01-02 lecture indn 212 01 Intro 2011 - School of Design - Victoria ...

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A compact fluorescent lamp (more frequently referred to as a ‘CFL’), is a fluorescent lamp consisting of two or more short glass tubes bridged together by very small glass tubes. Some CFLs are made by folding a long glass tube (softened by heating) into two or more shorter sections, to produce the familiar ‘multi-turn’ format. Fortunately, a fluorescent lamp does not have to have a straight tube to function. The electrical discharge follows the bore of the tube irrespective of its contour. The advantage of this construction, apart from reduced size, is that all the electrical connections can be conveniently placed at one end of the lamp. This feature allows many CFLs to be used in light fittings that are similar in size to those designed for conventional light bulbs, greatly extending the scope of CFL applications. COMPACT FLUORESCENT LAMPS
Examples of ‘rated average lives’ for popular tubes and CFLs: Lamp Type Control Gear Average Life T12 CCG 8000 hours T8 CCG 11000hours T8 ECG 20000 hours T5 (HE & HO) ECG 20000 hours T5 (FC) ECG 12000 hours DULUX ® S/D/T CCG 8000 hours DULUX ® SE/DE/TE ECG 10 - 12000 hours DULUX ® EL LONGLIFE ECG 15000 hours DULUX ® EL ECONOMY ECG 8000 hours DULUX ® EL CLASSIC LL ECG 10000 hours DULUX ® EL CLASSIC ECON ECG 6000 hours CCG = Coventional Control Gear ECG = Electronic Control Gear COMPACT FLUORESCENT LAMPS
Page 1 and 2: Image nacho carbonell
Page 3 and 4: Industrial Design 212 Product based
Page 5 and 6: Milan Studio Santachiara
Page 7 and 8: Mexico City UNAM Paris ENSCI Les At
Page 9 and 10: IDDN 212 Project 1 Designing with c
Page 11 and 12: • We need light to see. When ligh
Page 13 and 14: INCANDESCENT
Page 16 and 17: REFLECTOR LAMPS Low-voltage halogen
Page 18 and 19: TRANSFORMERS Low voltage lamps must
Page 20 and 21: TIZIO Design: Richard Sapper 1972 A
Page 22 and 23: YA YA HO Design:Ingo Maurer 1982 12
Page 24 and 25: FLEXXXIBEL Design: P.Frieling, O. M
Page 26 and 27: BOB Design: Ingo Maurer 2000 Alumin
Page 28 and 29: LASTRA Design: Antonio Citterio 200
Page 30 and 31: FLUORESCENT LAMPS
Page 32 and 33: Fluorescent Tubes The first fluores
Page 34 and 35: CONTROL GEAR Due to the physical pr
Page 36 and 37: By far the most popular version of
Page 40 and 41: NOMADE Design:Matthias Hühnlein Fl
Page 42 and 43: ECLIPSE Design:Torsten Neeland T5 F
Page 44: SOFT LIGHT Design: Garage Blau 2001
Page 48: ONE LINE Design: Ora Ito 2004 Minia
Page 52: Window layer p-doped layer active l
Page 55 and 56: TISCHLEUCHTE Design: Ingo Maurer LE
Page 57 and 58: Flexible OLED screen by Samsung ORG
Page 59: Ingo Maurer
Page 63: HIGH POWER LIGHT EMITTING DIODES
Page 71 and 72: PROCEDURE
Page 76 and 77: Initial concepts Initial precedent
Page 78: White LED inserted into 10mm clear
Page 81 and 82: MATERIAL Photography: Peter Fraser
Page 87 and 88: Coin lamp by Jethro Macey
Page 90 and 91:
Torn lighting by Billy May
Page 92 and 93:
Kundalini’s Abyss table lamp
Page 94 and 95:
Chain lamp by Iliara Marelli
Page 96 and 97:
Troja Arc lamp by Hansandfranz
Page 99 and 100:
The Light Drop by Rafael Morgan
Page 101 and 102:
Good Night Eileen by Christine Birk
Page 103 and 104:
Lull by Varmo l Kollstad l Buene
Page 105 and 106:
Flap flap by Hopf & Wortmann
Page 107 and 108:
Tall and tiny by Rosignoli
Page 109 and 110:
Takeshi Ishiguro
Page 111 and 112:
Butterfly lamp by Vinta
Page 113 and 114:
Denis Santachiara
Page 116 and 117:
Liquid lamp by Okamoto
Page 118 and 119:
Light Form by Francesca Rogers and
Page 120 and 121:
D-vision
Page 123:
- read through hand outs and get fa
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01-02 lecture indn 212 01 Intro 2011 - School of Design - Victoria ...

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