Upbeat Spring 2013 - Royal College of Music
Upbeat Spring 2013 - Royal College of Music
Upbeat Spring 2013 - Royal College of Music
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6<br />
In the news...<br />
Welcoming<br />
Pr<strong>of</strong>essor<br />
Alexander Sokolov<br />
Kevin Porter, Pr<strong>of</strong>essor Vanessa Latarche, Pr<strong>of</strong>essor<br />
Colin Lawson, Pr<strong>of</strong>essor Alexander Sokolov<br />
Concert Hall<br />
becomes Scoring<br />
Stage for a day<br />
On 1 November the Amaryllis Fleming<br />
Concert Hall was transformed into a<br />
fully functional scoring stage for the<br />
largest film-scoring session undertaken<br />
at the RCM to date.<br />
Composition for Screen student Pierre<br />
O’Reilly organised the session, pulling<br />
together 70 RCM musicians to record<br />
We were delighted to welcome<br />
Pr<strong>of</strong>essor Alexander Sokolov, Rector<br />
<strong>of</strong> Moscow Conservatory, to the RCM in<br />
October last year.<br />
Pr<strong>of</strong>essor Sokolov gave a talk, visited<br />
the RCM Museum and discussed future<br />
artistic collaborations with RCM Artistic<br />
Director Stephen Johns. He then met<br />
with Pr<strong>of</strong>essor Colin Lawson, Director<br />
<strong>of</strong> the RCM, to sign and re-affirm the<br />
memorandum <strong>of</strong> agreement between<br />
the two institutions, which allows for<br />
a number <strong>of</strong> educational and artistic<br />
collaborations.<br />
Central to this historic partnership is<br />
the longstanding close relationship<br />
between the keyboard faculties: each<br />
year, RCM Head <strong>of</strong> Keyboard Pr<strong>of</strong>essor<br />
Vanessa Latarche visits Moscow for<br />
a series <strong>of</strong> auditions, discussions and<br />
masterclasses. The new memorandum <strong>of</strong><br />
understanding promises even closer links<br />
in the future.<br />
music for two short films. The session<br />
was a great success and enjoyed by the<br />
students, providing excellent training<br />
for something they are very likely<br />
to encounter in their future careers.<br />
The recording was overseen by RCM<br />
Studios’ engineer Steve Harrington, and<br />
utilised the RCM Studios’ live room<br />
beneath the concert hall to house the<br />
percussion section.<br />
Building on the success <strong>of</strong> this<br />
recording, the RCM Studios team hope<br />
to be able to run more sessions <strong>of</strong> this<br />
scale in the future.<br />
In defence <strong>of</strong><br />
the recorder!<br />
Head <strong>of</strong> Historical Performance<br />
Ashley Solomon has featured on<br />
Simon Mayo’s popular Radio 2<br />
Drivetime show.<br />
Following a phone-in confession from<br />
a listener, who disliked the recorder<br />
so much that he hid his sister’s and<br />
children’s, Ashley gallantly went on air<br />
to defend his instrument. He gave a<br />
brief account <strong>of</strong> the recorder’s history,<br />
before performing a delightful set <strong>of</strong><br />
variations on the well-known tune<br />
Greensleeves.<br />
Student<br />
collaborations<br />
The RCM<br />
Students’<br />
Association<br />
presented<br />
the launch<br />
concert <strong>of</strong><br />
the newly<br />
formed RCM<br />
Students’<br />
Film<br />
Orchestra<br />
on 22<br />
January. The concert featured two<br />
UK premieres: John Williams’ original<br />
score for Steven Spielberg’s War<br />
Horse, and Downey Overture by Oscar<br />
Navarro, as well as an original score by<br />
a Composition for Screen student.