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follow the herd<br />

see Donna the buffalo live<br />

by Erin thursby scopes1925@msn.com<br />

What: Donna the Buffalo<br />

WheN: January 4 th @ 8:30 PM<br />

Where: Café 11<br />

CoSt: $18<br />

The socially and politically charged eclectic<br />

grassroots blend of Donna the Buffalo catches the<br />

ear and takes the listener through Cajun stylings,<br />

reggae-rock, folk, zydeco and country with a distinctive<br />

sound that is hard to characterize but easy to<br />

listen to.<br />

Donna the Buffalo was unnamed when they<br />

first started jamming together, and it wasn’t until<br />

they were on stage for the first time that they gained<br />

their name, and it was a surprise even to them. One<br />

of the band’s founders, Jeb Pur<strong>year</strong>, told <strong>EU</strong> the<br />

story: “We had a gig so we needed a name and then<br />

a friend of ours was sort of toying with different<br />

ideas around the buffalo theme and so his original<br />

idea was ‘Dawn of the Buffalo’ [and they] mispronounced<br />

it as Donna the Buffalo…For some reason<br />

that struck more of chord with us…I think ‘Dawn<br />

of the Buffalo’ sounded a little pretentious to us,<br />

especially for a band that had never even played a<br />

gig.” That was over 17 <strong>year</strong>s ago. Since then, Donna<br />

the Buffalo has sold more than a hundred thousand<br />

albums, organized a major Grassroots festival and<br />

have played consistently.<br />

The band experienced a shake-up in 2005<br />

when founding member Tim Miller left the band because<br />

his marriage to Tara Nevins dissolved, but Jeb<br />

says that they’ve “been very lucky replacing people.”<br />

The last of Miller’s stamp on the group came in 2005<br />

when the group released Life’s a Ride. Miller played<br />

guitar and backup vocals for the album.<br />

Founding members Jeb Pur<strong>year</strong> and Tara Nev-<br />

hank williams III<br />

album review<br />

artist: Hank Williams III<br />

title: Straight to Hell<br />

release Date: 03.28.2006<br />

Label: Bruc Records<br />

Hank Williams III is my favorite Hank Williams<br />

of them all. That’s not quite fair, my favorite<br />

thing about Wall Street in Five Points is that they<br />

have Hank Sr. on the juke box, but Hank III is<br />

representing the natural evolution of country music.<br />

Presenting an avid hatred for country pop, Hank<br />

III’s <strong>new</strong> album has traditional country songs with<br />

traditional instrumentation, to create a sound that is<br />

authentically country, but he has an attitude that is<br />

far from traditional in Nashville.<br />

ins met playing old time fiddle music.<br />

“There’s this great subculture in<br />

fiddle playing…” says Pur<strong>year</strong>, “and<br />

Tara was the first person I k<strong>new</strong> that<br />

wrote songs.” The two have been<br />

writing songs for Donna the Buffalo<br />

since it formed. Pur<strong>year</strong> says<br />

that “I basically write[s] the songs<br />

I sing and [Tara] writes the songs<br />

she sings. We kind of don’t practice<br />

near enough like we ought to but we<br />

never really have. Somebody directs<br />

the song and we usually just kind<br />

of throw it out there…we’ll go over it on the bus so<br />

we’ll know what it sounds like or if we sound check<br />

we’ll run over it in sound check.” At most live performances,<br />

the band is busily trying something <strong>new</strong>.<br />

“It’s just kind of exciting for the band. Things don’t<br />

stay <strong>new</strong> very long because of the Internet…We<br />

have fans that record our concerts and post them<br />

online, so it’s hard to surprise people.”<br />

In 1990, the group got the idea to start a<br />

Grassroots Festival. Because they found out at the<br />

time that a friend had died of AIDS, they decided to<br />

make it a benefit. “Now it’s been 15 <strong>year</strong>s. I think<br />

that the most outstanding thing it does…we develop<br />

a great bond with all these interesting people<br />

and people from other countries…In general, it’s a<br />

very exciting event that makes people feel great…it<br />

makes human beings feel very relevant…If people<br />

aren’t interested in creating something for the right<br />

reason usually…it transfers; like the 90’s Woodstock.”<br />

Jeb and Tara are fond of writing songs with<br />

socially progressive themes. Says Jeb: “Lately, I’ve<br />

In the South you see rebel rousers with their<br />

confederate flags and Dixie Outfitters shirts rolling<br />

all over town in giant pickup trucks splattered with<br />

mud. These young hillbillies are full of venom and<br />

anger, and proud of their heritage. This attitude is<br />

not represented in the standard ballads of popular<br />

country. So Hank Williams III has stepped up to that<br />

line with his <strong>new</strong> double album Straight to Hell.<br />

While he is open about his affinity for traditional<br />

country music in songs like ‘Country Heroes’ and<br />

‘My Drinking Problem,’ he is also incorporating a<br />

<strong>new</strong> identity, much like his grandfather did, by being<br />

the bad boy of country music. Covered with tattoos<br />

and singing incessantly about his drug and alcohol<br />

abuse, Hank is unashamed of the fact that he is not<br />

fulfilling the role Nashville might expect of one of<br />

country music’s legendary offspring.<br />

Putting the ‘Dick in Dixie’ is only one of the<br />

achievements Straight to Hell accomplishes. The<br />

second CD on this two-disc album is titled simply<br />

‘Louisiana Stripes’ and only features two tracks.<br />

The first track is a beautiful, grass-roots country<br />

song about a man in prison in Louisiana for killing<br />

his wife. Following that song is country’s most<br />

avant-garde noise art experimentation to date. With<br />

this second disc, not only does Hank III show that<br />

a country artists can actually have a larger artistic<br />

vision, but also that he is capable of far better songs<br />

than the highlighted image-making songs of the first<br />

disc.<br />

been thinking sure… [society’s] pretty bad, but<br />

we’re not that bad, and we can do better. This thing<br />

with the war and the Bush administration, it feels like<br />

its finally showing its true colors…and unfortunately,<br />

in a way you feel good, because everybody in my<br />

community was saying that was going to be a disaster,<br />

you’re gonna cause more problems than you’re<br />

gonna solve…Certain songs will go through these<br />

really fresh times, songs you’ve been playing for a<br />

long time, they’ll come back and be like <strong>new</strong> again.<br />

It’s kinda like you have this relationship with all the<br />

songs…We do a song called ‘Conscious Evolution’<br />

that’s been very good lately, it’s a reoccurring theme<br />

of hopeful progression for human mentality.”<br />

Be part of the “herd” that follows Donna the<br />

Buffalo, and listen to their old-time rockin’ sound at<br />

Café 11 Thursday, January 4 th . Whatever you believe<br />

about the state of the world, Jeb says there’s one<br />

thing that the members of Donna the Buffalo will<br />

always believe in: “There’s something that happens<br />

when music comes alive and that’s pretty much our<br />

religion.”<br />

Disc one definitely establishes an attitude<br />

Hank wishes to convey about the state of country<br />

and its unseen angry youth, while disc two seems<br />

to utilize noise art to filter some listeners out from<br />

discovering the stripped down musical gems that<br />

he has laced throughout it. Disc two’s second track<br />

is more than forty minutes long and starts with a<br />

creepy, slowed-down demon-like voice singing to<br />

the tune of a broken and almost inaudible guitar.<br />

This creepy whales-mating sound goes on for<br />

the first two and a half minutes. Three minutes of<br />

train sounds follow. Six minutes into the second<br />

track, Hank sings another stripped down song that<br />

sounds amazingly like his grandfather. This song is<br />

one of the best on the album, but it isn’t tracked out<br />

so to find it you really have to want it.<br />

Although Hank Jr, Hank III’s Daddy, could<br />

easily be called one of the fathers of the hokey <strong>new</strong><br />

breed of country music over-running Nashville,<br />

Hank III says “pop country really sucks.” He’s<br />

right. Country music isn’t bad, it just needs to be<br />

geared more to the bad boys that really live it.<br />

Hank is honest and the music is classic<br />

fiddle, guitar, and trap kit country that you might<br />

hear on any porch in Tennessee. This country is<br />

far more real than Nashville country and deserves<br />

a listen from anyone that is bored with the same<br />

old pop country. Crave something <strong>new</strong> that sounds<br />

old? Hank III is sending you Straight to Hell.<br />

- BY JoN BoSWorth<br />

Token Blonde Roadhouse, Orange Park (264-0611)<br />

Alex Affronti Sun Cruz, Mayport<br />

Greek Wave Casa Marina, Jax Beach<br />

Wild Card Coyote’s, Orange Park (269-6837)<br />

Chillakaya All Stars, St. Augustine<br />

3rd Bass w/Von Barlow The Casbah, Jax (981-9966)<br />

Wes Cobb Band Twisted Sisters, Jax Beach (241-6453)<br />

De Lions of Jah Fly’s Tie Irish Pub, Atlantic Beach (246-4293)<br />

El Toro Loco Square One, Jax (306-9004)<br />

Heavyweight Auggie Dogg’s, St. Augustine<br />

John Thomas Group Shelby’s, Atlantic Beach (249-5182)<br />

MONDAY, JANUARY 1<br />

Boxrockers Cortesse’s, St. Augustine (825-6775)<br />

Charlie Walker Mellow Mushroom, Jax (997-1955)<br />

Roargan, Laserstar Ourobos, Jax<br />

Sam Pacetti The Mill Top, St. Augustine (829-2329)<br />

Yancy Clegg My Place, Jax (737-5299)<br />

All Gigs River City Brewing Company, Jax (398-2299)<br />

Johnny Flood My Place, Jax (737-5299)<br />

Nolan Neal Fly’s Tie Irish Pub, Atlantic Beach (246-4293)<br />

Goliath The Casbah, Jax<br />

Stu Weaver Harry’s, St. Augustine (824-7765)<br />

TUESDAY, JANUARY 2<br />

Second String Sun Dog Steak & Seafood, Neptune<br />

Beach (241-8221)<br />

Matanzas Trade Winds Lounge, St. Augustine (829-8646)<br />

Cross Examination, Social Disease Thee Imperial,<br />

Jax (475-0488)<br />

Wasteland DC, Grabbag Ourobos, Jax<br />

Christina Wagner & Friends Mark’s Downtown, Jax (355-5099)<br />

Silver Lake Drive Cortesse’s, St. Augustine (825-6775)<br />

Will Pearsall The Mill Top, St. Augustine (829-2329)<br />

Happy To Be Here Jack Rabbits, Jax (398-7496)<br />

Bill Rice Mellow Mushroom, Jax (997-1955)<br />

Jimmy Solari My Place, Jax (737-5299)<br />

Ron Perry Fionn MaCool’s, Jax Beach (242-9499)<br />

Colton McKenna Scarlett’s, St. Augustine (824-6535)<br />

Seth Ramsdill Fly’s Tie Irish Pub, Atlantic Beach (246-4293)<br />

El Toro Loco Square One, Jax (306-9004)<br />

TUESDAY-WEDNESDAY, JAN. 2-3<br />

Gene Nordan Mackenzie’s, Ponte Vedra (543-9143)<br />

WEDNESDAY, JANUARY 3<br />

The Hackers Cortesses, St. Augustine (825-6775)<br />

The Cover Band Spare Time Grille, Jax Beach (246-8099)<br />

Glass Camels Ocean Club, Jax Beach (242-8884)<br />

Tropic of Cancer/Art Walk Downtown, Jax<br />

Dave Massey My Place, Jax (737-5299)<br />

Wes Cobb Band Square One, Jax (306-9004)<br />

Crystal Stafford, Aerial Tribe Starlite Café, Jax (356-4444)<br />

Conrad Oberg London Bridge, Jax (359-0001)<br />

Rob Roy, Swordz Fuel, Jax (425-FUEL)<br />

Stu Weaver The Mill Top, St. Augustine (829-2329)<br />

Clyde Mannael Mellow Mushroom, Jax (997-1955)<br />

Rebecca Zapen The Casbah, Jax<br />

Seth Ramsdill Ragtime Tavern, Atlantic Beach (241-7877)<br />

Vagabond’s Dream River City Brewing Company,<br />

Jax (398-2299)<br />

The Mike Miller Band St. Nick’s Lounge, Jax (396-3396)<br />

El Toro Loco Aromas, Ponte Vedra (280-2525)<br />

Chuck Nash Sun Dog Steak & Seafood, Neptune Beach<br />

eujacksonville.com | december 28-january 3, 2006 25

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