Chapter 3

Apa yang perlu anda tahu tentang
Teori Muzik
8 konsep muzik
Irama Melodi Harmoni Warna ton Tekstur Bentuk Ekspresi
Meter
C.irama
Pic Triad
Skel P.kord
Nada
Ragam melodi
Jeda
Anda perlu
Tahu ini saja
Warna ton Tekstur Bentuk Ekspresi
Tapi
Perinciannya?

THEORY OF MUSIC
GRADE 1
( Primary )
Based on new syllabus of the
Associated Board of Royal School of Music,
London
For R.E. Seminar

TOPICS
Chapter 1: Time Values of Notes
Chapter 2: Bar-Lines Bar Lines & Time Signatures
Chapter 3: The Stave & Notes
Chapter 4: Treble Clef & Bass Clef
Chapter 5: Rests
Chapter 6: Dots after Notes
Chapter 7: Sharps, Flats & Naturals
Chapter 8: C,G,D & F Major & Key Signature
Chapter 9: Interval
Chapter10: The Tonic Triad

Chapter 1:
The Values of Notes

Note & Name
Chapter 1:
The Values of Notes
Semibreve (Whole note)
Minim (Half note)
Crotchet (Quarter note)
Quaver (Eight note)
Semiquaver (Sixteenth note)

Chapter 1
The Values of Notes
Semibreve
Minim
Crotchet
Quaver
Semiquaver

Chapter 2:
Bar-Lines Bar Lines & Time Signatures

Bar-line
Chapter 2:
Bar-Lines Bar Lines & Time Signatures
Bar Bar Bar Bar
Double bar-line

Chapter 2:
Bar-Lines & Time Signatures
The numbers you see at the beginning of a piece is call
TIME SIGNATURE:

Chapter 2:
Bar-Lines & Time signature
= 2 crotchets in a bar
= 3 crotchets in a bar
* Another way of writing this Time signature:
OR
Common Time

Chapter 3:
The Stave & Notes

Chapter 3:
The Stave & Notes
5
4
3
2
1
The stave has five lines which we count from the bottom and four spaces
Remember: 5 lines and 4 spaces
4
3
2
1

Chapter 3:
The Stave & Notes
An extra line drawn above or below the stave is called a
Note above ledger line
Notes on ledger lines
Note below ledger line
LEDGER LINE

Chapter 3:
The Stave & Notes
All notes except the semibreve has stem which goes up on the right hand side
And down on the left hand side
On the middle line stems can go either up or down
The stems of notes below the middle line go up, the stems of notes above
The middle line go down

Chapter 3:
The Stave & Notes
Right hand side
Left hand side

Chapter 4:
Treble Clef & Bass Clef

Chapter 4:
Treble Clef
E
C
A
F
MIDDLE C
F
D
B
G
E

Chapter 4:
Bass Clef
G
E
C
A
MIDDLE C
A
F
D
B
G

Chapter 5:
Rest

Chapter 5:
Five Kinds of REST
SEMIBREVE REST
(whole rest)
Also called A BAR REST as it is used to show that there
are no notes in a bar.

Chapter 5:
Five Kinds of REST
MINIM REST
( half rest )

Chapter 5:
Five Kinds of REST
CROTCHET REST
( quarter rest )

Chapter 5:
Five Kinds of REST
QUAVER REST
(eight rest)

Chapter 5:
Five Kinds of REST
SEMIQUAVER REST
( sixteenh rest )

Chapter 6:
Dots after Notes

Chapter 6: Dots after Notes
A dot after a note
makes it half as
much longer
Ex. .

Chapter 7:
Sharps, Flats and Naturals

Chapter 7: Sharps
Placed in front of a note
C
C#
= Sharps

Chapter 7: Flats
D
D
= Flat
Placed in front of a note

Chapter 7: Natural
= Natural

Chapter: 8
C, G, D and F Major Scales
and Key Siganature

Chapter 8:
C D E F G A B C
T T S T T T S
•In a major scales there are Seven Degrees (note) made up
of tones and semitones
•All major scales are made up of the same patterns of tones
and semitones

Chapter 8:

Chapter 8
F#

Chapter 8:
Bb

Chapter 9:
Interval

Chapter 9: Interval
The space between two notes (or 2 degrees) in a scale is
Call an INTERVAL
M 2 nd M 3 rd P 4 th P 5 th M 6 th M 7 th Octave

Chapter 10:
The Tonic triad

Chapter 10: The Triad Tonic
“Tonic” is another name for key note or the 1 st
note of a scale
“A triad” is a chord made up of 3 notes ( a group of
notes )
Ex.
TONIC TRIAD OF C
Fifth
Third
Tonic

Chapter 10: The Triad Tonic
Name the key in which the following are tonic triads
a. b.
G note D note
TONIC TRIAD OF G MAJOR TONIC TRIAD OF D MAJOR