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three by three in rep - Trinity Repertory Company

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THE ARTISTIC TEAM<br />

Resident director and designer bios may be found on subsequent pages.<br />

George Brant<br />

Playwright, The Mourners’ Bench<br />

George Brant’s scripts have been produced<br />

and developed <strong>in</strong>ternationally <strong>by</strong> Tr<strong>in</strong>ity<br />

<strong>Repertory</strong> <strong>Company</strong>, Cleveland Play<br />

House, the Playwrights Foundation, the<br />

Playwrights’ Center, the Drama League,<br />

and Premiere Stages, among others. His<br />

script Elephant’s Graveyard was awarded<br />

the Kennedy Center’s David Cohen National<br />

Playwrit<strong>in</strong>g Award and the Keene Prize<br />

for Literature. He has received writ<strong>in</strong>g<br />

fellowships from the MacDowell Colony<br />

and the Michener Center for Writers, as<br />

well as commissions from Dobama Theatre<br />

and Theatre 4. His work is published<br />

<strong>by</strong> Samuel French, Smith & Kraus, and<br />

Broadway Play Publish<strong>in</strong>g. Mr. Brant<br />

wishes to acknowledge that The Mourners’<br />

Bench was developed with the generous<br />

support of WordBRIDGE Playwright’s<br />

Lab, Blue Mounta<strong>in</strong> Center, Laura Kepley,<br />

Naomi Wallace, Florida Studio Theatre,<br />

HRC Showcase Theatre, Djerassi Resident<br />

Artists Program, the Hangar Theatre, and<br />

Tr<strong>in</strong>ity Rep.<br />

Deborah Salem Smith<br />

Playwright, Love Alone<br />

Deborah Salem Smith is Tr<strong>in</strong>ity Rep’s playwright-<strong>in</strong>-residence.<br />

Love Alone received an<br />

Honorable Mention <strong>by</strong> the Jane Chambers<br />

Playwrit<strong>in</strong>g Award. Her previous honors<br />

<strong>in</strong>clude an Emerg<strong>in</strong>g American Artist<br />

Fulbright for playwrit<strong>in</strong>g, where she<br />

worked with the Abbey Theatre, Ireland’s<br />

national theater. Her work has been recognized<br />

<strong>by</strong> a National Mellon Fellowship <strong>in</strong><br />

the Humanities, a MacDowell Fellowship,<br />

a Col<strong>by</strong> Fellowship, a Major Hopwood<br />

Award, as well as writ<strong>in</strong>g and visual arts<br />

prizes from the University of Michigan<br />

and Pr<strong>in</strong>ceton University. Her other plays<br />

<strong>in</strong>clude Boots on the Ground, Some Th<strong>in</strong>gs<br />

Are Private, Good Bus<strong>in</strong>ess, and Caviar.<br />

Michael Perlman<br />

Director, The Mourners’ Bench<br />

Tr<strong>in</strong>ity Rep: A Christmas Carol (2010);<br />

Cabaret and The Importance of Be<strong>in</strong>g Earnest,<br />

assistant director. Brown/Tr<strong>in</strong>ity Rep:<br />

The Time of Your Life, Uncle Vanya, Hamlet,<br />

A Doll’s House, We Are Proud to Present a<br />

Presentation..., Exquisite Corpse. Other<br />

Theaters: Director: Brown/Tr<strong>in</strong>ity Playwrights<br />

Rep, Boise Contemporary Theater,<br />

Magic Theater, Maples <strong>Repertory</strong> Theater,<br />

Temporary Theatre <strong>Company</strong>, Hangar<br />

Theatre. Assistant director: Roundabout<br />

Theater, Public Theater, Fiasco Theater.<br />

Fr<strong>in</strong>geNYC: Fly<strong>in</strong>g on the W<strong>in</strong>g (Outstand<strong>in</strong>g<br />

Solo Show 2006). Other: Drama League<br />

Direct<strong>in</strong>g Fellow; BA, Brown University;<br />

MFA, Brown/Tr<strong>in</strong>ity Rep. Member of SDC.<br />

Three <strong>by</strong> Three 13

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