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Upbeat Spring 2013 - Royal College of Music

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22<br />

Obituaries<br />

Sir Philip Ledger FRCM, pr<strong>of</strong>essor at<br />

the RCM for many years, died on 18<br />

November 2012 at the age <strong>of</strong> 74. He<br />

was one <strong>of</strong> the most notable church<br />

musicians <strong>of</strong> recent years. He read music<br />

at King’s <strong>College</strong>, Cambridge, where he<br />

later succeeded Sir David Willcocks as<br />

Director <strong>of</strong> <strong>Music</strong> from 1974 to 1982.<br />

His recordings with the Choir <strong>of</strong> King’s<br />

are much loved, in particular the Festival<br />

<strong>of</strong> Nine Lessons and Carols. He will be<br />

remembered for many <strong>of</strong> his choral<br />

arrangements and other compositions,<br />

in particular his Easter cantata The Risen<br />

Christ and new settings <strong>of</strong> popular texts<br />

such as Adam lay y bounden and A<br />

Spotless Rose. At 23 he was appointed<br />

Master <strong>of</strong> <strong>Music</strong> at Chelmsford<br />

Cathedral, making him the youngest<br />

cathedral organist in Britain. He joined<br />

the pr<strong>of</strong>essorial staff <strong>of</strong> the RCM in 1962.<br />

He later went on to become joint Artistic<br />

Director <strong>of</strong> the Aldeburgh Festival, and<br />

enjoyed working closely with Benjamin<br />

Britten and Peter Pears. In 1965 he<br />

became <strong>Music</strong> Director and Dean <strong>of</strong> Fine<br />

Arts at the University <strong>of</strong> East Anglia and<br />

in 1982 became Principal <strong>of</strong> the <strong>Royal</strong><br />

Scottish Academy <strong>of</strong> <strong>Music</strong> and Drama<br />

(now <strong>Royal</strong> Conservatoire <strong>of</strong> Scotland)<br />

until his retirement in 2001.<br />

The distinguished pianist and RCM<br />

alumna Julia Cload has died at the<br />

age <strong>of</strong> 65. She was born into a family<br />

<strong>of</strong> musicians: her father John Cload<br />

was a founding member <strong>of</strong> the London<br />

Philharmonic Orchestra while her<br />

mother was a highly regarded violin<br />

teacher who also studied at the RCM.<br />

Julia studied at the RCM with Cyril<br />

Smith before continuing her studies at<br />

the Franz Liszt Academy in Budapest.<br />

Following her debut, playing Beethoven’s<br />

Third Piano Concerto with the LPO<br />

under Sir Adrian Boult, she was much in<br />

demand as a concerto soloist, appearing<br />

again with the LPO, the RPO, the Hallé,<br />

the RLP, various BBC orchestras and the<br />

London Mozart Players. As a recitalist<br />

she frequently recorded for the BBC<br />

and appeared at major venues in the<br />

UK, Austria, France, Germany, Hungary<br />

and Switzerland. Her recordings <strong>of</strong><br />

Bach’s Goldberg Variations and Das<br />

Wohltemperierte Clavier as well as<br />

Haydn’s 20 Sonatas were singled out for<br />

special praise.<br />

George Hurst<br />

Former conducting pr<strong>of</strong>essor George<br />

Hurst has died. Born in 1926 in Scotland,<br />

George was closely associated with<br />

several British orchestras during his long<br />

career. He was also a pr<strong>of</strong>ound influence<br />

on many performers and conductors.<br />

He studied piano and cello in London,<br />

but was evacuated to Canada during<br />

the Second World War. He later became<br />

Pr<strong>of</strong>essor <strong>of</strong> Composition at the Peabody<br />

Institute in Baltimore, Maryland.<br />

Encouraged by the pianist Dame Myra<br />

Hess, George moved back to Britain,<br />

and in 1953 conducted the London<br />

Philharmonic Orchestra with Eileen Joyce<br />

as soloist. In 1958 he was appointed<br />

Principal Conductor <strong>of</strong> the BBC<br />

Northern Symphony Orchestra. He also<br />

<strong>of</strong>ten worked with the Scottish National<br />

Orchestra, and in 1968 helped to launch<br />

the Bournemouth Sinfonietta as an<br />

<strong>of</strong>fshoot <strong>of</strong> the Symphony Orchestra.<br />

George first conducted the BBC Scottish<br />

Symphony Orchestra in 1982, later<br />

becoming its Chief Guest Conductor.<br />

As a conducting pr<strong>of</strong>essor at the RCM,<br />

George was a significant influence on the<br />

development <strong>of</strong> many British conductors.<br />

Perhaps his greatest influence was on Sir<br />

Simon Rattle who recollected that, aged<br />

11, he had attended a performance <strong>of</strong><br />

Mahler’s Second Symphony conducted<br />

by Hurst, and found it a “Damascene<br />

experience”. Rattle later said: “It’s because<br />

<strong>of</strong> that evening that I’m a conductor.”<br />

James Brown, oboe pr<strong>of</strong>essor at the<br />

RCM from 1964 to 1995, has died at the<br />

age <strong>of</strong> 83. Jimmy, as he was universally<br />

known, was an extremely busy orchestral<br />

player. Described by a colleague as<br />

“everyone’s favourite second oboe” – a<br />

huge compliment – Jimmy rejoiced in his<br />

role at the very heart <strong>of</strong> the woodwind<br />

section. Alongside his very active<br />

performing career Jimmy unearthed,<br />

edited and published numerous works<br />

for oboe which added substantially to<br />

the solo repertoire. Bassoonist and RCM<br />

pr<strong>of</strong>essor Martin Gatt commented:<br />

“Having sat behind Jimmy in the ECO for<br />

so many years, I can honestly say he was<br />

the epitome <strong>of</strong> the perfect second oboe;<br />

not only was there never a note out <strong>of</strong><br />

place, but he was a fantastic support to<br />

the principals, usually Peter Graeme (also<br />

an RCM pr<strong>of</strong>essor) and Neil Black.”<br />

Raenelda MacKie<br />

RCM Doctoral student Raenelda<br />

MacKie died on 23 December 2012. She<br />

was diagnosed with cancer less than two<br />

years ago and had bravely undergone<br />

both chemo- and radio-therapy.<br />

Raenelda was working on a thesis on the<br />

Catalan composer Federico Mompou –<br />

supervised by Richard Langham Smith,<br />

Ingrid Pearson and Julian Jacobson – and<br />

had made some crucial discoveries.<br />

She will be sorely missed not only by<br />

those who worked closely with her, but<br />

also by many <strong>of</strong> the RCM postgraduate<br />

community, who encountered her as<br />

a lively contributor to the Doctoral<br />

seminars during 2010 and 2011. RCM<br />

Research Pr<strong>of</strong>essor Richard Langham<br />

Smith commented: “As her principal<br />

supervisor, I can testify without a shadow<br />

<strong>of</strong> doubt that Raenelda was one <strong>of</strong> my<br />

best ever supervisees and also one <strong>of</strong> the<br />

most rewarding and fun to be with. She<br />

had all the right skills for her subject: first<br />

and foremost unlimited enthusiasm for<br />

researching the composer for whom she<br />

had unbridled passion. There is no doubt<br />

that her enthusiastic work on her thesis<br />

— well on the way to completion — kept<br />

her going through what turned out to be<br />

her terminal illness.” To read Richard’s full<br />

tribute, please visit<br />

www.rcm.ac.uk/news

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