POLYPHONY Post Office Box #515 Highland Park, Illinois 60035 ...

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Abbreviations (Record labels are often abbreviated: Col = Columbia; West = Westminster; etc.) AAM = Academy of Ancient Music ASCR = Accademia Santa Cecilia, Rome ASMF = Acad, St. Martin-in-the-Fields ACO = Amsterdam Concertgebouw Orch BPS = Boston Pops BSO = Boston Symphony Orchestra BSOO = Berlin State Opera Orch BVRS = Bavarian Radio Orchestra CO = Cleveland Orchestra CPO = Czech Philharmonic Orchestra CSO = Chicago Symphony Orchestra DSO = Detroit Symphony Orchestra ECO = English Chamber Orchestra ERSO = Eastman-Rochester Sym Orch EWE = Eastman Wind Ensemble LAPO = Los Angeles Philharmonic LPO = London Philharmonic Orchestra LSO = London Symphony Orchestra MMF = Maggio Musicale Fiorentino Mpls = Minneapolis or Minnesota Orch NDR = North German Radio Orch NPO = New Philharmonia Orchestra NYP = New York Philharmonic ORTF = French National Radio-TV Orch OSR = Orchestre de la Suisse Romande PCO = Paris Conservatory Orchestra Phila = Philadelphia Orchestra PO = Philharmonia Orchestra PSO = Pittsburgh Symphony Orchestra PSOL = Philharmonic Sym Orch, London ROHCG = Royal Opera, Covent Garden RPO = Royal Philharmonic SFSO = San Francisco Symphony Orch SWDR = Southwest German Radio Orch VPO = Vienna Philharmonic VSO = Vienna Symphony VSOO = Vienna State Opera Orchestra bbl = bubble beg = beginning bl cov = blank cover blem = blemish c/c = cover punched or cut on corner or edge ch = chamber cho = choir or chorus cov dam = cover damage dig = digital drm = digitally remastered ens = ensemble exc = excerpts fr = from inc = includes lgt or lt = light mod = moderate nse = noise occ = occasional op = opera ov = overture pres - pressing rec = recorded scr = scratch sd = side sec = seconds snd = sound s/s = 1-in sticker neatly around lower spine sur = surface tk = tick * = recording is in true stereo + = recording is in electronic stereo For pressing codes [in brackets] in audiophile sections, see header for that section. A few other sections have their own abbreviations; some are repeated here: D = Dolby (tapes) BC = Barclay Crocker issue (tapes) NL = no libretto (opera/choral repertoire)
Table of Contents [by listing number] Format Category Listing Numbers Open-Reel Tapes: Operas: Complete & Highlights; Vocalists………. # 1 - 14 2-Track Tapes…………………………………….. # 15 - 19 Londons; Mercuries; RCA’s; Misc Audiophile....... # 20 - 48 Orchestral/Instrumental Repertoire & Collections.. # 49 - 56 Piano, Conductors…………….………..…….…… # 57 - 66 Musicals; Films; Miscellaneous Non-Classical…… # 67 - 109 Record Catalogs: Schwann, Long Player, Gramophone…… ……..... # 110 - 137 LP’s: Operas/Choral/Vocal: Complete; Exc; Collections.. # 138 - 316 Vocalists………………………………………….. # 317 - 493 Audiophile & Special Labels…………………... # 494 - 785 Angels………………….. # 494 - 516 Londons ……………….. # 517 - 534 Mercury………………… # 535 - 551 RCA……………………. # 552 - 757 Misc…………………….. # 758 - 785 Orchestral/Instrumental Repertoire…………….…… # 786 - 926 Chamber Music & Collections……………………… # 927 - 1000 Clarinet; Flute; Oboe; Recorder; French Horn…. .… #1001 - 1021 Violin; Viola; Cello; Harp; Guitar..…………..…..… #1022 - 1130 Pianists……………………………………………… #1131 - 1335 Conductors…………………………………………. #1336 - 1646 Film Music; Original Cast………………………….. #1647 - 1648 Listings begin on the next page >>>>>>>>>>>>>>>
Page 1 and 2: Dear Fellow Record Collectors - P O
Page 3: Condition Grading Grading used reco
Page 7 and 8: Open Reel's: Vocalists 9.*HORNE: "S
Page 9 and 10: Open Reel's: RCA's - continued 39.*
Page 11 and 12: Open Reel's: Musicals - Original Ca
Page 13 and 14: PAPER: Comprehensive Catalogs The c
Page 15 and 16: LP's: Operatic, Choral & Vocal Repe
Page 25 and 26: LP's: Operatic, Choral & Vocal Coll
Page 27 and 28: LP's: Vocalists - continued 334. BA
Page 29 and 30: LP's: Vocalists - continued 364. FE
Page 31 and 32: LP's: Vocalists - continued 395.*KU
Page 33 and 34: LP's: Vocalists - continued 430.+ME
Page 35 and 36: LP's: Vocalists - continued 463.*SC
Page 37 and 38: AUDIOPHILE AND SPECIAL LABEL RECORD
Page 39 and 40: LP's: Londons The very early [c.195
Page 41 and 42: LP's: Mercuries - continued 544.*SR
Page 43 and 44: LP's: RCA's - continued 556. LD-702
Page 45 and 46: LP's: RCA's - continued 586. LM-192
Page 47 and 48: LP's: RCA's - continued 621. LM-198
Page 49 and 50: LP's: RCA's - continued 645.*LSC-20
Page 55 and 56:
LP's: RCA's - continued 746.*VICS-1
Page 57 and 58:
LP's: Miscellaneous Audiophile & Sp
Page 59 and 60:
LP's: Orchestral & Instrumental Rep
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
LP's: Chamber Music - continued 954
Page 69 and 70:
LP's: Collections - continued 988.
Page 71 and 72:
LP's: Oboe 1015.*GOOSSENS: Handel C
Page 73 and 74:
LP's: Violinists - continued 1046.*
Page 75 and 76:
LP's: Violinists - continued 1084.
Page 77 and 78:
LP's: Violists 1114.*COLETTA: Hinde
Page 79 and 80:
LP's: Pianists - continued 1147. BA
Page 81 and 82:
LP's: Pianists - continued 1196. FI
Page 83 and 84:
LP's: Pianists - continued 1250.*KR
Page 85 and 86:
LP's: Pianists - continued 1295.*RA
Page 87 and 88:
LP's: Conductors 1336. ANSERMET: Gl
Page 89 and 90:
LP's: Conductors - continued 1372.*
Page 91 and 92:
LP's: Conductors - continued 1412.
Page 93 and 94:
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
Page 103:
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