02.03.2013 Views

Ultimate Okito - Classic Magic Series

Ultimate Okito - Classic Magic Series

Ultimate Okito - Classic Magic Series

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

The<br />

UlTimaTe<br />

OkiTO<br />

Robert J. albo, mD<br />

DeSiGN aND layOUT<br />

eric F. Glassy, mD<br />

DVD eDiTiNG aND PRODUcTiON<br />

Garin T. Glassy<br />

PUbliSheR<br />

Doug Pearson<br />

2007


The Video Edition<br />

of the<br />

<strong>Ultimate</strong> <strong>Okito</strong><br />

is limited to<br />

400 sets<br />

Copyright 2007 Robert J. Albo, MD<br />

All rights reserved. None of the contents of this publication may be reproduced, stored in a retrieval<br />

system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or<br />

otherwise) without prior written permission from the publisher.<br />

Library of Congress Catalog Number:<br />

ISBN:<br />

Printed in Hong Kong<br />

Robert J. Albo, MD<br />

445 Mountain Ave.<br />

Piedmont, CA 94611


iv<br />

With compliments<br />

and best wishes<br />

from<br />

<strong>Okito</strong><br />

The Chinese MYSTIC


Table of contents<br />

DVD Listing........................................................................................................................................................................... vi<br />

Foreword..................................................................................................................................................................................... ix<br />

Introduction...........................................................................................................................................................................xi<br />

Reminiscences and Confessions ................................................................................................................3<br />

Further Thoughts on <strong>Okito</strong>............................................................................................................................27.<br />

. Time.Line........................................................................................................................................................29<br />

. Inventor..............................................................................................................................................................63<br />

. . Wand Shell........................................................................................................................................64<br />

. . Substitution Principle.........................................................................................................65<br />

. . Sliding Compartment and Black Art Principle.................................66<br />

. . Penetration of Matter..........................................................................................................68<br />

. . Flap (Flat) Principle.............................................................................................................71<br />

. . <strong>Okito</strong> Glass........................................................................................................................................72<br />

. . Trays..........................................................................................................................................................73<br />

. . Multum in Parvo......................................................................................................................74<br />

. . Cloth Flap Spring Load...................................................................................................75<br />

. . Siamese Cylinders (Kuma Tubes)........................................................................76<br />

. . Floating Ball...................................................................................................................................77<br />

. . Break-Apart Box Vanish..................................................................................................78<br />

. . Coin Box..............................................................................................................................................79<br />

. Innovator..........................................................................................................................................................81<br />

. . Birth of the Lotus Flower................................................................................................82<br />

. . Angling...................................................................................................................................................83<br />

. . Square Circle..................................................................................................................................84<br />

. . Mystic Blocks...................................................................................................................................85<br />

. . Tip-Over Box.................................................................................................................................86<br />

. . Coin Ladder....................................................................................................................................87<br />

. Craftsman........................................................................................................................................................89<br />

. . Transfers...............................................................................................................................................90<br />

.. . Wood and Metal Work......................................................................................................92<br />

. Author,.Teacher,.and.Historian.........................................................................................95<br />

The Albo Collection.............................................................................................................................................103<br />

Index............................................................................................................................................................................................159<br />

<strong>Ultimate</strong> <strong>Okito</strong> v


vi<br />

DVD listings<br />

List of tricks on each DVD with their page numbers in The <strong>Ultimate</strong> <strong>Okito</strong>.<br />

Disc 1 page#<br />

Gobi Bowl...........................................................................................................104<br />

Canary Cage....................................................................................................106<br />

Duck Vanish (Where Do the Ducks Go?)...........108<br />

Checker Cabinet........................................................................................110<br />

Penetration of Matter..........................................................................115<br />

Mandarin and Tea Chest Mystery......................................116<br />

Girl and the Ribbon Illusion.....................................................117<br />

Shadow Cabinet.........................................................................................117<br />

Disc 2 page#<br />

Egg To Canary...............................................................................................118<br />

Silk Decanter and Tray......................................................................118<br />

Change Tray.....................................................................................................118<br />

Production of 8 Glasses of Liquid......................................118<br />

Chimerical Foulards/Silks............................................................119<br />

Canary Vanish...............................................................................................119<br />

Production of a Silk From a Glass of Liquid........119<br />

<strong>Okito</strong> Glasses...................................................................................119, 136<br />

Dove Pan Tray...............................................................................................119<br />

Floating Ball (includes Lance Burton’s Floating<br />

and Vanishing Birdcage)........................................................120<br />

Zombie Cabinets.......................................................................................120<br />

Triangular Mystery..................................................................................121<br />

Die Box and Chimney........................................................................121<br />

Die Block and Chimney (<strong>Okito</strong>/Nielsen)..............121<br />

Visible Block Penetration..............................................................121<br />

Double Block Penetration............................................................121<br />

Color-Changing Die............................................................................121<br />

Disc 3 page#<br />

Mystic Blocks..................................................................................................124<br />

Crystal Casket...............................................................................................124<br />

Alphabet Block Trick...........................................................................124<br />

Tea Leaves Chest and Bowl Effect......................................125<br />

Water Bowl Production....................................................................125<br />

Expanding Ball..............................................................................................126<br />

Crystal Casket Production ................................... 126<br />

Block off Ribbon........................................................................................126<br />

Pearl Ball Vase................................................................................................126<br />

Flip-Over Box................................................................................................127<br />

Hindu Inkwell...............................................................................................127<br />

Egg to Canary................................................................................................127<br />

Dove Vanish Casket...............................................................................128<br />

Break-Apart Dove Vanish..............................................................128<br />

Rice Bowls...........................................................................................................129<br />

Plate Off Ribbon........................................................................................129<br />

Cups and Balls...............................................................................................129<br />

Enchanted Rice and Silk Effect..............................................129<br />

Birth of the Lotus Flower...............................................................130<br />

Mandarin Center Table....................................................................130<br />

Disc 4 page#<br />

Borrowed Handkerchief in Potato....................................131<br />

Large Phantom Tube............................................................................131<br />

Crystal Tube.....................................................................................................131<br />

Nest of Boxes...................................................................................................132<br />

Rattle Box............................................................................................................132<br />

Nest of Boxes for Marked Coin.............................................132<br />

Living and Dead Buddha................................................................132<br />

Lippincott Box.............................................................................................132<br />

Confetti and Egg to Birdcage and<br />

Canary Canister.................................................................................133<br />

Rice, Orange, and Checkers........................................................133<br />

Mysterious Casket Vanish..............................................................134<br />

Siamese Cylinders (Kuma Tubes).......................................134<br />

Multum in Parvo.......................................................................................134<br />

Sleeve Production.....................................................................................135<br />

Handkerchief in Candle..................................................................135<br />

Color-Changing Candle.................................................................135<br />

Papa Bamberg Egg Bag.......................................................................136<br />

Jumbo Card Box.........................................................................................136<br />

Blow Book..........................................................................................................136<br />

<strong>Okito</strong> Glasses...................................................................................119, 136<br />

Where Do The Ducks Come From?...............................137<br />

Water Canister Effect..........................................................................137


Disc 5 page#<br />

Leg-Chopper Illusion..........................................................................138<br />

Marvelous Production........................................................................138<br />

Angling Trick..................................................................................................139<br />

Card Prediction Paddle.....................................................................139<br />

Card Prediction Trick.........................................................................139<br />

Riddle of the Rabbit..............................................................................140<br />

Rabbit Production .................................................................................140<br />

Coin Ladder.....................................................................................................141<br />

Scare Mask and Dove..........................................................................141<br />

Tea Canister Transposition..........................................................142<br />

Confetti to Wine Bottle..................................................................142<br />

Three-Bowl Dove Production..................................................143<br />

Fu-Manchu Finger-chopper........................................................143<br />

Square Circle with Bouquet.......................................................143<br />

Disc 6 page#<br />

Square Circle Redone..........................................................................144<br />

Vanishing Cage and Orange Effect...................................144<br />

Color-Changing Wands...................................................................144<br />

Color-Changing Parasol..................................................................144<br />

Mat Trick..............................................................................................................144<br />

Mutilated Parasol with Change Bag................................144<br />

Butterfly Box...................................................................................................145<br />

Bowl of Water Vanish..........................................................................145<br />

Rising Card Deck Switch...............................................................145<br />

Mechanical Card Rise Box...........................................................146<br />

Jack-In-the-Box Card Production.......................................146<br />

Clockwork Card Rise..........................................................................146<br />

Card-to-Canary Box.............................................................................146<br />

Mignon Production...............................................................................147<br />

Three-Fold Production Screen................................................147<br />

Three-Screen Production................................................................147<br />

Silk Transposition to Beneath Plate.................................148<br />

Handkerchief Plate.................................................................................148<br />

Card Exchange Tray...............................................................................148<br />

Disc 7 page#<br />

Cut and Restored Ribbon.............................................................150<br />

Jap Box.....................................................................................................................150<br />

Blue Phantom................................................................................................151<br />

Production Tubes......................................................................................151<br />

Bonzai Tube.....................................................................................................151<br />

Cotton to Coffee Canister...........................................................151<br />

Linking the Links.....................................................................................152<br />

Jewel Chest Mystery..............................................................................152<br />

Visible Restoration of a Card....................................................152<br />

Card Star...............................................................................................................152<br />

Tip-Over Box.................................................................................................153<br />

Spirit Origami...............................................................................................153<br />

Block Rabbit Production...............................................................153<br />

Confetti to Guinea Pig (or Candy).................................154<br />

Confetti to Silks and Glass of Liquid............................154<br />

Confetti to Goldfish in Water.................................................154<br />

Coffee and Milk..........................................................................................154<br />

Disc 8 page#<br />

<strong>Okito</strong>’s Gimmick Box..........................................................................155<br />

Silk Change and Vanish Gimmick.....................................155<br />

<strong>Okito</strong>’s Third Hand................................................................................155<br />

Card Display Stand.................................................................................155<br />

Vanishing Balls..............................................................................................157<br />

Billiard Balls.....................................................................................................156<br />

Bewildering Balls.......................................................................................156<br />

Special Tables for Card Change and Silk Vanish<br />

(Transposition Extraordinary and Chimerical<br />

Silks)..................................................................................................................156<br />

Box on Rope.....................................................................................................157<br />

Ring on Wand................................................................................................157<br />

Threading the Needle..........................................................................157<br />

Silk Cabby<br />

Bonus: <strong>Okito</strong> Live Performance (special thanks to<br />

Bill McIlhany)<br />

<strong>Ultimate</strong> <strong>Okito</strong> vii


viii<br />

Thank you, David, for<br />

your continued support.


Preserving the rich history of conjuring is absolutely es-<br />

sential for our art to thrive now and in the future. As<br />

someone who continually strives to collect, preserve,<br />

and study the best from magic’s past greats, I am pleased<br />

and greatly impressed by Bob Albo’s efforts in this re-<br />

gard. The current collection of effects is a treasure in itself and a vital<br />

link to one of the most fertile minds our art has known. Presented with<br />

wonderful attention to detail and to the breadth of <strong>Okito</strong>’s remark-<br />

able contributions, this volume and the accompanying DVDs serve to<br />

document and inspire.<br />

Foreword<br />

David Copperfield<br />

<strong>Ultimate</strong> <strong>Okito</strong> ix


The UlTimaTe<br />

OkiTO<br />

Reminiscences and confessions<br />

of a magic collector<br />

Robert J. albo, mD


Byron Walker Collection<br />

For some mystical and unexplainable reason, ever since I<br />

can remember, I’ve always been a collector. Long before<br />

it was popular, I collected everything: comic books, in-<br />

sects, butterflies, cigar boxes, Standard Gas Station color<br />

pictures, and the usual—stamps, coins, stickers from na-<br />

tional parks, so on and so forth. Yet when my parents gave me a Mysto<br />

<strong>Magic</strong> Set for my ninth birthday, collecting magic apparatus was the<br />

furthest thing from my mind. From my standpoint, magic was simply<br />

for performing.<br />

Reminiscences<br />

and confessions<br />

Then, in my early teens I met Marvin Burger, and later, Joe Berg at<br />

Tom Dethlefsen’s Golden Gate <strong>Magic</strong> Studio. They influenced me in<br />

such a way that my interest in magic changed and I began to collect<br />

old (antiquarian) magic apparatus. I became particularly interested in<br />

the magic made by <strong>Okito</strong> (“Theo” Bamberg in regular life) when I pur-<br />

chased two pieces of <strong>Okito</strong> apparatus from Joe Berg. I later had the op-<br />

portunity to personally meet Theo when he resided in Chicago, once<br />

in 1955 and again in 1959. (<strong>Okito</strong> passed away on June 28, 1963—just<br />

18 days before he would have celebrated his 88 th birthday.)<br />

<strong>Ultimate</strong> <strong>Okito</strong>


The three-sheet<br />

poster from the<br />

Norm Nielsen<br />

Collection is a<br />

classic of <strong>Okito</strong><br />

performing the<br />

Mat Trick.<br />

When Joe Stevens and I introduced four VHS tapes<br />

in 1992 under the title “The Oriental <strong>Magic</strong> of<br />

the Bambergs, Video Edition,” it included a<br />

booklet that contained an <strong>Okito</strong> time line. I am<br />

modifying that time line and adding some newer<br />

concepts. <strong>Okito</strong> was known for his craftsmanship, and a time line of<br />

this aspect of his life would include the following:<br />

1875 to 1889: <strong>Okito</strong> was born in Amsterdam, Holland in 1875 and<br />

at the age of 11 made his first appearance as a magician with his father at<br />

the court of Princess Wilhelmina of Holland and her father King Wil-<br />

lem III.<br />

circa 1890 to 1907: <strong>Okito</strong> performed in Europe and made all his<br />

own apparatus, some of which I have in my collection. He began to per-<br />

form as <strong>Okito</strong> with an oriental act in 1893. He performed in Europe,<br />

including France, Spain, England and Holland, then in 1906 in China,<br />

and in 1907 with his father in the Dutch Indies.<br />

circa 1907 to 1920: <strong>Okito</strong> was first in New York, and magic con-<br />

structed by him at that point in time was made for his magic shop, as<br />

well as for the noted collector of magic apparatus, Victor Barbour. (See<br />

discussion in Reminiscences and Confessions, starting on page 4.)<br />

circa 1920 to 1935: <strong>Okito</strong> returned to Holland where he used Am-<br />

sterdam as his base and performed all over Europe again. He continued<br />

to make magic apparatus and made many of the pieces of furniture for<br />

his home as well.<br />

Time Line<br />

Further Thoughts on <strong>Okito</strong> 29


1890; begins European tour as a magician<br />

1947; crafts magic for Joe Berg in Chicago<br />

<strong>Okito</strong> Time Line<br />

1893; originates first Oriental<br />

act as <strong>Okito</strong> at age 19<br />

1907; after performing in Paris, comes to<br />

U.S. with wife and brother Eduard<br />

1909; trades name and show to Doc Nixon<br />

for his home in Brooklyn, N.Y.<br />

1909-1920; assists Thurston and other<br />

magicians doing shadowgraphy; returns to<br />

performing using various oriental names<br />

1921; performs in England, France, Germany,<br />

Egypt, Bombay, Calcutta, Delhi, and Burma<br />

1922; begins another major tour of England,<br />

France, Germany, Czechoslovakia, Serbia,<br />

Bulgaria, Hungary, Romania, and Russia<br />

1951; returns to Chicago<br />

1875<br />

1880<br />

1885<br />

1890<br />

1895<br />

1900<br />

1905<br />

1910<br />

1915<br />

1920<br />

1925<br />

1930<br />

1935<br />

1940<br />

1945<br />

1950<br />

1955<br />

1960<br />

1965<br />

1970<br />

1875; Tobias Theodore Leendert Bamberg<br />

born in Amsterdam, Holland, July 15<br />

1886; at age 11, first appearance as a magician with his<br />

father ‘Papa’ Bamberg in the court of King Willem III and<br />

Princess Wilhelmina<br />

1908; moves to New York; opens Bamberg <strong>Magic</strong> and<br />

Novelty Company; 1908-1916; makes apparatus for<br />

magic shop, Victor Barbour, and many other special<br />

collectors and performers<br />

1916; becomes a U.S. citizen<br />

1938; flees Holland; sails to South America<br />

to join his son (Fu-Manchu)<br />

1950; joins Don Redmon in Louisville<br />

Kentucky for Redmon-<strong>Okito</strong> magic<br />

1963; dies in Chicago on June 28 at age 87<br />

OKITO-HOLLAND<br />

1891; age 17, suffers ear injury resulting in severe hearing loss<br />

1895; begins touring as <strong>Okito</strong> performing in France,<br />

Germany, Spain, Holland and England, then China and<br />

Dutch Indies<br />

OKITO-EUROPE<br />

1915; first performs Mat Trick production;<br />

Nixon gives <strong>Okito</strong> his name back<br />

1920; returns to Holland, resumes his name <strong>Okito</strong> and<br />

performs all over Europe and South America<br />

1921; authors first book, “Quality <strong>Magic</strong>”<br />

1922; first performs floating ball<br />

1952; authors second book, “<strong>Okito</strong> on <strong>Magic</strong>”<br />

1965; <strong>Okito</strong>/Nielsen<br />

1970; <strong>Okito</strong>/Lewis, <strong>Okito</strong>/Gaughan,<br />

<strong>Okito</strong>/Williams<br />

OKITO-NEW YORK<br />

OKITO-HOLLAND<br />

OKITO-FU MANCHU<br />

OKITO-BERG<br />

OKITO-REDMON<br />

OKITO-CHICAGO<br />

OKITO-NIELSEN<br />

OKITO-LEWIS<br />

OKITO-GAUGHAN<br />

OKITO-WILLIAMS<br />

Further Thoughts on <strong>Okito</strong> 31


56<br />

The Bamberg <strong>Magic</strong> and Novelty Company, with <strong>Okito</strong> in partnership with Joe Klein, was in business in New York from<br />

1908 to 1912. Because of <strong>Okito</strong>’s close relationship with John Willmann, he became the exclusive distributor of Willmann<br />

magic in the U.S.A. In April of 1910, <strong>Okito</strong> published an ad in the Sphinx magazine stating that he had severed all relationships<br />

and ties with the Bamberg <strong>Magic</strong> Company (see also, page 24). The shop survived for two more years and then<br />

closed in 1912, and the inventory was purchased by Martinka.<br />

<strong>Magic</strong> Catalog of<br />

Jasper Bamberg<br />

H.J. Burlingame<br />

took the stage name<br />

Jasper Bamberg to<br />

honor the family of<br />

‘Papa’ Bamberg who<br />

was his mentor and<br />

taught him magic<br />

in 1874. After he<br />

retired as a professional<br />

performer, he<br />

established a magic<br />

shop in Chicago.<br />

Advertisement from <strong>Okito</strong>’s <strong>Magic</strong> Shop circa 1909. (Ed Hill collection)<br />

<strong>Magic</strong> catalogs for the amateur and professional. The professional version<br />

was basically Willmann’s 1905 catalog with deleted individual prices, a separate<br />

price sheet (higher than Willmann’s) and <strong>Okito</strong>’s name and address.


My original <strong>Classic</strong> <strong>Magic</strong> <strong>Series</strong> and VHS tapes touched<br />

briefly on the many aspects of <strong>Okito</strong>’s remarkable career<br />

in magic. The time line on the previous pages outline his<br />

life and performance highlights. But he was much more<br />

than a consummate performer and artist. In the following<br />

sections, I would like to spend some time elaborating on his inventions, inno-<br />

vations and craftsmanship.<br />

One of the most remarkable aspects of <strong>Okito</strong>’s life was his inventive mind<br />

and attention to even the smallest detail of an effect. From small illusions, such<br />

as the coin box that bears his name, to the stage filling production of Multum<br />

in Parvo, the ingenuity of the man is quite amazing.<br />

Inventor<br />

63


Wand Shell for the<br />

Wand Vanish<br />

<strong>Okito</strong> had accompanied his father to do a magic show and, much to the dismay<br />

of his father, he forgot to bring a wand. He asked <strong>Okito</strong> if, perhaps, he could<br />

make something that would serve as a wand. Indeed, <strong>Okito</strong> could! He found a<br />

dowel and some black paper and constructed a shell of paper around the dowel.<br />

As he handed this newly handcrafted wand to his father, the dowel slipped out<br />

of the inside of the wand leaving only the paper shell. His father looked at this<br />

and said to <strong>Okito</strong>, “With your innovative and multifaceted mind, you ought to<br />

be able to take this shell and wand and do something with it that would add to<br />

the magic profession.” Indeed, <strong>Okito</strong> did that and came up with the Vanishing<br />

Wand and Shell for a vanish. He also used this principle to change a wand into<br />

a bouquet.<br />

Wands and the Bambergs<br />

Papa Emile <strong>Okito</strong><br />

64 Further Thoughts on <strong>Okito</strong>


Substitution Principle<br />

<strong>Okito</strong> invented this principle in which an object is apparently placed on a table,<br />

and in the movement of doing this, this object is exchanged for another that<br />

looks exactly the same but is made differently for the purpose of magic. Ex-<br />

amples of this are the Jewel Chest Mystery (p. 152), Confetti to Guinea Pig or<br />

Candy (p. 154), Linking the Links (p. 152), and the Gobi Bowl (p. 104-105).<br />

Further Thoughts on <strong>Okito</strong> 65


Transfers<br />

Example of transfer<br />

before application ( front<br />

and back).<br />

Examples of transfers used<br />

to decorate the borders of<br />

the apparatus, framing<br />

more elaborate central<br />

transfers.<br />

Many of the pieces of <strong>Okito</strong>’s apparatus, especially during his time in Eu-<br />

rope and New York, were painted black with gold trim. Trans-<br />

fers were then applied to produce a beautiful oriental motif. The<br />

transfers were from H. Wells in Germany.<br />

The application of these oriental transfers is a very meticulous<br />

and time-consuming process. The painted surface has to be carefully<br />

prepared. The proper transfer is then chosen, and it requires a mini-<br />

mum of five separate steps to apply correctly. The border around the<br />

transfer is then added using the same five-step procedure. After a<br />

drying period, the entire surface is over-coated with a clear dull<br />

lacquer. (Today we use polyurethanes and spray cans of semi-gloss<br />

lacquers.) The first coat of lacquer is a dust coat to fix the transfer.<br />

90 Further Thoughts on <strong>Okito</strong><br />

After completely drying, three to four additional coats are applied, usually wait-<br />

ing 24 hours between coats. Obviously with <strong>Okito</strong>’s apparatus, this had to be<br />

done on all sides, inside and outside!


Examples of a<br />

central oriental<br />

motif transfer with<br />

elaborate borders.<br />

Other examples of<br />

elaborate transfers.<br />

Further Thoughts on <strong>Okito</strong> 91


Clockwork Card Rise Box<br />

Wood and Metal Work<br />

Card to Canary Box<br />

Clockwork Card Rise Box<br />

92 Further Thoughts on <strong>Okito</strong><br />

<strong>Okito</strong> was equally at home using both wood and metal. Beneath the intricate<br />

transfers were carefully constructed pieces with extraordinary attention to de-<br />

tail. The stand for the canary cage (page 91) had a little door in the base to al-<br />

low easy access to the load chamber. His boxes were sometimes made of select<br />

hardwoods, inlaid with intricate designs. Inside were gears or hinges or secret<br />

mechanical devices that relied on precise metal craftsmanship. Wood and metal<br />

worked together to create a marvelous effect.<br />

This inlaid wood work-of-art is 151/2 by 13 inches.<br />

In the lower right is inscribed “<strong>Okito</strong> Maker U.S.A.”


The Albo<br />

Collection<br />

<strong>Okito</strong> Gallery<br />

103


Checker Cabinet<br />

1<br />

A great deal of controversy involves who invented the Checker Cabinet, but<br />

it may have been <strong>Okito</strong>’s father, David Tobias Bamberg. <strong>Okito</strong>, however,<br />

made the trick his own and added many enhancements. The Checker Cabinet<br />

was also <strong>Okito</strong>’s most commercially successful trick. He built many different<br />

models in various sizes, as shown on the following pages depicting the pieces<br />

in the Albo collection. The trick uses the black art principle and the sliding<br />

compartment, as described on pages 66-67.<br />

Doc Nixon’s Checker Cabinet<br />

This was the first version that<br />

Doc Nixon made of the Checker<br />

Cabinet and was followed by<br />

a version in which the front and<br />

back could each be lifted and<br />

the cabinet shown empty before<br />

and after the effect.<br />

110 The Albo Collection<br />

This is the oldest Checker Cabinet<br />

in the Albo collection. It was made<br />

for Dr. Hooker and was one of two<br />

made at that time.


Penetration of Matter<br />

The larger stage version in which a large<br />

object (an arm) can be passed through the<br />

star trap. Only two were made. The trick is<br />

described in detail on pages 68-70.<br />

This is from<br />

the Barbour<br />

Collection and<br />

probably dates<br />

to 1908, long<br />

before this<br />

effect was ever<br />

seen in Europe.<br />

These models were made by <strong>Okito</strong><br />

when he was with Joe Berg.<br />

The Albo Collection 115<br />

1


Triangular Mystery<br />

TRIANGuLAR MYSTERY<br />

An outstanding production using three flat screens taken from a stand. The<br />

screens form a triangle on an examined base. The trick uses the flap principle,<br />

described on page 71.<br />

The screen has been placed and the<br />

flat black stand completely hides<br />

the fact that there was a load chamber<br />

attached to the last screen.<br />

An earlier recent version of<br />

the Triangular Mystery, made<br />

by Norm Nielsen.<br />

The last screen, with the load on its<br />

back, is resting on the upright flat<br />

stand. It is about to be placed on<br />

the triangular base.<br />

An older <strong>Okito</strong> piece made and decorated (as<br />

are most of the Triangular Mysteries) by <strong>Okito</strong><br />

when he was with Berg in Chicago.<br />

The Albo Collection 121<br />

2


<strong>Okito</strong> display from the David<br />

Copperfield museum in Las Vegas.<br />

Abbott, David P., floating ball, 77<br />

Albo, Robert, reminiscences, 1-25,<br />

collection, 102-158<br />

Alphabet Block, 124<br />

Angling Trick, 22, 83, 138-139<br />

Annemann Slate Prediction, 139<br />

Austen, Bill, 141<br />

Author, <strong>Okito</strong> as, 95-97<br />

Averbook, Bruce, 25, 40, 50, 57, 61<br />

Baldwin, David, 147<br />

Balloon to Dove, 150<br />

Ball(s), 12, 21, 31, 77, 86, 120, 126, 129,<br />

153; Bewildering, 156; Vanishing, 156,<br />

Billiard, 126, 156<br />

Bamberg, xi-xii, xi, 3, 12, 21-23, 29-34, 46,<br />

53-54, 56, 59-60, 68-69, 79, 99-101,<br />

110, 136; Edmund, 30, 155; Eduard,<br />

23, 31, 36-37, 59, 95; Emile, 23, 34, 36-<br />

37, 59, 64, 95; Jasper, xi, 34, 56, 95;<br />

Papa, xii, 23, 31-32, 36, 38, 56, 59, 64,<br />

95, 136<br />

<strong>Magic</strong> and Novelty Company, 31, 56-<br />

57, 79, 155; business form for, 101<br />

<strong>Magic</strong> School, prospectus for, 100<br />

Barbour, Victor, 4-10, 12-14, 18-22, 29,<br />

31, 68, 85, 89, 93, 115, 119, 122, 124-<br />

125, 129, 131, 139, 143, 147, 151-154,<br />

156-157<br />

Berg, Joe, 3-5, 14, 20, 24, 30-31, 104, 112,<br />

115, 121, 127, 132, 144, 148, 150, 152<br />

Bewildering Balls, 12, 156<br />

Billiard Balls, 126, 156<br />

Birdcage production, 12, 75, 133<br />

Birth of the Lotus Flower, 5, 82, 130<br />

Black art, 5, 14, 66, 81, 123, 143-144<br />

Blackstone, Harry, 59<br />

Bloch, Rich, 13-14<br />

Block(s), 20, 62, 66, 81, 85, 123, 125, 127,<br />

153; Alphabet, 124<br />

Off Ribbon, 126<br />

Penetration, 123<br />

Rabbit Production, 153<br />

Book, Blow, 136; Skull to Silk, 146<br />

Blue Phantom, 151<br />

Bonzai Tube, 151<br />

Botania, 5, 81, 84<br />

Bottle, Confetti to, 142<br />

Bottomless glass, 87, 136<br />

Bowl, Gobi, see Gobi Bowl<br />

Production, 5, 7, 12, 13, 52, 138, 143<br />

of Water Vanish, 146<br />

Box on Rope, 157<br />

Break-Apart Dove Vanish, 76, 128<br />

Brockman, Syd, 20, 132<br />

Buddha, Living and Dead, 132<br />

Burger, Marvin, 3, 13, 20<br />

Burlingame, H.J., 56<br />

Burton, Lance, xiii<br />

Butterfly Box, 146<br />

Cabinet, 5-6, 9, 12-14, 19, 23-24, 32, 36,<br />

52, 66, 110-114, 116-117, 120, 137-<br />

138, 143; Checker, see Checker<br />

Cabinet; Mirror, 157<br />

Cage, 6, 9, 12, 24, 75, 92, 106-107, 109,<br />

130, 133, 144; Canary, 75, 106-107<br />

Canary, Card to, 92, 147; Egg to, 118<br />

Cage, 75, 106-107<br />

Canister, 133<br />

Production, 75, 106-107, 130, 139<br />

Vanish, 14, 73, 119, 142<br />

Candle, Color Changing, 135; Handkerchief<br />

in, 135<br />

Candy, Confetti to, 65, 154<br />

Canister, 13, 18, 113, 133, 137, 142, 151-<br />

152, 154<br />

Card, Visible Restoration, 153<br />

Box, Jumbo, 136<br />

Change, table for, 156<br />

Deck Switch Box, 146<br />

Display Stand, 155<br />

Exchange Tray, 149<br />

Prediction Paddle, 139<br />

Prediction Trick, 139<br />

Production, Jack-in-the-Box, 147<br />

Rise, Clockwork, 92, 147; Mechanical,<br />

147<br />

Star, 152<br />

to Canary Box, 92, 147<br />

Carrandi, Mario, 4, 13-14<br />

Casket, 75, 78, 85, 120, 124, 126, 128, 134<br />

Catalogs, <strong>Magic</strong>, 56<br />

Caveney, Mike, 25, 46-47<br />

Chain, in Linking the Links, 152<br />

Change Tray, 75, 118, 149<br />

Checker Cabinet, 5-6, 9, 13-14, 23-24, 32,<br />

52, 66, 110-114, 116, 143<br />

Checkers, Rice, Orange and, 133<br />

Chimerical Foulards/Silks, 73, 118-119, 156<br />

Chimney<br />

and Die Block, 123<br />

and Die Box, 22, 122<br />

Clark, Ren, 4-5, 14<br />

Clockwork Card Rise Box, 92, 147<br />

Cloth flap spring load, 75, 106-107, 118<br />

Coffee<br />

and Milk, 93, 154<br />

Canister, 151<br />

Coin<br />

Ladder, 87, 141<br />

Tray, 118<br />

Color Changing<br />

Candle, 135<br />

Die, 123<br />

Parasol, 145<br />

Wands, 144<br />

Confetti, in Gobi Bowl, 65, 104-105<br />

and Egg to Birdcage, 133<br />

to Coffee or Milk, 93<br />

to Goldfish, 154<br />

to Guinea Pig, 20, 65, 154<br />

to Silks and Glass of Liquid, 154<br />

to Wine Bottle, 142<br />

Conradi, 18, 22, 74, 96, 131, 134<br />

Cook, John Brown, 68<br />

Copperfield, David, ix, 158<br />

Cotton to Coffee Canister, 13, 151<br />

Craftsman/craftsmanship, 12, 22-24, 27,<br />

29-30, 33, 63, 89, 92, 111, 126, 134-<br />

Index<br />

135, 140, 148<br />

Crystal<br />

Casket, 75, 85, 124, 126<br />

Tube, 21, 131<br />

Cups and Balls, 99, 129<br />

Cut and Restored Ribbon, 150<br />

Decoupage, 14, 127, 142<br />

Dethlefsen, Tom, 3, 127<br />

Die, 22, 99, 122; Color Changing, 123<br />

Block and Chimney, 123<br />

Box, 122<br />

Die Mysterien des Orients, 18, 22, 74, 96, 134<br />

Dixon, William (Doc Nixon), 57<br />

Dove, 13, 73, 75, 118, 141, 143, 150<br />

Pan Tray, 119<br />

Vanish Casket, 78, 128<br />

Dreyer, Roger, 57<br />

Duck(s), 9. 7, 12, 18, 23-24, 71, 108-109.<br />

137, 143, 148<br />

Vanish, 12, 71, 23-24, 108-109<br />

Dynasty, Bamberg, xi, 32-35, 95<br />

Egg, 99, 118, 127, 133<br />

Bag, Papa Bamberg’s, 136<br />

to Canary, 73, 118, 127<br />

Enchanted Rice and Silk, 18, 129<br />

Ewing, Tom, 22, 25, 122<br />

Expanding Ball, 126<br />

Fall-Apart Dove Vanish, 76, 128<br />

Fantastic Frame, 153<br />

Fifth Dimension Card Frame, 152<br />

Finger-Chopper, Fu-Manchu, 66, 143<br />

Fire to Skull, 146<br />

Firebowl, 21<br />

Fishing pole, 22; see also Angling<br />

Flap, cloth spring loaded, 75, 106-107, 118<br />

principle, 71, 121, 137<br />

on shell, 85<br />

Flip-Over-Box, 14, 127<br />

Floating Ball, 31, 77, 120, 158<br />

Flosso, Al, 20, 22<br />

Flower, production from table, 138; see<br />

also, Lotus Flower<br />

Flowerpot, 84, 130<br />

Fu-Manchu, xi, 4, 31, 60-61, 66, 95, 108-<br />

109, 120, 143<br />

Finger Chopper, 66, 143<br />

Gaughan, John, 14, 23-25, 30-32, 61, 108,<br />

125, 145, 147, 153<br />

Gimmick Box, 155<br />

Girl and the Ribbon Illusion, 117<br />

Gobi Bowl, 65, 104-105<br />

Golden Gate <strong>Magic</strong> Studio, 3, 98, 127<br />

Goldston, 18, 22<br />

Goulet, Ray, 14, 68-69, 127<br />

Gown, <strong>Okito</strong>’s, xii, 12, 50, 158<br />

Guinea Pig, Confetti to, 20, 65, 154<br />

Gun, silk vanishing, 20, 135<br />

Hand, third, 155; <strong>Okito</strong>’s, 100<br />

Handbills, 53<br />

Handkerchief, 21, 99, 118-119, 126, 131,<br />

135, 143, 149-150, 155<br />

Gun, 20, 135<br />

Jap Box, 150<br />

in Candle, 135<br />

Index 159


in Potato, 131<br />

Plate, 142<br />

Hill, Ed, 25, 34-36, 52-53, 56-57, 58, 161-162<br />

Hindu Inkwell, 20, 66, 114, 127<br />

Histed, Louis, 14, 66, 143<br />

Historian, <strong>Okito</strong> as, 98-101<br />

Hoffmann, 86, 142<br />

Hofzinser, 14<br />

Hooker, 14, 52, 110<br />

Illusions, stage, 116-117<br />

Impenetrability of Matter, see Penetration<br />

of Matter<br />

Inkwell, Hindu, 20, 66, 114, 127<br />

Inlaid wood, examples of, 92, 147<br />

Innovation, 23-24, 27, 30, 63-64, 75, 77,<br />

81, 86-87, 129, 132<br />

Inventions, 22, 27, 30, 63, 78, 81, 134<br />

Jack-in-the-Box Card Production, 147<br />

Jap Box, Handkerchief, 150<br />

Jewel Chest Mystery, 65, 152<br />

Kaps, Fred, 59<br />

Klein, Joe, 24, 56, 79<br />

Klosterman, Ken, 5-7, 9, 14, 20, 25, 130,<br />

140, 142, 146, 157<br />

Kuma Tubes, 7, 76, 134<br />

Larson, Charles, 89<br />

Le Diable Boiteux, 95<br />

Le Grand David, 20, 140<br />

Lecture, <strong>Okito</strong>, 98-99<br />

Leg-Chopper, 138<br />

LeRoy, Servais, 24<br />

Letter, Emile’s, 34; regarding sale of water<br />

bowl, 16; sale of robe, 17-18<br />

Lewis, Eric, 24, 108, 128, 118, 130, 134, 143<br />

Lilly, <strong>Okito</strong>’s wife, xii, 4, 20, 37, 57<br />

Linking the Links, 152<br />

Lippincott Box, 89, 93, 132<br />

Living and Dead Buddha, 132<br />

<strong>Magic</strong> School, Bamberg, 100<br />

Mandarin<br />

and Tea Chests, 116<br />

Table, 13, 111, 130<br />

Mango Tree Effect, 5<br />

Martinka, 22, 56, 122<br />

Marvelous Production, 138<br />

Mask, 13, 75, 141<br />

Mat Trick, 5, 31, 61, 145; poster of, 28<br />

McIlhany, Bill, vii, 25<br />

McQuirk, John E., 12<br />

Mechanical Card Rise Box, 147<br />

Metal work, examples, 92-93<br />

Mignon Production, 138, 148<br />

Mingus, 22, 83<br />

Mirror, commemorative, 55<br />

Cabinet, 13, 157<br />

Mishell, Ed, 4, 13-14<br />

Money-Maker, 135<br />

Multum in Parvo, 63, 74, 134<br />

Mutilated Parasol, 145<br />

Mysterious Casket, 134<br />

Mystery Tube, 157<br />

Mystic Blocks, 85, 124<br />

Nameplates, <strong>Okito</strong>, xii, 93<br />

Needle, Threading the, 157<br />

Nelusco Brothers, 36, 95<br />

Nest of Boxes, 132, 139<br />

Nielsen, Norm, 18, 29-31, 33, 113, 121,<br />

123, 148<br />

Nixon, 4, 6-7, 9, 21, 23-24, 31, 58, 110, 132<br />

<strong>Okito</strong>, origin of name, xii<br />

Glasses, 72, 119, 136<br />

<strong>Okito</strong> on <strong>Magic</strong>, book, 97<br />

Origami, Spirit, 89, 153<br />

Parasol, Color Changing, 145<br />

Parrish, Robert, 97<br />

Pearl Ball Vase, 126<br />

Pelaez, Cesareo, 20, 140<br />

Penetration of Matter, 13-14, 18, 68-69, 115<br />

Phantom, Blue, 151<br />

Tube, 84, 131<br />

Plate Off Ribbon, 129<br />

Platt, Johnny, 76, 134<br />

Polising, 38-41<br />

Poole, Lilly, xii<br />

Potato, Silk in, 131<br />

Prediction<br />

Card Trick, 139<br />

Card Paddle, 139<br />

Production<br />

Flower Vase and Belt, 142<br />

of 8 Glasses of Liquid, 118<br />

Tubes, 151<br />

Pull, 118, 135<br />

Purdy, C. McCord, 22<br />

Quality <strong>Magic</strong>, book, 96<br />

Rabbit, 6, 20, 99; Riddle of the, 140<br />

Production, 71, 140, 153<br />

Rattle Box, 132<br />

Redmon, Don, 12-13, 30-31, 68, 92, 108,<br />

111, 114, 117, 122, 126, 138, 143-144<br />

Ribbon, 117, 126, 129, 145, 150, 157<br />

Rice, 9, 18, 76<br />

Bowls, 129<br />

Orange and Checkers, 133<br />

Riddle of the Rabbit, 6, 20, 71, 140<br />

Ring on Wand, 157<br />

Rising Card Deck Switch, 146<br />

Robert-Houdin, 89, 99<br />

Roterberg, 122<br />

Scare Mask and Dove, 13, 75, 141<br />

Screen Production, 121, 148<br />

Shadowgraphy, 31, 43<br />

Shadow Box/Cabinet, 117<br />

Shell, 64, 85, 156<br />

Shepherd, Balloon to Dove, 150<br />

Siamese Cylinders, 7, 76, 134<br />

Silk, 9, 18, 20, 52, 68-69, 72-73, 75, 84,<br />

129-130, 137, 146, 149, 151, 153-156<br />

Change and Vanish, 155<br />

Decanter and Tray, 118-119<br />

Under the Plate, 148<br />

Skull, in Zombie Cabinet, 120<br />

to Silk Book, 146<br />

Sleeve Production, 135<br />

Sorcar, 59<br />

Sphinx, 6, 9, 22-24, 56<br />

Spirit Origami, 153<br />

Spreer, Edmund, 30, 155<br />

160 Index<br />

Spring load, cloth flap, 75, 126<br />

Square Circle, 14, 81, 84,<br />

with Bouquet, 143<br />

Redone, 144<br />

Stage illusions, 116-117<br />

Stevens, Joe, 13, 22, 29, 130<br />

Substitution Principle, 65, 104-105, 152, 154<br />

Table, 5-6, 9, 13-14, 20-22, 24, 52, 65, 68-<br />

69, 73, 76, 86, 108, 111, 125, 128-130,<br />

134, 137-138, 153, 156<br />

Taylor, Prentice, 20<br />

Tea, 13, 66, 114, 116, 125, 142<br />

Canister Transposition, 143<br />

Leaves Chest and Bowl, 125<br />

Thayer, xi, 4, 7, 9, 12, 15, 20-21, 30, 74, 85,<br />

120, 123, 128-129, 131, 133-134, 150-151<br />

Third Hand, 155<br />

Thomas, Phil, 19<br />

Threading the Needle, 157<br />

Three-Bowl Production, 12, 143<br />

Three-Screen Production, 148<br />

Thurston, 20, 31, 77<br />

Time line, 29-32<br />

Tip-Over Box, 6, 20-21, 81, 86, 153<br />

Transfers, 12, 14, 22, 24, 33, 89-92, 118,<br />

127, 142, 150-151<br />

Transposition, Silk to Plate, 149; Tea<br />

Canister, 143<br />

Extraordinary, 156<br />

Tray, 73, 75, 118-119, 125, 134, 146, 149<br />

Triangular Mystery, 71, 121<br />

Triple Bowl Production (see Three Bowl<br />

Production)<br />

Two-Tube Production (see Birth of the<br />

Lotus Flower)<br />

Ubiquitous Ducks (Where Do the Ducks<br />

Come From?), 71, 135<br />

Vanishing<br />

Cage and Orange, 144<br />

Balls, 156<br />

Vase, 76, 126, 133-134, 142, 154<br />

and Flower Production, 138<br />

Vermeyden, Hank, 59<br />

Visible<br />

Restoration of a Card, 153<br />

Block Penetration, 121<br />

Walker, Byron, xiii, 2, 25, 48-49, 54-57, 60,<br />

98-101<br />

Wand, 21, 64, 69, 144; Ring on, 157<br />

shell, 64<br />

Ware, Tad, 5, 22, 25<br />

Water<br />

Bowl Production, 12, 16, 52, 125 Canister<br />

Effect, 18, 137<br />

Wells, H., manufacturer of transfers, 22-24, 90<br />

Where Do the Ducks Come From?, 71, 135<br />

Where Do the Ducks Go?, 71, 108<br />

Williams, Carl, 14, 18, 20-22, 24-25, 30,<br />

99, 120, 122, 125-126, 128, 134-135,<br />

140, 142, 153<br />

Willmann, 21, 56, 72, 107, 118, 128, 133,<br />

138, 151<br />

Workmanship, 22, 106, 111, 150-151<br />

Zombie Cabinet, 120

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!