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Red Demon by Hideki Noda - South London Theatre

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The Magazine of SLTC Ltd & the SLTC Members’ Club - March 2011<br />

backstage@southlondontheatre.co.uk<br />

<strong>Red</strong> <strong>Demon</strong><br />

<strong>by</strong> <strong>Hideki</strong> <strong>Noda</strong><br />

Tues 2 nd – Sat 5 th March, Bell <strong>Theatre</strong><br />

A storm<br />

rages at sea. The survivors of a<br />

boat wreck are washed up on the shores<br />

of an isolated fishing community; a<br />

young woman, an outcast from that community,<br />

her brother Tombi and Mizukane, an affable<br />

grifter. Rescued and revived <strong>by</strong> the villagers, two<br />

days later, the woman dies. Her brother thinks he<br />

understands why and so Tombi tells 'The Story of<br />

My Little Sister who was Killed <strong>by</strong> Eating a Bowl<br />

of Shark's Fin Soup'.<br />

<strong>Hideki</strong> <strong>Noda</strong>'s play, translated from the original<br />

Japanese and first performed in the UK at the Young Vic in 2003, explores themes of<br />

xenophobia and jealousy in an unusual and humorous manner.<br />

Combining shadow puppetry, live percussion, and elements of Noh theatre, this<br />

promises to be a unique and highly entertaining production.<br />

That Woman - Katie Patrick<br />

<strong>Red</strong> <strong>Demon</strong> - Stanley Myers O Mulley<br />

Tombi - Jacob Hedberg<br />

Mizukane - Pierre Evans<br />

All other parts are similarly played <strong>by</strong> members of the <strong>South</strong> <strong>London</strong> <strong>Theatre</strong> Youth<br />

Group.<br />

Directed <strong>by</strong> the Youth Group facilitators.<br />

Peter Stevens


Dick Barton: The<br />

Tango of Terror<br />

<strong>by</strong> Phil Willmott<br />

Tues 15 th - Sat 19 th March, Prompt<br />

Corner<br />

Daphne “Oh Jock!”<br />

Jock “Oh Daphne!”<br />

Daphne “I feared you wouldn’t recognise me”<br />

Jock “Why of course I do bonny lass. Its<br />

Daphne Fritters. Only daughter of our Minister<br />

for Rationing, Sir Stanley Fritters.”<br />

Daphne “Oh Jock can you forgive me for<br />

breaking your heart so cruelly two episodes<br />

ago?”<br />

Jock “Och, of course I can. A fortnight’s a long time in light entertainment.”<br />

Daphne “And you and your chums were so brave rescuing Daddy and I from the<br />

clutches of EFIL. Thank heavens you’ve forgiven my cold hearted ingratitude.”<br />

Jock “Och, forget it. It’s not as if I’ve stayed up night after night trying to cry myself<br />

to some kind of tortured sleep, day after day after day of hoping you’d just return one<br />

of my phone calls.”<br />

Daphne “I’m so glad we can put it behind us”<br />

Jock “Agony after agony every time the doorbell rang praying that maybe one day<br />

you’d respond to my letter, that one day your butler would let me wipe my rough<br />

working men’s boots on the doorstep of your heart.”<br />

Daphne “Its best to move on, isn’t it.”<br />

Based on the classic 1940’s radio serial this is a truly hilarious send-up of all things<br />

frightfully British, gung-ho jolly hockey sticks and putting Johnny Foreigner well and<br />

truly in his place.<br />

A ruthless Latin lothario has set his sights on the women of <strong>London</strong>. No gal is safe<br />

from the swarthy continental’s sultry seductions as he cha-cha-chas his wicked way<br />

into their boudoirs and jewellery boxes. But have no fear, square-jawed British hero<br />

Barton and his team are on hand to save the day.<br />

This is a play with songs but is definitely not a musical so if you fancy a right royal<br />

giggle come along and enjoy it.


Main characters are as follows but the cast all play a host of other totally camp and/or<br />

eccentric/outlandish characters as well.<br />

Characters<br />

Jack Barber - Dick Barton / EFIL Stranger / Margarita<br />

Matt Moore - Juan El Bigglesworth / Colonel Gardener / Yvette<br />

Donna Marie Ward - Daphne / Genevieve / Wilco / Maureen<br />

Kevin Leech - BBC Announcer / Snowy / Cassandra<br />

Fiona Daffern - Mrs Horrocks / Conchita Horrocks / Rodger<br />

Steve Imrie - Jock / BBC Floor manager<br />

Jack King, director<br />

SIGN LANGUAGE INTERPRETATION<br />

AT THE SLT<br />

Over the last year, since the production of Cleo, Camping, Emmanuelle<br />

and Dick, you will have noticed that several shows are now advertised<br />

as offering a sign language interpretation of the show on at least one<br />

night of the run. Who can ever forget Paul Michaels’ very entertaining addition<br />

to the fun of Saucy Jack and the Space Vixens with his lively signed interpretation?!!<br />

However, serious plays can also benefit as well. Bibi Lacey-Davidson<br />

has also been seen signing for Enchanted April. They are both trained interpreters<br />

who attend a number of rehearsals before the performance, in order to make<br />

their interpretation as accurate as possible.<br />

This is the latest way that we are trying to make our shows as inclusive to<br />

everyone as we can. Once the director has decided to offer this service, (and<br />

that is their choice), they are given a list of deaf groups to contact, who might<br />

like to visit the SLT on those particular nights. Obviously the groups need as<br />

much notice of the particular nights this is available as possible, in order to be<br />

able to book their seats. Baron Bolligrew contacted some schools as well.<br />

If you know of any individual or group who would like to know that we are<br />

offering this service, please contact me, so that I can add them to the contact<br />

list which I give to the directors. Please get in touch with me <strong>by</strong> phone or <strong>by</strong><br />

email on j.hoile123@btinternet.com<br />

Thanks.<br />

Jeanette Hoile (Publicity Director)


<strong>South</strong> <strong>London</strong> <strong>Theatre</strong> Centre Ltd. A.G.M.<br />

Notice is here<strong>by</strong> given that the 44 th Annual general Meeting of the <strong>South</strong> <strong>London</strong> <strong>Theatre</strong><br />

Centre Ltd. will be held at 8pm on Thursday 26 th May 2011 at 2a, Norwood High Street, for<br />

the following purposes :-<br />

1. To receive the report of the <strong>Theatre</strong> representatives for the current season.<br />

2. To receive the report of the Directors and accept the accounts for the year ending 31 st<br />

December 2010, along with the report of the auditors.<br />

3. To elect auditors and fix their remuneration<br />

4. To consider and, if thought fit, pass any resolutions. (see below)<br />

5. To elect Directors.<br />

By order of the General Council<br />

G.Lill, Company Secretary.<br />

Eligibility: Only Ordinary and Honorary Members are entitled to attend and vote. A membership<br />

check will occur, so please remember your membership cards.<br />

Proxies: A member entitled to vote may appoint a proxy to attend and vote in his/her place.<br />

The proxy must be a member. Proxy forms will be printed in Backstage and will be available<br />

from the Members' Club Bar notice board. Duly completed proxy forms must be deposited in<br />

the Box Office in the foyer at least 48hrs before the commencement of the Annual General<br />

Meeting.<br />

Nominations: Nominations for the eleven elected members of the General Council must be<br />

made in advance. Forms will be printed in Backstage and will be available from the Members'<br />

Club Bar notice board. Nomination dates are Friday 1 st April to Thursday 12 th May inclusive.<br />

All nominations must be submitted to the Box Office <strong>by</strong> Thursday 12 th May 2011.<br />

The Offices available are :-<br />

Chairman, Deputy Chairman, Training Representative, Membership Representative, General<br />

Secretary, General Stage Manager, Public Relations Representative, 4 <strong>Theatre</strong> Representatives<br />

& Representative Without Portfolio.<br />

Resolutions: Any member may submit a resolution for consideration <strong>by</strong> the Annual General<br />

Meeting. Any possible amendments to our rules or <strong>by</strong>e-laws must be notified to all members.<br />

Consequently the closing date for receipt of resolutions in the Box Office is Sunday 8 th May.<br />

Please enclose two copies (one for Backstage, one for the General Secretary) and address the<br />

envelope to the Backstage editor.<br />

S.L.T.C. Members' Club A.G.M.<br />

Notice is here<strong>by</strong> given that the 37 th Annual General Meeting of the S.L.T.C. Members' Club<br />

will be held on Thursday 26 th May 2010 in the Members' Clubroom following the completion<br />

of the S.L.T.C. Ltd. Annual General meeting (8pm, Bell <strong>Theatre</strong>), for the following purposes:-<br />

1. To receive the reports <strong>by</strong> the General Committee and the accounts for the year ending 31 st<br />

January 2011.


2. To elect Officers and Committee Members for 2011/12.<br />

3. To discuss any resolutions.<br />

Proxy forms and nomination forms will be printed in Backstage and will be available from<br />

the Members' Club notice board.<br />

The Offices available are:- Chairman, Deputy Chairman, Secretary, Treasurer, Bar Manager,<br />

Social Administrator and up to 10 other Committee Members.<br />

All resolutions to change Rules and Bye Laws of the Members' Club should be notified to all<br />

members, closing date for resolutions is therefore Sunday 8 th May 2011.<br />

Caroline Doyle, Secretary.<br />

COME TO THE NORWOOD EXPO ON<br />

SAT 5 th MARCH AND PROMOTE THE<br />

SLT<br />

We are going to be involved in a very exciting event at Elmwood School<br />

very soon. This is a new school in Elmcourt Road, which is near the SLT.<br />

It is organised <strong>by</strong> the Crystal Palace Development Trust and the theme<br />

this year is Families and Culture, which is where we come in!<br />

The event is called People First Norwood Expo and is providing a venue<br />

at which local groups can advertise their wares. It will also be a fun day<br />

with lots of activities, workshops, music performances and refreshments<br />

– a bit like a mini Lambeth Country Show.<br />

It will be on Saturday 5 th March from 11AM until 4PM.<br />

We will be letting everyone know about their local theatre and promoting<br />

membership, of course, as well as providing information about our<br />

forthcoming shows. So please sign up for a shift and help us get some<br />

more new members, (and audiences) while advertising our lovely theatre.<br />

The rota is on the discussion board. I have included set up times as well<br />

as closing down times, so the shifts run from 10am until 5pm. We need<br />

at least two people for each shift please. It would be great if you could<br />

sign up and join us. If you do not access the Discussion Board, please<br />

give me a ring on 020 8689 8999 and I will add you to the list. Thank<br />

you. See you there!


Present Laughter<br />

<strong>by</strong> Noël Coward<br />

Auditions<br />

Sun 6 th , Mon 7 th & Tues 8 th March, 8pm<br />

Performances<br />

Tues 5 th - Sat 9 th July, Bell <strong>Theatre</strong><br />

Garry Essendine, a rather attractive yet self-absorbed actor, is about to<br />

embark on a tour of Africa, perhaps to stave off a mid-life crisis. As he tries<br />

to tidy up his affairs in preparation for the trip, he has to throw out a<br />

wide-eyed fan, deal with his long suffering secretary, placate his ex-wife and escape<br />

the attentions of an aspiring playwright. A fast-paced whirl of intrigue, love affairs<br />

and thwarted ambition, Present Laughter is Coward at his most autobiographical —<br />

and irrepressibly funny.<br />

Characters<br />

Garry Essendine - a famous actor (male, aged 40-50)<br />

Liz Essendine - his estranged wife (female, 35-45)<br />

Daphne Stillington - a young admirer (female, 20s)<br />

Morris Dixon - Garry's manager (male, 35+)<br />

Henry Lyppiatt - Garry's producer (male, 35+)<br />

Joanna Lyppiatt - Henry's wife (female, 30-40)<br />

Monica Reed - Garry's secretary (female, 25-40)<br />

Roland Maule - an aspiring playwright (male, 25+)<br />

Miss Erikson - the Swedish housekeeper (female, 40-60)<br />

Fred - Garry's valet (male, any age)<br />

Lady Saltburn - a lady whose niece has been promised an audition (female, 50+)<br />

For more details, please contact :- Dave Hollander, director<br />

SOCIAL SCENE<br />

T he March Film Club Night will feature “King Kong” (1933) on Sat 12 th .<br />

The usual Thirsty Thursday Thoicial will be on the 24 th , come along and<br />

try “Pod Luck”.<br />

The Bar Committee, despite the recent VAT increase, will endeavour to keep<br />

the current prices as long as possible. This will depend on suppliers increases<br />

and the upcoming budget.


Review from “Sardines” Magazine<br />

Trainspotting <strong>by</strong> Irvine Welsh<br />

society: <strong>South</strong> <strong>London</strong> <strong>Theatre</strong><br />

performance: 16 Nov 2010 | Prompt Corner, <strong>South</strong> <strong>London</strong> <strong>Theatre</strong>, West Norwood<br />

reviewed <strong>by</strong>: Paul Campion<br />

In 1993, Irvine Welsh’s tale of Scottish low-lifes and heroin addicts gave British cinema<br />

an almighty kick up the backside. It was dangerous, yet exhilarating – rather like heroin<br />

itself. Could SLT’s theatrical adaptation have the same impact?<br />

The evening didn’t start well. We arrived on a bitterly cold night to find the building in the<br />

grip of a power cut. To make matters worse, when power was restored we trooped into a<br />

chilly auditorium with nowhere to sit apart from a handful of seats. Things didn’t look too<br />

promising. How wrong we were.<br />

Advance publicity billed this show as a ‘promenade’ performance; a rather polite term for<br />

a remarkable piece of theatre that thrust the audience headfirst into the squalid world of the<br />

junkie.<br />

The acting didn’t take place on a stage, it happened all around the audience as we stood in<br />

the space. The cast - including a team of extras who doubled as mime artists - mingled and<br />

moved freely among us, even barging past if we were in the way. The set - which occupied<br />

the entire space - surrounded us with smashed-up TV screens, discarded beer cans, filthy<br />

mattresses and walls splattered with blood (or worse) making it feel as if we had somehow<br />

strayed into a council estate drug den.<br />

The effect was to make the audience nervous, unsettled and totally involved - a brave<br />

approach which in lesser hands might have backfired. But thanks to Peter Stevens’ expert<br />

direction and his superb cast, it all seemed thrillingly – and often frighteningly – real.<br />

As ‘Begbie’ Steven Imrie was every inch the intimidating and violent psychopath, right<br />

down to the tattoo on his neck. If we’d had a street to cross to avoid him, we would have.<br />

Holly McFarlane’s ‘Alison’ went from drug-addled desperation to sassy swagger and<br />

showed expert comic timing in her improvised asides to the audience. As ‘Tommy’ Karl<br />

Gibbons put in a moving performance and also had the unenviable task of appearing stark<br />

naked – no mean feat on a winter’s night in Norwood! And then there was Alan Brown’s<br />

short but effective portrayal of a drunken down-and-out. I swear I could smell him.<br />

With such quality on display it seems unfair to single anyone out, but special mention must<br />

go to Tom Hancock’s ‘Renton’ who had us at once laughing and wincing at his tales of<br />

scatological bedroom ‘accidents’ and the difficulties of retrieving anal suppositories from<br />

the depths of a blocked public lavatory. All delivered – like the rest of the cast - in a perfect<br />

Leith accent.<br />

Full marks too for the beautifully-timed (and specially-shot) sound and video sequences<br />

which lulled us into a drug-like stupor, only to jolt us brutally back to reality.<br />

So thank you, SLT for one of the most memorable evenings I have ever spent in a theatre.<br />

You may have had a power cut, but this show was positively electric.


March Diary<br />

Tues 1 st - Sat 5 th<br />

<strong>Red</strong> <strong>Demon</strong><br />

By <strong>Hideki</strong> <strong>Noda</strong><br />

Bell <strong>Theatre</strong> 8pm<br />

Sun 6 th , April Backstage copy deadline<br />

Sun 6 th , Mon 7 th & Tues 8 th<br />

Auditions for<br />

Present Laughter<br />

<strong>by</strong> Noël Coward<br />

Sat 12 th<br />

Film Club Night - King Kong<br />

Members’ Club Bar 8pm<br />

Tues 15 th - Sat 19 th<br />

Dick Barton: The Tango of Terror<br />

By Eddie Coleman<br />

Prompt Corner 8pm<br />

Thurs 24 th<br />

Thirsty Thursday Thocial<br />

Members’ Club Bar 8pm<br />

Backstage is published <strong>by</strong> the <strong>South</strong> <strong>London</strong> <strong>Theatre</strong>, 2a, Norwood High St., West Norwood,<br />

<strong>London</strong>, S.E.27 9NS. Box Office 020-8670-3474; Clubroom 020-8670-4661.<br />

www.southlondontheatre.co.uk. Please send copy for publication to<br />

backstage@southlondontheatre.co.uk, or <strong>by</strong> post to the address above marked “Backstage”.

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