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Preview of the Visual Arts | April-May 2010

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Penticton Art Gallery<br />

199 Marina Way ✆250-493-2928<br />

www.galleries.bc.ca/agso/<br />

tues-fri 10am-6pm sat-sun 12-5pm.<br />

Thru <strong>May</strong> 16 MAIN GALLERY Laurie<br />

Papou: Storm, mixed media work that<br />

uses <strong>the</strong>mes <strong>of</strong> nature to examine<br />

human’s resilience to adversity and<br />

change through acts <strong>of</strong> reinvention and<br />

acceptance <strong>of</strong> <strong>the</strong> absence <strong>of</strong> control;<br />

THE PROJECT ROOM AND TONI ONLEY<br />

GALLERY Connections - <strong>Visual</strong> <strong>Arts</strong> Students<br />

<strong>of</strong> Penticton, Princess Margaret<br />

and Summerland Secondary Schools,<br />

highlight <strong>the</strong> creative output <strong>of</strong> grades 9<br />

to 12 students.<br />

PORT ALBERNI<br />

Ahtsik Native Art Gallery<br />

7133A Pacific Rim Hwy<br />

✆250-723-3425 888-324-8745<br />

www.gordondick.ca<br />

thurs-mon 10:30am-5pm. Owned and<br />

operated by Tseshaht artist Gordon<br />

Dick, <strong>the</strong> gallery showcases original<br />

works by Nuu-chah-nulth artists and<br />

artists from o<strong>the</strong>r First Nations showcasing<br />

wood and stone carvings, jewellery,<br />

weavings, photographs, prints<br />

and structural decorative pieces (doors,<br />

beams, gates, panels). Thru Jun 5<br />

Andrew Dexel En-paa-uk, Candace<br />

Campo, Patrick Amos, Dorothy Jarvis<br />

and painted drums by Patricia Soop,<br />

“Ancestral Translation: Through a<br />

Painter’s Palette”, featuring emerging<br />

and established First Nations artists<br />

showing a variety <strong>of</strong> painting styles<br />

from traditional-realism to traditionalcontemporary.<br />

PORT MOODY<br />

Port Moody <strong>Arts</strong> Centre<br />

2425 St Johns St ✆604-931-2008<br />

www.pomoartscentre.ca<br />

PORT MOODY ARTS CENTRE: mon-thurs<br />

10am-8pm fri-sat 10am-5pm sun 12-<br />

4pm, closed holidays, SCOTIABANK<br />

GALLERY: 2501 St John St, mon-thurs<br />

10am-4pm, fri 10am-5pm. Apr 8-<strong>May</strong> 9<br />

MAIN GALLERY Monica Deac, “Divine<br />

Game”, oil on canvas; PLUM GALLERY<br />

www.23sandy.com<br />

Andrea Benson: Hands and Minds<br />

23 SANDY GALLERY, PORTLAND OR – <strong>May</strong> 6-29, <strong>2010</strong> Portland artist Andrea Benson has successfully<br />

worked in ceramics, papermaking, printmaking, photography and collage. After receiving a<br />

BFA in Art from Penn State and a BFA in Interior Design from Marylhurst University, she has painted<br />

with encaustics for <strong>the</strong> past seven years.<br />

For her new work in Hands and Minds, Benson has combined drawing, paper and encaustic to<br />

create a fanciful group <strong>of</strong> figurative paintings. Showing her interest in inner narratives and memories<br />

that translate into <strong>the</strong> universal, <strong>the</strong> mixed media panels reveal opulent layers <strong>of</strong> drawing and collage<br />

embedded within <strong>the</strong> depths <strong>of</strong> wax medium. The radiant and milky effect <strong>of</strong> <strong>the</strong> encaustic method<br />

enhances <strong>the</strong> transitory, fantasy-like subjects <strong>of</strong> her artwork.<br />

For her subject matter, she has used subtle hand gestures to reflect avenues within <strong>the</strong> mind. Benson’s<br />

romantic vision is executed<br />

through <strong>the</strong> elegant compositions<br />

where we see dream-like characters<br />

in graceful poses. As <strong>the</strong> artist<br />

states, “Hands, arms and stance<br />

are explored as handmaidens <strong>of</strong><br />

<strong>the</strong> mind – a mind imagined as<br />

Andrea Benson, Takes Two (2009), encaustic on paper and drawing on wood<br />

panel [23 Sandy Gallery, Portland OR, <strong>May</strong> 6-29]<br />

individual, collective, cultural and<br />

environmental.”.<br />

The facial identity <strong>of</strong> Benson’s<br />

“handmaidens” is mostly obscured, as if <strong>the</strong> figures are meant to act as metaphors for emotional<br />

events or archetypal experiences. In Wader, a sensual woman emerges from an e<strong>the</strong>real water-like<br />

reflection. Her hands and arms are in full focus while <strong>the</strong> rest <strong>of</strong> <strong>the</strong> s<strong>of</strong>tly rendered composition<br />

depicts surreal sensations. In Hanging Meadow, an elongated woman is draped in delicate clothing<br />

that literally spills into a foreground <strong>of</strong> cartoon-like flowers. Allyn Cantor<br />

WALLS AND SCOTIABANK GALLERY Candice<br />

Perry, “Distant Memories”, drypoint<br />

etching; PLUM GALLERY DISPLAY CASE<br />

Vladimir Chackharian, “Jewelry and<br />

Fine Engraving”, precious metals; 3D<br />

GALLERY Thinking about Green, group<br />

show, various media; <strong>May</strong> 13-Jun 6<br />

MAIN GALLERY Won-Hee Pigeon, “Windsong<br />

and Rhythm”, acrylic on canvas;<br />

PLUM GALLERY WALLS AND SCOTIABANK<br />

GALLERY Barbara Day, “Seasons”, oil on<br />

canvas; PLUM GALLERY DISPLAY CASE<br />

Deanna Welters, “Shibori Silk”, shibori;<br />

3D GALLERY Clay for You artist group,<br />

“Traditional Korean Pottery”, clay.<br />

PRINCE GEORGE<br />

★ Two Rivers Gallery<br />

725 Civic Plaza ✆250-614-7800<br />

www.tworiversgallery.ca<br />

wed-sat 10am-5pm thurs 10am-9pm<br />

sun 12-5pm. Thru <strong>May</strong> 2 Norman<br />

Yates, “Landspaces in <strong>the</strong> 21st Century”,<br />

charged with movement, colour<br />

and light, explores <strong>the</strong> work <strong>of</strong> <strong>the</strong> last<br />

decade; Group Exhibition, “Drawn”,<br />

30 PREVIEW ■ APR/MAY <strong>2010</strong> ★ OPEN LATE ON FIRST THURSDAYS

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