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THE AMERICAN COLONIAL AND CONTEMPORARY TRADITIONS ...

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and his Kontra-Gapi (Kontemporaryong Gamelang Pilipino), a UP-based group,<br />

experiment on new compositions by fusing various Philippine music traditions<br />

(pre-Christian, rural folk music) and modern song styles. The UP Musika Asya<br />

of Kristina Benitez and Felicidad Prudente created simplified and synthetic<br />

versions of Philippine ethnic music. Joey Ayala and his group, Ang Bagong<br />

Lumad, incorporate instrumental sounds from Mindanao highland cultures in their<br />

music, which can be characterized as a spontaneous fusion of folk ballad style and<br />

minimalist structural elements. • R.P. Santos<br />

References<br />

Alzona, Encarnacion. Julio Nakpil and the Philippine Revolution. Manila:<br />

Carmelo and Bauermann, 1964.<br />

Bañas, Raymundo. Pilipino Music and Theater. Quezon City: Manlapaz<br />

Publishing Co., 1969, 1975.<br />

Buenaventura, Antonino. Sing and Be Happy. Vols. I-II. Manila: Macaraig<br />

Publishing Co., Inc., 1966.<br />

Castro, Antonio. “The Development of Local Pop Music From 1960 to<br />

1980.” Unpublished manuscript.<br />

The Conservatory of Music, University of the Philippines: 1916-1960.<br />

Monograph. 1960.<br />

Cultural Center of the Philippines. Brochure. 1976.<br />

De Leon, Felipe Padilla. “Manila Welcomes Opera.” In Filipino Heritage:<br />

The Making of a Nation. Vol. IX, 2340-2346. Edited by Alfredo R. Roces.<br />

Manila: Lahing Pilipino Publishing, Inc., 1978<br />

De los Reyes, Meredith. “Bagong Tunog,” National Midweek. March 1990, 14-<br />

17.<br />

Densmore, Frances. “The Music of the Filipinos.” American Anthropologist,<br />

Vol. VIII, No. 4 (October-December 1906), 611-632.<br />

Dioquino, Corazon C., ed. Poster Set of Philippine Musical Instruments.<br />

Quezon City: University of the Philippines College of Music, Department<br />

of Music Research, 1988.<br />

Diwa at Himig ng Pilipinas. Vol. I. Quezon City: Manlapaz Publishing Co., 1967.<br />

Garcia, Dennis. “We Have to Write Songs We’re All Familiar With.” Observer

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