Desert Country - UQ Art Museum

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anangu PiTjanTjaTjara yankunyTjaTjara arTisTs Ruby Tjangawa Williamson born c.1940, Pitjantjatjara people, South Australia Puli murpu – mountain range 2009, Amata, South Australia synthetic polymer paint on linen, 121.5 x 152.0 cm South Australian Government Grant 2009 © Ruby Tjangawa Williamson, courtesy of Tjala Arts
anangu PiTjanTjaTjara yankunyTjaTjara arTisTs Ruby Tjangawa Williamson born c.1940, Pitjantjatjara people, South Australia Ruby Tjangawa Williamson was born in the bush, west of Amata in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands of northwestern South Australia. In the mid-1950s, when she was a young girl, her family moved to Amata, which was then a cattle station called Musgrave Park (before its return to the ownership of the Pitjantjatjara people in the mid-1960s). She married a cattleman who worked at Musgrave Park and nearby stations, and whose family are the traditional owners of the country around Amata. After her husband’s death, Ruby was left to bring up their five children. She is a senior law woman with a commitment to fostering traditional culture, storytelling, dance and painting. She has a great sense of humour, which has helped her through difficult times. Ruby began painting in 2000 with Minymaku Arts (now Tjala Arts). Her very distinctive works have received increasing attention and acclaim, and are recognised for their ‘quirkiness’. She also weaves tjanpi (grass) baskets and makes punu (wood carvings) with burnt pokerwork designs. Her main subjects include puli murpu (mountain range) and ultukunpa (honey grevillea) as well as sand goanna, bush tucker and bush cat. She has exhibited in a large number of joint shows across Australia since 2000 and in several solo shows since 2003. Puli murpu is a Pitjantjatjara name for a mountain range, ridge or rise. This painting depicts part of the Musgrave Ranges behind Amata, where Ruby lives. The dark areas in the painting are the mountains from the side and above. The blue circles are kapi tjukula or rockholes, where water collects after the rains. The three frond-like elements at the edge of the rockholes are ultukunpa. Ultukunpa (Grevillea juncifolia), a six- metre-high shrub, is among the most accessible of the edible ‘honey plants’ of this area. The plant’s nectar or ‘honey’ (tjuratja, wama) can be sucked directly from its orange-coloured flowerheads, called kaliny-kalinypa, or the flowerheads can be soaked in water to make a dark-coloured sweet drink. PRIMARY SECONDARY Symbols are used here to tell a simple story. Identify the symbols in this work. The grevillea flowerheads can provide natural, sweet flavouring for water. Research other native plants which might provide flavouring? This painting has a ‘contemporary’ feel to it. What makes this so? Think about both the use of colour, and overall design/composition. Compare this work with others in the exhibition that you feel have a contemporary style.
Page 1 and 2: Desert Country EDUCATION RESOURCE
Page 3 and 4: Information for teachers This educa
Page 5 and 6: ‘When we, as Aboriginal people, t
Page 7 and 8: Clifford Possum Tjapaltjarri c.1934
Page 9 and 10: Turkey Tolson Tjupurrula 1942-2001,
Page 11 and 12: Doreen Reid Nakamarra Doreen Reid N
Page 13 and 14: Angelina Pwerle born c.1952, Anmaty
Page 15 and 16: Rover Thomas 1926-1998, Kukatja/Wan
Page 17 and 18: Mabel Juli born 1933, Gija people,
Page 19 and 20: Tommy Mitchell born 1943, Ngaanyatj
Page 21 and 22: Tjumpo Tjapanangka c.1929-2007, Kuk
Page 23 and 24: Ginger Wikilyiri anangu PiTjanTjaTj
Page 25 and 26: Harry Tjutjuna anangu PiTjanTjaTjar
Page 27: Nura Rupert anangu PiTjanTjaTjara y
Page 31 and 32: Kunmanara Queama 1947-2009, Pitjant
Page 33 and 34: Lilly Kelly Napangardi born c.1948,

Desert Country - UQ Art Museum

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