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exploring a popular culture body modification - Athenaeum Home ...

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CHAPTER 1<br />

INTRODUCTION<br />

Hair holds an uncomfortable position in the spectrum of what is considered natural and<br />

what is considered unnatural (Barcan, 2004). It is viewed as natural because as humans we are<br />

born with it and associate it with particular growth periods throughout our lives, such as<br />

reproductive maturity and aging. Paradoxically, it can also be seen as a <strong>body</strong> supplement or<br />

garment, something used to decorate the <strong>body</strong> that can be removed or altered. These two<br />

opposing views lay the grounds for a wide variety of cultural perspectives on hair and how it<br />

should be understood. Different <strong>culture</strong>s throughout history have used constructed knowledge,<br />

social standards, and aesthetic preferences to determine how to manipulate and treat each type of<br />

hair on a person‟s <strong>body</strong>, including pubic hair. Understanding the complex reasoning for<br />

manipulations of pubic hair can contribute to the understanding of cultural perspectives<br />

regarding gender, media, history, sex, and dress. Researching the path of an individual‟s bodily<br />

experience within a particular <strong>culture</strong> can shed light on the complexities in which a <strong>culture</strong><br />

defines ideals of what is masculine or feminine, or a fading line between the two. This<br />

understanding of gender is closely related to the historically changing observance of women as<br />

erotic stimuli, a topic that is built upon <strong>culture</strong>, more importantly, a <strong>culture</strong>‟s media and the<br />

messages they send. Today, these messages impel women to gain femininity and/or erotic<br />

appeal by accommodating the fashion of removing the pubic hair.<br />

Depilation and/or trimming of pubic hair is a highly normative practice, which is<br />

increasingly being used by contemporary western <strong>culture</strong>s (Toerien, Wilkinson & Choi, 2005).<br />

With the advent of the Second Wave Feminist Movement and the growing trend of exhibitionism<br />

that became apparent in erotic performance and motion pictures beginning in the 1960s, sex has<br />

1

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