Upbeat Spring 2013 - Royal College of Music
Upbeat Spring 2013 - Royal College of Music
Upbeat Spring 2013 - Royal College of Music
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22<br />
Obituaries<br />
Sir Philip Ledger FRCM, pr<strong>of</strong>essor at<br />
the RCM for many years, died on 18<br />
November 2012 at the age <strong>of</strong> 74. He<br />
was one <strong>of</strong> the most notable church<br />
musicians <strong>of</strong> recent years. He read music<br />
at King’s <strong>College</strong>, Cambridge, where he<br />
later succeeded Sir David Willcocks as<br />
Director <strong>of</strong> <strong>Music</strong> from 1974 to 1982.<br />
His recordings with the Choir <strong>of</strong> King’s<br />
are much loved, in particular the Festival<br />
<strong>of</strong> Nine Lessons and Carols. He will be<br />
remembered for many <strong>of</strong> his choral<br />
arrangements and other compositions,<br />
in particular his Easter cantata The Risen<br />
Christ and new settings <strong>of</strong> popular texts<br />
such as Adam lay y bounden and A<br />
Spotless Rose. At 23 he was appointed<br />
Master <strong>of</strong> <strong>Music</strong> at Chelmsford<br />
Cathedral, making him the youngest<br />
cathedral organist in Britain. He joined<br />
the pr<strong>of</strong>essorial staff <strong>of</strong> the RCM in 1962.<br />
He later went on to become joint Artistic<br />
Director <strong>of</strong> the Aldeburgh Festival, and<br />
enjoyed working closely with Benjamin<br />
Britten and Peter Pears. In 1965 he<br />
became <strong>Music</strong> Director and Dean <strong>of</strong> Fine<br />
Arts at the University <strong>of</strong> East Anglia and<br />
in 1982 became Principal <strong>of</strong> the <strong>Royal</strong><br />
Scottish Academy <strong>of</strong> <strong>Music</strong> and Drama<br />
(now <strong>Royal</strong> Conservatoire <strong>of</strong> Scotland)<br />
until his retirement in 2001.<br />
The distinguished pianist and RCM<br />
alumna Julia Cload has died at the<br />
age <strong>of</strong> 65. She was born into a family<br />
<strong>of</strong> musicians: her father John Cload<br />
was a founding member <strong>of</strong> the London<br />
Philharmonic Orchestra while her<br />
mother was a highly regarded violin<br />
teacher who also studied at the RCM.<br />
Julia studied at the RCM with Cyril<br />
Smith before continuing her studies at<br />
the Franz Liszt Academy in Budapest.<br />
Following her debut, playing Beethoven’s<br />
Third Piano Concerto with the LPO<br />
under Sir Adrian Boult, she was much in<br />
demand as a concerto soloist, appearing<br />
again with the LPO, the RPO, the Hallé,<br />
the RLP, various BBC orchestras and the<br />
London Mozart Players. As a recitalist<br />
she frequently recorded for the BBC<br />
and appeared at major venues in the<br />
UK, Austria, France, Germany, Hungary<br />
and Switzerland. Her recordings <strong>of</strong><br />
Bach’s Goldberg Variations and Das<br />
Wohltemperierte Clavier as well as<br />
Haydn’s 20 Sonatas were singled out for<br />
special praise.<br />
George Hurst<br />
Former conducting pr<strong>of</strong>essor George<br />
Hurst has died. Born in 1926 in Scotland,<br />
George was closely associated with<br />
several British orchestras during his long<br />
career. He was also a pr<strong>of</strong>ound influence<br />
on many performers and conductors.<br />
He studied piano and cello in London,<br />
but was evacuated to Canada during<br />
the Second World War. He later became<br />
Pr<strong>of</strong>essor <strong>of</strong> Composition at the Peabody<br />
Institute in Baltimore, Maryland.<br />
Encouraged by the pianist Dame Myra<br />
Hess, George moved back to Britain,<br />
and in 1953 conducted the London<br />
Philharmonic Orchestra with Eileen Joyce<br />
as soloist. In 1958 he was appointed<br />
Principal Conductor <strong>of</strong> the BBC<br />
Northern Symphony Orchestra. He also<br />
<strong>of</strong>ten worked with the Scottish National<br />
Orchestra, and in 1968 helped to launch<br />
the Bournemouth Sinfonietta as an<br />
<strong>of</strong>fshoot <strong>of</strong> the Symphony Orchestra.<br />
George first conducted the BBC Scottish<br />
Symphony Orchestra in 1982, later<br />
becoming its Chief Guest Conductor.<br />
As a conducting pr<strong>of</strong>essor at the RCM,<br />
George was a significant influence on the<br />
development <strong>of</strong> many British conductors.<br />
Perhaps his greatest influence was on Sir<br />
Simon Rattle who recollected that, aged<br />
11, he had attended a performance <strong>of</strong><br />
Mahler’s Second Symphony conducted<br />
by Hurst, and found it a “Damascene<br />
experience”. Rattle later said: “It’s because<br />
<strong>of</strong> that evening that I’m a conductor.”<br />
James Brown, oboe pr<strong>of</strong>essor at the<br />
RCM from 1964 to 1995, has died at the<br />
age <strong>of</strong> 83. Jimmy, as he was universally<br />
known, was an extremely busy orchestral<br />
player. Described by a colleague as<br />
“everyone’s favourite second oboe” – a<br />
huge compliment – Jimmy rejoiced in his<br />
role at the very heart <strong>of</strong> the woodwind<br />
section. Alongside his very active<br />
performing career Jimmy unearthed,<br />
edited and published numerous works<br />
for oboe which added substantially to<br />
the solo repertoire. Bassoonist and RCM<br />
pr<strong>of</strong>essor Martin Gatt commented:<br />
“Having sat behind Jimmy in the ECO for<br />
so many years, I can honestly say he was<br />
the epitome <strong>of</strong> the perfect second oboe;<br />
not only was there never a note out <strong>of</strong><br />
place, but he was a fantastic support to<br />
the principals, usually Peter Graeme (also<br />
an RCM pr<strong>of</strong>essor) and Neil Black.”<br />
Raenelda MacKie<br />
RCM Doctoral student Raenelda<br />
MacKie died on 23 December 2012. She<br />
was diagnosed with cancer less than two<br />
years ago and had bravely undergone<br />
both chemo- and radio-therapy.<br />
Raenelda was working on a thesis on the<br />
Catalan composer Federico Mompou –<br />
supervised by Richard Langham Smith,<br />
Ingrid Pearson and Julian Jacobson – and<br />
had made some crucial discoveries.<br />
She will be sorely missed not only by<br />
those who worked closely with her, but<br />
also by many <strong>of</strong> the RCM postgraduate<br />
community, who encountered her as<br />
a lively contributor to the Doctoral<br />
seminars during 2010 and 2011. RCM<br />
Research Pr<strong>of</strong>essor Richard Langham<br />
Smith commented: “As her principal<br />
supervisor, I can testify without a shadow<br />
<strong>of</strong> doubt that Raenelda was one <strong>of</strong> my<br />
best ever supervisees and also one <strong>of</strong> the<br />
most rewarding and fun to be with. She<br />
had all the right skills for her subject: first<br />
and foremost unlimited enthusiasm for<br />
researching the composer for whom she<br />
had unbridled passion. There is no doubt<br />
that her enthusiastic work on her thesis<br />
— well on the way to completion — kept<br />
her going through what turned out to be<br />
her terminal illness.” To read Richard’s full<br />
tribute, please visit<br />
www.rcm.ac.uk/news