Desert Country - UQ Art Museum

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Angelina Pwerle born c.1952, Anmatyerre/Alyawarr people, Northern Territory uToPia region Bush Plum, 2007, Utopia, Northern Territory synthetic polymer paint on linen, 120.0 x 330.0 cm Gift of Bill Nuttall and Annette Reeves through the <strong>Art</strong> Gallery of South Australia Contemporary Collectors 2009. Donated through the Australian Government’s Cultural Gifts Program © Angelina Pwerle, courtesy of Niagara Galleries, Melbourne
Angelina Pwerle born c.1952, Anmatyerre/Alyawarr people, Northern Territory The anmatyerre, eastern anmatyerre and alyawarr people are the traditional owners of a vast region known as Utopia, which is situated 240 kilometres northeast of Mparntwe (Alice Springs). The artists, who live on their traditional country in extended family groups, paint their creation stories. Angelina Pwerle was born at the Utopia homestead, about 250 kilometres northeast of Alice Springs, more than twenty-five years before the pastoral property was returned to its traditional owners. Her country includes Ahalpere on Utopia station, which was her father’s and grandfather’s country; her mother was from Kurrajong. She lives just south of the Utopia homestead at Camel Camp. She is the sister of painters Poly Ngal and Kathleen Ngal, and her late husband was the artist Louie Pwerl. It was perhaps through the influence of her late husband that Angelina began her artistic life, with the production of painted wooden sculptures, from the 1980s and into the 1990s. Like many Utopia women, she also worked in batik, from 1986. She began painting on canvas in 1988–89 when she took part in the seminal ‘A Summer Project’, which produced the first canvases from Utopia, and launched the painting career of several artists, notably Emily Kame Kngwarreye. Angelina has exhibited throughout Australia and overseas, and was a finalist in the Telstra National Aboriginal and Torres Strait Islander <strong>Art</strong> Award in 1997 and 2006. Angelina’s early works were both figurative and abstract, but as her confidence has increased in recent years her painting has become more detailed and imposing. The subjects of her earlier works included ancestor figures, awelye (women’s ceremonies) and bush foods such as bush tomato and bush plum; her current works are almost exclusively of the Bush Plum Dreaming and its associated country. Bush Plum is a beautifully coloured composition of an under-painted layer of deep pink, which is then covered with fine white dotting built up in sections. Angelina has used a bamboo skewer to create each dot. The fine detail gives the overall effect of a subtly textured, shimmering surface. This work is one of a series of four large, painstakingly-produced canvases. PRIMARY SECONDARY This painting uses a fine dotting technique. Move in closely to observe how the bamboo skewer was used, then step back to experience the overall effect of the painting. What do you notice about the dotting technique? Use a bamboo skewer to create your own work of art. Research bush foods (including the bush plum and tomato) and the way they are prepared for eating. uToPia region When looking at this painting, consider how the artist has been able to achieve the shimmering effect. Compare the dotting and colouring technique used here with that used by Lilly Kelly Napangardi in Sandhills.
Page 1 and 2: Desert Country EDUCATION RESOURCE
Page 3 and 4: Information for teachers This educa
Page 5 and 6: ‘When we, as Aboriginal people, t
Page 7 and 8: Clifford Possum Tjapaltjarri c.1934
Page 9 and 10: Turkey Tolson Tjupurrula 1942-2001,
Page 11: Doreen Reid Nakamarra Doreen Reid N
Page 15 and 16: Rover Thomas 1926-1998, Kukatja/Wan
Page 17 and 18: Mabel Juli born 1933, Gija people,
Page 19 and 20: Tommy Mitchell born 1943, Ngaanyatj
Page 21 and 22: Tjumpo Tjapanangka c.1929-2007, Kuk
Page 23 and 24: Ginger Wikilyiri anangu PiTjanTjaTj
Page 25 and 26: Harry Tjutjuna anangu PiTjanTjaTjar
Page 27 and 28: Nura Rupert anangu PiTjanTjaTjara y
Page 29 and 30: anangu PiTjanTjaTjara yankunyTjaTja
Page 31 and 32: Kunmanara Queama 1947-2009, Pitjant
Page 33 and 34: Lilly Kelly Napangardi born c.1948,

Desert Country - UQ Art Museum

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