Preview of the Visual Arts | April-May 2010
Preview of the Visual Arts | April-May 2010
Preview of the Visual Arts | April-May 2010
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Penticton Art Gallery<br />
199 Marina Way ✆250-493-2928<br />
www.galleries.bc.ca/agso/<br />
tues-fri 10am-6pm sat-sun 12-5pm.<br />
Thru <strong>May</strong> 16 MAIN GALLERY Laurie<br />
Papou: Storm, mixed media work that<br />
uses <strong>the</strong>mes <strong>of</strong> nature to examine<br />
human’s resilience to adversity and<br />
change through acts <strong>of</strong> reinvention and<br />
acceptance <strong>of</strong> <strong>the</strong> absence <strong>of</strong> control;<br />
THE PROJECT ROOM AND TONI ONLEY<br />
GALLERY Connections - <strong>Visual</strong> <strong>Arts</strong> Students<br />
<strong>of</strong> Penticton, Princess Margaret<br />
and Summerland Secondary Schools,<br />
highlight <strong>the</strong> creative output <strong>of</strong> grades 9<br />
to 12 students.<br />
PORT ALBERNI<br />
Ahtsik Native Art Gallery<br />
7133A Pacific Rim Hwy<br />
✆250-723-3425 888-324-8745<br />
www.gordondick.ca<br />
thurs-mon 10:30am-5pm. Owned and<br />
operated by Tseshaht artist Gordon<br />
Dick, <strong>the</strong> gallery showcases original<br />
works by Nuu-chah-nulth artists and<br />
artists from o<strong>the</strong>r First Nations showcasing<br />
wood and stone carvings, jewellery,<br />
weavings, photographs, prints<br />
and structural decorative pieces (doors,<br />
beams, gates, panels). Thru Jun 5<br />
Andrew Dexel En-paa-uk, Candace<br />
Campo, Patrick Amos, Dorothy Jarvis<br />
and painted drums by Patricia Soop,<br />
“Ancestral Translation: Through a<br />
Painter’s Palette”, featuring emerging<br />
and established First Nations artists<br />
showing a variety <strong>of</strong> painting styles<br />
from traditional-realism to traditionalcontemporary.<br />
PORT MOODY<br />
Port Moody <strong>Arts</strong> Centre<br />
2425 St Johns St ✆604-931-2008<br />
www.pomoartscentre.ca<br />
PORT MOODY ARTS CENTRE: mon-thurs<br />
10am-8pm fri-sat 10am-5pm sun 12-<br />
4pm, closed holidays, SCOTIABANK<br />
GALLERY: 2501 St John St, mon-thurs<br />
10am-4pm, fri 10am-5pm. Apr 8-<strong>May</strong> 9<br />
MAIN GALLERY Monica Deac, “Divine<br />
Game”, oil on canvas; PLUM GALLERY<br />
www.23sandy.com<br />
Andrea Benson: Hands and Minds<br />
23 SANDY GALLERY, PORTLAND OR – <strong>May</strong> 6-29, <strong>2010</strong> Portland artist Andrea Benson has successfully<br />
worked in ceramics, papermaking, printmaking, photography and collage. After receiving a<br />
BFA in Art from Penn State and a BFA in Interior Design from Marylhurst University, she has painted<br />
with encaustics for <strong>the</strong> past seven years.<br />
For her new work in Hands and Minds, Benson has combined drawing, paper and encaustic to<br />
create a fanciful group <strong>of</strong> figurative paintings. Showing her interest in inner narratives and memories<br />
that translate into <strong>the</strong> universal, <strong>the</strong> mixed media panels reveal opulent layers <strong>of</strong> drawing and collage<br />
embedded within <strong>the</strong> depths <strong>of</strong> wax medium. The radiant and milky effect <strong>of</strong> <strong>the</strong> encaustic method<br />
enhances <strong>the</strong> transitory, fantasy-like subjects <strong>of</strong> her artwork.<br />
For her subject matter, she has used subtle hand gestures to reflect avenues within <strong>the</strong> mind. Benson’s<br />
romantic vision is executed<br />
through <strong>the</strong> elegant compositions<br />
where we see dream-like characters<br />
in graceful poses. As <strong>the</strong> artist<br />
states, “Hands, arms and stance<br />
are explored as handmaidens <strong>of</strong><br />
<strong>the</strong> mind – a mind imagined as<br />
Andrea Benson, Takes Two (2009), encaustic on paper and drawing on wood<br />
panel [23 Sandy Gallery, Portland OR, <strong>May</strong> 6-29]<br />
individual, collective, cultural and<br />
environmental.”.<br />
The facial identity <strong>of</strong> Benson’s<br />
“handmaidens” is mostly obscured, as if <strong>the</strong> figures are meant to act as metaphors for emotional<br />
events or archetypal experiences. In Wader, a sensual woman emerges from an e<strong>the</strong>real water-like<br />
reflection. Her hands and arms are in full focus while <strong>the</strong> rest <strong>of</strong> <strong>the</strong> s<strong>of</strong>tly rendered composition<br />
depicts surreal sensations. In Hanging Meadow, an elongated woman is draped in delicate clothing<br />
that literally spills into a foreground <strong>of</strong> cartoon-like flowers. Allyn Cantor<br />
WALLS AND SCOTIABANK GALLERY Candice<br />
Perry, “Distant Memories”, drypoint<br />
etching; PLUM GALLERY DISPLAY CASE<br />
Vladimir Chackharian, “Jewelry and<br />
Fine Engraving”, precious metals; 3D<br />
GALLERY Thinking about Green, group<br />
show, various media; <strong>May</strong> 13-Jun 6<br />
MAIN GALLERY Won-Hee Pigeon, “Windsong<br />
and Rhythm”, acrylic on canvas;<br />
PLUM GALLERY WALLS AND SCOTIABANK<br />
GALLERY Barbara Day, “Seasons”, oil on<br />
canvas; PLUM GALLERY DISPLAY CASE<br />
Deanna Welters, “Shibori Silk”, shibori;<br />
3D GALLERY Clay for You artist group,<br />
“Traditional Korean Pottery”, clay.<br />
PRINCE GEORGE<br />
★ Two Rivers Gallery<br />
725 Civic Plaza ✆250-614-7800<br />
www.tworiversgallery.ca<br />
wed-sat 10am-5pm thurs 10am-9pm<br />
sun 12-5pm. Thru <strong>May</strong> 2 Norman<br />
Yates, “Landspaces in <strong>the</strong> 21st Century”,<br />
charged with movement, colour<br />
and light, explores <strong>the</strong> work <strong>of</strong> <strong>the</strong> last<br />
decade; Group Exhibition, “Drawn”,<br />
30 PREVIEW ■ APR/MAY <strong>2010</strong> ★ OPEN LATE ON FIRST THURSDAYS