CURRICULUM VITAE

C U R R I C U L U M V I T A E 

M. Catherine de Zegher 

New York/Kortrijk, 2009 

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EDUCATION/WORK/MANDATES 

2011-2013 Curator Australian Pavilion, Biennial of Venice 2013 

Simryn Gill 

2010-2012 Director, 18 th Biennale of Sydney, Australia (2012) 

2009-2012 Visiting Curator, Tàpies Foundation, Barcelona 

2008-2010 Guest Curator, Department of Drawings, Museum of Modern Art, New York 

2008-2009 Bellagio Creative Arts Fellowship Panelist, Rockefeller Foundation 

2008-2009 Director of Exhibitions and Publications, Art Gallery of Ontario, Toronto 

2007-2010 Advisory Committee, FRAC Lorraine, Metz, France 

2007 Recipient of the Arts Writers Grant, Creative Capital/Andy Warhol Foundation, 

New York 

Visiting Curator, reinstallation of the European Galleries (including projects with 

Kara Walker and Giuseppe Penone) in the new Frank Gehry building, Art Gallery 

of Ontario, Toronto, Canada; 

Resident at the Bellagio Study and Conference Center, Rockefeller Foundation 

Member of the jury, Jerwood Drawing Prize, Wimbledon College, London 

Member of the jury, Last Year Students 2007, ERG (Ecole de Recherche 

Graphique), Brussels 

AAMC Award for Excellence 

2006-2008 Participant, Curatorial Dialogues for the New MAM, Miami Art Museum, Miami 

2005 Member of the Advisory Board of the Vietnam Arts Foundation 

Award of the National Coalition Against Censorship (NCAC) for The Drawing 

Center‟s support of artistic freedom and expression (honored at the “Celebration of 

Free Speech & Its Defenders” event) 

Best Show AICA Award 

2003-2005 Lower Manhattan Development Corporation Selection of The Drawing Center to 

be part of the new Museum Complex at the World Trade Center-site, New York 

2003-2004 Advisory Committee, 2004 Whitney Biennial, New York 

Member of the jury Prix de Rome, Amsterdam 

2000 Member of the jury, Gemeenschapsinstelling voor Bijzondere Jeugdzorg “De Kempen,” 

Brussels 

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1999-2006 Executive Director, The Drawing Center, New York 

1998 Member of the jury Cultural Ambassadors of Flanders, the Government of Flanders, 

Belgium 

Member of the jury Belgacom Young Art, Brussels 

Member of the jury The Flemish Government Prize of Visual Arts, Brussels 

Member of the jury Glen Dimplex Artists‟ Award, Museum of Modern Art, Dublin 

1997-2006 Executive Editor, October Books, New York/MIT Press 

1997 Curator of Belgian Pavilion, XLVII Biennial of Venice 6/10/97-11/9/97 

Thierry de Cordier 

Member of the jury Cultural Ambassadors of Flanders, the Government of Flanders, 

Belgium 

Member of the jury Gemeente Aankopen, Stedelijk Museum, Amsterdam 

1995-1997 Visiting Curator, ICA Boston 


1993-1995 Member of Advisory Committee of De Vleeshal, Middelburg, Zeeland, The 

Netherlands; new museum collection 

1992-1996 Member of the Flemish Commission of Visual Arts 

1987-1998 Director, Kanaal Art Foundation, Kortrijk, Belgium; producing international 

projects (sometimes in public spaces) of emerging artists, along with projects of 

numerous well-known artists; organizing group exhibitions; publishing books on 

artists and exhibitions 

1986-2004 Member of the Royal Commission for Monuments and Landscapes, Bruges 

1985 Co-founder, Kanaal Art Foundation (Center of Contemporary Art) 

1982-1987 Provincial Department of National Heritage, Bruges: archeological and archival 

research, inventory, and restoration of historical monuments in Belgium; with 

publications: about timbered houses, castles, and churches in West-Flanders 

1977-1981 Archeological excavations in Greece and Belgium for the University of Ghent, 

Louvain, and Kortrijk; with publications 

1973-1977 State University of Ghent (R.U.G.) 

History of Art and Archeology 

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CURATORIAL 

2010-2012 18 th Biennale of Sydney (Australia) 

2008-2010 On Line. Drawing Through the Twentieth Century, Museum of Modern Art, New York 

(21 November 2010) 

2008-2010 Alma Matrix: Shared Traces/Trazos en Comun 

Bracha Ettinger and Ria Verhaeghe 

(juxtaposed with Eva Hesse: Studioworks) 

Fundacion Antoni Tapies Foundation, Barcelona (May-August 2010) 

2007-2008 Reinstallation European Galleries, Art Gallery of Ontario, Toronto 

(including projects by Kara Walker in Laidlow Gallery; Giuseppe Penone in Galleria 

Italia) 

2006 Eva Hesse Drawing 

The Menil Collection, Houston 

The Drawing Center, New York 

LAMoCA, Los Angeles 

Walker Art Center, Minneapolis 

(The Association of Art Museum Curators AAMC Award for Excellence) 

Freeing the Line: Gego, Monika Grzymala, Eva Hesse, Karel Malich, 

Julie Mehretu, Ranjani Shettar, Joelle Tuerlinckx, Richard Tuttle 

Marian Goodman Gallery (June 22 - August 26) 

Joelle Tuerlinckx‟s Drawing Inventory 

The Drawing Center 

2005 Persistent Vestiges: Drawing from the American Vietnam War 


Zoe Keramea: Geometry of Paradox 


3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin 

(Best Show AICA Award 2005) 


Santa Monica Museum, Los Angeles 

Kilmainham Museum, Dublin, Ireland 

Richard Tuttle: It‟s a Room for 3 People 


The Aspen Art Museum, Aspen, Colorado 

Tantra Drawings from India 


2004 Ocean Flowers: Impressions from Nature 

The Drawing Center, New York 3/25/04-5/22/04 

Yale Center for British Art, New Haven 6/12/04-8/8/04 

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Giuseppe Penone: The Imprint of Drawing 


Milton Keynes Gallery, United Kingdom 

2003 The Stage of Drawing: Gesture and Act. Selected from the Tate Collection 


Museum of Contemporary Art, Sydney, Australia 6/18/03-8/24/03 

Tate Liverpool, Liverpool, United Kingdom 9/26/03-3/28/04 

Tate Britain, London, United Kingdom 

2002 Anna Maria Maiolino: A Life Line/Vida Afora (Brazil) 


Suzan Frecon: drawing painting (U.S.A.) 


2001 Bracha Lichtenberg Ettinger: Eurydice Series (Israel/France) 


Between Street and Mirror: The Drawings of James Ensor 


Draw & Tell: Lines of Transformation by Norval Morrisseau/Copper Thunderbird (Canada) 


2000 Untitled Passages by Henri Michaux 


Korwa Drawings: Contemporary Tribal Works on Paper from Central India 


The Prinzhorn Collection: Traces Upon the Wunderblock 

(Best Show AICA Award, 2000-2001) 


1998 Martha Rosler: Positions in the Life World (U.S.A.) 

Retrospective exhibition co-curated by Elizabeth Macgregor and organized by Ikon 

Gallery, Birmingham, U.K. and touring to Le Nouveau Musée de Art 

Contemporani, Barcelona; The Generali Foundation, Vienna; The New Museum, 

New York 

1997 Thierry de Cordier‟ (Belgium) 

Belgian Pavilion, XLVII Biennial of Venice 6/10/97-11/9/97 

„Mona Hatoum, Ann Veronica Janssens, Gabriel Orozco‟ 

Galerie Micheline Szwajcer, Antwerp 9/12/97-10/18-97 

1995-1997 Inside the Visible. An Elliptical Traverse of 20 th-Century Art in, of, and from the Feminie 

(Best Show AICA Award, 1995-1996) 

ICA Boston 1/31/96-5/15/96 

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Inside the Visible consisted of assembling all individual contemporary exhibitions at 

the Beguinage in one major group exhibition, which included historical work by 37 

women artists from the 20 th century. 

National Museum of Women in the Arts, Washington, DC 6/15/96-9/15/96 

Whitechapel Art Gallery, London 10/11/96-12/8/96 

Art Gallery of Western Australia, Perth 2/13/97-4/6/97 

1994-1995 Cultural Ambassador of Flanders 

Inside the Visible. Begin the Beguine in Flanders: an exhibition gradually unfolding over 

the period of a year, representing work of international contemporary artists, at the 

Beguinage, Kortrijk, Belgium 

Max Becher and Andrea Robbins: „Cultural Remains: Wall Street in Cuba‟ – „ Holland, 

Michigan‟ (Germany/U.S.A.) 

In co-production with The Vleeshal, Middleburg, Holland 10/21/94-11/27/95 

State Archives, Kortrijk 12/94-1/95 

Erik Nerinckx 

Cultural Center, Kortrijk 3/12/95-3/26/95 

1993 Gabriel Orozco: In Broel-and Brewerytower (Mexico) 

Broel-towers and Brewery-tower, Kortrijk 4/24/93-6/16/93 

1990-1992 America, Bride of the Sun. 500 Years/Latin America and the Low Countries 

Major historical exhibition, including the work of 23 contemporary South-American 

artists 

Royal Museum of Fine Arts, Antwerp 2/1/92-5/31/92 

1992 Antoni Muntadas: C.E.E. Project (Spain) 

Kanaal Production 1991-1992 in each European Community member state, starting 

with: The Netherlands: Witte de With, Rotterdam 2/22/92-12/31/92; Spain: 

Federacion Espagnola de Municipios y Provincios, „Edge‟ 1992; Madrid 4/30-92- 

5/31/92; Portugal: Fundaçao Serralves, Porto 4/30/92-12/31/92; Great Britain: 

Broadgate, „Edge‟ 1992, London 5/13/92-6/15/92; Germany: Staatliche 

Hochschule für Bildende Künste, Frankfurt 12/1/92-12/21/92; Greece: Institut 

Français de Thessalonique, Thessalonique 10/24/97 

David Lamelas: When the Sky Low and Heavy (Argentina) 

Royal Museum for Fine Arts, Antwerp: America, Bride of the Sun. 500 Years/Latin 

America and the Low Countries, 2/1/92-5/31/92 

Ilya Kabakov & Ulo Sooster: Illustration as a Way to Survive (Russia) 

Royal Academy for Fine Arts, Kortrijk 10/10/92-12/20/92 

Ikon Gallery, Birmingham, U.K. 4/14/93-6/5/93 

Centre for Contemporary Art, Glasgow 7/93-8/93 

Everlyn Nicodemus:Vessels of Silence (Tanzania-Belgium) 


1991 Waltercio Caldas: Drawings and Sculptures (Brazil) 


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James Casebere & Tony Oursler: Station Project (U.S.A.) 

The Station, Kortrijk 2/20/91-3/29/92 

1990 Trudo Engels: Barney 

Kanaal Art Foundation, Kortrijk 

Guy Rombouts & Monika Droste: Azart-alphabet (Belgium/Poland) 

The Halls (Fair Child on View), Kortrijk 5/15/90-5/20/90 

Brakke Grond, Amsterdam 

Robin Winters: Val Saint-Lambert Series (U.S.A.) 

Municipal Museum, Kortrijk 6/9/90-8/26/90 

Centre d‟Art Contemporain, Genève 

Museum Boijmans van Beuningen, Rotterdam 

1989 Cildo Meireles & Tunga: Through /Lezarts (Brazil) 

Kanaal Art Foundation, Kortrijk 5/20/89-10/22/89 

Patrick Corillon: 150 Year Railways Gent-Kortrijk (Belgium) 

The Station, Kortrijk 9/22/89-12/24/89 

Gare de l‟Est, Paris 9/91 

Tadashi Kawamata: Beguinage Project (Japan) 

The Beguinage, Kortrijk 10/23/89-2/15/90 

Lili Dujourie: Ibant oscuri sola sub nocte per umbra (Belgium) 

Kanaal production, 1988-89 

Bonner Kunstverein, Bonn; Le Magasin, Grenoble, France; Museum Kröller-Müller, 

Otterlo; Musée d‟Art Moderne, Paris 

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PANELS AND CONFERENCES 

2010 Participant Conference Alma Matrix: lecture From Studiowork to Webwork, University 

of Girona/Fundacio Antoni Tapies, Barcelona (May 24-27); 

Lecture, Between In & Out: The Labor of Anna Maria Maiolino, University of the 

Arts/Camden Arts Centre, London (April 28) 

Master Class and Public Lecture: On Line. Drawing Redrawn in the 20 th Century 

Seminar I: Curating: Practice, Institutions, Histories, Projects 

Seminar II: Inside the Visible: Case Study 

Seminar III: “Difference is more complex than we thought”: Making a Difference through 

Curatorial Projects 

Seminar IV: Works on Paper and Other Marginalities: Theorizing and Curating Drawing 

University of Leeds (March 4-6) 

2009 Participant Conference Eva Hesse. Studioworks, : “Bandage and Binding (Matter and 

Mater),” with Briony Fer, Alex Potts, and others; the Fruitmarket, Edinburgh 

(October 23) 

Participant Symposium Bracha Ettinger: Resonance/Overlay/Interweave (in the Freudian 

Space of Memory and Migration), with Judith Butler and Griselda Pollock, Christopher 

Ingold Auditorium, University College London (UCL, June 3) 

Lecture, On Freeing the Line (On Line), University of Toronto (March 12) 

Lecture, What Drawing May Be (2), Jackman Hall, Art Gallery of Ontario, Toronto 

(January 28) 

2008 Exhibition introduction, Ria Verhaeghe: Glenden, Cultural Centrum, Kortrijk, Belgium 

(December 18) 

Lecture, Drawing in the Twentieth Century, Prints & Drawings Department, Art Gallery 

of Ontario, Toronto (September 16) 

2007 Lecture, Drawing as Philosophical Model of Relation and Resistance, Bellagio Study and 

Conference Center, Rockefeller Foundation, Italy (October 4) 

Lecture, Drawing as Drowning out the Sound of Bombs, Art and the American-Vietnam 

War Conference, The Courtauld Institute of Art, London (May 5) 

Lecture, What Drawing May Be (1), National Art School, Sydney (March 12) 

Panelist CAA/Art Space Conference “Difficult Content,” New York (February 15) 

Seminar in the series of “Departmental Colloquia,” School of the Art Institute, 

Chicago (February 6) 

Respondent Day 1, Feminist Future Symposium, The Museum of Modern Art, New 

York (January 26-27) 

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2006 Lecture, Liberation of Line: Drawing and Subjectivity in the Twentieth Century to the Present, 

Braunschweig University of Art (December 12) 

Lecture, Line of Flight: Drawing as Relation and Resistance, Postgraduate Seminar Series, 

University College London (December 7) 

Keynote Speaker, Drawing Seminar: "Drawing Now? Examining issues in 

Contemporary Drawing Practices," DrawingLab, School of Art Design and Printing, 

Dublin Institute of Technology (November 25) 

Lecture, An Alternative Space Today, The Power Plant, Toronto (November 12) 

Lecture, Drawing as Primary Medium in the Work of Eva Hesse, The Walker Art Center, 

Minneapolis (November 9) 

Lecture, Liberation of Line: Drawing and Subjectivity in the Twentieth Century to the Present 

The Jane Green Endowed Lecture Series in Art History and Criticism, Art 

Department of Mills College, San Francisco (October 23) 

Lecture, The Art of Joelle Tuerlinckx or the Parallel as Resisting System, De Singel, 

Antwerp (October 13) 

Lecture, Het Bedrijf van de Kunst, Art/Economy, Kortrijk (October 7) 

Lecture, Freeing the Line, Princeton University, School of Architecture (September 

20) 

Lecture, Inner/Outer: The Art of Anna Maria Maiolino, Miami Art Central, Miami 

(June 8) 

Invited Participant and Session Director, Tate Britain/Wimbledon School of Art 

Symposium, With a Single Mark: Language and Narrative in the Practice and Theory of 

Drawing (May 19-20) 

Invited Participant and Panel Chair, Eva Hesse Symposium, Panel 2: Mater/Matter 

The Drawing Center, New York (May 6) 

Lecture, Eva Hesse Drawing, The Menil Collection, Houston (January 26) 

2005 Lecture, Contemporary Drawing 

Saigon Biennale, Ho Chi Minh City, Vietnam (July 21) 

Panel Discussion Contemporary Drawing, San Francisco Museum of Modern Art, 

Donor Circle Art Forum 2005 (March 30) 

Panel Discussion with Richard Tuttle, The Drawing Center/Aspen Museum 

2004 Seminar, MA Program in Curating, Royal College of Art (May 25) 

Panel Moderator Ocean Flowers: Impressions from Nature, The Drawing Center 

(May 5) 

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Invited Participant, Conference, AHRB Centre for Cultural Analysis, Theory, and 

History, University of Leeds (April 2) 

Public Conversation with Giuseppe Penone, New York Academy of Art, “Curator‟s 

Choice: Focus on Italy” (January 21) 

2003 Public Conversation with Avis Newman, Tate Liverpool, The Stage of Drawing: Gesture 

and Act. Selected from the Tate Collection (September 27) 

Artforum International Roundtable Discussion on Art and Feminism 

(August 8-12) 

2002 Guest Critic, School of the Museum of Fine Arts, Boston (April 19) 

2001 Lecture, The Inside is the Outside: The Relational as the (Feminine) Space of the Radical 

Conference “Women Artists at the Millennium” 

Princeton University, Program in Study of Women and Gender/Department of Art 

and Architecture (November 9-10) 

2000 Lecture, The Body in Inside the Visible 

The London Institute, London 

1999 Public Conversation with Cecilia Vicuña, Invited by ArtTable, 

Art in General, New York (April 16) 

Lecture, Drawing and Constant‟s New Babylon 

Cooper Union University, New York 

1998 Invited participant, Conference, SAGO 

Antwerp (March 19-21) 

1997 Invited participant, Conference on occasion of 75 Years SVV, 

De Aanwezigheid van Vrouwen in de Hedendaagse Kunst 

De Vooruit, Gent (September 28) 

Invited participant, Third Biennial Arts and Histories Network Conference: Virtue 

and Vulgarity. Curating Feminism. 

University of Reading, Reading, United Kingdom (September 18-21) 

Invited participant, Conference Art(inclinations), Curating Inside the Visible 

Perth Institute of Contemporary Art and the Art Gallery of Western 

Australia, Perth (February 15) 

Invited participant, Conference “Vrouw en Kunst” 

Gynaika, Antwerp (January 21) 

1996 Lecture, Curating „Inside the Visible‟ 

Royal College of Art, London (November 5) 

Lecture, Hatoum‟s Recollection: About Losing and Being Lost 

University College of London (November 6) 

Art Gallery of Western Australia, Perth (February 14, 1997) 

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1995 Lecture, Curating or the Colonizing Gaze 

Museum of Fine Arts, Site Santa Fe (March 9) 

Invited participant, Conference Feminist Art History Network, 

Generations and Geographies 

University of Leeds (July 27-30) 

1994 Invited participant, Conference, Curatorship: Alliance or Critical 

Confrontation, Panel III 

Museo de Bellas Artes, Caracas (October 6-7) 

Invited participant, Conference, Art and Domesticity 

Guadalajara, Mexico 

1993 Invited participant, Conference from Arts International, 

Crossing Cultures, Panel I: Transcending Boundaries 

Cultural Center de la Fundació la Caixa, Barcelona (June 13-15) 

1992 Review Panel, River Crossing, Panel Patronage and Power 

Camerawork, London (July 20) 

1989 Invited participant, Round Table, Conference Arts International, 

Venice Biennial (June 1989) 

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WRITING AND EDITORIAL 

2012 Women‟s Work Is Never Done (anthology of 20 essays on women artists) 

2011 Mona Hatoum: Beyond the Violence Vortex into the Beauty Vortex, Miro Foundation, 

Barcelona 

2010 On Line: Drawing Through the Twentieth Century, Museum of Modern Art, New York 

“Under the Sign of Line: Drawing and its Extension” 

“From Notes to Nets: Bracha Ettinger and Ria Verhaeghe.” 

Fundacion Antoni Tàpies Foundation, Barcelona 

2009-2010 “Monika Grzymala: Paper Drawings” 

Dian Woodner and Marian Goodman Gallery 

2009-2010 “Bracha Ettinger: Drawing Out Voice and Webwork” 

Freud Museum, London 

Angelika Hoerle. The Comet of Cologne Dada, Buchhandlung Walther König, 

Cologne/AGO Press, Toronto 

2008 “Cristina Iglesias. This Fountain Which Is Not One,” in Cristina Iglesias: Deep 

Fountain, Royal Museum of Fine Arts, Antwerp 

2007-2011 Drawing Book, Yale University Press, London (TBC) 

2007 “Liberation of Line. Drawing and Subjectivity in the Twentieth Century to the 

Present,” in Raume der Zeichnung (Spaces of Drawing), published by the Freie 

Universitat, the Kupferstichkabinett, and the Akademie der Kunste, Berlin 

“The Open-ended Space of Drawing” 

Exhibition catalogue The Future, SAN ART, Ho Chi Minh City, Vietnam 

“Julie Mehretu‟s Eruptive Lines of Flight as Ethos of Revolution,” in Julie Mehretu: 

Drawings, Rizzoli International Publications, New York 

Freeing the Line 

Exhibition catalogue published by Marian Goodman Gallery, New York 

2006 “The Art of Joelle Tuerlinckx or the Parallel as Resisting System” 

Exhibition catalogue, De Singel, Antwerpen 

Women Artists at the Millennium 

“The Inside is the Outside: The Relational as the (Feminine) Space of the Radical” 

Ed. Carol Armstrong and Catherine de Zegher. October Book published by MIT 

Press, Cambridge (MA) 

Eva Hesse Drawing 

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“Drawing as Binding/Bandage/Bondage or Eva Hesse Caught in the Triangle of 

Process/Content/Materiality” 

Ed. Catherine de Zegher. Exhibition catalogue published by Yale University 

Press/The Drawing Center, New York 

“Gego‟s Traces of Traces” 

Exhibition catalogue published by the Museum of Fine Arts, Houston/The 

Drawing Center, New York 

Joelle Tuerlinckx‟s Drawing Inventory 

“A Story around Zero,” Drawing Papers 61 published by The Drawing Center, New 

York 

Craigie Horsfield: Relation 

Ed. Catherine de Zegher. Published by the Musee du Jeu de Paume, Paris; the 

Gulbenkian Museum, Lisbon; and MCA Sidney, Australia. 

Plantin-Moretus Prize 2007 

2005 Persistent Vestiges: Drawing from the American Vietnam War 

“Drawing like Singing Drowns out the Sound of the Bombs” 

Ed. Catherine de Zegher 

3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin 

“Abstract” 

Ed. Catherine de Zegher and Hendel Teicher. Exhibition catalogue published by 

Yale University Press/The Drawing Center, New York 

Richard Tuttle, It‟s a Room for 3 People 

“Conversation with Richard Tuttle” 

Drawing Papers 51 published by The Drawing Center, New York 

2004 Martha Rosler, Decoys and Disruptions. Selected Writings, 1975-2001 

October Book co-ed. Catherine de Zegher. Published by MIT Press, Cambridge 

(MA) 

“Prix de Rome Commentary” 

Prix de Rome 2004, Drawing/Printed Art 

Published by Rijksakademie van Beeldende Kunsten/Uitgeverij 010 Publishers, 

Rotterdam 

“Drawn to You” Whitney Biennial 2004 

Exhibition catalogue published by Whitney Museum of American Art, New York 

Ocean Flowers: Impressions from Nature 

“Ocean Flowers and Their Drawings” 

Ed. Carol Armstrong and Catherine de Zegher. Exhibition catalogue published by 

Princeton University Press/The Drawing Center, New York 

Plantin-Moretus Prize 2005 

Giuseppe Penone: The Imprint of Drawing 

“Conversation with Giuseppe Penone” 

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Ed. Catherine de Zegher. Drawing Papers 42 published by The Drawing Center, 

New York 

2003 The Stage of Drawing: Gesture and Act. Selected from the Tate Collection 

“The Stage of Drawing” 

Ed. Catherine de Zegher. Exhibition catalogue published by Tate Publishing/The 


2002 Ellsworth Kelly, Tablet 1948-1973 

“Introduction” 

Ed. Catherine de Zegher. Exhibition catalogue published by The Drawing Center, 

New York 

Anna Maria Maiolino: A Life Line/Vida Afora 

“Ciao Bella: The Ins and Outs of a Migrant” 

Ed. Catherine de Zegher. Retrospective book published by The Drawing Center, 

New York 

2001 Bracha Lichtenberg Ettinger: The Eurydice Series 


Ed. Catherine de Zegher and Brian Massumi. Drawing Papers 24 published by The 


Ellen Gallagher: Preserve, “The Grid as Playground or the Creativity of Limits” 

Published by the University of Minnesota Press in conjunction with the exhibition 

at the Des Moines Art Center and The Drawing Center 

The Activist Drawing: Retracing Situationist Architecture from Constant‟s New Babylon to 

Beyond 

“An Homage to Constant” 

Ed. Catherine de Zegher and Mark Wigley. Published by The Drawing Center, New 

York/MIT Press, Cambridge (MA), in conjunction with the exhibition Another City 

for Another Life: Constant‟s New Babylon at The Drawing Center 

Between Street and Mirror: The Drawings of James Ensor 



New York/University of Minnesota Press 

Performance Drawings 

“Script” 


New York 

Draw and Tell: Lines of Transformation by Norval Morrisseau/Copper Thunderbird, 

“Draw and Tell” 


2000 Benjamin H.D. Buchloh, Neo-Avantgarde and Culture Industry. Essays on European and 

American Art from 1955to 1975. October Book ed. Catherine de Zegher. Published by 

MIT Press, Cambridge (MA) 

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The Prinzhorn Collection: Traces Upon the Wunderblock 

“A Subterranean Chapter of Twentieth-Century Art History” 


New York 

Untitled Passages by Henri Michaux 

“Adventures in Ink” 


New York/Merrell Publishers, London 

Korwa Drawings 



The Body of Line: Eisenstein‟s Drawings 

“Eisenstein‟s Contour Lines as Marks of Quotation” 


New York 

1999 Drawing Papers 1 


Launched the Drawing Papers, a new series of publications to be documenting over 

60 exhibitions and public programs of The Drawing Center, New York 

1998 Nancy Spero 

“Sperm Bombs and Jouissance” 

Grand Street 64, pp. 136-141 

Nancy Spero 

“Tongue, Torture, and Free Rein in Spero‟s Explicit Series of Paintings” 

Published by Ikon Gallery, Birmingham (UK) 

Fascinating Faces of Flanders. 58/98 Two Hours Wide or Two Hours Long 

“About „Son et Lumiere‟ in Ann Veronica Janssens‟ Sculpture” 

Ed. Barbara Vanderlinden. Published by the Flemish Government/Centro Cultural 

de Belém, Lisbon 

Martha Rosler: Positions in the Life World 

“Passionate Signals. Martha Rosler‟s Flowers in the Field of Vision” 

Ed. Catherine de Zegher. Retrospective book published by Ikon Gallery, 

Birmingham/Generali Foundation (Vienna)/MIT Press, Cambridge (MA) 

1997 Quipoem/The Precarious, Art and Poetry of Cecilia Vicuña 

“Vicuña‟s Ouvrage: Knot a Not, Notes as Knots” 

Ed. Catherine de Zegher. Retrospective book published by Kanaal Art Foundation, 

Kortrijk, in collaboration with the Andy Warhol Foundation for the Visual Arts, 

New York/Wesleyan University Press, Middletown (CT)/University Press of New 

England, Hanover (NH) 

Mona Hatoum 

“Hatoum‟s Recollection: About Losing and Being Lost” 

Ed. Iwona Blazwick. Published by Phaidon Press, London 

15

Thierry de Cordier, “Conversations in Sch.” 

Ed. Catherine de Zegher. Catalogue XLVII Biennial of Venice. Published by the 

Flemish Government, Belgium 

Martha Rosler, Rights of Passage 

Ed. Catherine de Zegher. Published by the New York Foundation for the Arts, New 

York, in association with Kanaal Art Foundation, Kortrijk 

1996 Inside the Visible. An Elliptical Traverse of 20 th Century Art, in, of, and from the Feminine, 

“Introduction, Inside the Visible” 

Ed. Catherine de Zegher. Published by Kanaal Art Foundation, Kortrijk/ICA, 

Boston/MIT Press, Cambridge (MA) 

“The O‟s of Orozco” 

Ed. Louise Neri. Published in Parkett No. 48 (Zürich/New York) 

Generations and Geographies in the Visual Arts (Feminist Readings) 

“Vicuña‟s Ouvrage: Knot a Not, Notes as Knots” (short version) 

Ed. Griselda Pollock. Published by Routledge, London 

1995 Victor Grippo 

Ed. Catherine de Zegher and Elizabeth Macgregor. Retrospective book published 

by Ikon Gallery, Birmingham (UK)/Paleis voor Schone Kunsten, Brussels/Kanaal 

Art Foundation, Kortrijk 

1994 Andrea Robbins-Max Becher: Colonial Remains/Wall Street in Cuba/Holland, Michigan, 

“An Introduction” 

Ed. Catherine de Zegher. Published by Kanaal Art Foundation, Kortrijk/Vleeshal, 

Middelburg 

1993 Gabriel Orozco, “Something from Nothing” 

Ed. Catherine de Zegher. Published by Kanaal Art Foundation, Kortrijk 

1992 America, Bride of the Sun. 500 Years/Latin America and the Low Countries 

“Ver America: A Written Exchange,” with Benjamin Buchloh 

Ed. Catherine de Zegher and Paul Vandenbroeck. Published by Royal Museum of 

Fine Arts, Antwerp 

Ilya Kabakov and Ulo Sooster: Illustration as a Way to Survive 



Everlyn Nicodemus: Vessels of Silence 

“The Black Colour is Joy and Pain.” Conversation with Everlyn Nicodemus. 


1991 Waltercio Caldas: Sculptures and Drawings 


1989 Cildo Miereles & Tunga: Through-Lezarts 

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Tadashi Kawamata: Project Saint-Elisabeth Beguinage, Kortrijk 


Published by Kanaal Art Foundation, Kortrijk; printed in Japan (Gendaikikakushitsu 

Publishing) 

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CURRICULUM VITAE

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