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april | may | june | 2012 - Santa Barbara Museum of Art

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12<br />

gift to SBMA / program highlight<br />

<strong>Museum</strong> receives Major Gift from the eichholz foundation<br />

From top: Larry Feinberg, SBMA’s Robert<br />

and Mercedes Eichholz Director and<br />

Mercedes Eichholz in 2008 during the<br />

exhibition Merci!: Selections from the<br />

Robert B. and Mercedes H. Eichholz<br />

Collection<br />

Mercedes and Robert Eichholz in 1963<br />

Pasadena to <strong>Santa</strong> <strong>Barbara</strong><br />

free community celebration<br />

The <strong>Santa</strong> <strong>Barbara</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> is pleased to announce that a gift <strong>of</strong> $5.5 million<br />

was recently pledged by the newly-formed Robert and Mercedes Eichholz Foundation<br />

to endow the <strong>Museum</strong>’s Director position. The post, currently held by Larry Feinberg,<br />

will henceforth be known as the Robert and Mercedes Eichholz Director.<br />

The Foundation’s Chairperson, Mercedes Eichholz, states, “The importance <strong>of</strong> adding<br />

stability to the <strong>Museum</strong> by funding the <strong>Museum</strong> Director position, was key in the<br />

decision <strong>of</strong> the Foundation.” She goes on to note, “I hope this will encourage, even<br />

challenge, others in the community to step up and underwrite curatorial positions at<br />

the <strong>Museum</strong> or otherwise contribute to the <strong>Museum</strong>'s endowment fund.”<br />

Larry Feinberg states, “This is a major, transformative gift for the <strong>Museum</strong> — it not<br />

only greatly helps the institution financially, but also an endowed director’s chair<br />

elevates SBMA’s stature, particularly, in this case, through the association with such<br />

an eminent and generous person and family in this community. We are extremely<br />

grateful for this gift, and are proud <strong>of</strong> this enduring relationship.” On a more personal<br />

note, Feinberg continues, “I could not be more honored and touched to have my<br />

On February 26, over 1,200 members <strong>of</strong> the community celebrated the exhibition Pasadena to<br />

<strong>Santa</strong> <strong>Barbara</strong>: A Selected History <strong>of</strong> <strong>Art</strong> in Southern California, 1951 – 1969 and its inclusion in the<br />

unprecedented Pacific Standard Time initiative.<br />

In the plaza, the public enjoyed an eclectic mix <strong>of</strong> live music from <strong>Santa</strong> <strong>Barbara</strong>’s own Dadainspired<br />

band Headless Household, including a brief re-visiting <strong>of</strong> Intersphere, a visual and aural<br />

project originally created for SBMA by Richard Dunlap in 1981. In addition to Dick Dunlap, musicians<br />

included Joseph Woodard, Tom Lackner, Chris Symer, Tom Buckner, and Glen Phillips.<br />

Attendees <strong>of</strong> all ages experienced Now and Then, a re-invention and homage to the poetry- and<br />

jazz-laced performance created by artist Richards Ruben in Pasadena 1962 — led by noted local<br />

poets Paul Willis, Perie Longo, David Starkey, and Chryss Yost, with improvised jazz iterations by Jon<br />

Nathan on percussion and Jim Connelly on bass.<br />

Guests also engaged in Patrick Melroy’s Duchampian-inspired Five Minute Found Object Sculpture<br />

Game, and created pedestal-worthy pieces from scraps, tubes, rubber, and the ubiquitous duct tape.<br />

Others enjoyed making their own Modernist masterpieces with two interactive art projects lead by the<br />

<strong>Museum</strong>’s Teaching <strong>Art</strong>ists.<br />

In the galleries, contemporary Argentinian composer Frederico Llach created Perishable Music during<br />

which five musicians acted as sound sculptures and responded to works in the exhibition from a<br />

carefully-timed score that was shredded after each performance.<br />

<strong>Art</strong>ists Samantha Fretwell and Katy McCarthy ran the staring contest, Gaze and Glance Acquisitioners<br />

Face Off, a performance piece that timed length <strong>of</strong> time visitors spent looking at art as if an athletic<br />

competition.<br />

Cool met comfortable with the grand opening <strong>of</strong> The Learning Lounge, an interactive reading and<br />

media resource room for all ages. Projections, books, catalogs, art activities, and family guides are<br />

available for free in this mid-century inspired lounge throughout the run <strong>of</strong> the exhibition. Visitors can<br />

add their comments or artworks by posting them on the wall or dropping them in the Pasadena to<br />

<strong>Santa</strong> <strong>Barbara</strong> post box.<br />

The celebration was an exuberant, improvisational tribute to the art on view in Pasadena to <strong>Santa</strong><br />

<strong>Barbara</strong> and to the spirit with which it was created.<br />

name and position connected with someone for whom I have so much admiration<br />

and affection.”<br />

Ken Anderson, Chair <strong>of</strong> the <strong>Museum</strong>’s Board <strong>of</strong> Trustees adds, “The Board is<br />

immensely grateful to Mercedes and her family for their continued leadership<br />

and extraordinary generosity in helping to make the <strong>Museum</strong> the premier cultural<br />

institution it is. This new commitment will greatly assist SBMA achieve its mission<br />

and goals as we approach our 75th anniversary, and we hope inspire other friends<br />

<strong>of</strong> the <strong>Museum</strong> as well.”<br />

Mercedes Eichholz and her late husband Robert have been active supporters <strong>of</strong><br />

the arts for decades. Mr. and Mrs. Eichholz joined the <strong>Museum</strong> when they arrived<br />

in <strong>Santa</strong> <strong>Barbara</strong> County in 1979. While continuing her active involvement with the<br />

National Gallery <strong>of</strong> <strong>Art</strong> in Washington, DC after Robert’s death in 1983, she became<br />

more active in SBMA activities, becoming a Trustee at the <strong>Santa</strong> <strong>Barbara</strong> <strong>Museum</strong><br />

<strong>of</strong> <strong>Art</strong> in 1985 and serving as President <strong>of</strong> the Board <strong>of</strong> Trustees from 2001 to<br />

2003. In addition, she has served on the Exhibitions and Acquisitions Committee<br />

(now called the Collections Committee) since 1984 — chairing the committee for<br />

a number <strong>of</strong> terms―and on the Finance, Buildings and Grounds, and Personnel<br />

Committees.<br />

In 1989, Mrs. Eichholz turned her energies to acquiring works <strong>of</strong> art for SBMA in<br />

her position as chair <strong>of</strong> the <strong>Art</strong>s Endowment Committee. She and her committee<br />

members, together with <strong>Museum</strong> curators, succeeded in bringing in 1,600 works<br />

<strong>of</strong> art in a single year. A devotee <strong>of</strong> contemporary art, Mrs. Eichholz also helped<br />

found the support group Friends <strong>of</strong> Contemporary <strong>Art</strong> (now called The <strong>Museum</strong><br />

Contemporaries) and is a devoted supporter <strong>of</strong> PhotoFutures. In 2008, SBMA<br />

celebrated her generosity with Merci!: Selections from the Robert B. and Mercedes<br />

H. Eichholz Collection, an exhibition that featured a sampling <strong>of</strong> more than 20 works<br />

from the Eichholz collection that she had either given or promised to the <strong>Museum</strong>.<br />

Mrs. Eichholz was awarded the Wright S. Ludington Award in 2000 for the<br />

extraordinary time, gifts, and expertise she has given to the <strong>Museum</strong>, and remains a<br />

Life Honorary Trustee.

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