World's Largest Rubber Band Ball - Trixine
World's Largest Rubber Band Ball - Trixine
World's Largest Rubber Band Ball - Trixine
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Ida “The Braille Night”<br />
Ida are definitely more folk than anything else, however, what<br />
makes them cool is that there is lots of everything else. You’ll<br />
definitely hear some Mojave 3 or Low style in the mix. What’s<br />
interesting is that there are 8 people in the group, and they<br />
all seem to have some major influence on the band’s wellcomposed<br />
sound of vocal harmonies, piano, guitar and other<br />
various strings, and percussion. (Tigerstyle)<br />
K (Karla of Ida) “New Problems”<br />
You could possibly consider this a stripped down Ida (see<br />
above review), sans all the male vocals. Lots of other guests<br />
including Tara Jane O’Neil, as well as some from Ida. Most of<br />
the songs have only two or three people doing piano, guitar,<br />
drums, and female vocal. There’s also some scratchy tape<br />
loops and things to make the recording more interesting. All<br />
12 songs are like a darker folk- a little empty and mournful,<br />
ethereal and hollow. (Tigerstyle)<br />
The American Analog Set “Know By Heart”<br />
This is good driving music. This is what is playing when<br />
you’re driving your car on a long, straight road through the<br />
Nebraska wheat fields with the windows down. I like the<br />
drums on this album, they remind me of good CCR (not the<br />
music at all), and they’ve upped the tempo some. The music<br />
is reminiscent of their past albums, all sort of dry and distant,<br />
almost unemotional, and they use less farfisia (the Stereolab<br />
sound). It seems to go through a sort of filter. They’re in song<br />
mode on this one, but there’s still some jams. (Tigerstyle)<br />
Minus “Jesus Christ Bobby”<br />
This album blows my mind. I fucking love it! It’s got elements<br />
of Ozzfest without the cheese, and hints of death metal without<br />
being overbearing. While listening to them, Iceland’s<br />
Minus wants you to vision that cracked, barren wasteland<br />
they call home, using screeching demonic vocals and ripping<br />
guitars, as well as some interesting samples and effects.<br />
While maintaining metal riffs that are essentially catchy, they<br />
still remain abstract and unique. To top it all off, Einar Orn of<br />
the Sugarcubes helped out. * A personal pick! (Victory)<br />
Grade “Head First, Straight To Hell”<br />
This Canadian quintet has become a staple for what most<br />
refer to as emotional-hardcore-metal. The guitars use that<br />
80’s metal/rock crunchy distortion riff sound, while singer<br />
Kyle Bishop trades off melodies with controlled screaming<br />
and yelling. The album has been banned from Best Buy<br />
because of the cover art. It’s got this winged puppetmaster/<br />
joker demon chic with star pasties over her nip-nips. (Victory)<br />
Thumb “3”<br />
For all you old-school skaters who can remember Santa Cruz<br />
and Madrid’s heyday, you should remember the name Claus<br />
Grabke, that funny German guy with the crazy hairdo. Nuskoolers<br />
might remember the 1998 Warped Tour, when<br />
Americans first started taking notice to Thumb’s hip-hop influenced<br />
hardcore. Since 1993, over in Germany, these guys<br />
have been doing that of Linkin Park or some of their other<br />
MTV2 counterparts, but backed by a DJ and fronted by a pro<br />
skater. This is their second US release from Victory. (Victory)