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Embodying the Sacred in Yoruba Art - Kean University

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Newark Museum acknowledges <strong>the</strong> many contributions of <strong>the</strong> staff<br />

of <strong>the</strong> High Museum. In particular, we thank Carol Thompson, Fred<br />

and Rita Richman Curator of African <strong>Art</strong> at <strong>the</strong> High Museum, who<br />

organized <strong>the</strong> exhibition along with Newark Museum curator Christa<br />

Clarke, and graphic designer Angela Jaeger, who produced <strong>the</strong> orig<strong>in</strong>al<br />

catalogue. We are also grateful to Dr. Babatunde Lawal, Professor of<br />

<strong>Art</strong> History at Virg<strong>in</strong>ia Commonwealth <strong>University</strong>, who developed <strong>the</strong><br />

conceptual framework of <strong>the</strong> 2008 exhibition and wrote <strong>the</strong> catalogue<br />

essay, a version of which is published here. At <strong>the</strong> Newark Museum,<br />

I thank Christa Clarke, Curator, <strong>Art</strong>s of Africa, and Senior Curator,<br />

<strong>Art</strong>s of Africa and <strong>the</strong> Americas; Zette Emmons, Manager of Travel<strong>in</strong>g<br />

Exhibitions; and U. Michael Schumacher, Market<strong>in</strong>g Communications<br />

Manager, for guid<strong>in</strong>g this exhibition. Special thanks also go to <strong>Kean</strong><br />

<strong>University</strong> President Dawood Farahi; Holly Logue, Act<strong>in</strong>g Dean of <strong>the</strong><br />

College of Visual and Perform<strong>in</strong>g <strong>Art</strong>s; and Neil Tetkowski, Director of<br />

<strong>University</strong> Galleries, for br<strong>in</strong>g<strong>in</strong>g this exhibition to <strong>the</strong>ir campus and<br />

mak<strong>in</strong>g this catalogue possible.<br />

Mary Sue Sweeney Price<br />

Director, The Newark Museum<br />

Opposite: Epa Headdress, Èkìtì Region, Nigeria. Attributed to Bamgboye of Odò Owá (1888–1978), 21 <strong>in</strong>. high (detail)<br />

9

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