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SFCatalog v3.xpr - Mega Audio

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LOOKING FOR A COMPACT, VERSATILE 96KHZ STEREO CONVERSION<br />

SOLUTION? You’re looking for the PSX-100 – now with singlewire<br />

88.2/96kHz AES/EBU. It’s a complete two-channel conversion<br />

system in a compact single-unit box. Resembling a<br />

miniature version of the AD-8000, including the new UV22HR<br />

and SoftLimit, but with 88.2 and 96kHz sampling and with all<br />

its interfaces built in, the PSX-100 contains separate A/D and<br />

D/A sections, each with their own clocks, which can be crossconnected<br />

in a number of different ways – or not at all – you<br />

can even run them at different sample rates. Copy a digital<br />

input to all the outputs including D/A; monitor the output of<br />

the A/D using the D/A, while outputting<br />

all digital formats; or use them<br />

separately – it’s your choice.<br />

The PSX-100 includes all the industry-<br />

DESIGNED SPECIFICALLY FOR THE PROJECT STUDIO, Apogee’s<br />

Rosetta AD 2-channel A/D converter offers superlative<br />

performance at an affordable price. Two models are available,<br />

one offering 44.1/48 kHz sampling, and the other with the full<br />

range from 44.1 to 96kHz. And you can upgrade from one to<br />

the other as your needs grow. The Rosetta provides the new<br />

UV22HR, and the 44.1–96 kHz model includes single-wire<br />

AES and S/PDIF at 88.2/96 kHz, plus ABS-96 to record<br />

24/88.2–96kHz signals on regular MDMs.<br />

PSX-100<br />

2-channel 24-bit, 44.1–96 kHz A/D-D/A<br />

standard interfaces: multiple AES/EBU, S/PDIF (coax/optical),<br />

TDIF (Tascam) and ADAT. There is an auxiliary AES output<br />

that always delivers high-resolution audio even if the other<br />

outputs are being reduced to 16 or 20 bits with UV22HR,<br />

making it possible, for example, to master 24-bits to a 24-bit<br />

DAT machine while making simultaneous 16-bit copies.<br />

Apogee Bit Splitting is taken a stage further in the PSX-<br />

100. In addition to the 4/24 (PaqRat-compatible) mode (two<br />

16-bit tracks record a single 24-bit channel), ABS-96 allows<br />

you to record (and replay) two channels of 24/96 audio on<br />

eight tracks of a standard MDM. So if you were wondering<br />

how to store your high-density recordings, the answer is<br />

already in your studio: it’s your existing MDM.<br />

There’s nowhere you’ll find better quality, convenience<br />

or capability than in the Apogee PSX-100.<br />

Rosetta AD<br />

2-channel 24-bit, 44.1/48 kHz (44.1–96 kHz optional) A/D<br />

The most widely-used interfaces are built into the Rosetta:<br />

AES, S/PDIF, TDIF (Tascam) and optical (S/PDIF or ADAT format).<br />

Large bar-graph meters give you accurate level indication,<br />

while oversize “over” LEDs (user defined threshold) let<br />

you keep an eye on your levels, which can be kept under control<br />

with Apogee’s proprietary SoftLimit feature. UV22HR,<br />

meanwhile, allows you to output 16 or 20 bits without losing<br />

detail. The Rosetta AD is an ideal front-end to your DAT<br />

machine, MDM, DAW, computer system or video editor.<br />

Trak2 2-channel Mic Pre with 24/96 A/D<br />

8-channel digital routing and architecture, optional interface and D/A cards<br />

WITH THE TRAK2, you can have everything you need for a<br />

high-quality digital session – in one compact single-unit rack<br />

space. A superb mic pre; incredible A/D; any interface you<br />

need; 8-channel architecture; and optional D/A cards.<br />

• Superb two-channel microphone preamplifier with ±90dB<br />

gain, phantom power, front-panel universal input socket,<br />

high-impedance direct instrument input, analog out, insert<br />

point… and an incredible sound.<br />

• Two channels of Apogee’s true 24-bit, 96 kHz A/D<br />

conversion with 117 dB dynamic range.<br />

• AES/EBU and S/PDIF out plus two AMBus card slots to<br />

interface with Pro Tools, ADAT, TDIF, SDIF-II, etc.<br />

• ABS-96 for 24/88.2-96 bit-splitting to 16/44.1-48 MDMs!<br />

• Apogee Soft Limit® for higher level without overs; Soft<br />

Saturate for the sound of analog tape compression!<br />

AD-8000 24-bit, 8-channel converter<br />

with optional interface and D/A cards<br />

THE AD-8000 24-BIT CONVERSION SYSTEM takes digital conversion<br />

to a whole new level. It’s a true 24-bit converter, with all<br />

the features you need for truly outstanding, great-sounding,<br />

world-class recordings, whether you own the biggest studio<br />

in town, a leading post-production facility, or have a project<br />

setup in your back room.<br />

• Eight channels of Apogee’s exclusive true 24-bit A/D<br />

• Apogee Soft Limit on each channel.<br />

• Apogee UV22 Encoding .<br />

• Advanced multi-mode 8-channel LED bar metering<br />

• Built-in level calibration to within ±0.05 dB.<br />

• User-selectable over detection.<br />

• Apogee low-jitter master clock.<br />

• Apogee’s enhanced UV22HR translates 24-bit signals to<br />

20 or 16 bits while maintaining high-resolution detail.<br />

• Video sync capability with optional card.<br />

• Clear LCD display shows configuration and signal flow.<br />

• Cursor controls and delta-wheel for fast settings changes.<br />

• Settings can be saved to 64 presets and recalled.<br />

• Programmable Quick Keys for instant access to<br />

frequently-used functions.<br />

• Easy-to-read 2-channel LED bar metering<br />

• User-definable over detection (1-4 digital full scale)<br />

• Full 8-channel digital architecture and routing allows<br />

multiple 8-channel paths and format conversion.<br />

• Optional 2- and 8-channel D/A cards plug into their own<br />

slot to create a complete conversion system.<br />

• Headphone monitor for any channel pair.<br />

• Full Source/Destination monitoring.<br />

• “Smart” sync capabilities: sync to crystal,<br />

word clock, video (optional) or any digital input.<br />

• Additional interfacing via up to four different digital<br />

AMBus (Apogee Multimedia Bus) I/O cards with format<br />

conversion and re-clocking, including direct Pro Tools I/O.<br />

• Proprietary low jitter master clock.<br />

• Non-volatile storage of front panel settings.<br />

• Optional 24-bit 2- or 8-channel D/A converter cards<br />

• Apogee Bit-Splitting allows 20/24-bit signals to be stored<br />

on 16-bit MDMs– ideal for surround!


Yamaha Cards<br />

AP8AD & AP8DA 8-channel converters<br />

APOGEE’S AP8AD (A/D) AND AP8DA (D/A) 8-channel converter<br />

cards add Apogee-quality digital audio conversion<br />

to Yamaha digital systems equipped with YGDAI (Yamaha<br />

General Digital <strong>Audio</strong> Interface) card slots .<br />

The cards consist of a “Mini-Y” card with a removable<br />

extender card allowing the card to be installed in a full-size<br />

YGDAI or a “Mini-Y” system. The cards offer full 24-bit<br />

conversion and can operate at up to 96 kHz sample rate.<br />

The A/D converter card includes Apogee’s proprietary Soft<br />

Limit® system to deliver maximum digital level without<br />

overs. An ideal addition to an 02R or other Yamaha system.<br />

Special Editions<br />

AD-8000SE and PSX-100SE<br />

FOR THE AUDIO PROFESSIONAL who needs that extra something,<br />

Apogee Special Editions are the answer, featuring<br />

even higher levels of performance than standard Apogee<br />

products. The AD-8000SE and PSX-100SE “Special<br />

Editions” feature enhanced power supply filtering and significantly<br />

upgraded analog circuitry, including speciallyselected,<br />

matched and tested components. A DAC-8SE is<br />

also available for the AD-8000. Special Edition owners have<br />

been literally ecstatic about their upgraded units, citing<br />

enhanced smoothness and transparency.<br />

Special Editions can be specified at the time of ordering<br />

from an Apogee authorized dealer. Existing units can also<br />

be upgraded – contact Apogee for details.<br />

MasterTools<br />

Put the finishing touch to your mix<br />

MASTERTOOLS is<br />

Apogee’s TDM<br />

plugin for<br />

Digidesign’s Pro<br />

Tools. Offering<br />

many of the mastering<br />

features of<br />

our original<br />

$7,000 UV-1000<br />

processor,<br />

including UV22<br />

for flawless<br />

word-length reduction of high-resolution digital recordings<br />

to 16 bits for CD or DAT mastering, MasterTools also features<br />

a unique three-dimensional historical metering system;<br />

phase metering; user-definable over indication and<br />

logging; and much more.<br />

Apogee MasterTools puts the finishing touch to your<br />

mix, with UV22: the choice of mastering professionals!<br />

Now Pro Tools | 24 Mix Plus compatible.<br />

SessionTools<br />

Studio management software<br />

SESSIONTOOLS is a<br />

complete, networkable,<br />

cross-platform<br />

management database<br />

and billing system<br />

for the commercial<br />

recording<br />

facility.<br />

Designed by<br />

award-winning mixer/producer Bob Clearmountain for use<br />

in his own studio, features include multiple database layouts:<br />

clients, work orders, invoices, track sheets, recall<br />

data, outboard equipment settings sheets and much more.<br />

Powerful database software operates on a single computer<br />

or across a network, on PCs, Macs or cross-platform environments.<br />

Includes complete label sets for most current<br />

recording media including CD, DAT, cassette etc.<br />

SessionTools includes everything you need to book and<br />

manage a session. Now includes editable layouts for maximum<br />

flexibility and customization.<br />

Apogee Media Products<br />

Tape and CD-R media you can trust your masters to<br />

SINCE Apogee launched Master DAT in 1993, Apogee media<br />

products have become some of the most highly-regarded in<br />

the industry.<br />

Apogee Master DAT has established itself as the professionals’<br />

choice for reliable, low-error-rate digital audio mastering<br />

applications. Widely recognized as the preferred premium<br />

grade DAT for final masters, Apogee’s durable tape<br />

formulation and innovative shell design insure consistent performance<br />

with excellent archival properties.<br />

Apogee’s UV22HR<br />

The new digital mastering standard<br />

EXPERTS AGREE – there’s nothing like<br />

Apogee’s UV22 ® process for<br />

translating a high-resolution digital<br />

signal flawlessly into 16-bit<br />

for CD or 20-bit for DVD. It<br />

consistently beats bit-mapping,<br />

DSP and noiseshaping<br />

techniques in<br />

listening tests.<br />

Nine out of ten<br />

mastering houses responsible for<br />

US hit records have UV22 available, and they use it on at<br />

least nine out of ten projects – an impressive record. Now<br />

available is UV22HR, “high resolution”, the latest generation<br />

of our acclaimed process, with the ability to capture<br />

even more detail. UV22HR is standard in many Apogee<br />

A/D converters. UV22 is also available for license, and is<br />

employed by Yamaha, SADiE, Mackie and others.<br />

For more information about the UV22 process and<br />

licensing options, please contact us.<br />

Apogee Master ADAT tape sets the standard for durability<br />

and reliability. Optimized for audio applications, Apogee<br />

Master ADAT is approved by Alesis for use on all ADAT<br />

recorders including the latest high resolution models. Low<br />

error rates and a durable binder and formulation make the<br />

tape ideal for shuttling and editing, while the anti-static shell<br />

minimizes dust and debris attraction, reducing errors and<br />

dropouts.<br />

Both ADAT and DAT tapes are supplied in attractive packaging<br />

with a large writing area and APRS/SPARS label sets.<br />

The ADAT tape includes a self-adhesive track sheet, while the<br />

10-pack box of DAT tape is supplied in the unique Producer<br />

Pak, a padded zip-up carrying case.<br />

Apogee Recordable CD features true Phthalocyanine dye<br />

for extensive archive life, resistance to environmental hazards<br />

and compatibility with writers at all speeds. Gold or silver<br />

reflective layers are available, and the discs can be supplied in<br />

bulk or in jewel case, Apogee branded or generic (unbranded).<br />

Also available in inkjet-printable and consumer audio formats.<br />

A special CD-R Pen is also available for safe labeling.<br />

Wyde Eye A/D<br />

Digital & analog interconnects<br />

WYDE EYE A/D: the bestvalue<br />

cable you can buy<br />

for both analog and digital<br />

signal connections.<br />

For the Digital User,<br />

Wyde Eye A/D maintains<br />

the accuracy of the<br />

digital audio signal by<br />

minimizing jitter.<br />

Controlled impedance<br />

(110Ω AES, 75Ω coax) ensures an accurate lock every time!<br />

Unique outer and inner cable construction insures robust<br />

signal transmission over the full temperature range – while<br />

maintaining ultimate flexibility.<br />

For the Analog User, ultra-wide bandwidth delivers better<br />

high frequency response than standard analog cables.<br />

Exclusive foil & braid shielding provides improved RF rejection<br />

and stability for phantom power. XLR, 1 ⁄4in and various<br />

special purpose analog interconnects are available.<br />

The ultimate digital and analog cable solution!<br />

WHY ON EARTH use an outboard converter? That was the<br />

question many people asked when we launched our first<br />

conversion system almost a decade ago. Surely the people<br />

who make digital systems know what they’re doing? Of<br />

course they do. But when they’re making all the different parts of<br />

a recorder or workstation, how much do they spend on the converters?<br />

Not much – they can’t afford to.<br />

We can – because better digital audio is all we do. We know<br />

that the converter is the heart of your digital audio system.<br />

Without quality A/D conversion, your masters will never do you<br />

justice, because after that stage, the digital signal simply can’t<br />

get any better. And without a quality D/A, you’ll never hear it. It’s<br />

as simple as that.<br />

For fifteen years, the name Apogee has meant the highest<br />

quality digital audio equipment available. From our original digital<br />

filters to today’s award-winning digital converters, Apogee<br />

Electronics has led the field. Along the way, we’ve introduced<br />

many significant new developments. Our patented Low Jitter<br />

Clock audibly cleans up digital signals. Our unique UV22 ® Super<br />

CD Encoding process – imitated, but never equalled, and now<br />

licensed to world-famous companies like Yamaha, SADiE and<br />

Mackie – translates high-resolution digital signals flawlessly into<br />

the 16-bit and 20-bit domains, without compromise; and now,<br />

with UV22HR “High Resolution”, it performs even better. Our<br />

exclusive Soft Limit ® circuit allows more level on tape without<br />

digital “overs”, while Soft Saturate simulates tape compression.<br />

Apogee has also built an enviable reputation for digital media<br />

products and cable.<br />

Today, Apogee continues to lead the way, thanks to the<br />

expertise of our award-winning Engineering Team, with ideas<br />

and insights from our Advisory Board, which includes many of<br />

the top names in professional audio.<br />

This catalog offers an overview of our expanding line of digital<br />

audio products. For more detailed information, plus application<br />

notes for many of our products, please visit our Web site at<br />

www.apogeedigital.com, or contact us for a brochure.<br />

Thanks for your interest in Apogee Electronics Corporation<br />

– the digital masters.<br />

Your Apogee dealer:<br />

APOGEE ELECTRONICS CORPORATION<br />

Tel: +1 310/915-1000 Fax: +1 310/391-6262<br />

Email: info@apogeedigital.com<br />

Web: http://www.apogeedigital.com/<br />

Apogee, Soft Limit, MasterTools and UV22 are registered trademarks, and<br />

SessionTools is a trademark, of Apogee Electronics Corporation. Other trademarks<br />

and registered trademarks are the property of their respective owners.<br />

Printed in USA RE/SFC3/5M/0700.

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