br />
leg corn liquor flowed and the eve-<br />
Includtno at toast 15 songs wlth over<br />
4 scoro pagos, record and book revlews'<br />
ning wore on. lt was on Places like<br />
lnstrumont this that the blues singers' livelihood<br />
depended. They would travel around<br />
to the various jukes, playing for tips.<br />
Sonny Boy Williamson (Rice Miller)<br />
would announcg where he was PlaYing<br />
that night on his King Biscuit<br />
Time radio program in an effort to<br />
get as many people out as Possible.<br />
Butthe juke joint here atthe <strong>Festival</strong><br />
is notwicked and disorderly, and<br />
the musicians performing there today<br />
are led by guitarist Bowling<br />
Green John Cephas and Harmonica<br />
Phil Wiggins. They were named En-<br />
"Teach-lns," feature articles'<br />
and In-depth Intsrvl€ws. PLUS regular<br />
columns by Pete Seeger, Stefan<br />
Grossman, and Mlchael Cooney.<br />
4 Tlmes a Year<br />
SING OUT & SIGN UP NOV.<br />
tl5.OO (1 ya8r) 125.00 (2 y68rs) 335.00 (3 voa6)'<br />
Box 5253<br />
Bethleham PA 18015<br />
SING@UT!<br />
The <strong>Folk</strong> Song Magazine
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Archaeologists tell us women and<br />
men began making music 600,000<br />
years before language was invented.<br />
Music created and preserved by<br />
common people is folk music. lt is<br />
carried from town to town, and generation<br />
to generation. A folk song<br />
may carry on the legends and history<br />
of a nation. When it is passed<br />
from one singer to another it becomes<br />
a ditferent method of learning<br />
from the technique used by<br />
composers and publishers of modern<br />
recording.<br />
As folk music is passed on by the<br />
oral tradition, it goes through many<br />
changes. Singers adapt and modernize<br />
songs. The words and music<br />
change in different ways. Change is<br />
an important part of folk music. There<br />
is a general polishing of the words<br />
which become more direct. Textthat<br />
originally had a narrow meaning is<br />
broadened so it contains more<br />
meaning for more people. lt is this<br />
unique oraltradition that makes up<br />
the back bone of folk music.<br />
<strong>Folk</strong> songs are ditferent from other<br />
kinds of songs. Most folk songs have<br />
been created by people who aren't<br />
trained as writers of music. They are<br />
people who have a story to tell, a<br />
love to express, or a joy to share.<br />
<strong>Folk</strong> songs have come from sailors<br />
hauling a line, farmers plowing a<br />
field, cowboys driving cattle and children<br />
playing in the streets.<br />
Some people say that those who<br />
sing are happy. Not necessarily.<br />
Some of the best folk songs have<br />
grown from misery. The pain felt by<br />
slaves or men at labour.<br />
"Hard<br />
luck is one thing that<br />
you sing louder about than you<br />
do about boots and sadd/es,<br />
or moons on the river, or<br />
crglarettes a-shining in the<br />
dark."<br />
Woody Guthrie.<br />
Very few lolk songs were made<br />
just to entertain. Most folk songs have<br />
a purpose. The purpose is to help<br />
people to work, to dance, to play, to<br />
protest an injustice or to express<br />
anger. <strong>Folk</strong> songs give us pause to<br />
recall the past as well as stir our<br />
emotions which boost the courage<br />
of people in active political protest.<br />
"We<br />
Shall Overcome" is a fine example<br />
of a folk song which has been<br />
created and preserved through the<br />
changing times. The civil rights<br />
marcherswere f ilmed and broadcast<br />
world,locked arm in arm protesting<br />
against the injustice of the southern<br />
United States singing<br />
for television audiences around the<br />
"We Shall Overcome...".<br />
This folk song is used at<br />
mass meetings and rallies to spark<br />
the courage and stirthe spiritamong<br />
many groups. lt is a truly functional<br />
song which has been passed from<br />
one to the other. In the 1940's it was<br />
broughttothe Highlander<strong>Folk</strong> School<br />
in Monteagle, Tennessee, by a group<br />
of Food and Tobacco Worker Union<br />
members. There Zilphia Horton taught<br />
it to Pete Seeger. Both Zilphia and<br />
Pete added new verses of their own<br />
and gave it the form by which we<br />
know it today. lt spread over the<br />
southern United States in manyversions<br />
true to the oral tradition of folk<br />
music.<br />
The oral tradition of folk music is<br />
also preserved during freer times<br />
such as festivals where thousands of<br />
people jump to their feet cheering<br />
and clapping as the singer sings the<br />
song. A single guitar is plucked bya<br />
young composer eager to share his<br />
or her message with somebody willing<br />
to listen and it is during that moment<br />
the tradition of folk music is<br />
reborn.<br />
<strong>Mariposa</strong> started as a result of the<br />
The Orillia Town Council looking for<br />
a tourist attraction. Ruth Jones a local<br />
housewife recognized folk music to<br />
be very popular and suggested to<br />
Councillor Pete McGarveythata con-<br />
"<strong>Mariposa</strong>",<br />
dubbed by McGarvey,<br />
comesfrom Stephen Leacock's name<br />
forOrillia in<br />
cert be organized. The festival's title<br />
"Sunshine Sketchesof a<br />
Little Town".<br />
The first <strong>Mariposa</strong> festival was all<br />
Canadian and featured lan and Sylvia<br />
Tyson, The Travellers, Bonny Dobson,<br />
Jacques Labreque, Alan Mills and<br />
Jean Carigan. Twoyears later Randy<br />
Ferris and Estelle Klein committed<br />
themselves and boosted the festival<br />
with the assistance of many like Joe<br />
Lewis, to a temporary home at lnnis<br />
Lake and then on Centre lsland. The<br />
fine reputation of today's <strong>Mariposa</strong> is<br />
thanks to the judgement and skill of<br />
these early organizers.<br />
The music shared at <strong>Mariposa</strong> in<br />
1988 will by and large contain the<br />
same words and notes sung during<br />
the first gathering in 1 961 . <strong>Mariposa</strong><br />
the <strong>Festival</strong> has also changed just<br />
like the changes experienced in the<br />
custom of folk music.<br />
As new problems, new threats, new<br />
concerns arise, there will be new<br />
songs for people to sing. Let us not<br />
underestimate the power of a folk<br />
song. A folk song can render more<br />
changethana law. To ensure its survival<br />
in an everchanging world <strong>Mariposa</strong><br />
The <strong>Festival</strong> simply has to let<br />
the people sing.<br />
The British scholar, Andrew<br />
Fletcher, wrote in 1703, "Give me<br />
the making of the songs of a nation<br />
and I care not who makes the laws."
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s.1ur3 lo luoua aql"",, 'alolaq<br />
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lBql oraq pA plo ,,'S'n aql ul salels<br />
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asoql uoJl,, 'sBLl /noqs sltll spunos<br />
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-dues',sne6 tueg Puolo^aH lo apll<br />
e qu/v\ l|o ,noqs aql uBls s,lo''|,,<br />
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auofuo o ollaH,, tv\ou ac!o^ Jellltx<br />
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sft
THIRTEENTH ANNUAL<br />
ol'YEN SOUND<br />
SUMMERFOLK<br />
MUSIC & CRATTS<br />
FESTIVAL<br />
Aug. 12, 13, 14/88<br />
Kelso Beach Park<br />
O,I'EN SOUND, ONTARIO<br />
RADIO FOLKWAVES<br />
cBc 94.1 FM<br />
"The<br />
Entertainers"<br />
(<strong>Folk</strong> Performance)<br />
Saturday 10:05 - 11:30 am<br />
with Stan Carew<br />
(also CBC 740 AM<br />
Sundayl:33-3pm)<br />
"Simply<br />
<strong>Folk</strong>"<br />
(<strong>Folk</strong>)<br />
Saturday 11:30 am - 12:30 Pm<br />
with Mitch Podolak<br />
"The<br />
Max Ferguson Show"<br />
(Ethno-folk)<br />
Sunday 10:05 am - 12 noon<br />
with Max Ferguson<br />
cBc 740 AM<br />
"Performance"<br />
(<strong>Folk</strong>)<br />
"Focus<br />
on <strong>Folk</strong>"<br />
(Singer/Songwriters)<br />
Monday 8-9 pm<br />
with JoelWortsman<br />
"Scott<br />
B Radio Hour"<br />
(Canadian Acoustic)<br />
Tuesday 4-5 pm<br />
with Scott B<br />
"The<br />
Google Dust Show"<br />
(Blues)<br />
Sunday 8-1 0 pm<br />
with Dr. Lorne Foster<br />
crAo 790 AM<br />
(Brampton)<br />
"Friends<br />
& Neighbours"<br />
(Maritime Music & News)<br />
Sunday 9-10 am<br />
with Bob Cousins<br />
CKLN-88.1 R+B power HR with<br />
Eddie "B" cancelled.<br />
Saturday 6-6 pm<br />
CIUT 89.5 <strong>Mariposa</strong> Radio <strong>Folk</strong>waves,<br />
Monday 10 to '11 Pm with<br />
Steve Fruitman and Axleman John<br />
MclnWre.<br />
As for me and my dog Mon. 11 to<br />
12 pm with Shauna Farkas.<br />
lsland Heat cancelled.<br />
Worlds of Music Sat. '11<br />
| - with Bob KnaPP<br />
I -11C(r|LK "saturdayNishtBlues"<br />
(Blues)<br />
1]'*,11;rs"<br />
r<strong>ffi*W</strong>fJr#:;ffsh'w<br />
to 12 Pm<br />
with Lise Waxer.<br />
The Open Road cancelled.<br />
F,fifffu<br />
CHRY 105.5 Focus of <strong>Folk</strong><br />
cancelled.<br />
CKWR 98.7 Kitchener Waterloo<br />
FM<br />
Songs from the Wood Wed. 8 to<br />
10 pm with Doug Gibson.<br />
iffi*{tri'*ffitrg$iffi *=,,,o*=<br />
n'ftffii:lV*"1'?lo1i'""i'"";/resser'"'-' *;;,;'i;'i[fi<br />
^'c'rrocHANGEwrlHouTNolcE : H;i;?':?'itvsvstems<br />
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u! oulzllelceds<br />
oSsNlrctl rilnJ
IrfDU MAY BE SURPRISED to leam<br />
I that the cultural seclor ls in the top<br />
halfdozen industries in total salaries<br />
md wagre. md one of the largest in<br />
tems ofjobs.<br />
ln Ontario alone. each consumer<br />
spends $216 every year on cultural<br />
qoods orseruices. And while attendance<br />
at sports events is rising by 1.3 per cent<br />
each veai the audience o[ museums<br />
md dalleries is increasing by twice<br />
that rate.<br />
This perfomrance bY the arts calls<br />
for tangible support. The Ontario<br />
Ministry o[ Citizcnship and Culture is<br />
helping hundreds of the province s arts<br />
organizations.<br />
''Investnrent<br />
ilt thc Arts is a nrajor<br />
new initiati\t lhat will Provide<br />
malching furlds lbr "trrw dollaF<br />
raised over (he next threeyeare. ln ol her<br />
words. whether you or your (ompany<br />
donate S IOO or S I.OOO to an arts group<br />
in your conrmunity. the Ministry will<br />
re(ognize that donation by matching<br />
or doublin{ th(' amounl to thal group<br />
So the ncxt time t'ou gcl a call from<br />
the arl s. Aivc I hcrn morc than your t inre.<br />
Inrcst[cnt in the Atts<br />
A Program of the Ontario<br />
Ministry of CitizenshiP<br />
and Cultrlre<br />
Special Thanks To:<br />
o doc approvable<br />
o CRTC licensable<br />
o 10 watts<br />
o all broadcast frequencies available<br />
o crystal controlled<br />
Sony of Canada ' Tele-Tech Electronics Ltd. ' Reynolds Aluminum<br />
Company of Canada ' Canada Cup lnc. ' Astro Dairy Products ' Northern<br />
Fruit Distributors . Spring Valley Water Corp. ' Cavalier Beverages ' The<br />
Second Cup ' Loblaws Inc. ' A&P - Dominion ' Campbell's Soup '<br />
Teperman & Sons Inc. ' Cycleworld ' Comfort Sound Studios ' Play Toy<br />
Industries . The Joseph and Wolf Lebovic Foundation 'The Joseph B'<br />
Rotman Charitable Foundation 'Dr. R.G.N. Laidlaw'Bob Stevens'Carl<br />
Roberts . Brian Blakney ' Catherine DeWitt ' Dave Barnard ' John<br />
Valenteyn . Derek Andrews'Joe Lewis'Steve Fruitman ' Karen Vogel '<br />
Jean Everingham ' Lee Seeley' Maggie McDaniel 'Joe Goodwin ' Lisa<br />
Spearin . Mike Gridley' Reiner Schwarz' Mark Henderson 'Paul Miller<br />
. Bill Malcolm . Ann Bermonte ' Paul Heys and the Scarborough<br />
Community Service Program 'The Martin Organization Canada Ltd' '<br />
Cantel Inc. . Honda ' Fox Fleet Int. ' Radius International ' Peter<br />
S. Wanston ' Jerry Hochman ' Ontario Hydro, Pickering ' N.T.C.D. '<br />
Cameron Kerr<br />
Specialthanks to the Toronto Arts Gouncilforthe loan of laurie and to<br />
Bob Stevens for his determination, devotion and unbelievable hard<br />
work.<br />
w''fu'ry<br />
I ngEte<br />
4tO6 InER SIREET<br />
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@rnlr,i'f<br />
e David Barnard -<br />
CKLN-FM<br />
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o Ellen Mcllwaine<br />
o Moses Rascoe<br />
o John Valenteyn -<br />
CJRT-FM<br />
o Ken Whiteley<br />
.Gephas & Wiggins
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