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Upbeat Spring 2013 - Royal College of Music

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6<br />

In the news...<br />

Welcoming<br />

Pr<strong>of</strong>essor<br />

Alexander Sokolov<br />

Kevin Porter, Pr<strong>of</strong>essor Vanessa Latarche, Pr<strong>of</strong>essor<br />

Colin Lawson, Pr<strong>of</strong>essor Alexander Sokolov<br />

Concert Hall<br />

becomes Scoring<br />

Stage for a day<br />

On 1 November the Amaryllis Fleming<br />

Concert Hall was transformed into a<br />

fully functional scoring stage for the<br />

largest film-scoring session undertaken<br />

at the RCM to date.<br />

Composition for Screen student Pierre<br />

O’Reilly organised the session, pulling<br />

together 70 RCM musicians to record<br />

We were delighted to welcome<br />

Pr<strong>of</strong>essor Alexander Sokolov, Rector<br />

<strong>of</strong> Moscow Conservatory, to the RCM in<br />

October last year.<br />

Pr<strong>of</strong>essor Sokolov gave a talk, visited<br />

the RCM Museum and discussed future<br />

artistic collaborations with RCM Artistic<br />

Director Stephen Johns. He then met<br />

with Pr<strong>of</strong>essor Colin Lawson, Director<br />

<strong>of</strong> the RCM, to sign and re-affirm the<br />

memorandum <strong>of</strong> agreement between<br />

the two institutions, which allows for<br />

a number <strong>of</strong> educational and artistic<br />

collaborations.<br />

Central to this historic partnership is<br />

the longstanding close relationship<br />

between the keyboard faculties: each<br />

year, RCM Head <strong>of</strong> Keyboard Pr<strong>of</strong>essor<br />

Vanessa Latarche visits Moscow for<br />

a series <strong>of</strong> auditions, discussions and<br />

masterclasses. The new memorandum <strong>of</strong><br />

understanding promises even closer links<br />

in the future.<br />

music for two short films. The session<br />

was a great success and enjoyed by the<br />

students, providing excellent training<br />

for something they are very likely<br />

to encounter in their future careers.<br />

The recording was overseen by RCM<br />

Studios’ engineer Steve Harrington, and<br />

utilised the RCM Studios’ live room<br />

beneath the concert hall to house the<br />

percussion section.<br />

Building on the success <strong>of</strong> this<br />

recording, the RCM Studios team hope<br />

to be able to run more sessions <strong>of</strong> this<br />

scale in the future.<br />

In defence <strong>of</strong><br />

the recorder!<br />

Head <strong>of</strong> Historical Performance<br />

Ashley Solomon has featured on<br />

Simon Mayo’s popular Radio 2<br />

Drivetime show.<br />

Following a phone-in confession from<br />

a listener, who disliked the recorder<br />

so much that he hid his sister’s and<br />

children’s, Ashley gallantly went on air<br />

to defend his instrument. He gave a<br />

brief account <strong>of</strong> the recorder’s history,<br />

before performing a delightful set <strong>of</strong><br />

variations on the well-known tune<br />

Greensleeves.<br />

Student<br />

collaborations<br />

The RCM<br />

Students’<br />

Association<br />

presented<br />

the launch<br />

concert <strong>of</strong><br />

the newly<br />

formed RCM<br />

Students’<br />

Film<br />

Orchestra<br />

on 22<br />

January. The concert featured two<br />

UK premieres: John Williams’ original<br />

score for Steven Spielberg’s War<br />

Horse, and Downey Overture by Oscar<br />

Navarro, as well as an original score by<br />

a Composition for Screen student.

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