Ultimate Okito - Classic Magic Series
Ultimate Okito - Classic Magic Series
Ultimate Okito - Classic Magic Series
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The<br />
UlTimaTe<br />
OkiTO<br />
Robert J. albo, mD<br />
DeSiGN aND layOUT<br />
eric F. Glassy, mD<br />
DVD eDiTiNG aND PRODUcTiON<br />
Garin T. Glassy<br />
PUbliSheR<br />
Doug Pearson<br />
2007
The Video Edition<br />
of the<br />
<strong>Ultimate</strong> <strong>Okito</strong><br />
is limited to<br />
400 sets<br />
Copyright 2007 Robert J. Albo, MD<br />
All rights reserved. None of the contents of this publication may be reproduced, stored in a retrieval<br />
system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or<br />
otherwise) without prior written permission from the publisher.<br />
Library of Congress Catalog Number:<br />
ISBN:<br />
Printed in Hong Kong<br />
Robert J. Albo, MD<br />
445 Mountain Ave.<br />
Piedmont, CA 94611
iv<br />
With compliments<br />
and best wishes<br />
from<br />
<strong>Okito</strong><br />
The Chinese MYSTIC
Table of contents<br />
DVD Listing........................................................................................................................................................................... vi<br />
Foreword..................................................................................................................................................................................... ix<br />
Introduction...........................................................................................................................................................................xi<br />
Reminiscences and Confessions ................................................................................................................3<br />
Further Thoughts on <strong>Okito</strong>............................................................................................................................27.<br />
. Time.Line........................................................................................................................................................29<br />
. Inventor..............................................................................................................................................................63<br />
. . Wand Shell........................................................................................................................................64<br />
. . Substitution Principle.........................................................................................................65<br />
. . Sliding Compartment and Black Art Principle.................................66<br />
. . Penetration of Matter..........................................................................................................68<br />
. . Flap (Flat) Principle.............................................................................................................71<br />
. . <strong>Okito</strong> Glass........................................................................................................................................72<br />
. . Trays..........................................................................................................................................................73<br />
. . Multum in Parvo......................................................................................................................74<br />
. . Cloth Flap Spring Load...................................................................................................75<br />
. . Siamese Cylinders (Kuma Tubes)........................................................................76<br />
. . Floating Ball...................................................................................................................................77<br />
. . Break-Apart Box Vanish..................................................................................................78<br />
. . Coin Box..............................................................................................................................................79<br />
. Innovator..........................................................................................................................................................81<br />
. . Birth of the Lotus Flower................................................................................................82<br />
. . Angling...................................................................................................................................................83<br />
. . Square Circle..................................................................................................................................84<br />
. . Mystic Blocks...................................................................................................................................85<br />
. . Tip-Over Box.................................................................................................................................86<br />
. . Coin Ladder....................................................................................................................................87<br />
. Craftsman........................................................................................................................................................89<br />
. . Transfers...............................................................................................................................................90<br />
.. . Wood and Metal Work......................................................................................................92<br />
. Author,.Teacher,.and.Historian.........................................................................................95<br />
The Albo Collection.............................................................................................................................................103<br />
Index............................................................................................................................................................................................159<br />
<strong>Ultimate</strong> <strong>Okito</strong> v
vi<br />
DVD listings<br />
List of tricks on each DVD with their page numbers in The <strong>Ultimate</strong> <strong>Okito</strong>.<br />
Disc 1 page#<br />
Gobi Bowl...........................................................................................................104<br />
Canary Cage....................................................................................................106<br />
Duck Vanish (Where Do the Ducks Go?)...........108<br />
Checker Cabinet........................................................................................110<br />
Penetration of Matter..........................................................................115<br />
Mandarin and Tea Chest Mystery......................................116<br />
Girl and the Ribbon Illusion.....................................................117<br />
Shadow Cabinet.........................................................................................117<br />
Disc 2 page#<br />
Egg To Canary...............................................................................................118<br />
Silk Decanter and Tray......................................................................118<br />
Change Tray.....................................................................................................118<br />
Production of 8 Glasses of Liquid......................................118<br />
Chimerical Foulards/Silks............................................................119<br />
Canary Vanish...............................................................................................119<br />
Production of a Silk From a Glass of Liquid........119<br />
<strong>Okito</strong> Glasses...................................................................................119, 136<br />
Dove Pan Tray...............................................................................................119<br />
Floating Ball (includes Lance Burton’s Floating<br />
and Vanishing Birdcage)........................................................120<br />
Zombie Cabinets.......................................................................................120<br />
Triangular Mystery..................................................................................121<br />
Die Box and Chimney........................................................................121<br />
Die Block and Chimney (<strong>Okito</strong>/Nielsen)..............121<br />
Visible Block Penetration..............................................................121<br />
Double Block Penetration............................................................121<br />
Color-Changing Die............................................................................121<br />
Disc 3 page#<br />
Mystic Blocks..................................................................................................124<br />
Crystal Casket...............................................................................................124<br />
Alphabet Block Trick...........................................................................124<br />
Tea Leaves Chest and Bowl Effect......................................125<br />
Water Bowl Production....................................................................125<br />
Expanding Ball..............................................................................................126<br />
Crystal Casket Production ................................... 126<br />
Block off Ribbon........................................................................................126<br />
Pearl Ball Vase................................................................................................126<br />
Flip-Over Box................................................................................................127<br />
Hindu Inkwell...............................................................................................127<br />
Egg to Canary................................................................................................127<br />
Dove Vanish Casket...............................................................................128<br />
Break-Apart Dove Vanish..............................................................128<br />
Rice Bowls...........................................................................................................129<br />
Plate Off Ribbon........................................................................................129<br />
Cups and Balls...............................................................................................129<br />
Enchanted Rice and Silk Effect..............................................129<br />
Birth of the Lotus Flower...............................................................130<br />
Mandarin Center Table....................................................................130<br />
Disc 4 page#<br />
Borrowed Handkerchief in Potato....................................131<br />
Large Phantom Tube............................................................................131<br />
Crystal Tube.....................................................................................................131<br />
Nest of Boxes...................................................................................................132<br />
Rattle Box............................................................................................................132<br />
Nest of Boxes for Marked Coin.............................................132<br />
Living and Dead Buddha................................................................132<br />
Lippincott Box.............................................................................................132<br />
Confetti and Egg to Birdcage and<br />
Canary Canister.................................................................................133<br />
Rice, Orange, and Checkers........................................................133<br />
Mysterious Casket Vanish..............................................................134<br />
Siamese Cylinders (Kuma Tubes).......................................134<br />
Multum in Parvo.......................................................................................134<br />
Sleeve Production.....................................................................................135<br />
Handkerchief in Candle..................................................................135<br />
Color-Changing Candle.................................................................135<br />
Papa Bamberg Egg Bag.......................................................................136<br />
Jumbo Card Box.........................................................................................136<br />
Blow Book..........................................................................................................136<br />
<strong>Okito</strong> Glasses...................................................................................119, 136<br />
Where Do The Ducks Come From?...............................137<br />
Water Canister Effect..........................................................................137
Disc 5 page#<br />
Leg-Chopper Illusion..........................................................................138<br />
Marvelous Production........................................................................138<br />
Angling Trick..................................................................................................139<br />
Card Prediction Paddle.....................................................................139<br />
Card Prediction Trick.........................................................................139<br />
Riddle of the Rabbit..............................................................................140<br />
Rabbit Production .................................................................................140<br />
Coin Ladder.....................................................................................................141<br />
Scare Mask and Dove..........................................................................141<br />
Tea Canister Transposition..........................................................142<br />
Confetti to Wine Bottle..................................................................142<br />
Three-Bowl Dove Production..................................................143<br />
Fu-Manchu Finger-chopper........................................................143<br />
Square Circle with Bouquet.......................................................143<br />
Disc 6 page#<br />
Square Circle Redone..........................................................................144<br />
Vanishing Cage and Orange Effect...................................144<br />
Color-Changing Wands...................................................................144<br />
Color-Changing Parasol..................................................................144<br />
Mat Trick..............................................................................................................144<br />
Mutilated Parasol with Change Bag................................144<br />
Butterfly Box...................................................................................................145<br />
Bowl of Water Vanish..........................................................................145<br />
Rising Card Deck Switch...............................................................145<br />
Mechanical Card Rise Box...........................................................146<br />
Jack-In-the-Box Card Production.......................................146<br />
Clockwork Card Rise..........................................................................146<br />
Card-to-Canary Box.............................................................................146<br />
Mignon Production...............................................................................147<br />
Three-Fold Production Screen................................................147<br />
Three-Screen Production................................................................147<br />
Silk Transposition to Beneath Plate.................................148<br />
Handkerchief Plate.................................................................................148<br />
Card Exchange Tray...............................................................................148<br />
Disc 7 page#<br />
Cut and Restored Ribbon.............................................................150<br />
Jap Box.....................................................................................................................150<br />
Blue Phantom................................................................................................151<br />
Production Tubes......................................................................................151<br />
Bonzai Tube.....................................................................................................151<br />
Cotton to Coffee Canister...........................................................151<br />
Linking the Links.....................................................................................152<br />
Jewel Chest Mystery..............................................................................152<br />
Visible Restoration of a Card....................................................152<br />
Card Star...............................................................................................................152<br />
Tip-Over Box.................................................................................................153<br />
Spirit Origami...............................................................................................153<br />
Block Rabbit Production...............................................................153<br />
Confetti to Guinea Pig (or Candy).................................154<br />
Confetti to Silks and Glass of Liquid............................154<br />
Confetti to Goldfish in Water.................................................154<br />
Coffee and Milk..........................................................................................154<br />
Disc 8 page#<br />
<strong>Okito</strong>’s Gimmick Box..........................................................................155<br />
Silk Change and Vanish Gimmick.....................................155<br />
<strong>Okito</strong>’s Third Hand................................................................................155<br />
Card Display Stand.................................................................................155<br />
Vanishing Balls..............................................................................................157<br />
Billiard Balls.....................................................................................................156<br />
Bewildering Balls.......................................................................................156<br />
Special Tables for Card Change and Silk Vanish<br />
(Transposition Extraordinary and Chimerical<br />
Silks)..................................................................................................................156<br />
Box on Rope.....................................................................................................157<br />
Ring on Wand................................................................................................157<br />
Threading the Needle..........................................................................157<br />
Silk Cabby<br />
Bonus: <strong>Okito</strong> Live Performance (special thanks to<br />
Bill McIlhany)<br />
<strong>Ultimate</strong> <strong>Okito</strong> vii
viii<br />
Thank you, David, for<br />
your continued support.
Preserving the rich history of conjuring is absolutely es-<br />
sential for our art to thrive now and in the future. As<br />
someone who continually strives to collect, preserve,<br />
and study the best from magic’s past greats, I am pleased<br />
and greatly impressed by Bob Albo’s efforts in this re-<br />
gard. The current collection of effects is a treasure in itself and a vital<br />
link to one of the most fertile minds our art has known. Presented with<br />
wonderful attention to detail and to the breadth of <strong>Okito</strong>’s remark-<br />
able contributions, this volume and the accompanying DVDs serve to<br />
document and inspire.<br />
Foreword<br />
David Copperfield<br />
<strong>Ultimate</strong> <strong>Okito</strong> ix
The UlTimaTe<br />
OkiTO<br />
Reminiscences and confessions<br />
of a magic collector<br />
Robert J. albo, mD
Byron Walker Collection<br />
For some mystical and unexplainable reason, ever since I<br />
can remember, I’ve always been a collector. Long before<br />
it was popular, I collected everything: comic books, in-<br />
sects, butterflies, cigar boxes, Standard Gas Station color<br />
pictures, and the usual—stamps, coins, stickers from na-<br />
tional parks, so on and so forth. Yet when my parents gave me a Mysto<br />
<strong>Magic</strong> Set for my ninth birthday, collecting magic apparatus was the<br />
furthest thing from my mind. From my standpoint, magic was simply<br />
for performing.<br />
Reminiscences<br />
and confessions<br />
Then, in my early teens I met Marvin Burger, and later, Joe Berg at<br />
Tom Dethlefsen’s Golden Gate <strong>Magic</strong> Studio. They influenced me in<br />
such a way that my interest in magic changed and I began to collect<br />
old (antiquarian) magic apparatus. I became particularly interested in<br />
the magic made by <strong>Okito</strong> (“Theo” Bamberg in regular life) when I pur-<br />
chased two pieces of <strong>Okito</strong> apparatus from Joe Berg. I later had the op-<br />
portunity to personally meet Theo when he resided in Chicago, once<br />
in 1955 and again in 1959. (<strong>Okito</strong> passed away on June 28, 1963—just<br />
18 days before he would have celebrated his 88 th birthday.)<br />
<strong>Ultimate</strong> <strong>Okito</strong>
The three-sheet<br />
poster from the<br />
Norm Nielsen<br />
Collection is a<br />
classic of <strong>Okito</strong><br />
performing the<br />
Mat Trick.<br />
When Joe Stevens and I introduced four VHS tapes<br />
in 1992 under the title “The Oriental <strong>Magic</strong> of<br />
the Bambergs, Video Edition,” it included a<br />
booklet that contained an <strong>Okito</strong> time line. I am<br />
modifying that time line and adding some newer<br />
concepts. <strong>Okito</strong> was known for his craftsmanship, and a time line of<br />
this aspect of his life would include the following:<br />
1875 to 1889: <strong>Okito</strong> was born in Amsterdam, Holland in 1875 and<br />
at the age of 11 made his first appearance as a magician with his father at<br />
the court of Princess Wilhelmina of Holland and her father King Wil-<br />
lem III.<br />
circa 1890 to 1907: <strong>Okito</strong> performed in Europe and made all his<br />
own apparatus, some of which I have in my collection. He began to per-<br />
form as <strong>Okito</strong> with an oriental act in 1893. He performed in Europe,<br />
including France, Spain, England and Holland, then in 1906 in China,<br />
and in 1907 with his father in the Dutch Indies.<br />
circa 1907 to 1920: <strong>Okito</strong> was first in New York, and magic con-<br />
structed by him at that point in time was made for his magic shop, as<br />
well as for the noted collector of magic apparatus, Victor Barbour. (See<br />
discussion in Reminiscences and Confessions, starting on page 4.)<br />
circa 1920 to 1935: <strong>Okito</strong> returned to Holland where he used Am-<br />
sterdam as his base and performed all over Europe again. He continued<br />
to make magic apparatus and made many of the pieces of furniture for<br />
his home as well.<br />
Time Line<br />
Further Thoughts on <strong>Okito</strong> 29
1890; begins European tour as a magician<br />
1947; crafts magic for Joe Berg in Chicago<br />
<strong>Okito</strong> Time Line<br />
1893; originates first Oriental<br />
act as <strong>Okito</strong> at age 19<br />
1907; after performing in Paris, comes to<br />
U.S. with wife and brother Eduard<br />
1909; trades name and show to Doc Nixon<br />
for his home in Brooklyn, N.Y.<br />
1909-1920; assists Thurston and other<br />
magicians doing shadowgraphy; returns to<br />
performing using various oriental names<br />
1921; performs in England, France, Germany,<br />
Egypt, Bombay, Calcutta, Delhi, and Burma<br />
1922; begins another major tour of England,<br />
France, Germany, Czechoslovakia, Serbia,<br />
Bulgaria, Hungary, Romania, and Russia<br />
1951; returns to Chicago<br />
1875<br />
1880<br />
1885<br />
1890<br />
1895<br />
1900<br />
1905<br />
1910<br />
1915<br />
1920<br />
1925<br />
1930<br />
1935<br />
1940<br />
1945<br />
1950<br />
1955<br />
1960<br />
1965<br />
1970<br />
1875; Tobias Theodore Leendert Bamberg<br />
born in Amsterdam, Holland, July 15<br />
1886; at age 11, first appearance as a magician with his<br />
father ‘Papa’ Bamberg in the court of King Willem III and<br />
Princess Wilhelmina<br />
1908; moves to New York; opens Bamberg <strong>Magic</strong> and<br />
Novelty Company; 1908-1916; makes apparatus for<br />
magic shop, Victor Barbour, and many other special<br />
collectors and performers<br />
1916; becomes a U.S. citizen<br />
1938; flees Holland; sails to South America<br />
to join his son (Fu-Manchu)<br />
1950; joins Don Redmon in Louisville<br />
Kentucky for Redmon-<strong>Okito</strong> magic<br />
1963; dies in Chicago on June 28 at age 87<br />
OKITO-HOLLAND<br />
1891; age 17, suffers ear injury resulting in severe hearing loss<br />
1895; begins touring as <strong>Okito</strong> performing in France,<br />
Germany, Spain, Holland and England, then China and<br />
Dutch Indies<br />
OKITO-EUROPE<br />
1915; first performs Mat Trick production;<br />
Nixon gives <strong>Okito</strong> his name back<br />
1920; returns to Holland, resumes his name <strong>Okito</strong> and<br />
performs all over Europe and South America<br />
1921; authors first book, “Quality <strong>Magic</strong>”<br />
1922; first performs floating ball<br />
1952; authors second book, “<strong>Okito</strong> on <strong>Magic</strong>”<br />
1965; <strong>Okito</strong>/Nielsen<br />
1970; <strong>Okito</strong>/Lewis, <strong>Okito</strong>/Gaughan,<br />
<strong>Okito</strong>/Williams<br />
OKITO-NEW YORK<br />
OKITO-HOLLAND<br />
OKITO-FU MANCHU<br />
OKITO-BERG<br />
OKITO-REDMON<br />
OKITO-CHICAGO<br />
OKITO-NIELSEN<br />
OKITO-LEWIS<br />
OKITO-GAUGHAN<br />
OKITO-WILLIAMS<br />
Further Thoughts on <strong>Okito</strong> 31
56<br />
The Bamberg <strong>Magic</strong> and Novelty Company, with <strong>Okito</strong> in partnership with Joe Klein, was in business in New York from<br />
1908 to 1912. Because of <strong>Okito</strong>’s close relationship with John Willmann, he became the exclusive distributor of Willmann<br />
magic in the U.S.A. In April of 1910, <strong>Okito</strong> published an ad in the Sphinx magazine stating that he had severed all relationships<br />
and ties with the Bamberg <strong>Magic</strong> Company (see also, page 24). The shop survived for two more years and then<br />
closed in 1912, and the inventory was purchased by Martinka.<br />
<strong>Magic</strong> Catalog of<br />
Jasper Bamberg<br />
H.J. Burlingame<br />
took the stage name<br />
Jasper Bamberg to<br />
honor the family of<br />
‘Papa’ Bamberg who<br />
was his mentor and<br />
taught him magic<br />
in 1874. After he<br />
retired as a professional<br />
performer, he<br />
established a magic<br />
shop in Chicago.<br />
Advertisement from <strong>Okito</strong>’s <strong>Magic</strong> Shop circa 1909. (Ed Hill collection)<br />
<strong>Magic</strong> catalogs for the amateur and professional. The professional version<br />
was basically Willmann’s 1905 catalog with deleted individual prices, a separate<br />
price sheet (higher than Willmann’s) and <strong>Okito</strong>’s name and address.
My original <strong>Classic</strong> <strong>Magic</strong> <strong>Series</strong> and VHS tapes touched<br />
briefly on the many aspects of <strong>Okito</strong>’s remarkable career<br />
in magic. The time line on the previous pages outline his<br />
life and performance highlights. But he was much more<br />
than a consummate performer and artist. In the following<br />
sections, I would like to spend some time elaborating on his inventions, inno-<br />
vations and craftsmanship.<br />
One of the most remarkable aspects of <strong>Okito</strong>’s life was his inventive mind<br />
and attention to even the smallest detail of an effect. From small illusions, such<br />
as the coin box that bears his name, to the stage filling production of Multum<br />
in Parvo, the ingenuity of the man is quite amazing.<br />
Inventor<br />
63
Wand Shell for the<br />
Wand Vanish<br />
<strong>Okito</strong> had accompanied his father to do a magic show and, much to the dismay<br />
of his father, he forgot to bring a wand. He asked <strong>Okito</strong> if, perhaps, he could<br />
make something that would serve as a wand. Indeed, <strong>Okito</strong> could! He found a<br />
dowel and some black paper and constructed a shell of paper around the dowel.<br />
As he handed this newly handcrafted wand to his father, the dowel slipped out<br />
of the inside of the wand leaving only the paper shell. His father looked at this<br />
and said to <strong>Okito</strong>, “With your innovative and multifaceted mind, you ought to<br />
be able to take this shell and wand and do something with it that would add to<br />
the magic profession.” Indeed, <strong>Okito</strong> did that and came up with the Vanishing<br />
Wand and Shell for a vanish. He also used this principle to change a wand into<br />
a bouquet.<br />
Wands and the Bambergs<br />
Papa Emile <strong>Okito</strong><br />
64 Further Thoughts on <strong>Okito</strong>
Substitution Principle<br />
<strong>Okito</strong> invented this principle in which an object is apparently placed on a table,<br />
and in the movement of doing this, this object is exchanged for another that<br />
looks exactly the same but is made differently for the purpose of magic. Ex-<br />
amples of this are the Jewel Chest Mystery (p. 152), Confetti to Guinea Pig or<br />
Candy (p. 154), Linking the Links (p. 152), and the Gobi Bowl (p. 104-105).<br />
Further Thoughts on <strong>Okito</strong> 65
Transfers<br />
Example of transfer<br />
before application ( front<br />
and back).<br />
Examples of transfers used<br />
to decorate the borders of<br />
the apparatus, framing<br />
more elaborate central<br />
transfers.<br />
Many of the pieces of <strong>Okito</strong>’s apparatus, especially during his time in Eu-<br />
rope and New York, were painted black with gold trim. Trans-<br />
fers were then applied to produce a beautiful oriental motif. The<br />
transfers were from H. Wells in Germany.<br />
The application of these oriental transfers is a very meticulous<br />
and time-consuming process. The painted surface has to be carefully<br />
prepared. The proper transfer is then chosen, and it requires a mini-<br />
mum of five separate steps to apply correctly. The border around the<br />
transfer is then added using the same five-step procedure. After a<br />
drying period, the entire surface is over-coated with a clear dull<br />
lacquer. (Today we use polyurethanes and spray cans of semi-gloss<br />
lacquers.) The first coat of lacquer is a dust coat to fix the transfer.<br />
90 Further Thoughts on <strong>Okito</strong><br />
After completely drying, three to four additional coats are applied, usually wait-<br />
ing 24 hours between coats. Obviously with <strong>Okito</strong>’s apparatus, this had to be<br />
done on all sides, inside and outside!
Examples of a<br />
central oriental<br />
motif transfer with<br />
elaborate borders.<br />
Other examples of<br />
elaborate transfers.<br />
Further Thoughts on <strong>Okito</strong> 91
Clockwork Card Rise Box<br />
Wood and Metal Work<br />
Card to Canary Box<br />
Clockwork Card Rise Box<br />
92 Further Thoughts on <strong>Okito</strong><br />
<strong>Okito</strong> was equally at home using both wood and metal. Beneath the intricate<br />
transfers were carefully constructed pieces with extraordinary attention to de-<br />
tail. The stand for the canary cage (page 91) had a little door in the base to al-<br />
low easy access to the load chamber. His boxes were sometimes made of select<br />
hardwoods, inlaid with intricate designs. Inside were gears or hinges or secret<br />
mechanical devices that relied on precise metal craftsmanship. Wood and metal<br />
worked together to create a marvelous effect.<br />
This inlaid wood work-of-art is 151/2 by 13 inches.<br />
In the lower right is inscribed “<strong>Okito</strong> Maker U.S.A.”
The Albo<br />
Collection<br />
<strong>Okito</strong> Gallery<br />
103
Checker Cabinet<br />
1<br />
A great deal of controversy involves who invented the Checker Cabinet, but<br />
it may have been <strong>Okito</strong>’s father, David Tobias Bamberg. <strong>Okito</strong>, however,<br />
made the trick his own and added many enhancements. The Checker Cabinet<br />
was also <strong>Okito</strong>’s most commercially successful trick. He built many different<br />
models in various sizes, as shown on the following pages depicting the pieces<br />
in the Albo collection. The trick uses the black art principle and the sliding<br />
compartment, as described on pages 66-67.<br />
Doc Nixon’s Checker Cabinet<br />
This was the first version that<br />
Doc Nixon made of the Checker<br />
Cabinet and was followed by<br />
a version in which the front and<br />
back could each be lifted and<br />
the cabinet shown empty before<br />
and after the effect.<br />
110 The Albo Collection<br />
This is the oldest Checker Cabinet<br />
in the Albo collection. It was made<br />
for Dr. Hooker and was one of two<br />
made at that time.
Penetration of Matter<br />
The larger stage version in which a large<br />
object (an arm) can be passed through the<br />
star trap. Only two were made. The trick is<br />
described in detail on pages 68-70.<br />
This is from<br />
the Barbour<br />
Collection and<br />
probably dates<br />
to 1908, long<br />
before this<br />
effect was ever<br />
seen in Europe.<br />
These models were made by <strong>Okito</strong><br />
when he was with Joe Berg.<br />
The Albo Collection 115<br />
1
Triangular Mystery<br />
TRIANGuLAR MYSTERY<br />
An outstanding production using three flat screens taken from a stand. The<br />
screens form a triangle on an examined base. The trick uses the flap principle,<br />
described on page 71.<br />
The screen has been placed and the<br />
flat black stand completely hides<br />
the fact that there was a load chamber<br />
attached to the last screen.<br />
An earlier recent version of<br />
the Triangular Mystery, made<br />
by Norm Nielsen.<br />
The last screen, with the load on its<br />
back, is resting on the upright flat<br />
stand. It is about to be placed on<br />
the triangular base.<br />
An older <strong>Okito</strong> piece made and decorated (as<br />
are most of the Triangular Mysteries) by <strong>Okito</strong><br />
when he was with Berg in Chicago.<br />
The Albo Collection 121<br />
2
<strong>Okito</strong> display from the David<br />
Copperfield museum in Las Vegas.<br />
Abbott, David P., floating ball, 77<br />
Albo, Robert, reminiscences, 1-25,<br />
collection, 102-158<br />
Alphabet Block, 124<br />
Angling Trick, 22, 83, 138-139<br />
Annemann Slate Prediction, 139<br />
Austen, Bill, 141<br />
Author, <strong>Okito</strong> as, 95-97<br />
Averbook, Bruce, 25, 40, 50, 57, 61<br />
Baldwin, David, 147<br />
Balloon to Dove, 150<br />
Ball(s), 12, 21, 31, 77, 86, 120, 126, 129,<br />
153; Bewildering, 156; Vanishing, 156,<br />
Billiard, 126, 156<br />
Bamberg, xi-xii, xi, 3, 12, 21-23, 29-34, 46,<br />
53-54, 56, 59-60, 68-69, 79, 99-101,<br />
110, 136; Edmund, 30, 155; Eduard,<br />
23, 31, 36-37, 59, 95; Emile, 23, 34, 36-<br />
37, 59, 64, 95; Jasper, xi, 34, 56, 95;<br />
Papa, xii, 23, 31-32, 36, 38, 56, 59, 64,<br />
95, 136<br />
<strong>Magic</strong> and Novelty Company, 31, 56-<br />
57, 79, 155; business form for, 101<br />
<strong>Magic</strong> School, prospectus for, 100<br />
Barbour, Victor, 4-10, 12-14, 18-22, 29,<br />
31, 68, 85, 89, 93, 115, 119, 122, 124-<br />
125, 129, 131, 139, 143, 147, 151-154,<br />
156-157<br />
Berg, Joe, 3-5, 14, 20, 24, 30-31, 104, 112,<br />
115, 121, 127, 132, 144, 148, 150, 152<br />
Bewildering Balls, 12, 156<br />
Billiard Balls, 126, 156<br />
Birdcage production, 12, 75, 133<br />
Birth of the Lotus Flower, 5, 82, 130<br />
Black art, 5, 14, 66, 81, 123, 143-144<br />
Blackstone, Harry, 59<br />
Bloch, Rich, 13-14<br />
Block(s), 20, 62, 66, 81, 85, 123, 125, 127,<br />
153; Alphabet, 124<br />
Off Ribbon, 126<br />
Penetration, 123<br />
Rabbit Production, 153<br />
Book, Blow, 136; Skull to Silk, 146<br />
Blue Phantom, 151<br />
Bonzai Tube, 151<br />
Botania, 5, 81, 84<br />
Bottle, Confetti to, 142<br />
Bottomless glass, 87, 136<br />
Bowl, Gobi, see Gobi Bowl<br />
Production, 5, 7, 12, 13, 52, 138, 143<br />
of Water Vanish, 146<br />
Box on Rope, 157<br />
Break-Apart Dove Vanish, 76, 128<br />
Brockman, Syd, 20, 132<br />
Buddha, Living and Dead, 132<br />
Burger, Marvin, 3, 13, 20<br />
Burlingame, H.J., 56<br />
Burton, Lance, xiii<br />
Butterfly Box, 146<br />
Cabinet, 5-6, 9, 12-14, 19, 23-24, 32, 36,<br />
52, 66, 110-114, 116-117, 120, 137-<br />
138, 143; Checker, see Checker<br />
Cabinet; Mirror, 157<br />
Cage, 6, 9, 12, 24, 75, 92, 106-107, 109,<br />
130, 133, 144; Canary, 75, 106-107<br />
Canary, Card to, 92, 147; Egg to, 118<br />
Cage, 75, 106-107<br />
Canister, 133<br />
Production, 75, 106-107, 130, 139<br />
Vanish, 14, 73, 119, 142<br />
Candle, Color Changing, 135; Handkerchief<br />
in, 135<br />
Candy, Confetti to, 65, 154<br />
Canister, 13, 18, 113, 133, 137, 142, 151-<br />
152, 154<br />
Card, Visible Restoration, 153<br />
Box, Jumbo, 136<br />
Change, table for, 156<br />
Deck Switch Box, 146<br />
Display Stand, 155<br />
Exchange Tray, 149<br />
Prediction Paddle, 139<br />
Prediction Trick, 139<br />
Production, Jack-in-the-Box, 147<br />
Rise, Clockwork, 92, 147; Mechanical,<br />
147<br />
Star, 152<br />
to Canary Box, 92, 147<br />
Carrandi, Mario, 4, 13-14<br />
Casket, 75, 78, 85, 120, 124, 126, 128, 134<br />
Catalogs, <strong>Magic</strong>, 56<br />
Caveney, Mike, 25, 46-47<br />
Chain, in Linking the Links, 152<br />
Change Tray, 75, 118, 149<br />
Checker Cabinet, 5-6, 9, 13-14, 23-24, 32,<br />
52, 66, 110-114, 116, 143<br />
Checkers, Rice, Orange and, 133<br />
Chimerical Foulards/Silks, 73, 118-119, 156<br />
Chimney<br />
and Die Block, 123<br />
and Die Box, 22, 122<br />
Clark, Ren, 4-5, 14<br />
Clockwork Card Rise Box, 92, 147<br />
Cloth flap spring load, 75, 106-107, 118<br />
Coffee<br />
and Milk, 93, 154<br />
Canister, 151<br />
Coin<br />
Ladder, 87, 141<br />
Tray, 118<br />
Color Changing<br />
Candle, 135<br />
Die, 123<br />
Parasol, 145<br />
Wands, 144<br />
Confetti, in Gobi Bowl, 65, 104-105<br />
and Egg to Birdcage, 133<br />
to Coffee or Milk, 93<br />
to Goldfish, 154<br />
to Guinea Pig, 20, 65, 154<br />
to Silks and Glass of Liquid, 154<br />
to Wine Bottle, 142<br />
Conradi, 18, 22, 74, 96, 131, 134<br />
Cook, John Brown, 68<br />
Copperfield, David, ix, 158<br />
Cotton to Coffee Canister, 13, 151<br />
Craftsman/craftsmanship, 12, 22-24, 27,<br />
29-30, 33, 63, 89, 92, 111, 126, 134-<br />
Index<br />
135, 140, 148<br />
Crystal<br />
Casket, 75, 85, 124, 126<br />
Tube, 21, 131<br />
Cups and Balls, 99, 129<br />
Cut and Restored Ribbon, 150<br />
Decoupage, 14, 127, 142<br />
Dethlefsen, Tom, 3, 127<br />
Die, 22, 99, 122; Color Changing, 123<br />
Block and Chimney, 123<br />
Box, 122<br />
Die Mysterien des Orients, 18, 22, 74, 96, 134<br />
Dixon, William (Doc Nixon), 57<br />
Dove, 13, 73, 75, 118, 141, 143, 150<br />
Pan Tray, 119<br />
Vanish Casket, 78, 128<br />
Dreyer, Roger, 57<br />
Duck(s), 9. 7, 12, 18, 23-24, 71, 108-109.<br />
137, 143, 148<br />
Vanish, 12, 71, 23-24, 108-109<br />
Dynasty, Bamberg, xi, 32-35, 95<br />
Egg, 99, 118, 127, 133<br />
Bag, Papa Bamberg’s, 136<br />
to Canary, 73, 118, 127<br />
Enchanted Rice and Silk, 18, 129<br />
Ewing, Tom, 22, 25, 122<br />
Expanding Ball, 126<br />
Fall-Apart Dove Vanish, 76, 128<br />
Fantastic Frame, 153<br />
Fifth Dimension Card Frame, 152<br />
Finger-Chopper, Fu-Manchu, 66, 143<br />
Fire to Skull, 146<br />
Firebowl, 21<br />
Fishing pole, 22; see also Angling<br />
Flap, cloth spring loaded, 75, 106-107, 118<br />
principle, 71, 121, 137<br />
on shell, 85<br />
Flip-Over-Box, 14, 127<br />
Floating Ball, 31, 77, 120, 158<br />
Flosso, Al, 20, 22<br />
Flower, production from table, 138; see<br />
also, Lotus Flower<br />
Flowerpot, 84, 130<br />
Fu-Manchu, xi, 4, 31, 60-61, 66, 95, 108-<br />
109, 120, 143<br />
Finger Chopper, 66, 143<br />
Gaughan, John, 14, 23-25, 30-32, 61, 108,<br />
125, 145, 147, 153<br />
Gimmick Box, 155<br />
Girl and the Ribbon Illusion, 117<br />
Gobi Bowl, 65, 104-105<br />
Golden Gate <strong>Magic</strong> Studio, 3, 98, 127<br />
Goldston, 18, 22<br />
Goulet, Ray, 14, 68-69, 127<br />
Gown, <strong>Okito</strong>’s, xii, 12, 50, 158<br />
Guinea Pig, Confetti to, 20, 65, 154<br />
Gun, silk vanishing, 20, 135<br />
Hand, third, 155; <strong>Okito</strong>’s, 100<br />
Handbills, 53<br />
Handkerchief, 21, 99, 118-119, 126, 131,<br />
135, 143, 149-150, 155<br />
Gun, 20, 135<br />
Jap Box, 150<br />
in Candle, 135<br />
Index 159
in Potato, 131<br />
Plate, 142<br />
Hill, Ed, 25, 34-36, 52-53, 56-57, 58, 161-162<br />
Hindu Inkwell, 20, 66, 114, 127<br />
Histed, Louis, 14, 66, 143<br />
Historian, <strong>Okito</strong> as, 98-101<br />
Hoffmann, 86, 142<br />
Hofzinser, 14<br />
Hooker, 14, 52, 110<br />
Illusions, stage, 116-117<br />
Impenetrability of Matter, see Penetration<br />
of Matter<br />
Inkwell, Hindu, 20, 66, 114, 127<br />
Inlaid wood, examples of, 92, 147<br />
Innovation, 23-24, 27, 30, 63-64, 75, 77,<br />
81, 86-87, 129, 132<br />
Inventions, 22, 27, 30, 63, 78, 81, 134<br />
Jack-in-the-Box Card Production, 147<br />
Jap Box, Handkerchief, 150<br />
Jewel Chest Mystery, 65, 152<br />
Kaps, Fred, 59<br />
Klein, Joe, 24, 56, 79<br />
Klosterman, Ken, 5-7, 9, 14, 20, 25, 130,<br />
140, 142, 146, 157<br />
Kuma Tubes, 7, 76, 134<br />
Larson, Charles, 89<br />
Le Diable Boiteux, 95<br />
Le Grand David, 20, 140<br />
Lecture, <strong>Okito</strong>, 98-99<br />
Leg-Chopper, 138<br />
LeRoy, Servais, 24<br />
Letter, Emile’s, 34; regarding sale of water<br />
bowl, 16; sale of robe, 17-18<br />
Lewis, Eric, 24, 108, 128, 118, 130, 134, 143<br />
Lilly, <strong>Okito</strong>’s wife, xii, 4, 20, 37, 57<br />
Linking the Links, 152<br />
Lippincott Box, 89, 93, 132<br />
Living and Dead Buddha, 132<br />
<strong>Magic</strong> School, Bamberg, 100<br />
Mandarin<br />
and Tea Chests, 116<br />
Table, 13, 111, 130<br />
Mango Tree Effect, 5<br />
Martinka, 22, 56, 122<br />
Marvelous Production, 138<br />
Mask, 13, 75, 141<br />
Mat Trick, 5, 31, 61, 145; poster of, 28<br />
McIlhany, Bill, vii, 25<br />
McQuirk, John E., 12<br />
Mechanical Card Rise Box, 147<br />
Metal work, examples, 92-93<br />
Mignon Production, 138, 148<br />
Mingus, 22, 83<br />
Mirror, commemorative, 55<br />
Cabinet, 13, 157<br />
Mishell, Ed, 4, 13-14<br />
Money-Maker, 135<br />
Multum in Parvo, 63, 74, 134<br />
Mutilated Parasol, 145<br />
Mysterious Casket, 134<br />
Mystery Tube, 157<br />
Mystic Blocks, 85, 124<br />
Nameplates, <strong>Okito</strong>, xii, 93<br />
Needle, Threading the, 157<br />
Nelusco Brothers, 36, 95<br />
Nest of Boxes, 132, 139<br />
Nielsen, Norm, 18, 29-31, 33, 113, 121,<br />
123, 148<br />
Nixon, 4, 6-7, 9, 21, 23-24, 31, 58, 110, 132<br />
<strong>Okito</strong>, origin of name, xii<br />
Glasses, 72, 119, 136<br />
<strong>Okito</strong> on <strong>Magic</strong>, book, 97<br />
Origami, Spirit, 89, 153<br />
Parasol, Color Changing, 145<br />
Parrish, Robert, 97<br />
Pearl Ball Vase, 126<br />
Pelaez, Cesareo, 20, 140<br />
Penetration of Matter, 13-14, 18, 68-69, 115<br />
Phantom, Blue, 151<br />
Tube, 84, 131<br />
Plate Off Ribbon, 129<br />
Platt, Johnny, 76, 134<br />
Polising, 38-41<br />
Poole, Lilly, xii<br />
Potato, Silk in, 131<br />
Prediction<br />
Card Trick, 139<br />
Card Paddle, 139<br />
Production<br />
Flower Vase and Belt, 142<br />
of 8 Glasses of Liquid, 118<br />
Tubes, 151<br />
Pull, 118, 135<br />
Purdy, C. McCord, 22<br />
Quality <strong>Magic</strong>, book, 96<br />
Rabbit, 6, 20, 99; Riddle of the, 140<br />
Production, 71, 140, 153<br />
Rattle Box, 132<br />
Redmon, Don, 12-13, 30-31, 68, 92, 108,<br />
111, 114, 117, 122, 126, 138, 143-144<br />
Ribbon, 117, 126, 129, 145, 150, 157<br />
Rice, 9, 18, 76<br />
Bowls, 129<br />
Orange and Checkers, 133<br />
Riddle of the Rabbit, 6, 20, 71, 140<br />
Ring on Wand, 157<br />
Rising Card Deck Switch, 146<br />
Robert-Houdin, 89, 99<br />
Roterberg, 122<br />
Scare Mask and Dove, 13, 75, 141<br />
Screen Production, 121, 148<br />
Shadowgraphy, 31, 43<br />
Shadow Box/Cabinet, 117<br />
Shell, 64, 85, 156<br />
Shepherd, Balloon to Dove, 150<br />
Siamese Cylinders, 7, 76, 134<br />
Silk, 9, 18, 20, 52, 68-69, 72-73, 75, 84,<br />
129-130, 137, 146, 149, 151, 153-156<br />
Change and Vanish, 155<br />
Decanter and Tray, 118-119<br />
Under the Plate, 148<br />
Skull, in Zombie Cabinet, 120<br />
to Silk Book, 146<br />
Sleeve Production, 135<br />
Sorcar, 59<br />
Sphinx, 6, 9, 22-24, 56<br />
Spirit Origami, 153<br />
Spreer, Edmund, 30, 155<br />
160 Index<br />
Spring load, cloth flap, 75, 126<br />
Square Circle, 14, 81, 84,<br />
with Bouquet, 143<br />
Redone, 144<br />
Stage illusions, 116-117<br />
Stevens, Joe, 13, 22, 29, 130<br />
Substitution Principle, 65, 104-105, 152, 154<br />
Table, 5-6, 9, 13-14, 20-22, 24, 52, 65, 68-<br />
69, 73, 76, 86, 108, 111, 125, 128-130,<br />
134, 137-138, 153, 156<br />
Taylor, Prentice, 20<br />
Tea, 13, 66, 114, 116, 125, 142<br />
Canister Transposition, 143<br />
Leaves Chest and Bowl, 125<br />
Thayer, xi, 4, 7, 9, 12, 15, 20-21, 30, 74, 85,<br />
120, 123, 128-129, 131, 133-134, 150-151<br />
Third Hand, 155<br />
Thomas, Phil, 19<br />
Threading the Needle, 157<br />
Three-Bowl Production, 12, 143<br />
Three-Screen Production, 148<br />
Thurston, 20, 31, 77<br />
Time line, 29-32<br />
Tip-Over Box, 6, 20-21, 81, 86, 153<br />
Transfers, 12, 14, 22, 24, 33, 89-92, 118,<br />
127, 142, 150-151<br />
Transposition, Silk to Plate, 149; Tea<br />
Canister, 143<br />
Extraordinary, 156<br />
Tray, 73, 75, 118-119, 125, 134, 146, 149<br />
Triangular Mystery, 71, 121<br />
Triple Bowl Production (see Three Bowl<br />
Production)<br />
Two-Tube Production (see Birth of the<br />
Lotus Flower)<br />
Ubiquitous Ducks (Where Do the Ducks<br />
Come From?), 71, 135<br />
Vanishing<br />
Cage and Orange, 144<br />
Balls, 156<br />
Vase, 76, 126, 133-134, 142, 154<br />
and Flower Production, 138<br />
Vermeyden, Hank, 59<br />
Visible<br />
Restoration of a Card, 153<br />
Block Penetration, 121<br />
Walker, Byron, xiii, 2, 25, 48-49, 54-57, 60,<br />
98-101<br />
Wand, 21, 64, 69, 144; Ring on, 157<br />
shell, 64<br />
Ware, Tad, 5, 22, 25<br />
Water<br />
Bowl Production, 12, 16, 52, 125 Canister<br />
Effect, 18, 137<br />
Wells, H., manufacturer of transfers, 22-24, 90<br />
Where Do the Ducks Come From?, 71, 135<br />
Where Do the Ducks Go?, 71, 108<br />
Williams, Carl, 14, 18, 20-22, 24-25, 30,<br />
99, 120, 122, 125-126, 128, 134-135,<br />
140, 142, 153<br />
Willmann, 21, 56, 72, 107, 118, 128, 133,<br />
138, 151<br />
Workmanship, 22, 106, 111, 150-151<br />
Zombie Cabinet, 120