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Untitled - Rhode Island Historical Society

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Apponaug Print'Works, Vlarwick, circa 1900.<br />

RIHS Collection (RHi X3 2192).<br />

118 "WAS SHE CLOTHED \TITH THE RENTS PAID FOR THESE \TRETCHL,D ROOMS:<br />

are prepared for trades, girls are trained for housework, despite the general reluctance<br />

of people to hire former reform school inmates to work in their homes.<br />

Although it was principally intended to expose the cruelty and inadequ acy of<br />

institutions caring for wards of the state, the story also implies that Josie's dismal<br />

situation was partly brought about by the conditions of life prevalent in<br />

factory villages. Its opening ssnlsngs-"Josie \(elch's mother was a widow, who<br />

worked in a cotton factory"-s.ems to carry with it the girl's death knell. It is,<br />

in fact, the inadequacies of mill town life that srart Josie toward her downfall.<br />

"Men and women who labor eleven hours a day in the stifling ar of a great factory<br />

have limitations to their freedom of will," Lillie writes. "\fomen must<br />

often toil on in the home after the mill work is done. They cannot spend time<br />

and money to go our in search of healthful recreation. . . . In factory villages,<br />

but little effort is made, by what calls itself christianity, to compete with Satan<br />

in his struggles for souls, or to prove his choice of pleasures an unwise one to<br />

the multitude."50 In directly connecing Josie's ruin with the deficiencies of life<br />

for working-class families in mill villages, Lillie was not only supporting her<br />

mother's reform initiative but subtly shaping it to suggest a wider critique.

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