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JACKSONVILLE
fall (visual)
art preview
moon river pizza | tnt dance troupe at cafe eleven | keep a breast | steel magnolias at alhambra
free weekly guide to entertainment and more | september 13-19, 2007 | www.eujacksonville.com

2 september 13-19, 2007 | entertaining u newspaper

table of contents
feature
Fall Visual Arts Preview ......................................................................................... PAGES 16-21
Artist Interviews ............................................................................................ PAGES 16-20
Cummer Openings ................................................................................................PAGE 18
MOCA Openings ...................................................................................................PAGE 19
Other Art Openings ....................................................................................... PAGES 18-20
Gallery Listings .....................................................................................................PAGE 21
movies
Movies in Theaters this Week .................................................................................. PAGES 6-10
The Brave One (movie review) .........................................................................................PAGE 6
Mr. Woodcock (movie review) .........................................................................................PAGE 7
Brothers Solomon (movie review) ....................................................................................PAGE 8
3:10 to Yuma (movie review) ...........................................................................................PAGE 9
King of Kong (movie review) ...........................................................................................PAGE 9
Boss of It All (movie review) ..........................................................................................PAGE 10
at home
Burn Notice (TV review) ................................................................................................PAGE 12
Video Games ................................................................................................................PAGE 13
dish
Moon River Pizza (restaurant review) ..................................................................... PAGES 14-15
Caring Chefs Profi le (Roys) ...........................................................................................PAGE 15
music
Music Calendar ..................................................................................................... PAGES 22-26
Cliff Worrell & the Restless Kind (River City Brewing) .....................................................PAGE 22
Lennon (Freebird Live) ..................................................................................................PAGE 23
New Life Coffeehouse ...................................................................................................PAGE 24
Dance Off at Cafe Eleven ..............................................................................................PAGE 25
arts / theatre / on stage
Breast Defense (St. Augustine art show) .......................................................................PAGE 26
Steel Magnolias (Alhambra Dinner Theatre) ...................................................................PAGE 27
Criminal Hearts (Limelight Theatre) ...............................................................................PAGE 28
Cinderella (Orange Park Community Theatre) .................................................................PAGE 28
Typewriter (JU Theatre) .................................................................................................PAGE 29
columns and stuff
Native Foreigner ...........................................................................................................PAGE 30
The Jock .......................................................................................................................PAGE 30
NASCAR News & Notes ................................................................................................PAGE 31
cover art by mark george
eujacksonville.com | september 13-19, 2007 3

thisweek
thursday SEPTEMBER 13
RobinElla
RobinElla was born and lives in the foothills of the Great Smoky
Mountains. She founded ‘RobinElla and the CC String Band’ in
1999 with husband and musician Cruz Contreras. Together they
fused their broad tastes in music to create a sound that was, and
still is, offi cially indefi nable. RobinElla will bring her unique blend
of bluegrass, pop, jazz and blues to the European Street Listening
Room this Thursday. Tell your friends. European Street Café
Listening Room- 8:30 pm Info: (904) 399-1740
MOCA Jacksonville Members’ Exhibition Preview
and Reception
Jacksonville’s Museum of Contemporary Art will be previewing
fi ve new exhibitions in a variety of mediums. As our resident art
expert, Donald Dusinberre, says in his story on page 18, it is not a
good idea to try to see all of these different types of art at one time.
However, you should still come to the party to take a peek, and
then come back at another time for a more in-depth study of these
artists’ work. Admission: Free/members, $30/non-members (may
be applied toward membership) MOCA Jacksonville- 6-10 pm
Info: (904) 366-6911
SEPTEMBER 13 - 15
Trunk Show with Third and Wall Art Group
Fogle Fine Art & Accessories will present a trunk show September
13-15 featuring the art of Third and Wall Art Group of Seattle,
Washington. Come out to view contemporary canvas original pieces
by artists Liz Jardine, Sara Stockstill, Simon Addyman, William
Kuttner and others. Fogle Fine Art & Accessories, 3312 Beach
Blvd, Jacksonville
SEPTEMBER 13 - 16
Shout! The Mod Musical
Shout! The Mod Musical fl ips through the years like a musical
magazine and takes you back to the music, the fashion and the
freedom of the 60s! This smashing revue tracks fi ve groovy gals as
they come of age during those liberating days that made England
swing! Join this non-stop journey with terrifi c new arrangements
of such chart-topping hits as ‘To Sir with Love,’ ‘Downtown,’ ‘You
Don’t Have to Say You Love Me,’ ‘Son of a Preacher Man,’ and
‘Goldfi nger.’ Be sure to check out this unique musical experience
running through Sunday! Tickets: $35-$40 Wilson Center for the
Arts, FCCJ South Info: (904) 632-3373 or artistseries.fccj.org
friday SEPTEMBER 14
Brew at the Zoo
Join the Zoo’s Wild Things young professionals committee for an
evening of entertainment, South American food, beers and wines
from around the world, animal encounters, behind-the-scene tours
and more. Attendees will be invited to join the committee to provide
fundraising, advocacy and volunteer support for the Zoo. Tickets:
$25/advance, $30/day of event Jacksonville Zoo and Gardens- 6
pm to 10 pm Info: (904) 757-4463
4 september 13-19, 2007 | entertaining u newspaper
Celebrity Chef Series
Mory Thomas has been a recipe
developer for Martha Stewart
Living, Food & Wine and most
recently the Food Network. He
brings his philosophy that food
is one of life’s most rewarding
and communal experiences to
Publix Apron’s Cooking School
this Friday. Tickets: $50 Publix,
10500 San Jose Blvd- 6:30 pm
Info: (904) 262-4187
X Benefi t
The X Benefi t will feature an
eXciting evening at MOSH’s
Prehistoric Casino! What is a
Prehistoric Casino, you ask? It’s
a gaming area within MOSH’s
blockbuster eXhibition, Dinosaurs
& Ice Age Mammals, of course!
Guests will travel back in time to “Viva MOSH Vegas” to try
their luck at the Sabertooth Slots, Jurassic Blackjack, and T.
Rex Texas Hold ‘Em. Relic (turtle) Races and a Spear Toss
contest will also be part of this gaming gala! Tickets: $70 to
$250 Museum of Science and History- 7 pm Info: (904)
396-7062, ext 223 or themosh.org
David Lee Murphy
99.9 Gator Country FREE Fall Concert Series at the Jacksonville
Landing features David Lee Murphy and Whiskey Falls this
Friday. Singer/Songwriter, David Lee Murphy will be bringing a
fi ddle and mandolin player from his regular band for a jammin’
good time. Show starts at 8 pm. Arrive early for the best view
of the show. Listen to 99.9 FM Gator Country for your chance
to win VIP passes.
Subhumans UK
John Vanderslice
Subhumans UK
Subhumans were one of the most prolifi c and original bands
of the evolving UK punk scene. After seven years of changing
the face of punk rock, Subhumans split up in 1987 to form
other bands. The godfathers of anachro-punk reformed almost
a decade ago and are still going strong, recording and touring
the US and the UK. They’re back on our side of the pond this
month and will make a stop at Fuel to remind kids that punk is
not dead. Tickets: $12 Fuel Coffeehouse- 7 pm
Info: (904) 425-FUEL
SEPTEMBER 14 - 16
3rd Annual Southern Monster Truck Showdown
There’s nothing like a good old fashioned Monster Truck
Showdown! Head to the Clay County Fairgrounds this weekend
to see 8 professional TV monster trucks, plus local-entry mud
bogging, the return of the Racing Lawnmowers, Monster Truck
Rides, huge Truck Show ‘n Shine contest and much more!!
Tickets: $10/advance, $12/at the gate, Free/3 and under
Clay County Fairgrounds, Green Cove Springs
Info: (352) 484-3413 or southernmonstertruckshowdown.com
saturday SEPTEMBER 15
2007 Heart Walk
More than 8,000 First Coast residents will take giant steps for
their heart health this Saturday at Met Park in the American Heart
Association’s annual Start! Heart Walk. The non-competitive, threemile
walk raises funds to support heart disease and stroke research
and educational programs in the First Coast community. Teams are
made up of employees from local companies, along with friends
and family members of all ages. Metropolitan Park - 8 am
Info: (904) 739-0197
Typewriter, Altered Dance & Music
Jacksonville University is proud to present Typewriter, an evening
of original dance and music by Altered Dance and Music. The
concert will use the development of the typewriter in the 20th
century to explore the psychology of a woman’s place in home
and society. The original work includes choreography by Cari
Coble, professor of dance, and music by Tony Steve, assistant
professor of contemporary/world music and percussion, along
with videography by Jacksonville artist and printmaking teacher at
DASOTA, Barry Wilson. Read the story on page 29. Tickets: $10/
adults, $7/seniors, $5/students and military, Free/JU students with
ID Jacksonville University, Swisher Theatre- 7:30 pm Info: (904)
256-7345

The Bridges
The Bridges were born July, 2002 with a disposition to blend lyric and harmony with haunting melodies
and the poetry of reality. With an acoustic style reminiscent of the sixties and seventies, the band
perfectly mixes pop, folk and indie rock to carry the listener through a wonderful range of sound and
emotion. The Bridges will perform with Among Your Brothers, Spoken Groove and A Slight Breeze.
Tickets: $8 Murray Hill Theatre- 8 pm Info: (904)
388-7807
Dropsonic
Valencia
The Alternative Pop-Punk band from
Philadelphia got their name from
Valencia, Spain because it is known for
its progress and evolution. Valencia felt
the same way about their music. From
looking at their MySpace it appears
they are very popular with the middle
school set – hope they don’t take the
name of the current tour too seriously:
“School’s for Fools” Tour, which will be
at Fuel Coffeehouse w/ Just Surrender,
We the Kings, and Metro Station.
Valencia
sunday SEPTEMBER 16
tuesday SEPTEMBER 18
wednesday SEPTEMBER 19
Dropsonic
Our own Christina Wagner says: “It’s hard to
imagine such a full sound protruding from only three
members, but this rock outfi t hailing from Atlanta
pulls it off nicely. Prepare to have your face melted
off with their unique blend of traditional and indie rock
paired with some impressive lyricism and enchanting
vocals.” Read the interview at eujacksonville.
com. Check them out this weekend with Lackawanna
Carriage Works. Tickets: $6 Jack Rabbits- 8 pm
Info: (904) 398-7496
Jacksonville Jaguars vs. Atlanta Falcons
Last weekend’s narrow defeat won’t keep us down! Our Jacksonville Jaguars will take on the Atlanta
Falcons this Sunday in the second home game of the season. Tickets: $42-$95/single game, $360-
$930/season passes (includes 10 games) Jacksonville Municipal Stadium- 1 pm
Info: (904) 633-2000 or jaguars.com
Uncle John’s Band
This group of talented musicians who love to play the music of the Grateful Dead formed in 1990 in
Clearwater, Florida with the purpose of recreating the atmosphere and musical adventure of a live Dead
show. Truck on down to Freebird Live and join the adventure. Info: 246-2473
John Vanderslice and the Café Eleven 5 th Anniversary Dance Party
It’s a concert, it’s a dance off, it’s an anniversary celebration and it’s quite possibly the most fun you will
ever have on a Tuesday night. Celebrate Café Eleven’s 5 th birthday with what is sure to be a heck of a
party! Singer/songwriter John Vanderslice will judge this unique dance party where TNT Dance will face
off against other dance troupes to fi nd out whose the best in the world… or at least in the North Florida
area. Read the story on page 25. Tickets: $10 Café Eleven, St. Augustine Beach
8:30 pm Info: (904) 469-9311
Helios Eye Birthday Party Show
A glorious combination of acoustic guitars, stripped-down vocals and thought-provoking lyrics, Helios
Eye in one of Jacksonville’s most promising and unique local bands. Check ‘em out live next Wednesday
with Grabbag and be sure to wish Kevin, the Eye’s frontman, a very happy birthday. Stick around after
the show for a screening of Stop Making Sense, the critically acclaimed fi lm by Jonathan Demme and
Talking Heads. Yesterdays Social Club- 8 pm Info: (904) 387-0502
eujacksonville.com | september 13-19, 2007 5

MOVIES OPENING
11TH HOUR The documentary fi lm explores
how we’ve arrived at this moment- how we
live, impact the earth’s ecosystems, and what
we can do to change. Featuring dialogues of
experts. Starring Leonardo DiCaprio.
DRAGON WARS A beautiful young woman possesses
the power to transform a legendary giant
serpent into an almighty dragon who can only
ascend into heaven with the woman’s ultimate
sacrifi ce. Rated PG-13
GOYA’S GHOSTS A sweeping historical epic
told through the eyes of celebrated Spanish
painter Francisco Goya (Stellan Skarsgard). Set
against the backdrop of political turmoil at the
end of the Spanish Inquisition and the start of
the invasion of Spain by Napoleon’s army, the
fi lm captures the essence and beauty of Goya’s
work. Javier Bardem is Brother Lorenzo, an
enigmatic, cunning member of the Inquisition’s
inner circle who becomes infatuated with
Goya’s teenage muse, Ines (Natalie Portman),
when she is falsely accused of heresy and sent
to prison. Rated R
KING OF KONG: FISTFUL OF QUARTERS A
middle-school science teacher and a hot sauce
mogul vie for the Guinness World Record on the
arcade classic, Donkey Kong. Rated PG-13
THE BRAVE ONE Jodie Foster stars as a happy
woman whose life changes irrevocably after
a brutal assault leaves her partner (Naveen
Andrews) dead. Feeling that the police investigation
will be unable to catch the perpetrators,
she begins to live in constant fear. This outlook
results in her eventually dispatching vigilante
justice. Terrence Howard co-stars as the offi cer
in charge of the investigation. Rated R
MR. WOODCOCK John Farley, author of a bestselling
self-help book, returns to his hometown
to receive the community’s highest honor. While
there, John learns that his widowed mother,
Beverly, is engaged to Mr. Woodcock, the gym
teacher whose sadistic exploits were the bane
of John’s youth. Starring: Billy Bob Thornton,
Seann William Scott, Susan Sarandon, Kurt
Fuller, and Amy Poehler. Rated PG-13
NO END IN SIGHT The fi rst fi lm of its kind to
chronicle the reasons behind Iraq’s descent
into guerilla war, warlord rule, criminality and
anarchy, ‘No End in Sight’ is a jaw-dropping,
insider’s tale of wholesale incompetence, recklessness
and venality.
NOW SHOWING
3:10 TO YUMA A rancher struggles to support
his ranch and family during a long drought. He
takes an assignment to transport a notorious
felon in the hands of authorities to Yuma for imprisonment.
But, once the two meet, the criminal
tries to tempt him with cash in exchange for
6 september 13-19, 2007 | entertaining u newspaper
the accused meets death wish
The Brave One
BY RICK GRANT rickgrant01@comcast.net
A- Rated R 122 min
In the spirit of vigilante justice, as portrayed
by Charles Bronson in the 1974 fi lm Death Wish,
fi lmmaker Neil Jordan went beyond an eye-for-aneye
sensibility, into the dark, paranoid, post-9/11
consciousness. He framed his mosaic in dark tones
as his protagonist was forever changed by senseless
violence.
In Death Wish, Bronson played architect Paul
Kersey, who lost his wife when thugs murdered her.
In The Brave One, Jodie Foster plays Erica, a talk
show host who is similarly traumatized when she
and her fi ancé David (Naveen Andrews) are attacked
in Central Park by a trio of punks. They are viciously
beaten and terrorized, leaving David dead and Erica
seriously injured, physically and mentally.
Jodie Foster characterizes Erica with a combination
of her trademark post-traumatic stress rigidity,
similar to the rape victim she portrayed in The
Accused, and a vigilante justice-turned-to-bloodlust
that is unique to Erica. Once she kills, she can never
go back to the person she was before the incident.
Something inside her snapped and now she is a
dangerous loose cannon.
Erica continues her talk show, keeping her
vigilante acts secret, and callers pose the question:
Is the killer a vigilante, a hero, or a villain? Is it
justice or revenge? She forms a shaky relationship
with the cynical detective, Sean Mercer (Terrence
Howard), over David’s murder. Mercer also happens
to be investigating Erica’s vigilante episode. This odd
relationship is brilliantly acted by Foster and Howard.
On one hand, they’re kindred spirits, but in the harsh
reality of Mercer’s world, they are on opposite sides
of the law. Ultimately, Mercer must make a fateful
decision.
Like Bronson’s Paul Kersey, Erica goes looking
for trouble. Foster portrays Erica’s bloodlust like
a twisted sexual libido. Her low raspy on-air voice
sends shivers down viewers’ spines as she revels in
her new power. She would never again be a victim.
She would go on a preemptive strike against the
punks with black hearts. But where would it end?
She couldn’t possibly kill all the lowlifes who needed
killing. She was on a one-way mission to hell’s
battlefi eld.
Despite Erica’s trip into insanity, Foster’s subtle
acting doesn’t alienate the viewers who still identify
with her rage and need for vigilante justice. As the
subway vigilante Bernard Getz found out, there is
a price to pay for placing yourself in a vulnerable
position and luring the bad guys to your violent form
of justice. Once the vigilante starts shooting, bullets
fi nd the innocent as well as the guilty. In this instant,
mistakes are made and the vigilante is no different
than any other murderer.
Neil Jordan’s direction and Roderick Taylor’s
script ask what you would do? Is vigilante justice
ever justifi ed? Foster never loses the viewer’s vicarious
identifi cation. You will sympathize with her
throughout the movie and feel her new power. Foster
shows us how extreme trauma can cause a person
to take the law into their own hands, but she also
shows us the cost to her mental well-being. There is
a fi ne line between justice and revenge, and this fi lm
leaves Erica’s judgment to you.
Although this vigilante genre has all but exhausted
its ability to surprise us, it’s still a potent
dramatic platform to display a range of human emotions.
The horror of what Erica went through could
never be erased by her vigilante campaign. In fact,
she was becoming more like the thugs who beat
her. Her rage was tuning into evil. Yet, Foster made
Erica a hero to the frustrated victims of crime who
couldn’t strike back. It’s better to let Jodie Foster
take us on that vengeful trip than to attempt it in the
real world.

crotch shot
Mr. Woodcock
BY ERIN THURSBY scopes1925@msn.com
C+ 87 min PG-13
The name of the movie is Mr. Woodcock and
the poster depicts a gym coach holding a pair of
basketballs in front of his crotch. Would it be a surprise
if I said that the movie was rife with ball and
stick jokes? And, of course, what comedy would
be complete without the requisite whack to the cojones?
Not this one certainly.
I’ll say one thing about the movie (ok, two
things), it is precisely what it’s advertised to be,
and not all of the funny parts were mercilessly laid
bare in the previews. The plot is so predictable that
I could have spent the entire movie playing Tetris
on my cell phone, and I still would have been able
to cobble together a review. (A little etiquette tip- always
turn the volume off when playing Tetris during
a movie). But, as with many comedies, it’s not the
plot points that make it great, but the one-liners and
the physical comedy. People won’t be talking about
the plot; they’ll be talking about what’s funny.
But heck, if you’re reading this review you’re
probably in it for the plot synopsis right? Ok. Chubby
kid John Farley gets tormented by his mean, mean
gym teacher Mr. Woodcock, leading him to lose
weight as an adult and write a runaway bestselling
self-help book. He comes back to his small town
to receive a remarkably phallic key to the city, only
to discover that his mom, Beverly Farley, played by
the ever-hot Susan Sarandon, is now boinking, er,
dating the cruel Mr. Woodcock (Billy Bob Thornton).
If you’ve been following Thornton’s career, it won’t
come as a surprise that he’s revisiting the role of a
stoically sadistic dick, hence the name Mr. Woodcock.
Speaking of dicks, the movie seems to be one
giant phallic symbol. Just counting the penis references
will leave you dizzy, if you, like me, have a
suffi ciently dirty mind to catch them.
John Farley (Seann William Scott) even has an
almost Freudian attachment to his mother. He and
Mr. Woodcock get into what is essentially a giant
pissing contest, ending with John Farley doing a kind
of baboon victory dance. The humor does work,
mostly, but there are scenes that are excruciatingly
painful to watch.
Farley’s agent, Maggie (Amy Poehler), was
perhaps my favorite part of the movie. Unfortunately,
I’ve heard most of her best lines in the preview trailers,
which ran for an insane amount of time because
the release date got pushed back. Her lines have
great pizzazz in delivery, but, like most chewing
gums, they tend to lose their fl avor when overchewed.
At one point in the movie, Farley accidentally
gets a small portion of his head shaved, so he’s got
a bald patch in the back. He looks perfectly normal
from the side, front and most angles. Just when
you’ve forgotten about it—BAM—they show a shot
of him from behind. They milk the joke until the cow
runs dry, and it’s timed perfectly so the joke never
quite wears out (though I’m sure that cow was in
pain towards the end) and it’s freshly funny.
There’s a well timed bit of dialogue in the fl ick
that should be called “50 ways to screw your mother,”
in which Farley’s friends at the pizza parlor fi nd
new and exciting ways to say “Dude! Woodcock’s
doing your mother!”
Have I mentioned that this isn’t a family fi lm? It
somehow received a PG-13 rating, because no one
actually says the dreaded F-Word and Susan Sarandon
never fl ashes her tits.
Did I say tits? Boobies, I meant. This movie
was a bad infl uence on me.
allowing him to escape- an offer of much more
money than the rancher ever expected. Starring:
Russell Crowe, Christian Bale, Alan Tudyk, Peter
Fonda, Gretchen Mol. Rating: R
BALLS OF FURY In the unsanctioned, underground,
and unhinged world of extreme Ping-
Pong, the competition is brutal and the stakes are
deadly. Starring: Dan Fogler, Christopher Walken,
George Lopez, Maggie Q, Thomas Lennon. Rating:
PG-13
BECOMING JANE It’s 1795 and young Jane Austen
is a feisty 20-year old emerging writer who
already sees a world beyond pride and prejudice.
Sparks soon fl y when Jane meets the roguish and
decidedly non-aristocratic Tom Lefroy. Starring:
Anne Hathaway, Julie Walters, James McAvoy,
Maggie Smith, Jessica Ashworth. Rating: PG
DEATH AT A FUNERAL ‘Death at a Funeral’ follows
the comic twists and turns of a dysfunctional
British family as they gather to mourn the passing
of their patriarch. Rated R
DADDY DAY CAMP Dads Charlie Hinton and Phil
Ryerson take over running a summer day camp.
Armed with no knowledge of the great outdoors,
a dilapidated facility and a motley group of campers,
it doesn’t take long before things get out
of control. Starring: Cuba Gooding Jr., Lochlyn
Munro, Paul Rae, Richard Gant, Spencir Bridges.
Rating: PG
DEATH SENTENCE Nick Hume is a mild-mannered
executive with a perfect life, until one night
he witnesses something that changes him forever.
Transformed by grief, Hume eventually comes
to the disturbing conclusion that no length is too
great when protecting his family. Starring: Kevin
Bacon, Aisha Tyler, Kelly Preston, Stuart Lafferty
and John Goodman. Rated R
HALLOWEEN Under the direction of Rob Zombie,
there is a new take on the legend and a new
chapter in the Michael Myers “Halloween” saga.
Starring: Daeg Faerch, Danielle Harris, Malcolm
McDowell, Danny Trejo, and Sheri Moon. Rated R
HAIRSPRAY A plump but vivacious teenager
joins a popular teen-scene TV show in the early
60s and teaches the show about integration by
bringing back “negro day.” He-Mom, Edna (John
Travolta), who takes in laundry to supplement her
husband’s meager income from a joke store, joins
in the movement to restore “negro day.” Rated PG
HARRY POTTER AND THE ORDER OF THE PHOE-
NIX Rumors of Lord Voldmort’s return have been
dismissed. Harry and Dumbledore are targeted by
the Wizard Authorities. And, an authoritarian bureaucrat
gradually seizes power at Hogwarts. It’s
a jungle of wizards out there with special effects
galore. Rated PG-13
I NOW PRONOUNCE YOU CHUCK AND LARRY
Two single Brooklyn fi refi ghters, Chuck (Adam
Sandler) and Larry (Kevin James) are best friends.
Larry saves Chuck’s life and he is willing to do
anything to even the score, even masquerading as
a gay couple to receive benefi ts for Larry’s kids.
Rated PG-13
MR. BEAN’S HOLIDAY In his latest misadventure,
Mr. Bean- the nearly wordless misfi t who
seems to be followed by a trail of pratfalls and
hijinks- goes on holiday to the French Riviera and
eujacksonville.com | september 13-19, 2007 7

ecomes ensnared in a European adventure of
cinematic proportions. Starring: Rowan Atkinson,
Willem Dafoe, Emma De Caunes, Jean Rochefort,
Karel Roden. Rating: G
ONCE ‘Once’ is just a simple love story about a
Guy with a guitar, a Girl with a borrowed piano,
and the music they make together...and it’s one of
the most heartbreakingly perfect fi lms you’ll see
this year. Starring: Glen Hansard, Markéta Irglová,
Bill Hodnett, Danuse Ktrestova. Rating: R
RUSH HOUR 3 The unlikely duo is headed to the
City of Lights to stop a global criminal conspiracy
and save the life of an old friend, Ambassador
Han’s now-grown daughter, Soo Yung. Starring:
Jackie Chan, Chris Tucker, Max von Sydow, Noemie
Lenoir, Hiroyuki Sanada. Rating: PG-13
SHOOT ‘EM UP Clive Owen stars as Mr. Smith,
a gun-toting badass with a hair trigger and an
unknown past. He discovers a woman delivering
a baby right in the middle of a gunfi ght and enters
the fray to save her. The woman expires and he is
the one left in care of the orphaned child. Smith
takes the child to a sultry prostitute known as
Dairy Queen, played by Monica Bellucci. Rated R
STARDUST A young man named Tristan (Charlie
Cox) tries to win the heart of Victoria (Sienna
Miller), the beautiful but cold object of his desire,
by going on a quest to retrieve a fallen star. His
journey takes him to a mysterious and forbidden
land beyond the walls of his village. On his odyssey,
Tristan fi nds the star, which has transformed
into a striking girl named Yvaine (Claire Danes).
Also starring Peter O’Toole, Michelle Pfeiffer, Robert
De Niro and Ricky Gervais. Rating: PG-13
SUPERBAD Two co-dependent high school guys
want to hook up with girls before they graduate
and go off to different colleges. Starring: Seth
Rogen, Jonah Hill, Michael Cera, Christopher
Mintz-Plasse, and Bill Hader. Rated R
THE BOURNE ULTIMATUM Jason Bourne is
hunted by the people who made him what he is-a
legendary assassin. Having lost his memory and
the one person he loved, he is undeterred by the
barrage of bullets and a new generation of highlytrained
killers. Starring: Matt Damon, Joan Allen,
Julia Stiles, David Strathairn, Paddy Considine.
Rated PG-13
THE BROTHERS SOLOMON Good-hearted and
well-meaning but socially inept and clueless about
the ways of women, the brothers Solomon would
like to grant their dad his dying wish and provide
him with a grandchild. Starring Saturday Night
Live actors Will Forte and Will Arnett. Rating: R
THE LAST LEGION As the Roman empire
crumbles, a young emperor embarks on a perilous
voyage to track down the one legion still loyal
to Rome and the origins of the famed Excalibur
unfold. Starring: Colin Firth, Ben Kingsley, Aishwarya
Rai, Thomas Sangster, Peter Mullan. Rated
PG-13
THE INVASION The mysterious crash of the
space shuttle leads to the terrifying discovery
that there is something alien within the wreckage.
Those who come in contact with it are changing
in ominous and inexplicable ways. Starring: Nicole
Kidman, Daniel Craig, Jeremy Northam, Jeffrey
Wright, and Jackson Bond. Rated PG-13
B+ 91 min. R
8 september 13-19, 2007 | entertaining u newspaper
an unexpected hit
Brothers Solomon
BY HILARY JOHNSON hilary_a_johnson@yahoo.com
It’s not often, when going to the movies, that
I find myself sitting in the best seat in the house.
You know, that one seat in the very dead center of
the theatre, with no one blocking my view and no
close elbows to fight with for the arm rest. I could
have even laid down had I wanted to. I could also
take calls, didn’t even need to turn off my ringtone,
and I could talk as loud as I wanted to. But why,
you might ask? Well, it was a Monday matinee
viewing of the new movie The Brothers Solomon.
Not that I expected many people to show up, but I
at least expected a few.
I was already a little wary coming to
this movie. A movie about two socially and
romantically deluded brothers (Will Arnett and Will
Forte) who wanted to have a baby to save their
comatose father (Lee Majors)? Kind of a stretch
into the world of weird, but I was up for it. The
empty theater started to raise some questions
though. Was there a reason for the lackluster
crowd?
Turns out, there really could be no good
reason for someone to miss this movie. That
is, unless you’re under the age of seventeen or
don’t have a stomach for graphic sexual humor.
This movie had me laughing so loud, all by my
lonesome, that I was the one distracting myself.
“Was that really that funny?” I would think after
a bout of giggles brought on by the clever humor
that always bordered on awkward or inappropriate.
Yep, it really was that funny.
There was never a dull moment. Stemming
from the same line of humor as The Forty Year
Old Virgin, sexuality, or the lack thereof, was at
the core of this film, which was directed by Mr.
Show’s Bob Odenkirk and written by SNL’s Will
Forte. However, it pushed past the coarse humor
of Virgin and into something even more potentially
depraved. Two adult brothers living alone with their
comatose father, openly discussing their sex life on
a regular basis? A naked shower scene that ends
in a hug exemplifies the inappropriate ambiguity of
the brother’s close relationship. They sleep next to
one another in sleeping bags, and even discuss the
content of their dreams…moist as they may be.
The theme song of the movie is John Parr’s
‘St. Elmo’s Fire.’ Throughout the film, the song
is rendered to fit the mood of the scene, be it the
enthusiastic original to match the cheesy grins
and goofy dances of the optimistic brothers, or a
downtrodden instrumental to enhance their trials
and tribulations. The pop-tastic song is the perfect
compliment to the tone of the movie, which is
light, airy and ridiculous, but oh-so-endearing. The
kind of thing you just can’t get out of your head.
An unexpected hit.
From the baby-proofing of the house (think
blow up bounce machine as the living room floor)
to the endless chase for any girl’s attention (and
the sly advances that make any girl cringe), this
movie has enough juice to keep you cracking the
whole time. It never takes it all the way to weird,
but it stays right on the edge throughout the film. It
leaves you laughing and allows you to really troop
behind the characters. Instead of being freaked
out, you find them affable and root for them the
entire way.
The tongue-in-cheek grins that epitomized
the naivety of the two main characters, John and
Dean Solomon, allowed the movie to border on
the absurd, almost the uncomfortable, but never
crossed that line. Just when you thought their
awkward humor had gone too far, suddenly they
would throw out some normal dialogue, setting
the movie back on track. There are moments of
surreal intelligence that seem impossible coming
from these bumbling brothers, but they’re real.
Although not for the faint, this movie is rounded
out, impossibly funny, and easy to get behind,
figuratively speaking.
Next time around, I am positive the theater
will be packed with eager viewers. The laughter
will fill the theatre instead of echoing off the walls
the way mine had. If this is your thing, go in with
good expectations. You will not be disappointed.

the wild west rides again
3:10 to Yuma
BY RICK GRANT rickgrant01@comcast.net
A Rated R 117 min
This is filmmaker James Mangold’s exciting
remake of a 1957 film based on an Elmore Leonard
short story. The original starred Glenn Ford as Ben
Wade and Van Heflin as Dan Evans. The complex
paradigm shifts in morality between the outlaw
Ben Wade (Russell Crowe) and Rancher Dan Evans
(Christian Bale) is what makes this western really
special.
An underlying subplot involves the advancing
railroad across rancher Dan Evans’ land. Heavily
in debt, Evans is in danger of losing his ranch to
a ruthless land speculator who lent Evans money.
Motivated by a large payday, Evans agrees to
help guard Wade on a trip to catch a prison train
to Yuma. The thing is–Wade’s gang of killers is
shadowing the group and plans to attack them to
free their boss. Wade has committed numerous
stagecoach heists, murders and bank robberies, so
he has a date with the hangman in Yuma.
At first meeting, Wade takes a liking to Evans
because he sees part of himself in Evans’ morality.
But Wade has long ago strayed from conventional
morality by his murderous deeds and criminal
ways. Similarly, Evans sees the good in Wade but
needs the money for helping to bring Wade to justice.
The two have a grudging mutual respect for
one another, blurring the lines between good and
evil. In other words, Wade is not all bad, Evans is
not all good and both men are smart and cunning,
so they meet each other on a common ground between
good and evil.
Wisely, Mangold did not tamper with the
well-written script, but updated the special effects,
stunts, and gun gags to be much more realistic.
Mangold’s western mosaic is properly gritty and
dusty, as grungy, gun-toting men live by the frontier
justice of the Colt six-shooter and shotgun. Logan
Lerman portrays Evan’s fourteen year-old son with
scene-stealing verve. The boy has had to grow up
fast, and against his father’s wishes, he shadows
the group as it moves closer to trouble.
Although Wade is the prisoner wearing
handcuffs, he wields the power over the men. The
Pinkerton guards give him space and his above-average
intelligence and leadership ability rules their
wills. In this ad hoc platoon, Evans is second in
command. Thus, the trip to the train station to put
Wade on the 3:10 to Yuma is a clash of wills, with
Wade winning out. When they are attacked by Indians,
Wade takes command and helps them defend
the group with a gun. Of course, this exemplifies
the old adage that “the enemy of my enemy is my
friend.”
The prisoner contingent pull off a successful
ruse by sending a fake Wade off in a stage coach,
knowing Wade’s gang would attack it, thus buying
them time in the process. But, when the gang
realized they’ve been had, they quickly regroup and
head back to the train station, which is the scene of
the inevitable showdown.
There are many times during the fateful trip to
the train station when Wade and Evans join forces.
By now, they could be allies, but Evans’ strong
sense of morality is his anchor. His integrity and
moral compass guide him in his decisions. When
Wade offers him a thousand dollars (like a hundred
grand in today’s world) to let him go, Evans knows
that he could not explain the windfall and people
would know he betrayed the rule of law.
The truth is, Evans only took this job to help
pull himself out of debt. He has a pretty wife and
younger boy at home. Evans is satisfied with making
an honest living and providing for his family.
On the other hand, Wade is ruled by greed and
murders people who get in his way. Yet, the story
suggests that Wade still has a spark of morality in
his soul that allows him to admire Evans.
When the dust clears, the two men are still
on opposite sides of the law, but they are willing
to live and let live without killing each other. But
circumstances change when the gang arrives at the
train station. All hell breaks loose, and all the men’s
loyalties to job, God, and family are severely tested.
gamers get screen
King of Kong - A Fistful of Quarters movie review
BY NORM STOVALL normstovall@gmail.com
As a fan of modern-day competitive video
gaming, I was pretty anxious to see this movie.
With its limited showings in cities around the
country, I had feared that I would either have to
wait for it to come to DVD or just read about it
and miss out on it altogether. On many gaming
websites there has already been lots of hype and
hoopla over the fi lm, ranging from wild and exaggerated
praises to irate gaming fans who feel that
the fi lm’s antagonist was portrayed in an unfair
way. Well, whatever. I had to see it for myself to
form an opinion, and lucky for
Jacksonville, we can now see
King of Kong in theatres starting
this Friday.
King of Kong is a documentary
fi lm that follows the
casual but dedicated gamer
Steve Wiebe (pronounced
“Wee-Bee”) on his mission to
get the top score in the age-old
classic game known as Donkey
Kong. Steve, who judging by
the movie, seems to be a pretty
regular guy aside from the fact
that he plays so much Donkey
Kong, really goes the distance
to show his worth. As the fi lm
starts, you fi nd that Wiebe had
recently achieved the accomplishment
of getting the world
record high score in not only Donkey Kong, but
also the sequel to the game, Donkey Kong Jr. In
doing so, he knocked out video game legend and
hot sauce mogul Billy Mitchell, who eventually
becomes the antagonist of the fi lm.
Billy Mitchell plays a good bad guy in the
fi lm, and he is probably the most quotable guy in
the history of all champions, with the exception of
Muhammad Ali. Take this little gem, for example:
“No matter what I say, it draws controversy. It’s
sort of like the abortion issue. If you’re for it,
you’re a son of a gun. If you’re against it, you’re a
son of a gun.” (Note: Mitchell never ever curses)
Wiebe, on the other hand, seems to be the
polar opposite. Calm and friendly, all he wants to
do is play some Donkey Kong in head-to-head
fashion with Billy Mitchell in a friendly match. He
comes across as the nicest guy ever and doesn’t
seem boastful or rude to anyone in any way, and
though he strives for the high score, his family
seems to keep him grounded. When discussing
the Guinness Book of World Records and the
importance of gaming scores, a little girl, who I’m
sure was Wiebe’s daughter, made a good point.
While Wiebe noted that some people take them
very seriously, she responded back: “Yeah, but
some people ruin their lives with that stuff.”
The ups and downs of Steve Wiebe’s adventures
are well documented and edited in a
dramatic way that stays interesting throughout
the movie. Along the way
you meet plenty of colorful,
real-life people who really
show some personality, such
as the Twin Galaxies arcade
referee who also happens to
be a musician and something
of a hippie, if you go by his
appearance in the fi lm. And
I can’t leave out a mention
of mustachioed men who
wear specialty gaming gloves
molded from weightlifting
gear, or the greasy hair and
awkward clothing that seems
to have come from an 80s
movie. Yes, there are nerds
aplenty, but not only are they
real and authentic, they also
wear the clothing that nerds
from the era of their favorite game would have
worn. I’m talking golden Phil Donahue eyeglasses,
greasy hair and fanny packs, a look only upgraded
with cell phone holsters on the hip. Terrifi c!
Overall, I feel that the movie in itself is worth
the ticket price, if not more. Like most documentaries,
much of the subject matter has been
edited for dramatic effect and certain nuances
are left out that may give some insight into the
relationship between Steve Wiebe and his rival
Billy Mitchell, but as it is, it’s a great watch. If
you want to read up on the current high scores
and see opinions from fans of the players and
from some top players themselves, you can read
all about that and more at billyvssteve.com. But
even if you aren’t THAT interested in the subject
matter of this fi lm, it’s a great watch nonetheless,
because it’s not just geared toward video heads
from the 80s.
eujacksonville.com | september 13-19, 2007 9

THE NANNY DIARIES A 21-year old New York
University student becomes a nanny to a family on
the Upper East Side who turns out to be the family
from hell. Starring: Scarlett Johansson, Laura
Linney, Paul Giamatti, Chris Evans, Donna Murphy.
Rating: PG-13
THE SIMPSONS MOVIE The Simpsons fi nally
make it to the big screen. In this adventure, Homer
mistakenly pollutes Lake Springfi eld and sets into
motion a government plot to destroy their city.
D’oh! He must somehow manage to save Springfi
eld and restore his family’s faith in him. Rated
PG-13
TRANSFORMERS The earth is caught in the
middle of an intergalactic war between two races
of robots– the heroic Autobots and the evil Decepticons.
Both are able to change into a variety of
objects, including cars, trucks, planes, and other
machines. Rated PG-13
UNDERDOG A bumbling watchdog gets exposed
to a substance that gives him the powers of a
superhero. Starring: Alex Neuberger, Jason Lee,
Diz White (II), Peter Dinklage, James Belushi.
Rated PG
WAR An infamous assassin named Rogue sets
off a crime war between rival Asian mobs. An FBI
agent is determined to bring down the killer after
his partner is murdered. Starring: Jet Li, Jason
Statham, Devon Aoki, Nicholas Elia, Luis Guzman.
Rating: R
SPECIAL SHOWINGS
Night Owl Cinema Series
The St. Augustine Amphitheatre will be hosting a
Night Owl Cinema Series Friday, Sept. 14th. See
E.T. THE EXTRA TERRESTRIAL, Rated PG. Food
will be provided by various local restaurants, so
come early and hungry. Doors open at 6:30 pm
and the movie starts 8 pm. The Amphitheatre is
located 1340 A1A South in St. Augustine. Info:
904-471-1965 or staugamphitheatre.com.
Midnight Movie
The San Marco Theatre will be screening THIS IS
SPINAL TAP on Sept. 14th and 15th. Before the
feature, San Marco Theatre will host their fi rst
Guitar Hero 2 Competition. Info: 396-4845 or sanmarcotheatre.com.
On Sept. 28th and 29th BUFFY
THE VAMPIRE SLAYER Sing-a-Long!
Friends of the Fest (Formerly Reel People)
Jacksonville Film Events’ new year-round series
“Friends of the Fest” presents THE BOSS OF
IT ALL on Sept. 16th at 1 pm at the San Marco
Theatre. Info: 396-4845 jacksonvillefi lmevents.
com/events_reel.htm.
NEW ON DVD
BURY MY HEART AT WOUNDED KNEE
AWAY FROM HER
BLUE SMOKE
CAROLINA MOON
SNOW CAKE
GRIFFIN & PHEONIX
A 99 min.
10 september 13-19, 2007 | entertaining u newspaper
slaying faceless corporate windmills
The Boss of It All
BY JON BOSWORTH jaxvillain@yahoo.com
In a world of giant, board-directed corporations,
it is all too often that you never know the person you
are working for, and it is even more frequent that the
offi ce has an overriding policy of passive aggressivism
(which I think they also call “professionalism”). In
fact it is exactly these attributes of the modern workplace
that has lead to the success of satires such as
The Offi ce, fi rst on BBC and now on American television.
If you dig the awkward comedy of The Offi ce,
The Boss of It All is a fi lm that is right up your cubicle.
This Danish fi lm was brought to international
theatres by Lars von Trier, the same writer/director
that made the heart-wrenching musical Dancer in the
Dark, starring Icelandic singer/songwriter Bjork. The
Boss of It All is Trier’s foray into comedy, and this fi lm
nails the laughs.
Ravn (Peter Gantzler) runs a moderately successful
IT company, but his employees don’t know it.
Ravn’s eccentrically passive/aggressive nature leads
him to tell his employees that he is, in fact, an associate
or partner and that there is a “boss of it all” who
currently lives in America. But now that he wants to
sell the company, he must produce this mythological
boss in order to negotiate the deal with some eccentric
Icelandic businessman who refuses to deal with
the cowardly Danish Ravn.
So Ravn hires an actor (Jens Albinus) to play the
mysterious “boss of it all,” Svend, at the table during
the sale of the company. The actor is not able to
adequately portray a knowing businessman, so Ravn
brings him to the offi ce to spend a week getting into
character. Of course, none of the employees know
that he is a fake and many have been eagerly waiting
to meet him for years. This is because Ravn has
been sending all of the primary people in the company
emails as Svend. The actor only learns of these emails
as he encounters the employees affected by them.
From strange sexual advances that Svend apparently
solicited from several of the employees to
marriage proposals to bizarre insults, he is walking
into a hostile environment. In fact, during his fi rst staff
meeting he is punched in the mouth. What follows is a
comedy of errors as the actor tries to perfect his craft
through improvisation. He is an idiot and he knows
it, so he explains the scenario to his ex-wife, the only
person he can be honest with, other than Ravn who
is enjoying his reprieve from being the secret boss
while waiting to sell the company. As it turns out, the
actor’s ex-wife is also the Icelandic buyer’s attorney
and she is a master of drawing up contracts.
In the course of playing the boss of it all, the
actor comes to like many of the people around the
offi ce. So when Svend learns that Ravn is going to
sell the company and all of those employees will be
fi red, he takes it upon himself to act as though he
really were the boss of it all and this hilarious premise
unfolds into a series of hysterical outcomes.
The humor of this fi lm is dry and uncomfortable,
but wrought with smart wit and clever subplots that
lead to hearty laughs and scenarios that are just too
true in any culture.
This fi lm is being brought to the San Marco
Theatre by the Friends of the Fest, a year-round extension
of the Jacksonville Film Festival that used to be
known as Reel People. A foreign fi lm of this caliber
would likely never come to Jacksonville if it were not
for the good people who program our fi lm festival and
the connections that they foster the rest of the year.
So if you spend the Film Festival off-season wishing
movies like that came through on a regular basis, this
is your chance. See this fi lm on September 16th at
1pm in the historic San Marco Theatre.

eujacksonville.com | september 13-19, 2007 11

12 september 13-19, 2007 | entertaining u newspaper
burn notice
USA’s clever spy dramedy
BY RICK GRANT rickgrant01@comcast.net
Reviving the witty repartee between male and
female leads ala the old Moonlighting series was
Matt Nix’s concept when he pitched Burn Notice to
the USA decision makers. But his protagonist was
an ex-CIA agent, Michael Westen (Jeffrey Donovan)
who was “burned,” which in spy jargon means fi red.
He was stripped of his security clearance, his bank
account was frozen, and he was stranded in Miami
with no fi nancial resources.
As Michael struggles to scrape-up private
investigative work, his ex-girlfriend Fiona (Gabrille
Anwar) surfaces. She was an ex-IRA operative who
helped Michael in his fi eld work. Feisty Fiona has
special spy skills but is a pain in Michael’s neck.
Together, they have a shaky personal relationship
but work well together professionally. Michael’s only
friend is Sam, a washed-up military intelligence contact
who is informing on Michael to the FBI.
Against the backdrop of bikini-clad babes and
colorful art-deco South Beach locations, Michael
takes PI jobs under the police’s radar to make ends
meet. Michael’s brash, chain-smoking mother, Madeline
(Sharon Gless), lives in Miami. She continually
pisses-off Michael with her raunchy social life and
her incessant criticism of Michael’s free-wheeling
lifestyle.
Meanwhile, Michael is looking for the CIA suit
that burned him and had him blacklisted, limiting his
options. The hook of the premise is Michael’s use of
his spy craft to deal with some dangerous bad guys
and relying on Fiona and Sam to help him pull off his
cons and stings. He has even made deals with the
Armenian Mafi a to help him complete his missions.
Amid the foot chases and gun gags, Michael
and Fiona bicker and utter witty barbs at one another.
This sexual tension culminates in Michael and Fiona
resuming their sex life. Michael thinks it’s a mistake,
yet, he needs Fiona. She can go places that he can’t
and use her femme fatale charms to gain access to
high security sites. Although Sam is informing on
Michael, he also helps him on certain operations.
In this shadowy world of ex-secret agents, trust no
one.
When Michael was working for the CIA, his
career took him to Eastern Europe and the OPEC
countries as a covert operative. Now, he faces a
new reality in Miami. On the positive side, Miami is
seething with shady characters who need his services
for cash money up front. Avoiding the FBI is
easy, it’s the Armenian mob that is a problem. These
gangsters make Mafi a goons look like boy scouts.
Fiona is stunningly beautiful but deadly. She is trigger
happy and a problem for Michael. But her fi ery
personality complements Michael’s need for a continuous
adrenaline high. They make a volatile team,
but get the job done.
A former Navy Seal and military intelligence
offi cer, Sam looks good in either a suit or in Bermuda
shorts with a Hawaiian shirt holding a drink in his
hand. He plays various roles for Michael’s complex
stings. Michael can always fi nd Sam at his favorite
hotel bar next to the swimming pool sipping cocktails
while trying to pick up chicks.
Michael’s cantankerous mom is widowed and
looking for a new man. Michael would rather she
move to a foreign country, but since she’s living in
the same city, he humors her. She’s good for a place
to stay and a small loan when things get tough.
Jeffrey Donovan, who is a familiar face from
innumerable television shows and movies, has created
a likeable character that looks sharp in a light
blazer while he kicks butt. His suave witty persona
endears him to TV viewers like James Garner did in
The Rockford Files. His advanced spy craft comes
in handy when dealing with a legion of bad guys and
giving the FBI the slip.
The show is a certifi ed hit and has already
been renewed for next season. It runs on Thursdays
on USA at 10 pm ET

video games
BY NORM STOVALL normstovall@gmail.com
The month of September is well underway, which means video game release season is upon us. There
are a number of high-profi le games to be released this month, including Sony’s often ill-reviewed Lair,
Nintendo’s Metroid Prime 3, Sony’s Warhawk and Bungie’s highly anticipated Halo 3. To most people
familiar with gaming, these titles are well known, so I won’t spend too much time with you telling you
how Lair is impossible to play and frustrating, that Metroid Prime 3 is surprisingly great, or that you
are probably going to have to buy Halo 3, no matter what. Instead, I’d rather talk about the great games
that you would probably enjoy, but may have overlooked.
Skate
For PS3 and Xbox 360
I’ll have a full-sized review of this next week, as it got delayed till Friday (The PS3 version comes later
this month or possibly early next month). The demo, however, is currently available on Xbox live. It
is wildly addictive and has garnered nothing but respect from skateboard enthusiasts. If you can,
download the demo on Xbox Live to see for yourself. If you love skateboarding, I’d say head down to
the game shop and buy it right away.
Dynasty Wars Gundam
PS3, Xbox 360
If you are not familiar with the Dynasty Warriors series, basically the games center around former
military leaders from China and Japan, who will hack and slash their way through armies of millions
of soldiers on their way to greatness. Basically, playing a Dynasty Warriors game is like watching one
of those Greek/Roman war movies where you have a few guys going against an army of thousands.
So what is new with this Gundam version of Dynasty Warriors? Well, take out the Asian military guys,
and replace them with Giant Robots of Japanese origin. Replace the bad guy armies with Gundam
bad guys, and there you have it. Dynasty Warriors Gundam is a great way to kill time, and though the
action can be repetitive, the game does wonders for relieving stress. And fi ghting robots are always
awesome. Fans of the Gundam series will be impressed, especially after playing the last Next Gen
Gundam game.
John Woo’s Stranglehold
For PS3, Xbox 360
Well, maybe you do already know about this game. It isn’t exactly underground, but I think it is a fun
game nonetheless. If you are familiar with the movie Hard Boiled, you should recognize the characters
in this story, which functions as a sequel to that movie. Using gameplay mechanics much like those
found in games like Max Payne, you will duck, shoot, slide across tables and dive through the air
in slow motion while shooting bad guys. With fully destructible environments and a high dosage of
action, Stranglehold is a great example of Hong Kong action translated into video game form. As far as
movie games are concerned, this one is one of the best, up there with Chronicles of Riddick. (Although
I thought the movie that was based on it was kinda whatever.)
eujacksonville.com | september 13-19, 2007 13

14
dish.
where to eat, drink and be merry.
Tomato goat cheese and pesto
Napoleon served with organic olive
oil and balsamic from The Row.
page 14 - 15 moon river pizza restautrant review
page 15 caring chef profi le: chris faurie
september 13-19, 2007 | entertaining u newspaper
punks, pizza and art
Moon River Pizza
BY ERIN THURSBY scopes1925@msn.com
For gourmet, punk-art pizza, take a trip to Moon River Pizza. If you’re lucky enough to live near the Murray
Hill locale, it’s likely you know this pizza joint well. If not, you’re missing out on some of the best slices in
town.
Around dinner on any given evening, the place is generally slammed with customers, and for good reason.
Plenty of folks get take-out, but eating-in is an enjoyable experience as well.
Start by waiting in line to order your pizza. If you’re there with friends, get them to stake out a table
while you order. Once you place your order, you’ll get a plastic display picture. This tells the servers where
the specifi c orders will go and is a much more fun way than the traditional number system. Customers look
forward to getting the Beatles, Elvis or other pop-art icons as their table markers. I know I do. Last time I
went, I got a Cheech & Chong postcard-size movie poster. You can also get an old black and white picture of
Godzilla (or T-Rex), an old picture of a pin-up girl or a postcard of a classic movie poster.
Hung on the walls at Moon River is a rotating gallery of artists. The works can range from funky pop art
and abstracts to more traditional oils. Most of the art, though, leans towards the funky. Grant Thornton has
a few pieces of colorful art, like a strange bumble bee piece and one of multiple hot-air balloons with a brick
background. Other artists up on the walls include Eric Gillyard and Ryan Jon Adams. Often the art on these
walls includes some of the best in the area that rarely shows anywhere else in town. Eric Gillyard’s work is
a perfect example. This Douglas Anderson graduate recently returned to Jacksonville from Atlanta, so Moon
Grant Thornton

River is the fi rst place his art has been viewable in town since his return.
If you want something to nibble on while waiting for your pizza, a salad is the way to go. They come
out fairly quickly. There are just three salad selections at Moon River: the house, Greek and gorgonzola salad.
Many great pizza joints will skimp on their salads, offering a sub-standard iceberg lettuce salad with sad
tomatoes and a solitary olive. Not so at Moon River. Each salad is made from Romaine lettuce and features
fresh ingredients. My favorite happens to be the gorgonzola.
The busy workers behind the counter can be seen bustling about, preparing food, tossing dough and
getting pizzas out of the oven. The crust is a delicious hand-tossed, freshly mixed bread that cooks up soft
and perfectly compliments everything they put on top. These slices come out foldable and scrumptious.
Besides a lovely crust and stellar pizza sauces, Moon River gives their customers a myriad of options
when it comes to building their pie. The same is true of their calzones, which can be stuffed with any of
the topping items available for their pizza. Looking at the topping options, you can, as they say “enjoy the
exquisite misery of choice.” Besides the usual toppings (pepperoni, mushrooms, ham, olives, etc.) you’ll
also fi nd options of breaded eggplant, broccoli, various cheeses (such as feta, gorgonzola, mozzarella, and
cheddar), spinach and artichokes, as well as many other things. If you like pizza but you can’t handle tomato
sauce, you can always go with their pesto sauce or their white pizza, which uses an olive oil and garlic sauce
instead.
While building your own weird pie can
be a fun adventure, there are about six pizza
specials with pre-selected toppings that you
can order. Each has their own avid fans, and
for good reason. There’s “The Special,” a
classic everything pie, which contains all the
classic toppings: pepperoni, Italian sausage,
sliced meatballs, fresh mushrooms. onions,
green peppers, black olives and extra cheese.
They’ve also got a vegetarian pie, which,
among other things, is loaded with fresh,
Roma tomatoes.
Their white pie, a favorite of mine,
comes with three different cheeses (mozzarella,
feta and parmesan), extra virgin olive oil,
oregano, black pepper and fresh garlic. Meat
lovers will want to sink those canines into a
slice of their T-Rex, which is topped with all
the meats and an extra helping of cheese.
I’m partial to their “The Pizza” topped with
spinach, delectable fresh mushrooms, white
cheddar and fresh garlic. I’m also in love with
their Maui Wowee pie with ham, pineapple
(well-drained and fi rm, not soggy) and cheddar
cheese. You also get your choice of sliced
jalapeño peppers or banana peppers.
As you can probably tell, it’s diffi cult for
me to decide on which pie I’m going to get,
since several of their specialty pies are special
to me. I’ve noticed that the more you try at
Moon River, the harder it gets to decide what
to order.
Moon River Pizza locales: 925 S 14th St Fernandina Beach, FL (904) 321-3400 & 1176 Edgewood Ave
S, Murray Hill Area (904) 389-4442
caring chefs profi le
Chris Faurie from Roy’s by erin thursby
WHAT: Caring Chefs
WHEN: Sunday, Oct. 21 st @ 7-9:30 pm
WHERE: The Avenues Mall
Caring Chefs is certainly the premier food event
of the year here in Jacksonville. All proceeds go to
the Children’s Home Society, so ticket holders can
have both the satisfaction of helping those less fortunate
and of being able to sample food from some of
the First Coast’s fi nest restaurants. For the next few
weeks we’ll be profi ling some of the chefs involved.
This week, we’re profi ling Chris Faurie of Roy’s at
Jacksonville Beach.
Why do you participate in Caring Chefs? How many years have you done the event?
Caring Chefs is for a great cause. It is by far one of our biggest charity events of the year that gets
Roy’s a ton of coverage with the amount of people that attend this event. Plus, it is one of the most
fun events to participate in.
What are the three ingredients you can’t live without?
Andouille Sausage, Crystal Hot Sauce and Hawaiian Ahi Tuna
Appetizer, entree or dessert? Why?
Appetizer—Roy’s blackened Ahi dish is one that is craved by many people worldwide
What’s the strangest dish you’ve ever prepared?
Saimen Noodle dish with fi sh cake and salted duck egg.
What’s your favorite dish to eat? Prepare?
Andouille Crusted Red Snapper served with Crystal Hot Sauce Beurre Blanc.
Can you let us in on what you’ll be serving at the event?
Roy’s Blackened Ahi—It speaks for itself. Every year we do this dish and every year we bring
more and seem to run out quicker and quicker.
Tickets for the event are $60, but it’s best to buy them in advance, since they are generally
sold out by the night of the event. Go to chsfl .org/buckner to register for tickets or call (904)
493-7739 for more info.
eujacksonville.com | september 13-19, 2007 15

fall (visual)
art preview
comparing the words
of the artists
who’s on their high horse and who’s
behind one? by donald dusinberre
Initially, I had a hard time convincing myself that our average reader might be interested
in so much art-related content. Being an artist and working in the art world, I automatically
assume that people aren’t that interested. But, after I thought about it, I decided that the best
approach to this week’s issue would be to assume that some EU readers aren’t experts but
want to know more about art and the artists who proliferate it. Even if you’re not someone
16
september 13-19, 2007 | entertaining u newspaper
like that, you may still appreciate this feature as a social experiment. You can compare and
contrast the responses to learn who seems genuine and who shovels the manure.
I sent an email to eleven artists in the Jacksonville area who together might represent
an approximate cross-section of our local art scene. Many of them are painters, some
photographers. Many of them abstract their work signifi cantly, but some don’t. You get the
idea.
I gave no indication as to who the other participants might be. I simply stated that I had
chosen a few artists to be a part of this feature and they were included. Attached to each
email was a questionnaire consisting of fi ve questions, along with a request for images
of their work to be printed alongside their responses. Each artist was asked the same fi ve
questions, and I asked those questions in the voice of an aspiring art appreciator.
Five of the eleven artists responded, which speaks volumes all by itself. Compare the
responses yourself and feel free to let me know what you think.
brittni wood
Brittni Wood is an emerging contemporary artist
who is very involved with the young Jacksonville
art scene. You can catch Brittni Wood’s work
at her solo show at the Jane Gray Gallery. The
opening reception will be on Friday, November
2 nd . Learn more at janegraygallery.com. She is
also currently showing her work in a group show
at Pedestrian Projects in San Marco.
EU: Why do you make art? In other words, what
is your inspiration or most prominent subject?
Wood: I imagine this answer would be the same
for most any artist. I create because it is where
my interest lies; because there is nothing else
I would rather do. Inspired by artists from the
past and present, such as Eva Hesse and Ellen
Gallagher, my work is heavily infl uenced by social
issues of today, with an emphasis on ideas of
fame, fortune, religion, sexuality, and gender
roles.
EU: What is it about your chosen mode of artistic expression that conveys your ideas better than, say,
writing or music?
Wood: I suppose I am able to convey ideas visually better than I would be able to through music or writing
simply because I am not a writer, nor a musician. I am a visual thinker. That’s what makes sense to me.
EU: Do you have a specifi c audience in mind when you create?
Wood: I wouldn’t say that I necessarily have a specifi c audience in mind when I am painting. I’d like to think
that my work has no boundaries of that sort. However, I suppose if I had to choose, I would say my work is
most relatable to a younger generation of twenty and thirty-somethings.
EU: What do you hope viewers will see when looking at your work?
Wood: I use a lot of symbols. My hope is that anyone viewing my work would be able to pick up on that, and
relate it to his/ her own life, good or bad.
EU: What do you think would further improve the art scene in Jacksonville?
Wood: I have spoken in depth with several artists in the community about the arts and its role in Jacksonville,
and they are all on the same page in regards to this. This kind of thing has happened in Jacksonville before.
A buzz starts because a couple of galleries open up and things seem like they are starting to happen.
Eventually, it fades away, and Jacksonville looses the momentum that started building.
In knowing this, my suggestion would be to just keep going– pushing forward until we all get what we

want. Big steps are being made, with more to come; and I hope that Jacksonville doesn’t lose steam on this
again.
Galleries seem to be popping up more frequently over this last year (Opaq, Bogda, and Pedestrian
Projects to name a few), all with visions of supporting young artists in hopes of bettering the community.
Magazines and blogs promoting arts in Jacksonville are plentiful now, with new ones entering the picture
each week. More choices mean more opportunities for artists in Jacksonville.
The next step is working towards building a stronger sense of community within the arts, not just for
artists, but for everyone. Artists need to engage the general population through community-building events,
such as outreach programs, free workshops, artist and curator lectures, etc. Now is the time.
ian chase
One of the more innovative visual artists in the Jacksonville art scene, Ian Chase has achieved critical
success where most artists only achieve simple mention. His work has been shown all over, including
the Jane Gray Gallery and MOCA Jacksonville. He is capable of producing a wide array of artwork, such
as paintings and assemblages. Before his foray into visual art, Ian was known for being an accomplished
musician and later a successful entrepreneur, so when he took the art scene by storm it was a surprise, but
his work has clearly proven that he is equally as talented at this endeavor. Look for Chase’s work to be on
display in December at the Opaq Gallery at TSI with Eric Gillyard.
EU: Why do you make art? In other words, what is your inspiration or most prominent subject?
Chase: One of the reasons that keeps me producing art is a desire to understand myself and, in the process,
it helps to keep my mind clear and moving. It makes me happy when someone enjoys the work, but is not the
reason I created the piece.
EU: What is it about your chosen mode of artistic expression that conveys your ideas better than, say,
writing or music?
Chase: I’m not necessarily trying to convey my ideas, but rather to understand myself and develop new
techniques for future work.
EU: Do you have a specifi c audience in mind when you create?
Chase: I don’t have a specifi c audience, but I realize that the “art world” itself is a specifi c audience.
EU: What do you hope viewers will see when looking at your work?
Chase: Hopefully the viewer can fi nd something in the work that they can relate to.
EU: What do you think would further improve the art scene in Jacksonville?
Chase: The art scene in Jax seems to be continually evolving and taking shape with more artists, galleries,
art walks, education programs and press coverage.
Jacksonville is a great place to produce work, it’s affordable and medium-paced. Everyone has, or
should have, a different set of values and expectations in regards to their work. It is important to have
independent thoughts and ideas from which to draw, these things are solemn and personal.
Showing work at a gallery or museum involves many people, so understanding on both sides is needed.
Some galleries give you their space and say, “go nuts,” while others have a specifi c vision for their gallery.
Sometimes the “go nuts” artists are frustrated by the “specifi c vision” curator; sometimes the other way
around. So I think understanding is needed.
I was blown away earlier this year when George Kinghorn, the curator at MOCA, took such a beating on
several blog sites over his/the museum’s lack of involvement/interest in the “local art scene,” when George
has worked hard to support “local artists.”
Creating the work is personal and independent, showing and selling art is business, not evil, greedy and
corrupt, but just plain ol’ “let’s communicate and have a shared vision” kind of business, and that is hard
to do. Perhaps this is where art education has fallen short. Instead of teaching how to draw a circle or an
eujacksonville.com | september 13-19, 2007 17

art exhibits
cummer
Art Beyond Sight (October 1 through November 25,
2007) At the Art Connections Gallery. Art Beyond Sight
allows the blind to don thin gloves and feel their way
around 3-D art and sculpture. It allows them to experience
rare artwork in a way that’s accessible. For more information,
call (904) 355-0630
Joseph Jeffers Dodge: A Passion for Art (October 9,
2007 to February 2008) Joseph Jeffers (“Jerry”) Dodge
(1917-1997) was an important fi gure in the history of art
and culture in Jacksonville. His legacies within and outside
the community are multi-faceted. As Director of The Cummer
from 1962 to 1972, he made signifi cant acquisitions
for the museum’s collection, instituted a vibrant exhibition
program and established the institution as an educational
resource. This special exhibition drawn from the
museum’s collection focuses upon his achievement as a
painter. This exhibition will provide insights about Dodge’s
development as a painter and the passion that inspired
him – jazz (particularly the music of Duke Ellington and his
orchestra), the female fi gure, still life, landscape and travel.
In Stabiano: Exploring the Ancient Seaside Villas of the
Roman Elite (November 7, 2007 through February 3,
2008) On a bluff overlooking the Bay of Naples and the
modern city of Castellamare di Stabia, approximately 3
miles southeast of Pompeii, are the remains of the ancient
site of Stabia. For the fi rst time in the United States, this
exhibition brings to light art objects and archaeological
artifacts found in four ancient Roman villas built on that
bluff. Wealthy Romans built luxury summer resort villas
here. For a short time, these villas of extraordinary proportions,
innovative design and luxurious decoration were
a center of political power, wealth, culture and intrigue
during the hot summer months. This thriving microcosm
of privilege suffered destruction on August 24, 79 A.D.,
buried in ash by the same eruption that destroyed Pompeii.
This stunning exhibition in the Raymond K. and Minerva
Mason Gallery will be the last stop on an exclusive tour of
six American museums
A Kiowa’s Odyssey: A Sketchbook from Ft. Marion
(January 19, 2008 through March 9, 2008) This sketchbook
from the 1870s, chronicles the journey of a Kiowa
prisoner, a Native American named Etahdleuh, who was
removed to Fort Marion in St.Augustine. He attended the
Carlisle Indian School and kept this sketch book, now
valued ofr its historical signifi gance. For more info, call
(904) 356-6857.
Ernest Hemingway and Walker Evans: Three Weeks
in Cuba, 1933 (March 8, 2008 through June 1, 2008)
Gain new insight into Hemmingway, though newly recovered
photos and letters, particularly pertaining to the
friendship he formed in with Walker Evans, an American
photographer that Hemingway spent 3 weeks with in
Cuba. Letters and photos belonging to Evans points to the
profound impact both men had on each other’s lives. For
more info, call (904) 356-6857.
pedestrian projects
From the press release for their Portent, I Said Portent!
exhibition: “Pedestrian Projects was formed by a group of
artists with a common belief that the act of producing and
exhibiting contemporary art is vital to the intellectual and
creative nourishment of a sophisticated citizenry. It is this
group’s interest to foster the development of talented artists
18
compiled by donald dusinberre and erin thursby
september 13-19, 2007 | entertaining u newspaper
from multiple disciplines, through exhibition, education and
providing venue.”
Currently on display is Portent, I Said Portent! “The
title of the exhibit suggests a positive sign of things to
come for the visual arts in Jacksonville. The unique work
on display foreshadows a new, contemporary direction for
the local cultural scene, indicating we are on the cusp of
something exciting and progressive.” The show includes
the art of Byron King, James Greene, Brittni Wood, Mark
Creegan, and Kurt Polkey.
Located at 1535 San Marco Boulevard in Jacksonville,
Pedestrian Projects Gallery is a newly reopened gallery. For
more information, call (904) 859-8281.
cultural center at ponte
vedra beach
Hidden in southern Ponte Vedra lies the Cultural
Center at Ponte Vedra Beach. An excellent resource for art
and art education, they offer classes and events as well as
display the work of many quality artists in their gallery.
Currently on display are the Sculptures of David
Ponsler: Bronze, Steel, Copper and Iron. His magnifi cent
work will be on display through October 14 th . Coming in
October is Citi Smith Barney & Citi present Arts Alive 2007.
That event will take place on Saturday, October 6 at 7 pm.
The Cultural Center at Ponte Vedra Beach is located
at 50 Executive Way in Ponte Vedra Beach. Contact them
at (904) 280-0614, or check their website at ccpvb.org for
more information on upcoming events and exhibitions.
university gallery at unf
Although parking will always present a challenge at
UNF, it’s still worth the trouble to visit the University Gallery
at UNF. They often showcase the work of professors,
instructors and students. Currently on display is the work of
one of their (and my former) professors, Louise Freshman
Brown. Her work will be on display until October 5 th .
The University of North Florida is located at 1 UNF
Drive, off St. Johns Bluff Road in Jacksonville. Call (904)
620-2534 for more information or visit the UNF website at
unf.edu.
thrasher-horne center for
the arts
According to their website, thcenter.org, “The
Thrasher-Horne Center for the Arts is dedicated to
developing and nurturing the artistic potential and growth
of the students, residents and visitors of the community by
offering the very best of professional theater, dance, and
music performances and visual art exhibits.”
Located at 283 College Drive in Orange Park, the THC
will be hosting two new exhibitions, opening on September
17 th . The fi rst is called My Florida: John Wilton Exhibit. “Dr.
John Wilton is an educator and artist who has taught visual
art at Daytona Beach Community College for over 20 years,
along with stints at Stetson University and Embry-Riddle
Aeronautical University. His own artwork draws heavily from
Pop Art roots.”
The second exhibition is Our World: Photographs by
John Reed, on display until September 30 th . “In this unique
exhibit, photographer John Reed examines the beauty
and wonder that surrounds us each and every day in all
subjects, from the most ordinary to most intricate or fl eeting
moments.”
(continued on page 20)
eyeball, maybe teach a little marketing and business, both will serve the artist no matter what the individual
expectations are. There are no magic bullets in the art world. Art school, moving out of town or spending a lot
of time checking the barometer of the art scene can be counter-productive, I think time can be better spent in
the studio making art.
mark george
Unless you’ve been living under a rock, you’ve no doubt seen the work of Mark George somewhere. His
work is a premier example of Pop Art – a colorful and simple display. His work has been exhibited at
countless galleries and is always hanging in the popular Avondale Breakfast joint, the Fox Restaurant. It can
be easily distinguished by its middle-century, Kandinsky-esque, cartoon-like characters. Unlike Kandinsky,
his paintings appear strokeless, as though they were printed onto the corrugated poly-vinyl. in a strokeless
fashion that looks more like printing onto a corrugated plastic roofi ng material. When you see a Mark George,
you know it. No one else has work quite like his.
EU: Why do you make art? In other words, what is your inspiration or most prominent subject?
George: Art is a great form of release. It’s also my contribution to society, a responsibility of sorts. In the pop
genre I work with, it’s a refl ection of a very temporary society based around shallow issues like vanity and
greed, while at the same time addressing more primal urges like love, anguish and pain.
EU: What is it about your chosen mode of artistic expression that conveys your ideas better than, say,
writing or music?
George: There is no hidden meaning behind my work, it’s presented at face value and is all fairly specifi c
about their topics, usually centered around human emotions. The viewer will always have their own take on
what the painting means to them, however, the work should be pleasantly easy to grasp.
EU: Do you have a specifi c audience in mind when you create?
George: At this point, I would love to be viewed by all audiences, publicly. I love the idea of presenting an
unconventional format to people who are not even familiar with art or have no appreciation for it at all. That
way, you really tap into the human psyche with work that focuses on factors of everyday life, by people who
are not jaded to an acceptance of what art is supposed to be or look like.
EU: What do you hope viewers will see when looking at your work?
George: Themselves. It’s the beautiful simple things in life we all take for granted and often forget all about
in hot pursuit of instant gratifi cation– fast food, disposable razors, temporary jobs, apartments for rent and
one-night stands. Human emotion will be the last thing we will always have. After all is said and done and the
earth takes back what is rightfully hers, we will once again be faced with the fact that love and compassion
really is the most important part of our existence.
EU: What do you think would further improve the art scene in Jacksonville?
George: Breaking down walls that hold stifl ed ideas of what a preconceived notion of art is supposed to
be. Why do we continue to want the same thing over and over again? Artists who appeal to the masses
regurgitate congested boringness for shallow people who are trapped in their own confl ictions of keeping
up with the Joneses. Mail-order catalogs that are considered to be art periodicals refl ect this dull nature that
hangs over Jacksonville like a dark cloud and keeps the beautifully refreshing light of newness out.

joanelle mulrain
EU: Why do you make art? In other words, what is your inspiration
or most prominent subject?
Mulrain: I enjoy expressing myself as an artist and author. I have
been blessed to be able to take a brush once again in hand and
put onto canvas some of the beautiful natural beauty of Northeast
Florida and, on watercolor paper, some of my photographs, which
inspire my paintings. I choose cattails for a number of reasons. One,
it could become somewhat of a signature for me, an iconographic
image. Two, cattails are beautiful, willowy, wispy, and in many
places throughout the world. They are used for many things,
including food and weaving material for baskets. Third, nature is
the ultimate inspiration for us all- its symmetry, colors, and smells
are a connection to the earth and sky above us. It is something to
celebrate, preserve and protect. Light, air and water are the primary
elements, and we must be more responsible for ourselves and
our environment. It is an ultimate expression of my concern of what we are doing to our land, our water and our
air- we must come together so we can give our children part of what we have enjoyed during our lifetime.
EU: What is it about your chosen mode of artistic expression that conveys your ideas better than, say,
writing or music?
Mulrain: I write. I can read music, play the piano and guitar. I do not write music, but perhaps one day I will. I
have chosen acrylic to paint my canvases. I often use large canvases, 3’x6’ or larger. I guess I see the world
with a large perspective. It gives me a larger voice, perhaps. I want my work to “stop” people and make them
think about the images they see. I want them to respond to the vibrancy of the colors I choose and the scenes I
paint. I like to use large brushes and large brushstrokes to show meaning and give clarity to my subjects. I hope
to please the eye and open eyes wide to my world. I want to engage the viewer and start a conversation. I want
to receive a smile from the viewer and smile back, knowing they “get” what I’m trying to say. I speak on multiple
levels- color and space- with hidden meanings through images only I know are within the lines, and vibrancy to
open eyes wide.
EU: Do you have a specifi c audience in mind when you create?
Mulrain: I have the family in mind. The individual. The corporation. The neighbor. I create for those who
would like to come along with me on this particular journey in my life. I painted decades ago, and I have just
reconnected with what I loved to do before I took the corporate train and worked hard to make it possible for me
to have this time to do my creative work. It takes me to many places. When I paint, I have no minutes or time,
no night or day. Sometimes I paint for a dozen hours or so, or even through the night. I go with the paint and into
the levels of the work. It has been a great healer and a place I can share with others. If I have a specifi c audience
in mind, it is a commission that is specifi c to a subject matter. People buy my work because they connect
directly with the image and/or with me on the level I bring them to visually.
EU: What do you hope viewers will see when looking at your work?
Mulrain: I hope they will see me as I am today, not as I was in the past, but as an artist. I am working hard and
setting new goals. I have enjoyed reconnecting with old friends and meeting new ones who enjoy my work. First,
I paint for me. Then I paint for those who fi nd my work interesting and hope they fi nd a connection to it, so that
they want to own a piece and be a patron. I balance my home fi rst, then my consulting work, then my art. It’s
a balance; all of life is a balance. If someone enjoys and sees what I see in my photography or paintings, then
great. It’s all about the experience of art.
EU: What do you think would further improve the art scene in Jacksonville?
Mulrain: Conversation. It’s all about networking and connecting the different parts of the community-
museums, sponsors (banks, etc.), corporations, non-profi ts, galleries, Downtown Vision, Jax Beach Art Walk,
cultural councils and cultural centers- with the artists. It’s about making sure that when someone asks for
an artist to “donate” a work, they understand that we cannot take off the retail price of the painting on our IRS
statements- we can only take off the canvas, the brush, and the paint - not our time or the retail value thereof!
There needs to be more understanding regarding the role of the artist in a vital community. When a signifi cant
piece is given for a cause, the artist should be thanked and made part of the event, not just given a letter in
the mail thanking him or her for a major piece. Sometimes the value of the piece of art is higher than the cost
of a VIP ticket, or even more than what most donors even give to the organization in a year. The artist IS a
donor. Non-profi ts should understand that we are asked dozens and dozens of times to “give” and many of us
do give, and give, and give thousands of dollars every year. We must work together, not separately, in order
for us to reach a threshold in the community where artists are respected for their work and dedication to their
craft. We depend on our patrons, and our patrons depend on us. It’s symbiotic, and it takes balance and mutual
understanding. You have to work hard to make this relationship work in a community. Museums should have a
special “artist” level of membership- just show your business license, and become part of the artists supporting
our museums. If a museum is an art museum, then talk to, have a conversation with, plan with, and be sure to
moca jacksonville by donald dusinberre
Every few months, MOCA unleashes a barrage of new exhibitions and if you’re reckless about seeing
them, you can check them all out in one visit. Although it’s tempting, try to restrain yourself from doing
that. Your eyes will get overloaded but your brain will starve.
Think of it as a buffet. You can see everything right in front of you, but you can only fi t so much onto
your plate. If you try to put some of everything onto that tiny plate, you won’t really enjoy anything. In fact,
you’ll only come to realize that cantaloupe and Salisbury steak don’t mix too well in the stomach.
At MOCA, You have to make a choice to see one or two exhibits and save the rest for later. Trust me,
it’s the best way. Installation art and photography don’t mix well in the brain.
There are fi ve new exhibitions opening on September 14 th and running through January 6, 2008. To help
you decide which exhibitions you’ll want to see fi rst, I’ve raided artists’ websites and MOCA’s press
releases to give you a straight-up idea of what you may encounter.
coherent structures: recent silverpoint paintings by carol
prusa
(From MOCA Jacksonville’s press release) Carol Prusa’s paintings are inspired by her ongoing
fascination with science, alchemy, organizational systems, and botany. Highly fi nished elliptical and
round wooded panels serve as supports for an ethereal arena where Prusa’s depictions of ambiguous
microscopic cellular structures, fl ora and cosmological symbols take on monumental presence. The works
are meditative in the repetitive and meticulously drawn organic forms that hover weightless amidst the
fl uidity of the artist’s layered washes of suspended pigment. Prusa’s obsessively rendered drawings are
created in silverpoint, a medium that was utilized by Renaissance masters Leonardo da Vinci, Botticelli,
and Albrecht Durer. The artist’s skillful blending of materials ranging from powdered sulfur, titanium
white, graphite and acrylic media, produce works that are subtle and complex in the same instance. The
silverpoint drawing that is later heightened with titanium is somewhat faint and partially obscured by the
transparent graphite veils. This exhibition features more than twenty works including a new installation
that consists of more than a dozen various sized circular disks that are arranged on the gallery walls in a
constellation-like confi guration.
essence and materials: sculptures by minoru ohira
(From MOCA Jacksonville’s press release) Minoru Ohira’s simplistic and elegant sculptures are
inspired by forms observed in nature. The artist transforms raw materials, primarily wood salvaged from
construction sites and roadside discards, into a dynamic assortment of meticulously crafted seductive
forms. The rounded and curvilinear sculptural forms, some over eight feet in length, exhibit a range of
highly polished to jagged, scale-like textured surfaces. Central to the understanding of these works is the
artist’s steadfast commitment to traditional woodworking techniques and a deep respect for the inherent
nature of materials. Many of Minoru’s sculptures are created not by the use of power tools, but by his
painstaking use of handsaws and hatchets. This exhibition features over a dozen large-scale sculptures that
survey the varied artistic approaches of this important Japanese born sculptor.
sculptures by duncan johnson
(From marciawoodgallery.com) Jerry Cullum states in the Atlanta Journal Constitution, March
2001, “The uneven, stairstep effect of many of the pieces is a little reminiscent of parallel contour lines on
topographical maps, but even that is a misleading comparison. These are, quite simply, abstract forms with
their own internal logic, and they give pleasure for that very reason.”
Catherine Fox writes in the Atlanta Journal Constitution, 1997, “This ambiguity of scale infuses the
work with a cosmic quality. It’s hard to decide which to admire fi rst - that almost spiritual aura or the
physical beauty of the surface patterns created by these little wood pieces and their tree rings and grains.”
raddle cross & dowsing: installations by martha whittington
(From creativeloafi ng.com) Martha Whittington’s “Raddle Cross” is like a persistent toddler lugging
on your shirtsleeves to get your attention. The piece puts out a sound like ping-pong paddles sending a ball
across a table that resonates through the gallery space. Wooden circles of varying sizes are suspended
from the gallery ceiling on long strands of yarn and hooked to metal gears that send the discs pinging off
the concrete fl oors at metronomic intervals. This quirky piece, both addled and soothing, comments on
the repetitive labors of weaving, though here the gestures are the opposite of productive, the necessary
intersections between the threads never occurring.
valuistics: the making of an installation by james greene
(From ewing-gallery.org) This printed installation is both a display of James Greene’s valuistics as well
as a printed history of the word itself. With “The Making Of,” Greene - a former grocery store clerk and
retail employee - reveals his own consumer politics (contradictions and all) by symbolizing and accounting
for each of his consumer decisions. The installation is a scale re-creation of Greene’s home, family, and
friends printed on pink insulation board.
eujacksonville.com | september 13-19, 2007 19

To learn more about The Thrasher-Horne Center for
the Arts, visit their website at thcenter.org or call (904) 276-
6815.
alexander brest museum
Although I have not yet been, the Brest Gallery at JU
works in a similar capacity to the University Gallery at UNF.
Currently on display are two related exhibitions revolving
around the work of Brad Silverstein. Both exhibitions will
be concluding on September 26 th . One show is the work of
Allison Steadman & Brad Silverstein, while the other show is
a tribute to the art of Silverstein.
The Alexander Brest Museum and Gallery is located
at 2800 University Boulevard North, in Jacksonville. Gallery
hours are Monday – Friday, 9 am – 4 pm. Contact them at
(904) 256-7374.
open gallery
The October 3 rd ArtWalk will feature Shea Slemmer and
Anna Mambrino. Jacksonville artist Shea A. Slemmer
paints contemporary works in oils on large canvases. She
highlights the similarities between various shapes and
structures. The portraits that develop attempt to combine
the fl owing curves and poetic form we have come to know
as the female form with the symmetry found in nature:
a teetering balance of responsibility and yearning. Anna
Membrino is an art student at the University of North Florida.
Anna works from old black and white photographs to create
large scale, colorful acrylic paintings. She is intrigued by the
styles and motifs of mid century and looks to explore these
times through portraiture of relatives who experienced them.
The artwork will be accompanied by a musical performance
by the Badlands Trio. The Haydon Burns Building is located
at 122 N Ocean Street.
other openings
Trunk Show with Third and Wall Art Group (September
13 – September 15) Original works by Liz Jardine, Sara
Stockstill, Simon Addyman, William Kuttner and others
Fogle Fine Art & Accessories, 3312 Beach Boulevard, St.
Nicholas (904) 296-1310 or foglefi neart.com
An Exploration of the Nature of Place by Sarah Crooks
Flaire (September 13 – October 6) Opening Reception
Thursday, September 13th, 6 pm- 8 pm Douglas Anderson
School of the Arts, 2445 San Diego Road, Jacksonville
904-346-5620
Kathy Stark (September 13) Regions Bank, 4297
Roosevelt Boulevard, Jacksonville (904) 281-2660
Our World: Photographs by John Reed (September 17
- 30) Thrasher-Horne Center, 283 College Drive, Orange
Park (904) 276-6815
Allison Steadman & Brad Silverstein (September 14 – 26
Opening Reception: September 14, 5 – 7 pm) JU Brest
Gallery (904) 256-7371
Ron Burns: The Road to Recovery Benefi ting the
Jacksonville Humane Society and their rebuilding efforts
(September 14 – 30 Meet the artist at the reception,
September 14, 6 – 9 pm. Attend a book signing by the
artist on Saturday, September 15, 1 – 4 pm) R. Roberts
Gallery, 3606 St. Johns Avenue, Avondale (904) 388-1188
Minoru Ohira Sculpture Exhibit (September 14 – January
6) MOCA Jacksonville, 333 North Laura Street, Downtown
(904) 366-6911 x210 or mocajacksonville.org
20
september 13-19, 2007 | entertaining u newspaper
Mikhail Baryshnikov Exhibit (September 15 – November
2) J. Johnson Gallery, 177 4 th Avenue North, Jacksonville
Beach
current and ongoing shows
For the Glory of Hymn (Mixed media on Display through
September 16) Bethel Gallery, Ponte Vedra Presbyterian
Church
(904) 285-8225
Lost & Found (Through September 17) Women’s Center
of Jacksonville, 5644 Colcord Avenue, Arlington 11 am - 3
pm, Monday - Friday
Art at the Airport: Beginnings: Work by David and Kay
Olson
(Through September 28) Haskell Gallery at Jacksonville
International Airport, 2400 Yankee Clipper Drive (904)
741-3546 jiaarts.org
Southern Sunday Arts Revival Featuring Atlanta artists
George Long, Jesse Cregar, Mario Schambon, Scott Pethia
and Tindel-Michi (Through September 30) The Gallery At
Screen Arts, 228 W. King Street, St. Augustine (904) 829-
2838 or (800) 826-4649 or screenartsfl orida.com
Elemental Atmospheres: Paintings by Princess Simpson
Rashid (Through September 30) The Museum of Science
& History (904) 396-7062
Bogda September Show (Through September 30)
Bogda, 1253 McDuff Avenue South, Riverside (904) 387-
0852
David Ponsler Sculpture: Bronze, Steel, Copper and Iron
(Runs through October 14) Cultural Center at Ponte Vedra
Beach, 50 Executive Way, Ponte Vedra Beach (904) 280-
0614
Fabulous Fiber (September 4 – October 14) Barbara
Wroten, Pat Livesay, Cheryl Wencel, Nancy Devereux, Leni
Mittelacher, Betty Francis, Sara Barnhill, Diane Hamburg,
Melinda Bradshaw, Margot Miller , Katie Schwartz, Lynette
Holmes and Caroline Daley - First Street Gallery, 216 First
Street, Neptune Beach 904-241-6928
The Works of Mary St. Germain & Joyce Gabiou
(Through October 31) Reddi Arts Gallery, 1037 Hendricks
Avenue, San Marco (904) 398-3161
Fogle Fine Art Gallery Presents: Regions Bank Artist
Celebration of Jeanne Pelligreno (Through November
2007)
Regions Bank, 1461 Kingsley Avenue, Orange Park
Jim Draper: Produce Stellers Gallery Annex, 200 1 st Street,
Neptune Beach (904) 247-7200
Horizons (On display indefi nitely) Jewish Community
Alliance and Vandroff Gallery, 8505 San Jose Boulevard,
Mandarin
Audrey M. Stultz: I’m Alive Energy Lab Art Gallery, 137
King Street, St. Augustine (904) 808-8455
Michael Baum: Olive Forever Ocean 60 Restaurant &
Martini Room, 60 Ocean Boulevard, Atlantic Beach (904)
247-0060
Kyle Cannon Where Ya Bean Coffee Shop, 235 8th Avenue
South, Beaches
look for our fall performing arts preview on
september 27th.
connect with regional artists for a variety of purposes, including education. An art museum can only benefi t from
a direct connection with the artists in its region. It’s all interconnected. How art is positioned in a community
is a barometer for values and quality of life. It’s hard to fi nd a single seed of listing for art happenings- they are
exploding, like in the 70s. We have so many outlets, including YouTube.com, for getting our work “out there,”
and artists have made a valuable impact downtown by building up Art Walk to where it is today. They should be
thanked for creating synergy in buildings for lease, because otherwise, nothing would be there. Now, nearly 4k
people are expected for September Art Walk. Artists are part of the fabric of a city, part of its voice, and that’s
why it’s important to connect with the art community and listen to their needs and work together, all adding to
our quality of life.
At the end of the day, it’s about telling the truth. Telling the truth about what our city and our people want
from artists, and what the artists want and expect from our city and its people with regard to support and
patronage. We should celebrate those who have worked so hard for so many years, from teachers in all areas
of education to professional artists who depend on patrons to make a living. Artists are CEOs of their own
business, and they should duly be given the respect owed of such a position. There’s not a new building going
up that does not call an artist directly or work through one of Jacksonville’s many fi ne galleries to fi ll a wall. Our
work is a company’s or individual’s visual signature.
People can learn more about the basics of art by becoming a member of our cultural institutions. Artists
who want a voice should become members of our cultural institutions. It’s all about conversation- learning from
one another and building interpersonal relationships.
stephanie shieldhouse
Stephanie Shieldhouse is a local artist and part-time drawing instructor at the University of North Florida. Her
work is continuously on display at the Butterfi eld Garage Gallery in St. Augustine.
EU: Why do you make art? In other words, what is your inspiration or most prominent subject?
Shieldhouse: I have an idea that can only take shape on canvas. The idea rises to the surface, grows and
changes as the painting develops. It becomes a conversation, back and forth, between me and the canvas
and the demands and rejections of my inner critic.
EU: What is it about your chosen mode of artistic expression that conveys your ideas better than, say,
writing or music?
Shieldhouse: I’m unable to express my ideas in music or writing. I’m most comfortable with visual language.
EU: Do you have a specifi c audience in mind when you create?
Shieldhouse: I struggle – like most artists - between creating art as a personal exploration and creating art
that will match somebody’s Rooms to Go sofa. Right now, I’m following my own siren call.
EU: What do you hope viewers will see when looking at your work?
Shieldhouse: I suppose I really have no expectations– and that may be a defense mechanism. But when I sell
a canvas, I’m surprised and gratifi ed that someone responds to my vision– because often their interpretation
of my work is unexpected.
EU: What do you think would further improve the art scene in Jacksonville?
Shieldhouse: Well…I have a complaint about the Art Walk. It has become a venue for radio stations, real
estate agents, sandwich shops, etc. to peddle their wares. The art is there only in the service of these other
enterprises. The Art Walk should be dedicated the art and artists in our city.

galleries
130 King Street Fine Art & World Treasures 130 King
Street, St. Augustine (904) 829-8280 Original art from
locals and different types of glass and woodwork from
all over the world can be found at this gallery. They also
carry architectural stained glass from local and not-solocal
artists.
Art Center Gallery 31 West Adams Street (904) 614-
5986 The Art Center is one of the newer focal points of
the Jacksonville ArtWalk. Those artists who belong to
the co-op can display their work in the spacious gallery.
There’s also art upstairs, so make sure you ask to see
the upstairs studio. Art work on the walls varies widely in
style and medium. Most of the art work there is 2-D, but
the occasional sculpture fi nds its way into the gallery.
Aviles Street Gallery 11 C Aviles Street, St. Augustine
(904) 823-8608 Featuring local artists, they only hang
originals. Mediums include pottery, photography, colored
pencil, acrylic, oils and water colors. Make sure you
check out the African masks made from silver. There’s
also a limited art supply for artists looking to stock up.
Avondale Gallery 3545 St. Johns Avenue (904) 389-
6712 Fine art and custom frames can be found at his
gallery. All the work is original, done in impressionist
and modern styles of art. It’s a mix of local and national
artists. You’ll fi nd landscapes, still life and abstract. They
also specialize in portraiture, representing three regional
portrait artists.
Beaches Art & Frame Gallerie 1834 Third Street
South, Jacksonville Beach (904) 247-0596 They might
specialize in conservation framing, but they often show
work from local artists, especially of vivacious, local
nature scenes.
Bungalow Artworks 2782 Park Street (904) 981-9493
This Riverside gallery features an eclectic collection of
fi ne art and fi ne crafts from local and regional artists.
Jewelry, sculpture, oil paintings and interesting crafts can
all be found at this gallery. Make sure you visit the large
courtyard in the back, which is fi lled with garden statuary
and outdoor sculpture.
Bogda 1253 McDuff Avenue South (904) 387-0852
Jacksonville art with a punk edge is the main component
of the Bogda and they sell some really fantastic pieces
at a reasonable rate. If you’re looking for art and you
haven’t got a mint to spend, this gallery is the place to
go. Exhibits change every month and they often feature
up-and-coming artists that you won’t fi nd anywhere else.
Butterfi eld Garage Art Gallery 137 King Street, St.
Augustine (904) 825-4577 It’s a contemporary art coop.
They mostly feature landscapes with plenty of local
fl avor and sunsets. Those starved for the Big Apple can
also stock up on New York City scenes. All twelve of the
artists featured are locals.
Chao Framing 1514 Third Street North, Jacksonville
Beach (904) 249-4053 Custom framing and fi ne art
often go hand in hand, as in the case of Chao Framing.
This gallery and framing studio is featured as part of the
Beaches Gallery Tour.
Classic Blends 201 West King Street, St. Augustine
compiled by erin thursby
(904) 377-3198 They mostly feature art by the young
and hip, pulling a lot of artists from the of pool of Flagler
students. The collection can only be described as
esoteric. They’ve done shows on graphic art, graffi ti art,
screen art, comic style as well as realism and traditional
landscapes.
Crooked Palm Gallery 75 King Street, St. Augustine
(904) 825-0010 This collection of international art
features Koi fi sh, tropical seascapes, and women in
sensual poses as well as 3-D art, such as their bronzes
and glass from Italy.
Eclectic Galleries 2405 Third Street South, Jacksonville
Beach (904) 247-3750 This gallery is one of the area’s
best sources for 3-D art, be it ceramic, metal, glass or
wood. They’ve also got some interesting textile art. Work
from more than 180 different artist is available, so there’s
a style for everybody.
The Energy Lab 137 King Street, St. Augustine (904)
808-8455 This artist’s co-op gives the viewer a little
bit of everything: mixed media, watercolor, acrylic, oil,
abstracts and everything from landscapes pop art, fi ne
art to traditional art. They also stock jewelry.
First Street Gallery 216-B First Street, Neptune Beach
(904) 241-6928 Although you’ll fi nd tons of beach, sea
turtle and fi sh themed art in this gallery, you’ll fi nd even
more if you look, from clay art and metal sculpture to
fi ber and mixed media art. It’s also a terrifi c place to pick
up jewelry art for the woman who has everything.
Fogle Fine Art & Accessories 3312 Beach Boulevard,
Jacksonville (904) 296-1414 Looking for a special piece
to really make your décor pop? Fogle is the place to
go for art work that can serve as a focal point for your
design. Abstracts, landscapes, fl oral art and dramatic
photography are just part of this gallery. You can also fi nd
the perfect frame, or a pottery piece.
Gallery 1037 at Reddi Arts 1037 Hendricks Avenue
(904) 398-3161 While the Reddi Arts gallery is a small
one; it’s notable because nearly every artist, at one point
or another, will go there for art supplies they can’t get
anywhere else. They change the art regularly and you
never know what style or medium you’re going to see.
Hampton Gallery 2411 Third Street South, Jacksonville
Beach (904) 247-1050 Shows rotate monthly and
they sell art ranging from original oils to open edition
decorative prints. They also provide a full service custom
framing department to ensure that your valuable art is
well cared for by professionals.
James Coleman Gallery 65 King Street, St. Augustine.
(904) 829-1925 Sea scenes, woodlands, the tropics
and lush gardens all make their way to canvas at this
landscape oriented gallery. You’ll also fi nd glass, bronze
and other sculpture work. Located inside the Casa
Monica Hotel.
Jane Gray Gallery at Daryl Bunn Studios 643 Edison
Avenue (904) 338-5790 The principals of the gallery are
Missy and Thomas Hager, both of which have a stolid
pedigree in the art world. Missy is known on a local
level as the director of the House Gallery, and Thomas
is known for his photographic works on an international
level. The duo has partnered in this venture with Daryl
Bunn, who has helped to build support for the artistic
community in Jacksonville. Their main focus is to bring
fi ne, sophisticated art to Jacksonville—and so they have.
Much of their art features locals, but they also bring
National and International artists to the gallery.
J. Johnson Gallery 117 Fourth Avenue North,
Jacksonville Beach (904) 435-3200 Showing work by
renowned masters of sculpture, oils, printmaking and
photography, this gallery often changes their exhibitions.
To support the connoisseurship of new young talent, the
Gallery also hosts experimental works and project pieces
by artists in varying mediums, in addition to its quarterly
exhibits. The renowned sculptor Javier Marin is just one
of the artists they’ve featured.
Opaq Gallery 333 East Bay Street, Downtown (904)
305-1525 This tiny gallery is located in Downtown
Jacksonville, upstairs from the club TSI. They revel in
doing contemporary, innovative shows, sometimes using
multimedia. They’re one of the latest galleries to spice up
the scene here in J-ville.
P.A.St.A. Fine Arts Gallery 214 Charlotte Street, St.
Augustine (904) 824-0251
Those who run across this gallery don’t soon forget its
quirky name, which stands for Professional Artists of St.
Augustine. The gallery displays works from more than a
dozen St. Augustine artists. Even though they are local,
many of artists are nationally and internationally known.
They specialize in paintings and pottery. All artwork
hanging on the walls are originals, though prints are
available on request.
R. Roberts Gallery 3606 St. Johns Avenue, Avondale
(904) 388-1188 Located in the historic shops of
Avondale, this gallery is known for their free in-home
and offi ce art consultation. They represent artists from
all walks of life, from internationally known artists to
important emerging local artists and everything in
between. Bronzes, oils, acrylic, mixed media and limited
edition prints are just some of the things you’ll fi nd there.
San Marco Gallery 78B San Marco Avenue, St.
Augustine (904) 826-4434 Shell art, homemade soaps,
lotions, handmade jewelry, oils and acrylics by local
artists are all part of this gallery with a craft spin. Ocean
birds, the occasional abstract, historical buildings,
landscapes and pet portraits are all part of the art mix.
San Sebastian River Artists Studio & Holborn Gallery
134 Riberia Street suites 4&5, St. Augustine (904) 827-
9355 There’s a print making studio at the Holborn, so
artists can come in and get giclées of their work done.
Fourteen area artists are featured in the San Sebastian
next door, specializing in local scenes and color. They
also feature a number of nationally known artists.
Simple Gestures 4 White Street, East St. Augustine
(904) 827-9997 It’s a gift shop and art gallery in one,
with the work of 40 local and international artists on
display. Besides lots of jewelry, art lamps and books,
you’ll be able to buy some funky, colorful art for your
walls and metal/wood found object sculptures for your
shelves.
Stellers Gallery 115 Bartram Oaks Walk, Suite 101
Julington Creek (904) 230-4700, 1409 Atlantic
Boulevard, San Marco (904) 396-9492, 200 1st
Street, Neptune Beach (904) 247-7200, 240 A1A
North Ponte Vedra (904) 273-6065 You’ll fi nd a Stellers
scattered across the area. The galleries house a variety
of styles ranging from conservative and traditional, to
expressionist, abstract and whimsical. If you belong to
private club, it’s very likely that the art on the walls came
from a Stellers. The galleries have certainly left their
stamp on plenty of local places, both public and private.
eujacksonville.com | september 13-19, 2007 21

live music
shows calendar
THURSDAY, SEPTEMBER 13
Pianist Tim Nold Seawalk Hotel, Jax Beach (249-9981)
Open Mic w/Colleen Murphy Trade Winds Lounge,
St. Augustine (829-8646)
Gutterboy Roadhouse, Orange Park (264-0611)
Chuck Nash My Place, Jax (737-5299)
Big Engine Box Seats, Jax (908-7328)
Open Mic w/Krank Shaft Overtime Sports Bar, Jax (786-5466)
Mike Sweet & Friends Kingshead Pub, St. Augustine
Lift Mercury Moon, Orange Park (215-8999)
Park Street Band Ragusa, Jax (443-7888)
Sweet Little Ditty Spare Time, Jax Beach (246-8099)
Mariachi Guadalajara Jimadores, Jax (739-5828)
Boogie Freaks Square One, Jax (306-9004)
David Milam Shannon’s Irish Pub, Green Cove
Springs (230-9670)
Cloud 9 Twisted Martini, Ponte Vedra
Wes Cobb Fly’s Tie Irish Pub, Atlantic Beach (246-4293)
Rookie of the Year Jack Rabbits, Jax (398-7496)
L.E.G.A.C.Y TSI, Jax (635-3024)
Cornerstone The Mill Top, St. Augustine (829-2329)
Ron Rodriguez Mellow Mushroom, Jax (997-1955)
3 Eddie Bahamas, Jax Beach (241-3138)
Little Green Men West Inn Cantina, Jax (389-1131)
Freeze Frame Fionn Maccool’s, Jax Beach (242-9499)
Mr. Natural Whitey’s Fish Camp, Orange Park (269-4198)
Flashback Creekside Dinery, St. Augustine (829-6113)
Crematorium Thee Imperial, Jax (475-0488)
Those Guys The Oasis, St. Augustine (471-3424)
Von Barlow’s Jazz Journey Springfi eld Station, Jax
Jimmy Parrish & Ocean Waves Ragtime Tavern,
Neptune Beach (241-7877)
Stu Weaver Coffee Roasters, Jax
Matt Still Urban Flats, Ponte Vedra Beach (280-5515)
De Lions of Jah Twisted Sisters, Jax Beach (241-6453)
Deron Baker Trio Kingfi sh Grill, St. Augustine (824-2111)
FRIDAY, SEPTEMBER 14
Nate Holley Mellow Mushroom, Jax (997-1955)
Gator Country Concert-David Lee Murphy The
Landing, Jax
Anybody’s Fault Freebird Live, Jax Beach (246-2473)
Rodageezer Creekside Dinery, St. Augustine (829-6113)
Oscar Barnett Urban Flats, Ponte Vedra Beach (280-5515)
Mike Gottuso Seven Bridges, Jax (997-1999)
Fidelity Crisis Jack Rabbits, Jax (398-7496)
Southern Lights Thee Imperial, Jax (475-0488)
Freeze Frame Aroma’s, Ponte Vedra (280-2525)
Handgun Honeybun Country Club Lounge, Macclenny
McKenna Michelle’s, Jax (353-0002)
Wes Cobb Band Twisted Sisters, Jax Beach (241-6453)
Subhumans UK Fuel, Jax (425-3835)
Dial 9 Fionn Maccool’s, Jax Beach (242-9499)
22
september 13-19, 2007 | entertaining u newspaper
fi ddlin’ around
Restless Kind wins Gator Country’s Battle of the Bands
BY RICK GRANT rickgrant01@comcast.net
The River City Brewing Company’s covered outdoor
deck was the scene of 99.9 FM Gator Country’s
Battle of the Bands semifi nals last Saturday night. On
stage was the St. Augustine band Cliff Worrell and the
Restless Kind. This group is an assemblage of seven
veteran professional musicians who got together
because they all love country music and enjoy the
compatible chemistry in the group.
The seven piece group presents a big bold
sound with fi ddle, guitar, pedal steel, keyboards,
bass, drums and Cliff Worrell singing lead vocals.
The group came together from various popular
bands, including Southbound, Matanzas, Divorce
This, Fully Loaded, Lisa Lisa & the Toy Boys, and
even the Southeast Georgia Symphony Orchestra.
Individually, Restless Kind is comprised of well
known regional musicians including Doug Dennis
on guitar and vocals, Lisa Mack on keyboards and
vocals, the legendary Phil Jones on pedal steel and
guitar, Doug Kohl on bass, Robert Zielinski on fi ddle
and mandoline, Kim Zielinski on fi ddle and vocals and
Lisa Locke on drums. Together, this band kicks butt
with a tight country groove. Having two fi ddles and
pedal steel gives the group top-tier credentials as a
country band. However, the group can rock out if the
situation presents itself.
The packed deck of enthusiastic fans were
dancing and shouting their approval as Restless Kind
plowed through a repertoire of mostly crowd-pleasing
songs and a few originals. The band is slowly integrating
its well-written originals into the cover mix as
it gets more exposure in the country venues around
the Southeast. Frankly, it’s fun to hear the good old
country songs like Before He Cheats, Boot Scootin’
Boogie, Brick House, Brokenheartsville, Foggy Mountain
Breakdown, Folsom Prison Blues, Good Hearted
Woman, et al. And yes, Restless Kind throws in some
Skynyrd tunes for good measure and to appease to
locals, which illustrates the deep Skynyrd roots that
bred the countrifi ed southern rock sound.
I especially enjoyed Restless Kind’s Johnny
Cash tribute and the two fi ddle players–those wild
and crazy Zielinskis. And yes, I love the pedal steel
too because it cuts through the mix with penetrating
authority. Phil Jones is a legend on the instrument
and he also plays a mean lead guitar. Clearly, the
members of Restless Kind love interacting with their
audience. Cliff hops off the stage and wanders into
the crowd to sing to each person present.
Undeniably, Restless Kind is a show band of
high-ranking, fl awless, uncompromising musicianship.
Since four of the band members are related, and
it produces such a taut sound, this could verify the
genetic inheritance theory of musical excellence.
In today’s economic crunch, staging a sevenpiece
band is a challenge, but the group stays busy
playing festivals, fairs and places like the Jax Landing.
They even bite the fi nancial bullet and play some
smaller clubs for exposure.
Restless Kind has much to offer in terms of its
“bold as love” sound that draws the audience into
their groove and inspires people to dance and have
fun. The secret is–since the band is having fun, they
pass that on to the audience through osmosis. And,
everyone goes home happy. Crank it up!
You can see Cliff Worrell & The Restless Kind
on September 21 at the Jacksonville Landing opening
for Crossin Dixon and Chris Cagle as part of the Gator
Country Concert Series.

a nu-metal
goddess
Lennon concert review
BY KELLIE ABRAHAMSON KAbrahamson1@aol.com
At 9:15 last Friday night I was speeding down
JTB trying to make it to the Freebird and praying that
none of Jacksonville’s Finest were sneakily hiding
in the bushes ready to issue me ticketus maximus.
After an already ridiculously long, terrible day, I had
ushered my two kids out the door an hour later than
I’d planned (mostly due to two missing shoes, a
“she hit me!!!” and a potty emergency that ended
in disaster) and it was one of those days where
all I really wanted to do was crawl into bed and
sleep until Sunday. Instead, I had to cover nu-metal
songstress Lennon’s concert; hence my mad dash
down JTB.
I hate being late to anything, but given the day
I’d had, I was almost relieved. My assignment was
to cover Lennon’s performance, not the opening
acts, so I thought my tardiness would spare me one
or two bands and then I would be that much closer
to Lennon and subsequently my bed. Once I fi nally
arrived at Freebird Live, my hopes for a relatively
early night were dashed- the fi rst band was just
about to begin their set. At the time, I kicked myself
for being in such a rush, but it actually ended up
being a good thing because these opening acts
explained a lot about the audience and what was to
come.
You see, Lennon is Lennon Murphy, a singer/
songwriter from Tennessee who is also an alt pinup
model on SuicideGirls.com. At 19, she released her
fi rst album, 5:30 Saturday Morning, and has since
come out with four more records and two DVDs,
all on John Galt Entertainment, the label she cofounded.
She’s headed back to the studio in a couple
of weeks to make yet another record, promising this
one will be her heaviest yet.
After touring with the Warped Tour and
opening for Aerosmith and Mötley Crüe, Lennon has
developed a sizable following. Apparently no one has
sent Jacksonville that memo. Most of the people that
were at the show on Friday were there for Manna
Zen, AWOL or Mindslip, the local bands opening for
the nu-metal goddess. If you’re familiar with these
bands, you know that they’re, generally speaking,
melodic hard rock which would,
under normal circumstances, be
a perfect match for Lennon.
This particular evening,
though, she was without her
band, so audience members,
many of whom had no idea
who Lennon even was, were
surprised to see a pretty 20something
get on stage and
sing accompanied only by her
keyboard a la Tori Amos after all
the metal acts. Lennon informed
the audience that she writes all
of her songs on piano fi rst and
then gets together with the band
to transform the tunes into the
heavier stuff you hear on her records. Those familiar
with her work (all 6 in attendance) got to hear her
songs in a whole new way, while those who were
not had to just trust that the soulful piano ballads
sound completely different on her CDs and when the
band’s around.
With only about 50 people in the club during
her set, Lennon seemed to just have fun with her
time on stage. She spoke with her fans and manager
freely between songs, taking requests and joking
about her anonymity in the River City. Lennon also
told stories about the tunes she played, explaining
the origins of certain songs and why they’re
important to her life and career. At one point she
nervously performed a song she had written the
words to earlier that day, having a public moment of
insecurity before diving into a beautiful song with a
complex piano arrangement.
Given her SuicideGirls fame, I expected pervy
guys and catcalls, and there were a few. In fact, the
fi rst reaction to Lennon’s presence on stage was
“You’re hot!” yelled by a drunken frat boy. Members
of the male persuasion spent the fi rst half of the
show on the second fl oor of the building, presumably
so they could get a clear view of Lennon’s cleavage.
Still, the veteran singer/songwriter held her own
against the heckling oglers, throwing out comical
retorts, calling them out on their immaturity and even
demanding that they buy her drinks. By the end of
her set she had 18 bottled waters and 5 six packs of
Newcastle on stage waiting for her.
Even though most of the audience were
there to see someone else and ended up hearing
Lennon’s songs at their most basic level, by the
end of her hour-long set the songstress had won
over the crowd and many new fans lined up with
existing fans at the merch table to snag a CD and an
autograph, including the rude drunken frat boy. As
for me, I fi nally hit my pillow at 2:30 in the morning
but I didn’t really mind. At some point during one of
Lennon’s spellbinding songs, my ridiculously long,
terrible day turned into a ridiculously long, alright
night. What a difference a good show makes!
Charlie Hall Murray Hill Theatre, Jax (388-7807)
Silver Lake Drive Kingfi sh Grill, St. Augustine (824-2111)
LeMonde Ocean 60, Jax Beach (247-0060)
Jenna Metro Backstreets, St. Augustine (827-0990)
Kenhe The Homestead, Jax Beach
Little Green Men Brewsters Pub, Jax (223-9850)
Mike Sweet & Friends Mi Casa Café, St. Augustine
(824-9317)
Jager Dave On the Rocks, Jax (685-5268)
Retro Kats Culhane’s Irish Pub, Atlantic Beach
(249-9595)
Blue Collar Addict Brewsters Pit, Jax (223-9850)
Crystal Bessels Kickback’s, Jax (388-9551)
Matt Collins Pauly’s Pizza, Jax (727-9101)
Will Pearsall A1A Aleworks, St. Augustine (829-2977)
Yancy Clegg Sneakers, Jax
Phathom, Ampleforth Yesterdays, Jax (387-0502)
Brian Turner & Rip Tide Cliff’s, Atlantic Beach (249-2777)
Sidewalk 65 Tom & Betty’s, Jax (387-3311)
FRIDAY-SATURDAY, SEPT. 14-15
Cheshire Cats Trade Winds Lounge, St. Augustine
(829-9336)
A1A The Roadhouse, Orange Park (264-0611)
Pili Pili Caribbee Key, Neptune Beach (270-8940)
Something Distant Scarlett’s, St. Augustine (824-6535)
Dueling Pianos Dick’s Wings/Tinseltown, Jax
The Outcasts The Oasis, St. Augustine (471-3424)
Blistur Mercury Moon, Orange Park (215-8999)
Mr. Natural Tailgaters, Green Cove Springs (529-1976)
Boxrockers Lynch’s, Jax Beach (249-5181)
Out of Hand Palace Saloon, Fernandina
Livid Overtime Bar, Jax
Lisa & the Madhatters Cheers, Mandarin (262-4337)
Dot Wilder Jazz Casablanca Inn, St. Augustine
John Michael Rose Wicked Davey’s, Fernandina
Ron Perry Ragtime Tavern, Neptune Beach (241-7877)
Big Al & the Kaholics Monkey’s Uncle, Mandarin
(260-1349)
Those Guys A1A Aleworks, St. Augustine (829-2977)
Yankee Slickers Whitey’s Fish Camp, Orange Park
(269-4198)
Boogie Freaks Square One, Jax (306-9004)
Ryan Hamner The Grape, Jax (642-7111)
SATURDAY, SEPTEMBER 15
Robby Schenck Kickback’s, Jax (388-9551)
Magnolia Possums Creekside Dinery, St. Augustine
(829-6113)
Lauren Fincham Frisky Mermaid, Fernandina (261-3300)
Chelsea Saddler European Street/Beach, Jax (725-3929)
JW Gilmore Blues Pizza Garden, St. Augustine (471-9455)
7 Tides of Royal Blood Thee Imperial, Jax (475-0488)
Don’t Tell Anne Fionn Maccool’s, Jax Beach (242-9499)
The Bridges, Spoken Groove Murray Hill Theatre,
Jax (388-7807)
Bush Doctors Kingfi sh Grill, St. Augustine (824-2111)
Brian Turner w/Rip Tide Conch House, St. Augustine
(829-8646)
eujacksonville.com | september 13-19, 2007 23

Grabbag, Poncho Villa Doozer’s Pub, Jax
Falling At Will Brewsters Pit, Jax (223-9850)
Spacebar Jack Rabbits, Jax (398-7496)
Strings of Fire Jimadores, Jax (739-5828)
Louder Than Eleven Brewsters, Jax (223-9850)
Mike Sweet & Friends Mi Casa Café, St. Augustine
(824-9317)
Payton Page Mellow Mushroom, Jax (997-1955)
Nightfi re Freebird Live, Jax Beach (246-2473)
Sonoma Fuel, Jax (425-3835)
Tony Steve JU Swisher Theatre, Jax
NH3 Band GQ’s, Jax
Battle of the Bands River City Brewing Company,
Jax (398-2299)
Jackal & Hyde Endo Exo, Jax (396-7733)
E Down Club 2000, Jax
Madison Fadeout Ocean Club, Jax Beach (242-8884)
Stu Weaver Harry’s, Jax Beach (247-8855)
Derick House of Jam, Mandarin (262-3377)
Open Mic w/Larry Broussard St. Johns Pizza Grill,
Jax (287-9900)
Nimencia Yesterday’s, Jax (387-0502)
SUNDAY, SEPTEMBER 16
Those Guys Sunset Grill, St. Augustine (471-5555)
Dan Shepherd Harpoon Louie’s, Jax (389-5631)
Normal Town Ragtime Tavern, Atlantic Beach
Isaac Byrd Jr. De Real Ting Café, Jax
Michael Funge Culhane’s Irish Pub, Atlantic Beach
(249-9595)
JW Gilmore Blues Gypsy Cab Company, St. Augustine
Tarik Hassan Sahara Café, Jax
David Milam Mellow Mushroom, Jax (997-1955)
Pili Pili Ocean Club, Jax Beach (242-8884)
Jimmy Parrish Carib Key, Jax Beach (270-8940)
Eyes Set To Kill Thee Imperial, Jax (475-0488)
Double Down Band Michelle’s, Jax (353-0002)
Nervous Breakdown Brewsters Pit, Jax (223-9850)
Matanzas Trade Winds Lounge, St. Augustine (829-8646)
Battle for Planetfest Jack Rabbits, Jax (398-7496)
Don David Trio Creekside Dinery, St. Augustine
(829-6113)
Soulo Kingfi sh Grill, St. Augustine (824-2111)
Spade McQuade Fionn Maccool’s, Jax Beach (242-9499)
Big Engine Whitey’s Fish Camp, Orange Park (269-4198)
3rd Bass The Casbah, Jax (981-9966)
El Toro Loco Square One, Jax (306-9004)
Jan Crawford & Friends Cortesses, St. Augustine
(825-6775)
MONDAY, SEPTEMBER 17
Joey Cortesses, St. Augustine (825-6775)
Charlie Walker Mellow Mushroom, Jax (997-1955)
Sam Pacetti The Mill Top, St. Augustine (829-2329)
Lary Smith Harmonious Monks, Jax (886-3040)
Steve Wheeler Band Tastings, Jax
Band of Destiny Square One, Jax (306-9004)
Nolan Neal Fly’s Tie Irish Pub, Atlantic Beach (246-4293)
Chris C-4 Mann The Oasis, St. Augustine (471-3424)
24
september 13-19, 2007 | entertaining u newspaper
a christian music
gathering
New Life Coffeehouse
BY BRENTON CROZIER
WHAT: New Life Coffeehouse
WHERE: Park Street Church (West Side)
WHEN: Every Saturday at 6:30 p.m.
EXPLANATION: Coffeehouse with Contemporary
Christian Performers Representing All Genres and
Free Coffee and Snacks
The New Life Coffeehouse takes place every
Saturday night at 6:30 in the recreation hall of the
Park Street Church. George Arvin, a musician in the
praise band at the church, started the coffeehouse in
June to give other Christian artists a venue to perform.
The concept of the coffeehouse was spurred
from George’s childhood experience of being thrown
out of church for playing rock-n-roll. He explained
to me that things have really come a long way since
then and that Christians should be a powerful arm of
the popular culture.
“Christian music is continually growing and
adopting all genres of popular music, it is a great
medium to spread to word of God,” George said.
Crowd and performer turnout has been unpredictable
in both numbers and styles. The assortment
of artists is part of the event’s charm. Despite a lack
of continuity in atmosphere, artists, and even audience
members, the coffeehouse works. I attended
this past Saturday and quickly realized that it wasn’t
about creating a scene, but instead providing a welcoming
spot for artists of all stripes to perform and
enjoy fellowship.
“It’s open to everyone, but I’m mainly targeting
an age group of 18 and older with contemporary
Christian music that touches all genres,” George
told me. He is not trying to compete with Murray Hill
Theater, although he is hoping for some of the acts
that regularly appear
there to play at the New
Life Coffeehouse. There
is even a hope that
Christian comedy and
more hip-hop acts will
be part of the mix.
The coffeehouse
takes place inside of
Park Street Church to limit the amount of overhead.
You won’t fi nd any dilapidated sofas, weather-worn
books, bins of sweet-smelling coffee beans, or
even an espresso machine surrounded with clouds
of steam, but rather a corner of your grandparent’s
living room, large white tables with slightly uncomfortable
chairs, and a single coffee maker. Despite
the unconventional touches that makes it scream
“church,” the atmosphere is relaxed and laid back.
There is low lighting, a decent sound system, and
plenty of room for musicians to perform.
I wouldn’t say that the ambiance is what it
should be, but it is another part of the progression
that New Life is hoping for. Like many other aspects
of the coffeehouse, it will be formed by the people
who participate in it. There is nothing particularly
hip about the coffeehouse’s presentation or overall
aim, but upon talking to those who participated and
simply were spectators, it makes you kind of glad
that they don’t care. The crowd embraced all of the
performers, but they especially enjoyed TB1 (theblessed1.com),
The Blessed 1. In so many words,
it was a rather white bread audience, but they got
down from the start and waved their hands in the air,
waved them like they just didn’t care.
TB1 and his hype man Steve read about New
Life Coffeehouse online. They performed with prerecorded
tracks, and were able to involve the audience
and make it work. I wouldn’t say the crowd participated
charismatically, but there were a number of
positive verbal responses to TB1’s songs. TB1 (Stephen)
has been at the Christian rap game for more
than 7 years. He has spent 4 years on Jacksonville-based
Christian label No Compromise records
(nocompromiserecords.com). Although only playing
for 12 of us tonight, TB1 has had the opportunity to
perform at the TD Jakes MegaFest, open for Vickie
Winans, perform at the Convoy of Hope during the
Super Bowl, and open for Bow Wow. His new album
was released in August and he is performing as
much as he can to promote it. George told me that
TB1 is exactly the type of act he has been hoping to
bring to the New Life Coffeehouse.
George takes video of all the performers that
have played at the coffeehouse and posts it on the
coffeehouse’s MySpace account at myspace.com/
newlifecoffeehouse. His long term vision for the coffeehouse
is to provide all of Jacksonville’s rich pool
of diverse Christian musicians a place to play. Additionally,
he would like to be able to build a pool of
talent to be able to send artists as guest musicians
to area churches on a donation basis. He explained
that a lot of churches don’t have the funds to bring
musicians in, and he wants to be able to provide
the service while fulfi lling performer’s wishes for a
venue to get their inspired music out.
Next Saturday (September 15 th ), Brian Jones
from Tampa, who has opened for Sonic Flood, will
be performing and the following Saturday (September
22 nd ) local band Terrill and Company will be
kicking off their nationwide tour at New Life. Stop
by for these great acts and to enjoy free coffee, tea,
lemonade, cookies and muffi ns. There are no cover
charges and all food is free, but donations are never
turned down.
There is no trap, you won’t leave with tacky
tracts, and it is not a ploy for money for the church.
If you’re interested in contemporary Christian music
and culture, you can be a part of cultivating it in
Jacksonville by participating in New Life Coffeehouse.

you can dance if you
want to
Café Eleven’s Anniversary Dance Off
BY HILARY JOHNSON hilary_a_johnson@yahoo.com
WHAT: Café Eleven’s Anniversary Dance Off
WHERE: Café Eleven, St. Augustine Beach
WHEN: Tuesday, September 18, 8:30 pm
There is a tangible tang of excitement in the
air at Café Eleven, St. Augustine’s premier concert
venue for independent artists. John Vanderslice and
Bishop Allen, two great musical treats, are coming
to Florida’s historic town. But, as if their musical
airwaves weren’t enough to stir some vibrations
amongst St. Augustine’s residents, Café Eleven is
pulling out all the stops on their 5 th Anniversary celebration
with a full fl edged, no holds barred, coming
right at you with balloons, champagne and celebrity
judges Dance Off.
The only thing you really need to know is that
this Dance Off is going to be amazing. It features
three dance troupes, the TNT Dance Team of eleven,
Fire Hazard with their four guys and four girls, and
Sasparilla Sanchez bringing in the rear with three, the
minimum number of team members allowed. Each
troupe is set to “bring it” to the competition through
original choreography, fl amboyant costume and musical
selection.
“Last year TNT Dance performed at Marathon
Dance on Halloween. I was blown away!” says Dettra,
owner of Café Eleven and mastermind behind
the competition. “I thought, where did these people
TNT Dance Team Willie Heath Neal Jack Rabbits, Jax (398-7496)
Stu Weaver Harry’s, St. Augustine (824-7765)
come from? And are there other troupes like this?”
It seems there are, and that people are willing to pull
together the ranks at the opportunity to show some
personal creativity and have a ton of fun.
TNT Dance Team, a troupe that formed over a
bottle of tequila and made their debut on Halloween
a year ago, were the fi rst team to sign on. Originally
thought to be a simple invitation to dance at the Anniversary
party, Dettra soon posted an open casting
call to any and all who wanted to take on TNT Dance
in an all out Dance Off. Suddenly, what would have
been just another fun night for the troupe to show
their skills became a bid to combat.
“We had to amp up the practice shed, nail the
song, and get a costume designer that goes beyond
the sequined headband and wristbands,” says Jenai
Master, TNT’s troupe leader. “It’s getting really serious
lately. People are getting nervous.” Master said
the song selection became their secret weapon this
year, a tough decision that had to pull in the crowd
one hundred percent, as well as bridge the age gap
between the various judges. The judges range from
Ed George, the mayor of St. Augustine Beach, to
Vanderslice himself.
Secrecy has run rampant amongst the competing
teams. Fire Hazard’s troupe leader, Justin Krol,
didn’t even want the other troupes to know about his
extensive, world-renowned background in professional
dancing, not wanting to add any more fuel to
the fi re. And when asked how Fire Hazard planned to
bring it to the competition he responded by saying,
“I’m not at liberty to reveal too much information...”
What we can expect is an original and obscure song
selection with attitude and costumes as fi ery as their
team name.
Anyone was allowed to enter the competition
and rumor has it that there might be a special solo
ribbon dance that includes a black spandex costume.
At the end, the winner of the competition will receive
a special trophy. Although this year’s event is the
fi rst of its kind, Café Eleven plans on making it a
tradition, rotating the judges year to year.
“I’ve been dreaming about this event for a long
time,” says Ryan Dettra. “Dancing is an art form. I
love to see this kind of creativity.”
Despite the heavy competitive nature of this
dance off, all teams are agreed on one thing. The
competition is strong, it’s bound to be a great showdown
and everyone is in it to have a good time. This
will be no ordinary, run-of-the-mill Dance Off. This
one is going to be fi erce.
TUESDAY, SEPTEMBER 18
Billy & Vinnie Sun Dog Steak & Seafood, Neptune
Beach (241-8221)
Matanzas Trade Winds Lounge, St. Augustine (829-8646)
Christina Wagner & Friends Mark’s Downtown, Jax
(355-5099)
Will Pearsall The Mill Top, St. Augustine (829-2329)
Dave Massey Kickback’s, Jax (388-9551)
Those Guys Hurricane Patty’s, St. Augustine (827-1822)
Shawn Lightfoot London Bridge, Jax (359-0001)
Scenic Void Cortesses, St. Augustine (825-6775)
Ron Perry Fionn MacCool’s, Jax Beach (242-9499)
Matt Still Caribbee Key, Neptune Beach (270-8940)
John Waters The Oasis, St. Augustine (471-3424)
Out of Hand Palace Saloon, Fernandina Beach
Café 11 Anniversary-John Vanderslice Café Eleven,
St. Augustine (460-9311)
Bill Rice Mellow Mushroom, Jax (997-1955)
Mystic Dino Lynch’s, Jax Beach (249-5181)
Mike Miller Band St. Nick’s Lounge, Jax
Blues w/Jim Brady Creekside Dinery, St. Augustine
(829-6113)
Jimmy Solari My Place, Jax (737-5299)
Seth Ramsdill Fly’s Tie Irish Pub, Atlantic Beach
(246-4293)
Ron Perry Harry’s, St. Augustine (824-7765)
El Toro Loco Square One, Jax (306-9004)
TUESDAY-WEDNESDAY,
SEPTEMBER 18-19
Gene Nordan Mackenzie’s, Ponte Vedra (543-9143)
WEDNESDAY, SEPTEMBER 19
Mr. Beam Casa Marina, Jax Beach (270-0025)
Dave Massey My Place, Jax (737-5299)
Rip Tide w/Brian Turner Eddie Bahamas, Jax Beach
(241-3138)
FunKtion Brix, Jax Beach
Wes Cobb Band Square One, Jax (306-9004)
Bob & Joline Creekside Dinery, St. Augustine (829-6113)
Those Guys The Pier, St. Augustine
Billy Bowers The Oasis, St. Augustine (471-3424)
Eric Dawkins Mellow Mushroom, Jax (997-1955)
War of Ages Thee Imperial, Jax (475-0488)
Jesse & Leaa Cortesses, St. Augustine (825-6775)
Jodies Fiasco Castillo de Mexico, Jax
Billy Bowers The Oasis, St. Augustine (471-3424)
Soulo Urban Flats, Ponte Vedra Beach (280-5515)
The Mike Miller Band St. Nick’s Lounge, Jax (396-3396)
El Toro Loco Aromas, Ponte Vedra (280-2525)
Chuck Nash Sun Dog Steak & Seafood, Neptune
Beach (241-8221)
Sidewalk 65 Latitudes, Jax Beach (247-6606)
Pili Pili Fly’s Tie Irish Pub, Atlantic Beach (246-4293)
Dave Massey My Place Bar & Grill, Jax (737-5299)
eujacksonville.com | september 13-19, 2007 25

upcoming shows
Chris Cagle Sept. 21, Jacksonville Landing
Bruce Bruce Sept. 21, Florida Theatre, 355-2787
Queens of the Stone Age Sept. 21, Plush, 743-1845
Culture Sept. 21, Freebird Live, 246-2473
The Courtneys Sept. 21, Club TSI
Burning Brides Sept. 22, Jack Rabbits, 398-7496
Do Make Say Think Sept. 23, Jack Rabbits, 398-7496
Atreyu Sept. 28, Plush, 743-1845
Strung Out Sept. 29, Freebird Live, 246-2473
Ken Andrews And Charlotte Martin Sept. 29, Jack Rabbits, 398-7496
Unearth, Darkest Hour, August Burns Red Sept. 30, Freebird Live,
246-2473
Fusebox Funk Oct. 5, Freebird Live, 246-2473
Angie Stone Oct. 6, Florida Theatre, 355-2787
Boys Like Girls Oct. 6, Freebird Live, 246-2473
David Dondero Oct.7, Cafe Eleven, 469-9311
Bonde Do Role Oct. 10, TSI, 424-3531
Sinbad October 12, Florida Theatre, 355-2787
Thee Crucials Oct. 12, Club TSI, 424-3531
Clint Black October 13, Florida Theatre, 355-2787
Michael Franti & Spearhead Oct. 13, Freebird Live, 246-2473
John Gorka October 13, Cafe Eleven, 469-9311
Gregg Allman Oct. 14, Florida Theatre, 355-2787
Dennis DeYoung Oct. 19, Florida Theatre, 355-2787
Medeski Martin & Wood Oct. 19, Freebird Live, 246-2473
The Hives Oct. 19, Jack Rabbits, 398-7496
Acoustic Alchemy Oct. 23, Florida Theatre, 355-2787
The Samples Oct. 23, Freebird Live, 246-2473
MagnoliaFest with Toots & The Maytals, Donna the Buffalo, Railroad
Earth, The Duhks, Bobby Lee Rodgers Band and more October 25–28,
Spirit of the Suwannee Music Park, Live Oak, Florida, www.magmusic.
com
Sam Bush, Jerry Douglas and Edgar Meyer Oct. 25, Florida Theatre,
355-2787
Corey Smith Oct. 26, Florida Theatre, 355-2787
Nada Surf, Sea Wolf October 27, Cafe Eleven, 469-9311
Monotonix Oct. 28, Club TSI, 424-3531
Kings of Leon Oct. 30, Florida Theatre, 355-2787
Fall Out Boy, Gym Class Heroes, Plain White T’s, Cute Is What We Aim
For Oct. 30, Jacksonville Arena, 353-3309
Dr. Dog, Delta Spirit, Emily Lacy October 30, Cafe Eleven, 469-9311
Ben Harper Nov. 1, Florida Theatre, 355-2787
Reverend Horton Heat/Hank Williams III Nov. 1, Freebird Live, 246-2473
D.L. Hughley Nov. 2, Florida Theatre, 355-2787
David Bazan Nov. 6, Cafe Eleven, 469-9311
Badfi sh Nov. 6, Freebird Live, 246-2473
Classic Albums Live - Pink Floyd’s The Wall Nov. 7, Florida Theatre,
355-2787
Tallyrand Music Festival W/Spoon, Keller Williams, The Bravery,
Pepper, Against Me!, The Polyphonic Spress, Rooney and more Nov.
10, Metro Park
Dan Zanes Nov. 10, Florida Theatre, 355-2787
Nickel Creek Nov. 12, Florida Theatre, 355-2787
Bob Weir and Ratdog Nov. 14, Florida Theatre, 355-2787
Slightly Stoopid Nov. 15, Freebird Live, 246-2473
Spill Canvas Nov. 17, Jack Rabbits, 398-7496
Jucifer Nov. 23, Jack Rabbits, 398-7496
Zoso Nov. 24, Freebird Live, 246-2473
Lalah Hathaway Nov. 24, Florida Theatre, 355-2787
The Electric Six Nov. 24, Jack Rabbits, 398-7496
Wynonna Nov. 30, Florida Theatre, 355-2787
David Wilcox Dec. 8, Cafe Eleven, 469-9311
Rev. Billy Wirtz Dec. 9, Cafe Eleven, 469-9311
Jethro Tull Dec.11, Florida Theatre, 355-2787
Johnny Winter Dec. 14, Freebird Live, 246-2473
Derek Trucks and Susan Tedeschi Dec. 27, Florida Theatre, 355-2787
Kathy Griffi n Jan. 17, Florida Theatre, 355-2787
JUST ANNOUNCED
Evanescence Oct. 25, Jacksonville Arena, Tickets on Sale Fri.9/14,
353-3303
Widespread Panic November 4, Times Union Center, Tickets On Sale
Fri.9/14, $38, 353-3309
Keith Urban December 7, Jacksonville Arena, Tickets On Sale Sat.9/15,
$38.50-$58.50, 353-3309
26
september 13-19, 2007 | entertaining u newspaper
breast defense at screen arts
interview with Rob DePiazza by donald dusinberre
WHAT: Keep a Breast Art Show
WHERE: Gallery at Screen Arts
WHEN: October 5th
In case you haven’t heard, there’s a big
buzz about busts in St. Augustine, so EU decided
to talk with Rob DePiazza, the guy in charge
of the Gallery at Screen Arts, my favorite gallery
in St. Augustine. He gave me the scoop on
Breast Defense, a project developed to enhance
breast cancer awareness.
In addition to a number of local artists
who will be participating, there are rumors of
many celebrity participants as well, including
Kim Gordon (Sonic Youth), Derek Hess (album
cover artist for R.L. Burnside and hundreds of
rock bands), and Mark Mothersbaugh (Devo,
Rugrats). Moreover, I’ve gotten confi rmation that
two of the Burlesque dancers involved are planning
to attend the opening.
Let’s all do our part for our favorite parts
and head on down to St. Augustine on October 5 th .
EU: Who originally came up with the titillating idea
for a Breast Defense exhibition? How did the Gallery
at Screen Arts become involved?
DePiazza: I was approached by the Art Walk for
Breast Cancer people here in St. Augustine to produce
the main event. Having been aware for a number
of years of the Keep a Breast Foundation (KAB)
and their involvement in the arts, I immediately
thought a KAB exhibition would be an ideal cornerstone
for the Art Walk taking place in October.
EU: There will be many notable artists decorating
the beautiful burlesque busts. Which artists will be
attending the opening at Screen Arts?
DePiazza: We have not received confi rmation from
all of the artists at this time, however, I do know that
local artists Mark George, David Cutter, Ian Chase,
Tonya Lee and Tony Rodrigues will be in attendance.
EU: Were the burlesque dancers eager to participate
in the project? Will any of them be present at
the exhibition’s opening?
DePiazza: The Burlesque Hall of Fame was very
eager to co-sponsor this event. As you know,
breasts are a big part of Burlesque, and maintaining
their health is paramount to their profession.
Unfortunately, I cannot confi rm if any of the dancers
will be at the opening since many of them have other
professions and live all across the country.
EU: Will the exhibition be a family event?
DePiazza: Certainly. This is by no means an R-rated
event. Although the casts are made from real live
women they are not ‘detailed’ in any way. Besides,
we were all nursed by our mothers and most likely
have fond memories of their mammaries.
EU: Where and when will the busts be auctioned
off? Can anyone attempt to purchase one? I bet
they’d make great wedding gifts or stocking
stuffers.
DePiazza: The casts will be auctioned in June 2008.
The auction will be conducted online and is open to
the public. Visit KAB’s website for details: keep-abreast.org/home.htm

tissue worthy
Steel Magnolias theatre review
BY ERIN THURSBY scopes1925@msn.com
WHAT: Steel Magnolias
WHEN: September 5 th - October 7 th
WHERE: Alhambra Dinner Theatre
If a movie or stage production is the slightest
bit sad, I’m bound to cry big fat tears. I’ve seen Steel
Magnolias a number of different times, staged by different
theatres, so I really should’ve brought a supply
of tissues. There’s no shame in sobbing at the heartwrenching
parts, as long as you’re quiet about it. It
wasn’t just me. At the next table, tears fl owed freely,
and, when I managed to wipe away my tears so I
could see, most of the audience was in much the
same state.
When I’ve gone to see this show on other stag-
es, I generally have a favorite out of the six women
on the stage. This time, I couldn’t pick a favorite.
These ladies worked as a true ensemble. I thought
they could have worked the humor aspect a little
more than they did, but I think they were still feeling
out how the comedy would play to an audience, and
it will be tighter by their second night. It’s a diffi cult
line to tread, this “laughter through tears.”
Steel Magnolias was written by Robert Harling,
who based it on his own life, and his sister’s death.
He later adapted the play into the 1989 movie, starring
Sally Fields and Julia Roberts.
The plot, for the unfamiliar, centers around
M’lynn and her grown daughter Shelby. The action
opens at Truvy Jones’ home beauty salon, where
Shelby is getting her hair done for her wedding. We
follow the lives of all the women over about two
years, using the cathartic setting of the beauty salon
to magnify the women’s relationships and lives. Despite
medical problems relating to diabetes, Shelby
ultimately decides to have a child, even though it
puts her own life in danger. Truvy, the hairdresser,
takes in Annelle as a junior hairdresser, just when
Annelle’s life is on the rocks. Clairee is dealing with
her husband’s death and what to do afterwards.
Emily Tello plays the spunky and cheerful Shelby
with verve and believability. Tello fi lls the role with
a bighearted Southern sassiness. Those who are a
fan of Emily’s, or those who frequent the Alhambra,
will recognize her from her last major role as Sandy
in Grease!
With an every-mom sensibility, Lisa Valdini
takes on the role of M’lynn. M’lynn has trouble accepting
her daughter’s decision to have a child. The
relationship between M’lynn and Shelby is one that
most women can relate to.
The play opens with Truvy Jones, played by
Patti Eyler, a local favorite on stage. Truvy is auditioning
Annelle (Evelyn Gaynor) played with a brilliant
nerdy idiocy in the fi rst few scenes. Annelle is a favorite
character of mine to watch when the dialogue
is focusing on other characters, and Gaynor made it
worth my while.
Lisa Clarson plays Ousier with a cantankerous
warmth, as befi ts the part. Mostly, Ousier complains
about her neighbors, tourists and whatever else she
can fi nd, but she’s a solid part of the group, fi rmly
friends with all the other women.
Candace Cooke takes on the role of Clairee, the
widow of the mayor. She tosses off her best lines
with relish, and appears to enjoy her own life as well,
even as she faces the reality of growing old without
her husband by her side.
Steel Magnolias will be running from September
5 th - October 7 th at the Alhambra. If you haven’t
been before, know that you should come hungry, as
it’s an Equity Actor’s dinner theatre. Call 641-1212
or 1-800-688-7469 for tickets.
My advice to the ladies: don’t wear mascara
and bring tissues.
eujacksonville.com | september 13-19, 2007 27

criminal hearts
Limelight Theatre review
BY DICK KEREKES dickkerekes@yahoo.com
St. Augustine’s Limelight Theatre’s
motto for the 2007-2008 should be:
Double your pleasure, double your fun, we
now have two theaters instead of just one.
Last weekend Limelight Theatre
opened its Black Box Theatre, located in an
addition in the rear of their original building.
This new space will allow Artistic Director
Beth Lambert and General Manager Emma
Lee Carpenter to offer a 2 nd stage with
cutting edge plays and other shows that
might not be fi t for the main stage.
The choice of Criminal Hearts from
the pen of the anonymous playwright Jane
Martin, who debuted all her scripts at the
Humana Festival at the Actors Theatre of
Louisville, is excellent. Martin is known to North Florida audiences from her plays Keely and Du, Vital
Signs and Talking With. The play debuted in l992, so are you wondering why it has not been done in this
area? This little gem is a comedy/drama, with very earthy language and subject matter. The three black
box theaters we now have in North Florida (Players, Limelight and FCCJ), allow groups to choose plays
that might not appeal to their main audience. In the past this was not the case.
Limelight’s choice of Neptune Beach resident Barbara Evans as Director could not have been any
better. Give Ms. Evans some good actors and a challenging script, and she will create award-winning
theatre magic every time. If you saw her Coyote on a Fence, Last Train to Nibroc or Six Dance Lessons
in Six Weeks, just to name three, you know what I mean.
This is the story of criminal minds with criminal hearts, so there is a lot of larceny going on. Set in
Chicago, the play opens with female burglar, Bo, breaking into a darkened apartment to steal anything of
value, including furniture and appliances. Unfortunately for her, Ata’s estranged husband, who lives here,
has stolen everything. All that is left is a mattress, empty Dr. Pepper cans, empty pizza boxes and a very
unhappy wife.
Kristin Pidcock is absolutely marvelous as Ata, a true neurotic who refuses to leave the apartment
due to a fear of practically everything and everybody. Ms. Pidcock adds this performance to her
impressive Limelight resume, which includes Claire in Proof, Effy in Spitfi re Grill and Mae in Cat on a
Hot Tin Roof.
Amy Royster is Bo, an attractive professional liar. As the play develops, the chemistry between Bo
and Ata reminded me of the movie Thelma and Louise. Ms. Royster is a recent theatre major graduate
from Jacksonville University and I saw her in many memorable performances in dramatic and musical
theatre.
Bo’s sidekick and accomplice, Robbie, enters in the middle of act one, wondering what has
happened to his criminal partner. If you’ve ever seen George Carlin’s bit on the Hippy Dippy Weather
man, than you will recognize Ashley Carter as what I calling the Hippy Dippy Burglar. Robbie is a
devoted Cubs fan and listens to the games on headphones as he steals. As played by Mr. Carter, Robbie
bounced and bopped around like he had a colony of ants in his underwear. This guy is a very funny
dude.
As the play developed, Bo, Robbie and Ata fi gured out a way to go to her husband’s residence and
steal back what he had stolen.
Enter the very angry, silver-tongued, estranged husband Wib. He is a lawyer with little regard for
his wife, who discovered he was carrying on six affairs at the same time (three of them each lunch hour;
now that is what I call a power lunch). Award-winning actor Mark Lambert is excellent as Wib, who, in
true lawyer fashion, absolves himself of all responsibility or blame. I overheard one of the women in the
audience describe Mark as Robert Redford-handsome. I would go along with that assessment.
I will not reveal the unique ending, but if good acting turns you on, you can’t do better than
Criminal Hearts.
Set Designer/Technical Director Scott Ashley has created the windows and doors necessary to
make this play work in a simple but effective setting. I can’t wait to see what masterpiece he will come
up with for Frankenstein on the main stage, which opens on October 5 th .
Limelight is conducting a naming campaign as part of a fundraiser, and almost every area of the
theatre is for sale. I found a small broom closet that might fi t my bidding pocket book and, if I win, I will
call it Dick’s Dungeon.
Limelight Theatre has become a true success story in the world of local theatre. There are many
reasons, but among them are having a great staff and an active President and Board of Directors.
Limelight would also not be where it is today were it not for The Limelight Guild, which is 150 members
who donate many volunteer hours throughout the year.
Don’t miss Criminal Hearts. The theatre only seats 60, so reserve early. Performances
are Thursday through Saturday at 7:30 pm, with matinees on Saturday and Sunday at 2 pm. All
performances are at the Joukowsky Family Center for the Performing Arts, 11 Old Mission Avenue, St.
Augustine. Call 825-1164 for reservations.
28 september 13-19, 2007 | entertaining u newspaper
cinderella
Orange Park Community Theatre review
BY DICK KEREKES dickkerekes@yahoo.com
Orange Park Community Theatre opened
its 37 th season last week with the Rodgers and
Hammerstein musical Cinderella. This bright, family
entertainment will run through September 29 th and is
one you don’t want to miss.
Cinderella is an unusual musical for several
reasons. It is the only musical that Rodgers and
Hammerstein wrote for television. It aired in 1957
and starred Julie Andrews. It is a musical that has
been very successful and popular but has never
played on Broadway.
The story is universally known, but here is
a short recap to refresh your memory. It is the
fairytale of a slighted beauty who outshines her evil
stepsisters at a royal ball, and then returns to her
grim existence before the handsome prince fi nds her
again.
Under the guidance of Director Robert M.
Wilson and Musical Director Michelle Nugent
Munley, OPTC has topped itself once again. In June
this theater did the musical State Fair that had a cast
of 34. Cinderella has 39 cast members and is even
more elaborate than the very excellently produced
State Fair.
The costumes are gorgeous, plentiful and as
attractive and well selected as any I have seen in
professional productions of this show. I especially
liked Cinderella’s wedding gown (Thanks for the
loan, Alhambra Dinner Theatre) and I loved the
color co-ordinated attire worn by the King (Scott
Broughton) and Queen (Erin Barnes) at the Royal
Ball. These lovely creations would not have
been possible without the funds provided by The
Community Foundation Inc and The Tom Nehl Fund.
Director Wilson also designed the set and with
a large staff of volunteers to build it and very capable
stage crew to move it around, it was truly amazing.
Revolving fl ats were used so that the front and back
could be used for different locations. There were
many scene changes and, at one point, Cinderella’s
house reappears for only two minutes of lines. I was
very impressed by the palace ballroom which was
gorgeous.
The four piece orchestra under Ms. Munley’s
direction was located in the auditorium, taking up
most of the right corner. They handled the entire
musical very professionally and right on cue.
In every production I have seen of this
show, Cinderella’s Stepmother and her stepsisters
provide many comic moments. Kirstin M. Jewell
plays the stepmother and Erin Gawera and Yolanda
Olmstead are the stepsisters. They all gave campy
performances and were crowd favorites.
It was good to see Trish Stain back on stage.
She makes the Fairy Godmother a very funny and
memorable character. She has been an outstanding
performer in more than 50 musicals in the North
Florida area.
Joseph Walz is picture-perfect as the Prince.
Walz, who just fi nished law school at Florida, has
been a solid musical theatre performer for the past
ten years. He has the ability to establish rapport with
audiences, and you can feel that mutual warmth
moving across the footlights. Joe is hoping for a
career in theatre and is heading to California after he
passes the bar exam. (Just sing your way through it
Joe).
Erin Nicole Long is a Douglas Anderson School
of the Arts graduate, and currently a student at
the University of Florida. She drove to and from
Gainesville daily to do this role and I am glad she
did. Ms. Long certainly was the vocal equal to Julie
Andrews, and with her good looks and charm, she
is just the most delightful Cinderella you have ever
seen anywhere.
Did I mention there are some wonderful songs
in this show? ‘In My Own Corner,’ ‘l0 Minutes Ago’
and ‘Do I Love You Because You’re Beautiful?’ have
become classics and you will leave the theatre
humming them.
Choreographer Meme Broadfoot’s dance
creations made the stage seem much larger than
it was. I especially liked the antics of the various
rodents who later became horses for the coach.
(Yes, this play has it all.)
Special kudos to Stage Managers Pat Gorman
and Cecilia Emmert. Without your efforts in
coordinating everything, the show would not have
been such a success and so smoothly run. Thanks
as well to Barbara Well, Production Manager, who
also created the program insert that includes a
biography on every member of the cast.
I urge you not to miss this show. OPTC has
assembled an outstanding cast, with many fi ne
voices to this superbly produced production. It is a
fast paced show with lots of fun for young and old.
There is a song in this musical entitled ‘Impossible.’
Orange Park does not know the meaning of the word.
Call 276-2599 for reservations or visit their website
at opct.org.

women and the machine
Typewriter by Altered Dance and Music
BY ERIN THURSBY scopes1925@msn.com
What: Typewriter
When: September 15 th @ 7:30 pm
Where: Jacksonville University’s Swisher Theatre
For an evening of original dance, music and
art by Altered Dance and Music, come out to see
Typewriter, held at Jacksonville University’s Swisher
Theatre.
The typewriter is much more than a dinosaur
of the printing era. It is a machine that had its place
in history, playing it admirably. For women of the
late19th century through the 1970s, the typewriter
was one of the few means of independence. Three
professors at Jacksonville University—Barry Wilson,
Cari Coble and Tony Steve, began discussing the role
of women from the 1950s to today. After reading an
article on the typewriter as a means of economic
freedom in the early 20 th century, they decided that
both the typewriter and women needed to be represented
on stage.
The title of the piece has a double meaning.
Typewriter can mean the actual machine, but in the
earlier part of the 20 th century, it was used to refer to
the typists themselves, the type writers.
So the woman is, in effect, the typewriter and
so is the machine. At some point, women stopped
taking dictation, writing what they were told to write,
and they began using the power of words on their
own. With the death of the manual typewriter and the
advent of the Internet, words have become freer and
the power of the printed word now belongs to everybody.
As society changed, a woman’s accepted
role changed. As technology changed, so too did
the typewriter. You might argue that it disappeared,
but as I write this on a QWERTY keyboard, I can only
think that it hasn’t died, it’s just evolved to survive.
Barry Wilson, a Jacksonville artist who teaches
printmaking at the school, had his own private collection
of antique typewriters. He provides the videography
that plays behind the dancers.
Tony Steve, assistant professor of contemporary/world
music, wrote the score for the piece, putting
together live music that he says is “sometimes a
little sarcastic.”
Cari Coble, the last of the trio, choreographed
the dance, interpreting their vision through movement.
The jumping off point for their vision was
two-fold: an article on the role and extinction of the
type writer and a list called “The Good Wife’s Guide”
which has widely circulated the Internet. It’s purported
to come from a Ladies Home Journal article
or a home economics textbook from the 1950s,
but Snopes.com debunks it as a fraud. Even if the
exact text never existed, the attitudes and sentiments
within are certainly believable as part of 1950s
wifely ideals, if only because the ideas are found
throughout printed materials of that time.
Pieces of the text from this list are projected
as part of the videography, as the dancers act out
parts of the text. At one point, when the projected
text says: “Minimize all noise. At the time of his [the
husband’s] arrival, eliminate all noise of the washer,
dryer, or vacuum. Try to encourage the children to
be quiet.” In response, composer Tony Steve wrote a
cacophony of sound, instead of a soothing piece.
Typewriter is a multi-faceted production, designed
to do many things at once. It tells us where
we’ve been and how we’ve changed, how the idea
of what a wife should be has changed and how all
of that is tied to the history of a machine, inexorably
linked to the women that once used it as a ticket to
independence.
You can see Typewriter at Jacksonville
University’s Swisher Theatre on Saturday, September
15 th at 7:30 pm. Tickets are $10 for adults, $7
for seniors, $5 for general students and free to JU
students with the proper ID. For more info call (904)
256-7374 or visit arts.ju.edu.
art events
SEPTEMBER
13 Auditions: Amateur Night 5-6:15 Ritz Theatre, Jax
13 Governor’s Luncheon To Benefi t United Negro College
Fund Omni Hotel, Jax
13-15 Exhibit: Jim Draper – “Produce” Stellers Gallery,
Neptune Beach
13-16 “Shout! The Mod Musical” FCCJ Wilson Center, Jax
13-17 “Lost & Found” Exhibit Women’s Center of Jacksonville, Jax
13-21 Exhibit: “Made of Steel” Metalworker Photo Studies
FCCJ S. Campus, Jax
13-21 Exhibit-14 Artists-Printmaking, Tile, Photography The
Art Advocate, St. Augustine
13-23 “Criminal Hearts” Limelight Theatre, St. Augusitne
13-25 Exhibit George Phillips Pitlak FCCJ Kent Campus, Jax
13-26 Brad Silverstein Art Exhibition JU Alexander Brest Library, Jax
13-29 “Cinderella” Orange Park Community Theatre,
Orange Park
13-30 Elemental Atmospheres Paintings By Princess Simpson
Rashid MOSH, Jax
13-30 Exhibit: William Newby New Works in Oil Energy Lab
Art Gallery, St. Augustine
13-OCT. 7 Steel Magnolia’s Alhambra Dinner Theatre, Jax
13-OCT. 14 381 Days: The Montgomery Bus Boycott Story
Ritz Theatre, Jax
13-OCT. 14 Dinosaurs & Ice Age Mammals MOSH, Jax
13-OCT. 27 Mystery Dinner Theatre Dave & Buster’s, Jax
13-NOV. 4 The Cummer Is…Photographs By Ingrid Damiani
Cummer Museum, Jax
13-FEB. 28 Oh Say Can You See: American Art Cummer Museum, Jax
14 Opening Reception: Coherent Structures by Carol Prusa MOCA, Jax
14 Dark of the Moon Tour St. Augustine Lighthouse, St. Augustine
14 Nightowl Cinema-E.T. The Amphitheatre, St. Augustine
14 X Benefi t MOSH, Jax
14 Brew at the Zoo-entertainment, Food, Beer Zoo, Jax
14-16 Southern Monster Truck Showdown Clay County
Fairgrounds, Green Cove Springs
14-29 “Cabaret” Players by the Sea, Jax Beach
14-30 Exhibit-Artist Ron Burns To Benefi t Humane Society R.
Roberts Gallery, Jax
14-OCT. 6 “A Midnsummer Night’s Dream” Theatre Jax, Jax
15 Experimental Painting with Instructor Kim Barry MOCA, Jax
15 American Heart Association Heart Walk Metro Park, Jax
15 Typewriter – Altered Dance & Music JU, Jax
15 Barbie’s The Island Princess DVD Event The Zoo, Jax
15 Film Series “Boycott” Ritz Theatre, Jax
14-OCT. 6 A Midsummer Nights Dream Theatre Jax, Jax
14-JAN. 6 Sculptor: Minoru Ohira Exhibit MOCA, Jax
16 Craig Hall – Brahms Church of the Good Shepherd, Jax
16 Intermezzo Concerts Main Library, Jax
16 Auditions: Moon Over the Brewery Theatre Jax, Jacksonville
16 Concert Series-Robert Breault, Tenor Cummer Museum, Jax
16 Music From the Movement/Charles Cobb Lecture Ritz Theatre, Jax
18 Tale Tellers Theatre of the Mind Limelight Theatre, St. Augustine
19 Go Figure: Drawing Live Models With Jonathan Lux MOCA, Jax
20 Taste of the NFL Touchdown Club, Jax
21 Comedian Ron White Stephen C. O’Connell Center, Gainesville
22 Miracles in the Moonlight Gala Benefi t Hyatt Regency, Jax
22 Open Casting Call-HBO’s “Recount” 8am-6pm Ed Ball Building, Jax
22 Dance Alive National Ballet “Cleopatra” Philips Center, Gainesville
22 Race Revolution: Jax During the Civil Rights Era Ritz Theatre, Jax
22 21 st Annual Rollin on the River Car Show The Landing, Jax
24 Betty Griffi n House Annual Luncheon & Fashion Show
Marriott Sawgrass, Ponte Vedra
eujacksonville.com | september 13-19, 2007 29

This past weekend, I was in Tallahassee with my family celebrating the induction of my uncle,
Gary Pajcic, into the Florida State University Athletics Hall of Fame. Almost everyone from my
mom’s side of the family came together, from near or nearer or even far, to celebrate. We bought
new dresses for the banquet. My mom, my sister and I all wore outfi ts of black and tan animal print
in an accidental stand of unity. Uncles and aunts in their seventies came, as well as little toddlers
and even one baby still in the belly. We reserved clusters of hotel rooms and tickets to the game and
got my huge family of a thousand and one together in one place.
Everyone of importance, besides my grandma who is too old to travel now, came out for the
event. Everyone, that is, but my uncle. Last year, in a tragic moment that changed the rest of our
lives forever, my uncle was diagnosed with encephalitis and died within four days. A fi gurehead of
my family, of Jacksonville, and of the state of Florida, his death reached so many that it left everyone
who knew him with a hole inside of them that can never be fi lled.
It was a little over a year ago that my whole family was last gathered, to attend his funeral.
Newspapers all over the state remarked upon his death, all the news channels covered it for the
week surrounding his passing, and over a thousand people attended the funeral. But, despite knowing
his great contributions to his community, I will always remember him as the man who called
himself my “second daddy,” who always had a bag of change saved up for my little sister every
time we saw him, who gave more hugs than anyone else I know, who cherished family and made
certain everyone else in our expanding family did as well. He held us together.
I was excited for this weekend. I was excited to be able to celebrate his life with the people who
knew him best, to cherish what he was as a man, and to do it in his favorite kind of way, with his
family, his good friends, football and some good food.
The weekend started with the induction banquet. My aunt, my late uncle’s wife who has been
given the enormous task of carrying on his name and his convictions, gracefully introduced him to
the room and remembered him for all the amazing things he was. She even told one of his favorite
stories, because telling stories was one of the things my uncle did best. I cried, as did many others,
watching her stand before us, so strong and still so full of his presence. Sometimes it feels as if he
hasn’t really left us, and I hope that’s because we are able to keep him alive in our hearts.
The next day was the game. This was the part he really would have enjoyed. We all walked
from the hotel to the stadium and started the celebration in his special parking space, the same one
we tailgated in all through my college years, and my sisters before me, as long as I can remember.
Everyone was there, just as it had been in years past. I kept expecting to turn my head and see him
standing with his best friend, Ron Sellers, or chowing into some of his famous homemade boiled
peanuts. Florida State won the game, the family was together, and it was a beautiful warm summer
night. If he could have seen us, he would have been so proud.
I moved away to California two weeks after my uncle passed. It was the hardest thing I have
ever had to do. My family is my foundation, and that is something that I cherish and respect about
myself. It felt like a black cloud hung over all of our heads this past year as we tried to fi nd our way
through. I know I am back where I belong. If there is one thing I learned from him, it’s to be proud
of who you are and where you’re from. Hold up your community and your community will hold you.
My uncle knew that, and used the word “community” loosely to defi ne anything and everything in
his life that meant something to him.
This weekend, my pride in my family, in my team (go Noles!), and in my home could not have
been stronger. I spent fi ve years trying to fi nd the place that could fi ll my heart, not knowing that
it was right where I had left it. It had been here waiting for me all along. And although I regret not
having spent more time with him in his fi nal days, I can still feel him with us. He has taught me so
much, and the lessons keep on coming. I miss his hugs, I miss his stories, I miss the man, but his
spirit is still here. It’s inside us all.
30 september 13-19, 2007 | entertaining u newspaper
JAGUARS
After getting run over, around, and through by
the Titans last week, the Jaguars now try to gather
their collective ego and get ready to host the Atlanta
Falcons, a team that lost in Minnesota last weekend.
Without question, the Jags’ defense was not happy
about the way they were manhandled by the Titans
offense. Coming off last season, the Jaguars had
established a tough reputation for shutting down their
opponents. Then Tennessee came in and made some
nice plays, with RBs Chris Brown and LedDale White
and QB Vince Young gaining large chunks of real estate.
I’m sure Jack Del Rio was not happy with the
way he and his boys were treated. I’m sure he’ll do
a few things THIS week to get the team back in line
and ready to play a little better this weekend against
a Falcons team that is certainly not in the greatest
condition. Most perceive Atlanta as a squad that is not
very good without Michael Vick.
While the Jaguars defense got beat up last
week, the offense also wasn’t very effective, and it
had nothing to do with David Garrard. The running
game was essentially non-existent, with Fred Taylor
only gaining 16 yards on six carries. And a lot of people
didn’t know until after the fact that K Josh Scobee
had banged himself up during pre-game warm-ups
last week. We shall see if he is close to being in form
this Sunday.
There are a lot of tickets available for this game,
since Atlanta is not the sexiest draw in the NFL. This
game will most likely be blacked out, so if you want
to check it out, go downtown on Sunday, as seats are
available!
THE OTHER THIRTY-ONE
It seems the Patriots are loaded AGAIN this
season! Tom Brady and Randy Moss are going to be
in heaven, as long as they both stay healthy. We’ll
see what kind of test they get when San Diego travels
to New England Sunday night. Meanwhile, the Colts
have had plenty of time to relax and prepare to take
on the Titans in Nashville. That could get interesting.
After lighting up the scoreboard for 45 points against
the Giants, the Dallas Cowboys now head to Miami to
face a roughed-up Dolphins squad.
We will know more about who is good in the
NFL after three or four weeks. Until then, these games
are a chance for everyone to sort themselves out, so
to speak.
COLLEGE FOOTBALL
After two solid weeks of games, we are seeing
that there is perhaps a bit of disparity in college
football. Things are atrocious in Michigan, where the
Wolverines are 0-2. They will now take on the 0-2
Notre Dame squad, and this should be an unbelievable
contest! Whoever ends up 0-3 might have their coach
THE
JOCK
by tom weppel
fi red! Michigan will play without their QB Chad Henne,
while the Irish will have Freshman Jimmy Clausen in
the driver’s seat.
I don’t think the Auburn Tigers had any inkling
whatsoever that South Florida would come in and beat
them. Tiger fans are aghast this week! I’m sure that
Georgia Bulldog fans are not happy, either, as Steve
Spurrier came into Athens and let his Gamecocks beat
the ‘Dogs.
Then we have the Seminoles, who are looking
very pedestrian after their win against UAB last week.
It seems Florida State is not a very good team, and
we’ll know a little more on Saturday as they travel out
West to take on Colorado.
The marquee match in this area, though, will be
in Gainesville, as the Gators get their fi rst stern test
when they host the Tennessee Volunteers. Florida is
a tad injured in some key areas and we’ll see if they
have those players available. Obviously, the key will
be the play of QB Tim Tebow, who has shown some
strong play in his fi rst two starts. It should defi nitely
be an entertaining contest!
NASCAR
And so the Chase is now on! It’s down to these
few drivers to race on for the Championship, led by
Jimmie Johnson, who is on a nice roll after winning
his second straight race last weekend in Richmond.
Meanwhile, Dale Earnhardt, Jr. is out of the
Chase and should maybe just pack his bags and
move on, since he will be changing his status next
year anyway. If I were him, I’d start having some fun
and tailgate on the track, slow others down, or pull all
sorts of antics, just to piss off Teresa Earnhardt, his
stepmother.
Anyway, I believe the Chase will come down to
Jeff Gordon, Jimmie Johnson, and Tony Stewart, with
Kevin Harvick and a few others getting into the race. It
starts this weekend in New Hampshire.
LAST WORD
Folks, we are witnessing two individual dynasties
in sports in these times! Tiger Woods and Roger
Federer are unbelievable in their play at the present
time. Federer won his third Major this year last
weekend, taking the U.S. Open Championship. It was
his twelfth Major title, and he has many more years
ahead of him. Then, Tiger will, for all intents, pick up
the FedEx playoff Championship in Atlanta on the PGA
Tour this weekend. He will then add the $10 million
top prize to the roughly $75 million he has already
won in his career, at the age of 31. Without question,
both of these gentlemen are making history before our
very eyes.
Tom Weppel talks trash with Greg Larson, Lonnie
Marts, Eugene Chung, Artis Gilmore, and Ron Duguay
on SportsAvengers.com 24/7.

nascar news & notes
BY RICHARD TEAGUE tinynascars@yahoo.com
It’s that time again and, like I’ve done for the
past few years, I’ll speak out about how I do not
like the Chase format in NASCAR. I know there ain’t
nothing me or you can do about it, and honestly
we’ll just have to live with it, but gee whiz, I hate
it! Brian France likens it to the major sports such
as MLB and the NFL, but how in the world can he
do that? The other sports play a FULL season and
then come the playoffs and a championship series.
Where is the relationship? This year NASCAR raised
the number of chasers to twelve, only because certain
drivers who are popular didn’t make it in 2006,
so whatcha goin’ to do next year Brian? I know,
make it 15 spots in 2008, but I don’t think that
would help at all for you-know-who.
Now, I sat there Saturday night to watch
the Rock n Roll at Richmond, not because Junior
was trying to make the Chase but because I love
Richmond at night with all the shiny racecars. It is
even better than Bristol. So what if it was the last
shot that some guys had to make the playoff, it’s
just a great race track with tons of NASCAR history.
Y’all probably know by now that I put tracks
into three groups, but Richmond is the odd man out
when it comes to this grouping. Just to refresh your
memory, there are the big tracks that are 2 or more
miles (and not all are super speedways either, I save
that elite classifi cation for only high bankers). In the
second class are the milers, which are what I call
“bathtub tracks,” an obvious naming. Then, in the
third class of tracks are the toilet bowl tracks (another
easily recognizable name), which are the two
smallest.
Richmond falls into a group by itself because
of its three-quarter mile length, which can give fans
some of the best racing in NASCAR. Drivers get that
little bit of extra front and back stretch so the pedal
goes to the metal, even if only for a short time, to allow
those guys to make moves on other drivers that
you don’t get to see anywhere else. Not often does a
driver who started way back in the fi eld move up to
the top ten to fi nish, unless he’s a big-time guy. On
Saturday, not one, but two non-coms managed to do
it: Johnny Sauter and J.J. Yeley.
Sauter went from a 35 th place start to a FIFTH
place fi nish, while Yeley started one back further at
36 th and fi nished 10 th . These two guys also did it in
the Car of Tomorrow, which, by the way, I am beginning
to warm up to since I ain’t got no choice in the
matter. Anyway, only at RIR will there be racing like
we were treated to Saturday, and since ISC owns
the track, I bet it’s race dates will never be moved
or traded, just like Bristol’s won’t. When France can
put a hundred and twelve thousand fans in one place
selling out for so many races, it ain’t never cutting
back. He is probably thinking how he can add another
100,000 seats so the ISC coffers can get bigger.
Last week, I said that Dale Earnhardt Jr.
wouldn’t make the Chase, but that was pretty much
already known by all. It was just a hope and a prayer
for some fans, and I really think that Junior knew
it, too. It seems that fans are talking about how DEI
has given the #8 car nothing but second rate stuff
so that Junior would look bad, but I can’t see it that
way, and really, can anyone truly believe that? Hey
people, s**t happens and motors blow, as you can
see from Roush Racing some time back. Saying that
DEI is the bad guy here is like saying Junior isn’t
driving up to his ability, and that would be another
falsehood. Yes, the #8 team might be the black
sheep (or short timers, as a better term), but the
looking glass those people are under now would
keep them from treating each other in a negative
way.
Dale just had a weird season, and as I said,
he has done a great job with all the things pilling on
him. I saw in his interview after his motor blowed
(I know blew or blown would be a better word, but
I like to write so that my friends can understand,
ya’ know?). Now he can do like Tony did last year
and win some races, since the pressure is off. I will
make a prediction that Junior will win two out of the
next ten, just out of spite, and of course a couple of
bucks. I did wonder what Kevin Harvick was thinking
when he saw Earnhardt running way up front.
He’s sitting there watching that stream of steam
shoot out from under the hood of #29. Also, when
Kurt Busch got damaged, was he thinking about his
spot slipping away? There’s that dang word again,
and since it has to be used in every single blooming
article these days, I’ll say it once: drama.
Well it looks like Richard Childress’ “can’t we
just get along” routine came up good for him and
AT&T with the logo back on the #31 car. Man, I was
excited to see that for Jeff Burton, Childress and
RCR, but it cost them all. The big world is back on
the hood for the next ten races, but for every good
thing there seems to be a bad thing that comes
along with it. NASCAR isn’t any exception. The way I
understand it is that NASCAR and Sprint (since there
ain’t no Nextel anymore) let the logo back with a
condition that AT&T has to leave the Cup after 2008.
So Richard has got a reprieve and can fi nd a new
sponsor for Jeff, which is SO LAME of Sprint and
Brian France, but count your blessings RCR, it could
have been much worse. The real losers on this deal
are the lawyers that didn’t get the big bucks to go to
court!
So General Motors wants to get Tony Stewart
back in a Chevy just as soon as his contract is up
with Joe Gibbs Racing. Just how do they intend
to do that? You thought this thing with Junior was
something, you just wait until a manufacturer tries
to get a driver away from a team owner and signed
to different team. Has GM absolutely lost their
marbles on this one, or are we seeing the future with
contracts between drivers, owners and car makers?
How about the France family having race teams on
the track? Now, just where this will go is a tough
question that I don’t have an answer for...YET. I’m
still sick that Gibbs is going over, but I do hope they
will be happy and perform well enough so Toyota
will bump the ante to get other teams to do the
same.
What will be the acronym if Gillett Evernham
Motorsports and Petty Enterprises merge with the
#43 and #45 cars next year, or even this year?
How about a couple of suggestions? Don’t be
scared, email me a few y’all come up with. You need
to keep in mind that the G has to be fi rst since he is
the one with the money. GEEP, GPEEM, or perhaps
GEME but I think this would be more apropos:
GGSTTOREMARPEBHGTBB. Let me break that down
for y’all. George Gillett Subsidizing The Teams Of
Ray Evernham Motorsports And Richard Petty Enterprises
Because He’s Got The Big Bucks. Rolls right
off your tongue, don’t it? You talk about the end of
an era? Well Bubbas and Bubba-ettes, you are looking
right at it.
That’s enough from me this week, so let me
hear from y’all at tinynascars@yahoo.com, and you
really should know, If it ain’t NSACAR, It ain’t s**t!!
eujacksonville.com | september 13-19, 2007 31