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View the entire Program Book - ISFiC, Inc.

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Here follows descriptions of panels for WindyCon 34. This list is as accurate as possible at <strong>the</strong> time it is being sent to <strong>the</strong> printer, but<br />

changes do occur, so please check <strong>the</strong> pocket program (which takes precedence). It is also possible that some of <strong>the</strong> panelist line-ups will<br />

change. These alterations are often unavoidable and WindyCon regrets any inconvenience <strong>the</strong>y may cause. Check <strong>the</strong> pocket program<br />

for times of autographings and readings. All readings will be held in <strong>the</strong> Shannon Room.<br />

Friday<br />

5:00p<br />

The Small Press Revolution<br />

With <strong>the</strong> growing number of small sf<br />

presses (<strong>ISFiC</strong>, Subterranean, Advent:<br />

Publishing, Tachyon, Norilana), are<br />

<strong>the</strong>y causing any changes to <strong>the</strong> way in<br />

which science fiction is being published<br />

or perceived? Do small presses help<br />

or harm authors? And how can readers<br />

learn about small press offerings?<br />

J. Deaver Pack, B. Garcia,<br />

J. Helfers, M. Resnick<br />

Michigan<br />

Is Classic Ano<strong>the</strong>r Way<br />

of Saying Cr*p?<br />

Panelists discuss <strong>the</strong> classics that you’ve<br />

been told you should read, but <strong>the</strong>y<br />

explain why <strong>the</strong>y’re dated, trite, and<br />

really not worth your time.<br />

S. Blom, A. Eisenstein, E. Flint,<br />

R. Horton, D. Mead<br />

Heathrow<br />

Religion in <strong>the</strong><br />

Science Fictional Future<br />

Religion is often examined in science<br />

fiction, sometimes seriously, sometimes<br />

satirically. However authors look at<br />

religion, do <strong>the</strong>y owe <strong>the</strong> institution a<br />

respect which is lacking? What features<br />

of a future religion recur in science<br />

fiction and where does <strong>the</strong> genre appear<br />

to miss <strong>the</strong> boat as to its future?<br />

S. Mead, M. Zucker Reichert,<br />

J. Robertson, F. Ruiz, W. Thomasson<br />

Narita A/B<br />

<strong>Program</strong>ming<br />

The New Weird and Slipstream<br />

What exactly are <strong>the</strong>se literary<br />

movements, if <strong>the</strong>y are literary<br />

movements and how do <strong>the</strong>y differ from<br />

each o<strong>the</strong>r? Do <strong>the</strong>y have anything in<br />

common beyond <strong>the</strong> use of genre tropes<br />

and are <strong>the</strong>y really part of <strong>the</strong> speculative<br />

fiction or something <strong>entire</strong>ly new?<br />

R. Chwedyk, R. Green, T. Huff,<br />

N. Pollotta, N. Rest<br />

Orly<br />

6:00p<br />

Types of Editors<br />

When you hear <strong>the</strong> word “editor,” what<br />

do you think of? The term, as it is used<br />

in publishing can mean any of a number<br />

of different people with different jobs.<br />

There is <strong>the</strong> book editor, <strong>the</strong> short story<br />

editor, <strong>the</strong> copy editor, and o<strong>the</strong>rs. Learn<br />

what it really means when someone says<br />

<strong>the</strong>y are an editor.<br />

M. Cowan, J. Helfers, E. Hull,<br />

J. O’Neill, M. Zucker Reichert<br />

Michigan<br />

Historical Roots of High Fantasy<br />

High fantasy is characterized by battles<br />

for good and evil, fantastic creatures,<br />

and magic. Many authors take random<br />

pieces of history as <strong>the</strong> basis for <strong>the</strong>se<br />

stories and try to piece <strong>the</strong>m toge<strong>the</strong>r.<br />

Is it possible to take <strong>the</strong> finished project<br />

and figure out where <strong>the</strong> historical ideas<br />

came from?<br />

J. Deaver Pack, R. Garfinkle, S. Leigh,<br />

F. Murray, M.F. Zambreno<br />

Heathrow<br />

17<br />

Your First WindyCon<br />

Welcome to WindyCon. This panel will<br />

explain what is about to happen and<br />

point out <strong>the</strong> highlights of <strong>the</strong> weekend.<br />

You’ll also learn <strong>the</strong> correct etiquette for<br />

looking at <strong>the</strong> costumers, joining <strong>the</strong> filk,<br />

joining people for dinner, and even just<br />

getting into a conversation with people<br />

who are still strangers, but not for long.<br />

R. Karp, S. Lyn-Waitsman,<br />

R. Passovoy, N. Rest, J. Wilson<br />

Narita A/B<br />

Filking High Fantasy<br />

Filkers discuss, and perhaps perform,<br />

songs of high and epic fantasy. What<br />

techniques do <strong>the</strong>y use to capture a sound<br />

that is reminiscent of <strong>the</strong> periods which<br />

provide <strong>the</strong> model for high fantasy?<br />

G. Hanak, J. Haseltine, D. Murphy,<br />

B. Sutton, Br. Sutton<br />

Orly<br />

7:00p<br />

Opening Ceremonies<br />

R. Chwedyk, R. Hatch, T.Huff,<br />

J. Lee, G. Price, T. Weisskopf<br />

Grand Ballroom North<br />

8:00p<br />

Post-Opening Ceremonies Surprise<br />

Stick around after opening ceremonies for<br />

a special events surprise extravaganza.<br />

Grand Ballroom North<br />

Caires-Lesgold Memorial<br />

Fan Janet Caires-Lesgold left this world<br />

in <strong>the</strong> early hours of July 20, 2007 after<br />

a long battle with cancer. Join us as we<br />

remember her with stories and laughter.<br />

Michigan

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