03.03.2013 Views

Park History - City and County of Denver

Park History - City and County of Denver

Park History - City and County of Denver

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Cheesman <strong>Park</strong><br />

Cheesman <strong>Park</strong> <strong>History</strong><br />

Cheesman <strong>Park</strong>’s history is a story <strong>of</strong> the evolution<br />

<strong>of</strong> urban green space. Between the years <strong>of</strong><br />

1858 <strong>and</strong> 1910, the future Cheesman <strong>Park</strong> evolved<br />

from an undeveloped l<strong>and</strong>scape to the fi nal resting<br />

place for many <strong>of</strong> the <strong>City</strong>’s Protestant, Catholic,<br />

<strong>and</strong> Jewish community members, <strong>and</strong> then into a<br />

renowned public park.<br />

It is a story <strong>of</strong> the commitment <strong>of</strong> the people<br />

<strong>of</strong> <strong>Denver</strong> to a quality <strong>of</strong> life that required action<br />

by elected <strong>of</strong>fi cials, l<strong>and</strong>owners, the federal government<br />

<strong>and</strong> the <strong>City</strong> <strong>and</strong> <strong>County</strong> <strong>of</strong> <strong>Denver</strong>. It is the<br />

story <strong>of</strong> the early development <strong>of</strong> <strong>Denver</strong> where<br />

the foresight <strong>of</strong> visionary <strong>City</strong> leaders formulated<br />

plans for the <strong>City</strong>’s development that were holistic<br />

<strong>and</strong> focused on an interconnected system <strong>of</strong> parks<br />

<strong>and</strong> parkways.<br />

Key to the story is the involvement <strong>of</strong> master<br />

l<strong>and</strong>scape architect Reinhard Schuetze who designed<br />

Cheesman <strong>Park</strong> between 1898 <strong>and</strong> 1904 <strong>and</strong><br />

who oversaw its construction from 1900 until his<br />

death in 1910.<br />

Period <strong>of</strong> Signifi cance<br />

The period <strong>of</strong> signifi cance for Cheesman <strong>Park</strong><br />

recognizes its development as a historic designed<br />

l<strong>and</strong>scape <strong>and</strong> extends from 1898 until 1948. The<br />

period <strong>of</strong> signifi cance includes Reinhard Schuetze’s<br />

1898 master plan as well as his design <strong>and</strong> implementation<br />

between 1900 <strong>and</strong> 1910. Later design<br />

work by l<strong>and</strong>scape architect S. R. DeBoer in the<br />

1920s <strong>and</strong> 1930s is also included.<br />

A series <strong>of</strong> fi ve distinct periods document the<br />

historical development <strong>of</strong> Cheesman <strong>Park</strong> from<br />

1858 through 1995. Each period relates to key<br />

physical changes <strong>and</strong> defi ning l<strong>and</strong>scape characteristics<br />

that remain.<br />

• Pre-<strong>Park</strong>: 1858 to 1895<br />

• Congress <strong>Park</strong>: 1898 to 1910<br />

• Cheesman <strong>Park</strong> <strong>and</strong> Esplanade: 1912 to 1948<br />

• Playgrounds, Roads, <strong>and</strong> <strong>Denver</strong> Botanic Gar-<br />

dens: 1949 to 1973<br />

• Cheesman Memorial: 1974 to 1995<br />

4<br />

Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

Mt. Calvary Cemetery, circa 1903, courtesy DPL-WHC<br />

The period <strong>of</strong> signifi cance ends in 1948 when the<br />

park was substantially complete <strong>and</strong> before removal<br />

<strong>of</strong> park features began.<br />

Pre-<strong>Park</strong>: 1858 to 1895<br />

Cheesman <strong>Park</strong>’s early history is primarily associated<br />

with l<strong>and</strong> acquisition <strong>and</strong> development<br />

<strong>of</strong> the <strong>City</strong> cemetery, followed by the transition <strong>of</strong><br />

a portion <strong>of</strong> the cemetery grounds to park l<strong>and</strong>.<br />

Between 1858 <strong>and</strong> 1890, the extensive hillside with<br />

a panoramic mountain view served as Mt. Prospect<br />

Cemetery, Mt. Calvary Cemetery (serving <strong>Denver</strong>’s<br />

Roman Catholic population), <strong>and</strong> Hebrew Burying<br />

& Prayer Ground (serving the Jewish community).<br />

<strong>Denver</strong> Union Water Works, where the <strong>City</strong> was<br />

beginning to store water for the growing <strong>City</strong>, was<br />

also located on the hillside.<br />

The site that would eventually become Cheesman<br />

<strong>Park</strong> was hotly contested from its earliest days.<br />

In 1865, John Walley secured a Certifi cate <strong>of</strong> Preemption<br />

for the l<strong>and</strong>, <strong>and</strong> then sold 40 acres <strong>of</strong> Mt.<br />

Prospect Cemetery to the <strong>Denver</strong> Catholics. This<br />

would be short-lived, lasting only until 1870 when<br />

the United States l<strong>and</strong>s <strong>of</strong>fi ce became involved in an<br />

effort to convert the l<strong>and</strong> to a <strong>City</strong> cemetery, annulling<br />

all private claims to Prospect Hill Cemetery.<br />

The desire to claim the l<strong>and</strong> as a <strong>City</strong> cemetery<br />

exp<strong>and</strong>ed with the involvement <strong>of</strong> Jerome<br />

B. Chaffee, Colorado’s Territorial Delegate to the<br />

United States Congress. Chaffee persuaded Congress<br />

to declare that the cemetery l<strong>and</strong> was Federal<br />

l<strong>and</strong> by right <strong>of</strong> an 1860 Indian treaty. In 1872,<br />

ownership <strong>of</strong> the l<strong>and</strong> was granted to the <strong>City</strong> <strong>of</strong>


Cheesman <strong>Park</strong><br />

<strong>Denver</strong> in the form <strong>of</strong> a l<strong>and</strong> patent that was issued<br />

to <strong>Denver</strong> Mayor Joseph E. Bates for 160 acres <strong>of</strong><br />

l<strong>and</strong> at $1.25 an acre ($200 total) for cemetery uses<br />

‘in perpetuity.’<br />

During these early years, <strong>City</strong> planning in <strong>Denver</strong><br />

was also well underway. Three notable comprehensive<br />

<strong>City</strong> plans were developed between 1858<br />

<strong>and</strong> 1895, including the 1859 Surveyors Block Plan<br />

<strong>and</strong> the 1878 Sopris Lee Plan.<br />

The most comprehensive plan was created by<br />

John Evans, Colorado’s second territorial governor,<br />

with the help <strong>of</strong> Edward Roll<strong>and</strong>et, Chief Draftsman<br />

for <strong>Denver</strong>’s Department <strong>of</strong> Public Works.<br />

Evans’ remarkable 1894 plan proposed a Capitol<br />

Hill <strong>Park</strong> encompassing the entire 160-acre site<br />

<strong>of</strong> the cemetery grounds <strong>and</strong> the <strong>Denver</strong> Union<br />

Water Works l<strong>and</strong>. The park was to be connected<br />

to the greater park system by a series <strong>of</strong> boulevards<br />

including York Street on the east (that would have<br />

run north-south through the park), 10th Avenue to<br />

the west <strong>and</strong> Franklin Street to the north that connected<br />

to <strong>Park</strong> Avenue.<br />

Evans’ plan was the fi rst comprehensive framework<br />

for a <strong>City</strong>-wide parks <strong>and</strong> boulevards system,<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

predating Mayor Speer’s <strong>City</strong> Beautiful plan by more<br />

than ten years. Evans’ proposal was the subject <strong>of</strong><br />

great opposition <strong>and</strong> controversy, but was eventually<br />

adopted by <strong>Denver</strong>’s <strong>City</strong> Council. A few components<br />

<strong>of</strong> the plan were built—<strong>Park</strong> Avenue being<br />

the most signifi cant. However, the plan raised<br />

awareness about the importance <strong>of</strong> a comprehensive<br />

park system, including the proposal for a <strong>City</strong><br />

park on the former cemetery grounds.<br />

During the 1880s, the <strong>City</strong> <strong>of</strong> <strong>Denver</strong> was rapidly<br />

growing, particularly along its eastern edges. In<br />

the late 1880s, streets <strong>and</strong> alleys were laid out north<br />

<strong>of</strong> the cemetery grounds <strong>and</strong> residential lots were<br />

sold. As residents began to populate the surrounding<br />

neighborhood, the desire for public open space<br />

grew. Lack <strong>of</strong> irrigation water <strong>and</strong> the poor, unsightly<br />

appearance <strong>of</strong> the cemetery led neighbors<br />

<strong>and</strong> l<strong>and</strong>owners to champion moving the cemetery<br />

to newly opened Riverside Cemetery, on the Platte<br />

River north <strong>of</strong> downtown <strong>Denver</strong>. In 1890, Congress<br />

assisted again at the recommendation <strong>of</strong><br />

Colorado Senator Henry Teller, decreeing that <strong>City</strong><br />

Cemetery be converted to <strong>City</strong> parkl<strong>and</strong>.<br />

Pre-<strong>Park</strong>: 1858 to 1895<br />

Mundus Bishop Design, Inc. 5


Cheesman <strong>Park</strong><br />

6<br />

Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

W<br />

N<br />

S<br />

E<br />

Congress <strong>Park</strong>: 1898 to 1910


Cheesman <strong>Park</strong><br />

Congress <strong>Park</strong>: 1898 to 1910<br />

As the l<strong>and</strong> acquisition was completed <strong>and</strong> the<br />

task <strong>of</strong> moving the graves began, efforts turned to<br />

designing the new <strong>City</strong> park. The park was initially<br />

known as Congress <strong>Park</strong>, named in recognition <strong>of</strong><br />

the efforts by the United States Congress in deeding<br />

the l<strong>and</strong> to <strong>Denver</strong>. The design <strong>and</strong> construction<br />

<strong>of</strong> the park <strong>and</strong> the majority <strong>of</strong> its features<br />

occurred between the years <strong>of</strong> 1898 <strong>and</strong> 1910<br />

under the direction <strong>of</strong> the <strong>City</strong>’s l<strong>and</strong>scape architect<br />

Reinhard Schuetze. Two plans by Schuetze were<br />

instrumental in setting the design direction for<br />

Congress <strong>Park</strong>: one plan completed in 1898 <strong>and</strong> the<br />

other developed between 1898 <strong>and</strong> 1902.<br />

Schuetze’s initial park design is documented<br />

as the “Plan for Congress <strong>Park</strong> 1898.” Schuetze<br />

was a master in the design <strong>of</strong> public space having<br />

designed the grounds <strong>of</strong> Fairmount Cemetery in<br />

1893 <strong>and</strong> the Colorado State Capitol Grounds in<br />

1895. Schuetze was also in the process <strong>of</strong> designing<br />

Washington <strong>Park</strong> in 1899, <strong>and</strong> was modifying<br />

the design <strong>of</strong> <strong>City</strong> <strong>Park</strong> with his proposal for Ferril<br />

Lake.<br />

Schuetze’s 1898 park plan proposed a series <strong>of</strong><br />

open lawns <strong>and</strong> enclosed spaces organized along an<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

Schuetze’s original 1898 park plan, courtesy DPL-WHC<br />

Schuetze’s 1902 park plan, courtesy DPL-WHC<br />

Mundus Bishop Design, Inc. 7


Cheesman <strong>Park</strong><br />

8<br />

LEGEND<br />

3<br />

4<br />

b<br />

c<br />

5<br />

2<br />

6 d e<br />

7<br />

VEHICULAR ENTRANCE<br />

PEDESTRIAN ENTRANCE<br />

UNTER DEN LINDEN<br />

W<br />

AXIS<br />

MAJOR PARK SPACE<br />

<strong>Park</strong> Composition Analysis - 1898 to 1910<br />

N<br />

SECONDARY PARK SPACE<br />

Mundus Bishop Design, Inc.<br />

S<br />

E<br />

a<br />

1<br />

f<br />

9<br />

8<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

hourglass-shaped park road. The park road connected<br />

to surrounding neighborhood streets <strong>and</strong> to<br />

Franklin Street, which defi ned the park’s western<br />

edge. Schuetze’s original proposal was to create<br />

a park fronted on all four sides by neighborhood<br />

streets. Key elements in the plan included a large<br />

formal pavilion situated on the east on the hilltop<br />

<strong>and</strong> a smaller more informal park space on the<br />

west.<br />

Between 1898 <strong>and</strong> 1902, Schuetze continued<br />

to refi ne this earlier vision, retaining a very similar<br />

park composition but enlarging the park plan as<br />

the boundaries <strong>of</strong> the site had broadened. The<br />

1902 Plan set the park boundaries that remain today—between<br />

East 8th Avenue to almost East 13th<br />

Avenue, <strong>and</strong> from the alley between Humboldt <strong>and</strong><br />

Franklin Streets to the alley between High <strong>and</strong> Race<br />

Street. This arrangement differs from Schuetze’s<br />

original design for a four-sided park, as the northern,<br />

western <strong>and</strong> eastern edges <strong>of</strong> the park were<br />

residential lots that would eventually accommodate<br />

large prestigious homes.<br />

Schuetze organized the park composition along<br />

an axis line that extended from the northeast to the<br />

southwest. He chose to slightly skew the orientation<br />

<strong>of</strong> the park along this axis line, rather than<br />

along the <strong>City</strong> grid, to create an illusion <strong>of</strong> a larger<br />

open space. The park is further articulated by the<br />

sinuous, hourglass-shaped interior park road that<br />

defi ned two expansive open lawns <strong>and</strong> two smaller<br />

park spaces.<br />

Construction under Schuetze’s direction began<br />

in 1900 with the grading <strong>of</strong> the park road, repairing<br />

<strong>of</strong> fences, <strong>and</strong> the opening <strong>of</strong> High Street <strong>and</strong> 12th<br />

Avenue through Congress <strong>Park</strong>.<br />

As construction continued, Franklin Street became<br />

the western park edge, extending from East<br />

13th Avenue to East 8th Avenue. Franklin Street<br />

was lined with four rows <strong>of</strong> American Linden trees,<br />

allegedly ordered planted by Mayor Speer in 1907.<br />

The distinct double allee <strong>of</strong> shade trees was patterned<br />

after Berlin’s Unter den Linden translated as,<br />

“under the Linden trees.” The park was connected<br />

to the surrounding growing neighborhood by nine<br />

vehicular entries <strong>and</strong> six pedestrian only paths.


Cheesman <strong>Park</strong><br />

Schuetze crafted the park topography to articulate<br />

these key l<strong>and</strong>scape spaces. The smaller more<br />

detailed spaces are sited symmetrically across from<br />

one another along the axis line, one to the southeast<br />

<strong>and</strong> the other to the northwest. On the east,<br />

Schuetze used the naturally high ground, accentuating<br />

the topography to create a platform in which he<br />

could position a formal garden <strong>and</strong> a comm<strong>and</strong>ing<br />

‘viewpoint’ to serve as both visual icon for the park<br />

<strong>and</strong> to provide an expansive view <strong>of</strong> the Rocky<br />

Mountains.<br />

The park space to the west was designed in<br />

an informal manner with a naturalistic lily pond,<br />

built as “an excavation. . .for a shallow lake covering 1½<br />

acres to be fi lled with water lilies” as its focus. A fl uid<br />

system <strong>of</strong> paths <strong>and</strong> trails moved throughout the<br />

park. Groves <strong>of</strong> evergreen <strong>and</strong> deciduous shade<br />

trees dotted the park road, noting small intimate<br />

park spaces <strong>and</strong> providing shade. Plantings along<br />

the park edges defi ned the open space, separating<br />

it from the adjacent residences. Schuetze’s original<br />

composition remained generally intact until the late<br />

1940s <strong>and</strong> early 1950s, when park features <strong>and</strong> elements<br />

began to be removed from the park.<br />

Planting began in earnest in 1902, when shrubs<br />

were planted <strong>and</strong> preparations for seeding the north<br />

half <strong>of</strong> park were made, including fi lling c<strong>of</strong>fi n<br />

holes from the earlier cemetery. Notes on the 1902<br />

plan indicate that “2,000 trees <strong>and</strong> shrubs will be set out<br />

<strong>and</strong> some grass sown. Next year it is hoped that the board<br />

will be in better fi nancial shape <strong>and</strong> a greater portion <strong>of</strong> the<br />

ambitious plans will be executed.”<br />

By 1905, more plants were ordered, <strong>and</strong> in<br />

1906 the Rustic Shelter, the <strong>Park</strong>’s fi rst structure,<br />

was built. Schuetze designed the Rustic Shelter<br />

in the naturalistic rustic style. It is a small, round<br />

wooden structure with a broad overhanging ro<strong>of</strong><br />

<strong>and</strong> a wood bench that encircles most <strong>of</strong> the entire<br />

structure. It was built <strong>of</strong> h<strong>and</strong>- turned elm logs<br />

with detailed railings <strong>and</strong> sited in the northern half<br />

<strong>of</strong> the park. The Rustic Shelter was restored to its<br />

original form <strong>and</strong> condition in April 2006.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

<strong>Park</strong> view, circa 1909, courtesy DPL-WHC<br />

Rustic shelter designed by Reinhard Schuetze, circa 1907,<br />

courtesy <strong>Denver</strong> Municipal Facts<br />

Mundus Bishop Design, Inc. 9


Cheesman <strong>Park</strong><br />

Aerial Views, circa 1910, courtesy DPL -WHC<br />

10 Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan


Cheesman <strong>Park</strong><br />

A distinctive <strong>and</strong> iconic pavilion, envisioned as<br />

early as 1898 by Reinhard Schuetze, became a reality<br />

after Mayor Speer secured private funding in the<br />

amount <strong>of</strong> $100,000 from the Walter Cheesman<br />

family to commemorate Mr. Cheesman who passed<br />

away in 1907. To acknowledge the family’s generous<br />

gift, Mayor Speer with the approval <strong>of</strong> <strong>City</strong> Council<br />

renamed Congress <strong>Park</strong> to Cheesman <strong>Park</strong> <strong>and</strong><br />

named the future pavilion the Cheesman Memorial.<br />

With funding in place in 1907, Mayor Speer commissioned<br />

the renowned l<strong>and</strong>scape architect George<br />

Kessler from Kansas <strong>City</strong> to design the formal<br />

gardens, <strong>and</strong> the architectural fi rm <strong>of</strong> Marean <strong>and</strong><br />

Norton to design a neoclassical pavilion.<br />

At the time, Kessler was working with Speer on<br />

the creation <strong>of</strong> the <strong>Denver</strong> parks <strong>and</strong> parkway system<br />

that included Cheesman <strong>Park</strong> as a key element.<br />

Kessler connected the park to the overall system<br />

by a series <strong>of</strong> parkways. To the north, he identifi ed<br />

Franklin Street as a parkway, connecting to the existing<br />

<strong>Park</strong> Avenue at Colfax Avenue. Using the<br />

interior road <strong>of</strong> Cheesman <strong>Park</strong> as a parkway, Kessler<br />

connected to the parkway system to the south<br />

along Williams Street, twisting it through the newly<br />

developed Country Club subdivision to connect to<br />

Washington <strong>Park</strong>.<br />

Following the tradition <strong>of</strong> the <strong>City</strong> Beautiful principles<br />

<strong>of</strong> symmetry, beauty <strong>and</strong> grace, Marean <strong>and</strong><br />

Norton Architects designed a neoclassical outdoor<br />

pavilion as an icon set on the highest point in the<br />

park, to be experienced from below as an object in<br />

space with blue sky behind. Completed in 1910, the<br />

Cheesman Memorial overlooked the park <strong>and</strong> most<br />

<strong>of</strong> the <strong>City</strong> to the north, south <strong>and</strong> west. It was<br />

silhouetted on the east by a backdrop <strong>of</strong> evergreen<br />

trees. Today, the Memorial remains visible from<br />

most points in the park <strong>and</strong> continues to serve as a<br />

reference point <strong>and</strong> a beacon at night.<br />

By 1910, the alignment, length <strong>and</strong> role <strong>of</strong><br />

Franklin Street changed dramatically. The straight<br />

north-south route along Franklin Street was eliminated<br />

<strong>and</strong> the road was realigned to connect to the<br />

interior park road. The Franklin Street roadway that<br />

had once been a <strong>City</strong> street <strong>and</strong> a key connection in<br />

the <strong>Denver</strong> parks <strong>and</strong> parkway was converted into<br />

a green lawn that extended for most <strong>of</strong> the park’s<br />

length.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

Kessler Plan, circa 1907, courtesy <strong>Denver</strong> Municipal Facts<br />

Cheesman Memorial, circa 1910, courtesy DPL-WHC<br />

Mundus Bishop Design, Inc. 11


Cheesman <strong>Park</strong><br />

12 Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

W<br />

N<br />

E<br />

S<br />

Cheesman <strong>Park</strong>: 1912 to 1948


Cheesman <strong>Park</strong><br />

Cheesman <strong>Park</strong> <strong>and</strong> Esplanade: 1912 to 1948<br />

Reinhard Schuetze’s death in 1910 ended an era<br />

<strong>of</strong> creative <strong>and</strong> thoughtful park design in <strong>Denver</strong>.<br />

Fortunately, Cheesman <strong>Park</strong> was substantially<br />

complete <strong>and</strong> for the next 36 years would remain as<br />

Scheutze intended with only minor changes. This<br />

same year, S.R. DeBoer was hired by the <strong>City</strong> as a<br />

park employee.<br />

S. R. DeBoer eventually took over the duties <strong>of</strong><br />

<strong>City</strong> l<strong>and</strong>scape architect. For Cheesman <strong>Park</strong>, De-<br />

Boer oversaw the conversion <strong>of</strong> Franklin Street to<br />

a pedestrian space <strong>and</strong> referred to Cheesman <strong>Park</strong>’s<br />

western edge as the ‘pedestrian mall.’ The site <strong>and</strong><br />

planting design <strong>of</strong> this space is DeBoer’s primary<br />

contribution to the design <strong>of</strong> Cheesman <strong>Park</strong>.<br />

Thought to have occurred before 1920, DeBoer’s<br />

design <strong>of</strong> plantings <strong>and</strong> walkways at both the north<br />

<strong>and</strong> south ends transformed the Franklin Street<br />

alignment into a clearly defi ned park space.<br />

1<br />

2<br />

On the north, DeBoer created an entry space<br />

along the Franklin Street road by adding new<br />

trees that transformed the existing American<br />

Linden allee into a grove.<br />

To the south, he created a small park space<br />

using a pedestrian path <strong>and</strong> an open lawn, eras-<br />

ing the southern portion <strong>of</strong> the original road<br />

way. DeBoer planted groves <strong>of</strong> trees <strong>and</strong><br />

shrub masses at the southern end <strong>of</strong> the<br />

pedestrian mall. This established both spaces,<br />

the pedestrian mall <strong>and</strong> the small l<strong>and</strong>scape<br />

space, as credible park elements.<br />

DeBoer’s plantings on the park’s western edge created<br />

a frame for the larger open lawns <strong>and</strong> provided<br />

a clear sense <strong>of</strong> entry into the park at East 12th <strong>and</strong><br />

East 9th Avenues. His understory plantings provided<br />

a s<strong>of</strong>t edge to the park’s boundary.<br />

Additional park improvements occurred after<br />

1912, including the addition <strong>of</strong> wading pools at the<br />

Cheesman Memorial at its western stairs <strong>and</strong> garden<br />

beds on its east side. The garden beds were removed<br />

at a later time. The Portl<strong>and</strong> Cement Company<br />

donated drinking fountains that were placed at<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

the northern <strong>and</strong> southern ends <strong>of</strong> the Pavilion.<br />

Grass was planted to East 8th Avenue, trees<br />

were planted on the north, south, <strong>and</strong> southeast<br />

sides <strong>of</strong> the park, <strong>and</strong> the pedestrian path at<br />

East 10th Avenue was extended.<br />

LEGEND<br />

3<br />

4<br />

b<br />

c<br />

5<br />

2<br />

1<br />

VEHICULAR ENTRANCE<br />

PEDESTRIAN ENTRANCE<br />

UNTER DEN LINDEN<br />

VISUAL CONNECTION<br />

2<br />

AXIS<br />

6 d e<br />

7<br />

W<br />

MAJOR PARK SPACE<br />

SECONDARY PARK SPACE<br />

N<br />

E<br />

a<br />

S<br />

<strong>Park</strong> Composition Analysis: 1912-1948<br />

1<br />

f<br />

9<br />

8<br />

Mundus Bishop Design, Inc. 13


Cheesman <strong>Park</strong><br />

Parade, circa 1920, courtesy DPL-WHC<br />

Cheesman <strong>Park</strong> vista, circa 1920, courtesy DPL-WHC<br />

Cheesman Memorial, circa 1910, courtesy DPL-WHC<br />

14 Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

In 1912, Cheesman <strong>Park</strong> served as a temporary<br />

shelter for victims <strong>of</strong> the major Cherry Creek fl ood<br />

that inundated neighborhoods along the river <strong>and</strong><br />

displaced residents including some from the nearby<br />

Country Club area. The Cheesman Memorial<br />

served a similar purpose 21 years later in August <strong>of</strong><br />

1933 when Cherry Creek fl ooded once again after<br />

the collapse <strong>of</strong> the Castlewood Canyon dam.<br />

In 1913, the Colorado Mountain Club donated<br />

the Mountain Index. It is placed on the west terrace<br />

<strong>of</strong> the Cheesman Memorial.<br />

Beginning in 1911, the Olmsted Brothers l<strong>and</strong>scape<br />

architectural fi rm <strong>of</strong> Brookline, Massachusetts,<br />

was commissioned to design <strong>Denver</strong>’s parks,<br />

parkways, <strong>and</strong> the <strong>City</strong>’s <strong>Denver</strong> Mountain <strong>Park</strong>s<br />

system. Their commission included the Cheesman<br />

Esplanade, also known as Little Cheesman, to the<br />

south <strong>of</strong> Cheesman <strong>Park</strong> as part <strong>of</strong> their design for<br />

the Williams Street <strong>Park</strong>way.<br />

Completed in 1914, the Cheesman Esplanade<br />

was a formal design. Its key element was a symmetrical<br />

space, arranged in a linear pattern in alignment<br />

with the center line <strong>of</strong> the Cheesman Memorial.<br />

The Cheeseman Esplanade consisted <strong>of</strong> three<br />

distinct areas—two enclosed terraces, on the north<br />

<strong>and</strong> south ends, connected by a linear walkway lined<br />

by Downy Hawthorne trees. The two terraces were<br />

enclosed by dense evergreen tree plantings with<br />

a small ‘window’ opening to the north to visually<br />

connect with the Memorial. The space was also<br />

arranged symmetrically along a secondary axis in<br />

the center <strong>of</strong> the Esplanade that was oriented east<br />

to west. The western two-thirds <strong>of</strong> the Esplanade<br />

consisted <strong>of</strong> a broad, sloping lawn.<br />

Between 1929 <strong>and</strong> 1935, Cheesman <strong>Park</strong> served<br />

as an outdoor venue for lectures <strong>and</strong> concerts. The<br />

<strong>Denver</strong> Post’s outdoor university brought <strong>Denver</strong>ites<br />

to the park for summer lectures. By 1934,<br />

the <strong>Denver</strong> Post had exp<strong>and</strong>ed its lecture series to<br />

include the Post Opera, using the Pavilion as their<br />

stage <strong>and</strong> the south lawn for seating. The project<br />

was made possible by the efforts <strong>of</strong> Helen Bonfi ls.<br />

It enjoyed a two week run <strong>and</strong> attracted an audience<br />

totaling 20,000 people. The last summer <strong>of</strong> the<br />

outdoor university was 1935.


Cheesman <strong>Park</strong><br />

Aerial View <strong>of</strong> Cheesman Memorial, 1912, courtesy DPL-WHC<br />

Aerial View <strong>of</strong> Cheesman Memorial, 1912, courtesy DPL-WHC<br />

View <strong>of</strong> Mt Evans, from Cheesman Memorial, circa 1912,<br />

courtesy DPL-WHC<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

Olmsted Brothers’ Esplanade Plan, 1914, courtesy DPL-WHC<br />

“The eastern portion <strong>of</strong> the block should be treated in a formal way, the treatment<br />

should be balanced about an axis in effect is a continuation <strong>of</strong> the axis <strong>of</strong> the Cheesman<br />

Memorial, although not an exact continuation <strong>of</strong> the center line <strong>of</strong> the building. Upon this<br />

axis we have proposed a series <strong>of</strong> three terraces: a square near 8th Avenue, to be kept high;<br />

a long narrow panel in the center to slope parallel to High Street; <strong>and</strong> a square near 7th<br />

Avenue, to be practically on a level with High Street at the center, but considerably above<br />

the level <strong>of</strong> 7th Avenue.” Correspondence from Frederick Law Olmsted Jr. to<br />

<strong>Park</strong> Superintendent. Courtesy library <strong>of</strong> congress.<br />

Mundus Bishop Design, Inc. 15


Cheesman <strong>Park</strong><br />

Parade, circa 1920<br />

16 Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

W<br />

N<br />

S<br />

E<br />

Cheesman <strong>Park</strong>: 1949 to 1973


Cheesman <strong>Park</strong><br />

Playgrounds, Roads,<br />

<strong>and</strong> <strong>Denver</strong> Botanic Gardens: 1949 to 1973<br />

Cheesman <strong>Park</strong> was generally complete by 1914<br />

when construction <strong>of</strong> the Esplanade was fi nished.<br />

The park composition <strong>and</strong> its key contributing features<br />

remained intact until the late 1940s <strong>and</strong> early<br />

1950s.<br />

Beginning in 1949 <strong>and</strong> continuing into the 1970s,<br />

many modifi cations were made to the park road<br />

<strong>and</strong> many trails were removed. In 1949, street<br />

lighting was added to the edges <strong>of</strong> the park road<br />

to improve safety <strong>and</strong> security. Although, the light<br />

pole <strong>and</strong> fi xture were utilitarian in design <strong>and</strong> were<br />

not necessarily intended to be aesthetic improvements,<br />

they were compatible with the park’s character.<br />

Several original street lights remain in the park.<br />

Changes to the park road also included widening,<br />

<strong>and</strong> the addition <strong>of</strong> a concrete curb, mow strips <strong>and</strong><br />

street washers. In 1958, a row <strong>of</strong> head-in parking<br />

for 29 cars was added to the west edge <strong>of</strong> the park<br />

road immediately in front <strong>of</strong> the Pavilion <strong>and</strong> the<br />

roadway was widened to 32 feet. On the east side,<br />

small parking areas on each side <strong>of</strong> the garden were<br />

exp<strong>and</strong>ed <strong>and</strong> paved in asphalt, resulting in an additional<br />

39 parking spaces that extended from end<br />

to end <strong>of</strong> the terrace.<br />

By 1958, most <strong>of</strong> the interior park trails had been<br />

removed. Only one <strong>of</strong> the linear paths in the Unter<br />

den Linden, paths around the pavilion, paths leading<br />

into the park from East 8th Avenue, <strong>and</strong> paths<br />

around the playground on the west side remained.<br />

The path to the Rustic Shelter was removed, making<br />

it seem out <strong>of</strong> place in the broad lawn. All <strong>of</strong><br />

the paths <strong>and</strong> the two terraces in the Cheesman<br />

Esplanade were removed by this time as well.<br />

The park’s fi rst play areas were added in the early<br />

1950s, including the initial playground <strong>of</strong> 1950 on<br />

the west side <strong>of</strong> the park near the East 10th Avenue<br />

pedestrian entrance <strong>and</strong> set near the eastern edge <strong>of</strong><br />

the Unter den Linden. The playground was designed<br />

by S. R. DeBoer in a free-form arrangement<br />

that was popular at the time.<br />

DeBoer sited the playground within a shady grove<br />

<strong>of</strong> trees with its eastern boundary defi ned by a row<br />

<strong>of</strong> evergreens. It included two types <strong>of</strong> swings,<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

LEGEND<br />

3<br />

4<br />

b<br />

c<br />

5<br />

2<br />

6 d e<br />

7<br />

VEHICULAR ENTRANCE<br />

PEDESTRIAN ENTRANCE<br />

UNTER DEN LINDEN<br />

W<br />

AXIS<br />

MAJOR PARK SPACE<br />

N<br />

<strong>Park</strong> Composition Analysis: 1949-1973<br />

a<br />

SECONDARY PARK SPACE<br />

S<br />

E<br />

1<br />

9<br />

8<br />

Mundus Bishop Design, Inc. 17<br />

f<br />

10


Cheesman <strong>Park</strong><br />

a Miracle Wheel (merry-go-round), a ten foot<br />

tall Climb Around, teeter-totters, a 12-foot tall<br />

metal slide <strong>and</strong> several s<strong>and</strong> pits, one <strong>of</strong> which<br />

encircled an American Elm. The playground<br />

appears to have been surrounded by a fence.<br />

In 1952, DeBoer designed a Tot Lot, which<br />

he intended to be built just to the west <strong>of</strong> the<br />

Unter den Linden <strong>and</strong> adjacent to the park’s<br />

western border. It was larger than the original<br />

playground <strong>and</strong> more interesting in design as it<br />

included a series <strong>of</strong> small spaces separated by<br />

hedges <strong>and</strong> lawn. Each space accommodated a<br />

piece <strong>of</strong> play equipment <strong>and</strong> benches for observation.<br />

The Tot Lot was never built.<br />

18 Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

Signifi cant changes occurred east <strong>of</strong> Cheesman<br />

<strong>Park</strong> in the mid to late 1950s when the <strong>City</strong><br />

acquired the l<strong>and</strong> occupied by the Mount Calvary<br />

Cemetery to develop the <strong>Denver</strong> Botanic Gardens.<br />

The grounds were designed in 1958 <strong>and</strong> were<br />

laid out as a series <strong>of</strong> varied gardens along a path<br />

oriented along the center axis <strong>of</strong> the Cheesman<br />

Memorial, visually connecting the new gardens with<br />

Cheesman <strong>Park</strong>.<br />

Ruth Waring donated her home at East 9th<br />

Avenue <strong>and</strong> York Street in 1959 for use as <strong>of</strong>fi ces<br />

for the Botanic Gardens headquarters. In 1963, the<br />

Boettcher family awarded the Botanic Gardens a<br />

grant <strong>of</strong> $600,000 for a new conservatory, designed<br />

by renowned architects Victor Hornbein <strong>and</strong> Ed<br />

White, <strong>and</strong> dedicated in 1966.<br />

Road <strong>and</strong> parking changes at Cheesman Memorial, 1958 Plan, courtesy <strong>Denver</strong> <strong>Park</strong>s & Recreation


Cheesman <strong>Park</strong><br />

The development <strong>of</strong> the gardens continued with<br />

the construction <strong>of</strong> the Education Building in 1969,<br />

also designed by Victor Hornbein <strong>and</strong> funded by a<br />

$500,000 grant from the Boettcher family. In 1970,<br />

the l<strong>and</strong>scape architectural fi rm <strong>of</strong> EDAW was<br />

commissioned to design a master plan to further<br />

the development <strong>of</strong> the grounds. The EDAW plan<br />

exp<strong>and</strong>ed upon the original grounds, retaining the<br />

alignment <strong>of</strong> the main path along the center axis <strong>of</strong><br />

the Pavilion.<br />

The mountain views from the Cheesman<br />

Memorial were key elements <strong>of</strong> the Pavilion’s<br />

original design, <strong>and</strong> continue to be loved by park<br />

users, especially for sunset viewing. In the mid-<br />

1960s these mountain views were threatened by the<br />

proposed development <strong>of</strong> a high-rise apartment<br />

building on the park’s western edge. The developer<br />

<strong>and</strong> local residents disagreed over the building <strong>of</strong><br />

Cheesman Gardens at East 10th Avenue, ultimately<br />

engaging the <strong>City</strong> in a legal battle with the developer.<br />

The <strong>City</strong> had issued a foundation permit,<br />

which the developer argued indicated <strong>City</strong> approval<br />

to build the high-rise building. In 1968, the court<br />

upheld the developer’s right to construct the building.<br />

That same year, the residents, including the<br />

founder <strong>of</strong> the <strong>Denver</strong> L<strong>and</strong>mark Preservation<br />

Commission Helen Arndt; Dana Crawford; <strong>and</strong><br />

architect James Sudler worked to secure a view<br />

plane ordinance to prevent any further construction<br />

on the park’s western edge. Ordinance No. 260,<br />

protecting the views from the Cheesman Memorial,<br />

received <strong>City</strong> Council approval in 1968.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

Cheesman <strong>Park</strong>, aerial view circa 1958,<br />

courtesy <strong>Denver</strong> <strong>Park</strong>s & Recreation<br />

Mundus Bishop Design, Inc. 19


Cheesman <strong>Park</strong><br />

20 Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

W<br />

N<br />

S<br />

E<br />

Cheesman <strong>Park</strong>: 1974 to 1995


Cheesman <strong>Park</strong><br />

Cheesman Memorial: 1974 to 1995<br />

Beginning in the mid-1970s, several major<br />

changes were made to Cheesman <strong>Park</strong> to remediate<br />

deterioration <strong>of</strong> park features, to solve confl icts,<br />

<strong>and</strong> to bring the park into a modern aesthetic. It is<br />

likely that the intent <strong>of</strong> these modifi cations were to<br />

enhance <strong>and</strong> improve the park, but ultimately these<br />

changes would have a long lasting effect that would<br />

damage its historic integrity <strong>and</strong> be hard to reverse.<br />

These Modifi cations included major site <strong>and</strong><br />

building changes at the Cheesman Memorial, <strong>and</strong><br />

the removal <strong>of</strong> the central segment <strong>of</strong> the hourglass<br />

road. <strong>Park</strong> design in the 1970s was changing as<br />

well. The trend was toward less formal <strong>and</strong> more<br />

organic spaces. Open sloping lawns <strong>and</strong> geometric<br />

patterns were popular.<br />

At the time, the Cheesman Memorial was in poor<br />

condition. Its balustrade, staircases, water fountains,<br />

<strong>and</strong> building walls were deteriorating <strong>and</strong> its<br />

ro<strong>of</strong> needed repair. The Pavilion’s historic marble<br />

<strong>and</strong> concrete elements, particularly those outside<br />

the walls <strong>of</strong> the building, such as the balustrade<br />

with its carved posts <strong>and</strong> cap rail, were considered<br />

too expensive to be repaired <strong>and</strong> replaced.<br />

To renovate the Pavilion, the <strong>City</strong> along with<br />

its non-pr<strong>of</strong>i t partner, The <strong>Park</strong> People, chose to<br />

remove the balustrade in its entirety. They also<br />

removed the formal staircases, a portion <strong>of</strong> the<br />

lower garden, <strong>and</strong> the terrace fountains. In place <strong>of</strong><br />

the balustrade, a sloping lawn was laid against (<strong>and</strong><br />

obscured) the original Pavilion walls. The ro<strong>of</strong> was<br />

repaired, the marble was washed, <strong>and</strong> the site was<br />

planted with a variety <strong>of</strong> trees to ‘s<strong>of</strong>ten’ the pavilion.<br />

The restrooms were closed.<br />

The road in front <strong>of</strong> the Pavilion was narrowed<br />

to 24 feet <strong>and</strong> the parking was removed. The parking<br />

<strong>and</strong> the drive behind the Pavilion were also<br />

removed. The drive was replaced by an eight foot<br />

wide bicycle trail that did not connect to the park<br />

trail system. Two new parking lots, located to the<br />

north <strong>and</strong> south <strong>of</strong> the Pavilion, were added to<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

LEGEND<br />

3<br />

4<br />

b<br />

c<br />

5<br />

2<br />

6 d e<br />

7<br />

VEHICULAR ENTRANCE<br />

PEDESTRIAN ENTRANCE<br />

UNTER DEN LINDEN<br />

VISUAL CONNECTION<br />

W<br />

AXIS<br />

MAJOR PARK SPACE<br />

N<br />

a<br />

SECONDARY PARK SPACE<br />

S<br />

E<br />

1<br />

9<br />

8<br />

Mundus Bishop Design, Inc. 21<br />

f<br />

10<br />

<strong>Park</strong> Composition Analysis: 1974-1995


Cheesman <strong>Park</strong><br />

serve the Pavilion. The northern lot held 24<br />

spaces <strong>and</strong> the southern lot had 39 spaces. Concrete<br />

retaining walls were added to the terraces<br />

at both the northern <strong>and</strong> southern ends <strong>of</strong> the<br />

Pavilion.<br />

East <strong>of</strong> the Pavilion, a new gatehouse structure<br />

for the <strong>Denver</strong> Botanic Gardens was built,<br />

intentionally sited slightly <strong>of</strong>f-center to allow for<br />

a clear <strong>and</strong> unobstructed view between the two<br />

spaces. This view did not last. Soon after, the<br />

<strong>Denver</strong> Botanic Garden’s Japanese Garden was<br />

installed <strong>and</strong> blocked the view.<br />

In Cheesman <strong>Park</strong>, a new walkway, memorial<br />

tree monument <strong>and</strong> annual fl ower gardens<br />

connected the park <strong>and</strong> the Botanic Gardens.<br />

Dense plantings <strong>of</strong> trees were set around the<br />

Th e main path aligns with the centerline <strong>of</strong> the Cheesman Pavilion,<br />

<strong>Denver</strong> Botanic Gardens master plan 1971, courtesy <strong>Denver</strong> Botanic Gardens<br />

22 Mundus Bishop Design, Inc.<br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

Pavilion. Two trees were planted immediately west<br />

<strong>of</strong> the road in front <strong>of</strong> the Pavilion <strong>and</strong> placed<br />

symmetrically on its center axis. A new garden was<br />

added to the west side <strong>of</strong> the water pools.<br />

In 1978, the <strong>City</strong> removed the central segment<br />

in the park drive in an attempt to solve vehicular<br />

traffi c in the park. The loop had originally created<br />

the park’s hourglass arrangement. The loss <strong>of</strong> this<br />

connecting road resulted in a dramatic change to<br />

the park’s original composition. The original two<br />

distinct open lawns were now undefi ned <strong>and</strong> visually<br />

read as one space.<br />

In 1992, the High Street entrance was ab<strong>and</strong>oned<br />

to allow for the construction <strong>of</strong> the Highgate<br />

Condominiums. This is now a private vehicular<br />

entrance into the condominiums.


Cheesman <strong>Park</strong><br />

HISTORIC l<strong>and</strong>scape ASSESSMENT AND Master Plan<br />

Cheesman Memorial rehabilitation plans, 1971, courtesy <strong>Denver</strong> <strong>Park</strong>s & Recreation<br />

Mundus Bishop Design, Inc. 23

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!