Martial arts in the Kitchen By Daniel prasetya - PENCAK SILAT INTI ...
Martial arts in the Kitchen By Daniel prasetya - PENCAK SILAT INTI ...
Martial arts in the Kitchen By Daniel prasetya - PENCAK SILAT INTI ...
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<strong>Martial</strong> <strong>arts</strong> <strong>in</strong> <strong>the</strong> <strong>Kitchen</strong><br />
<strong>By</strong> <strong>Daniel</strong> <strong>prasetya</strong><br />
The use of <strong>the</strong> knife as a tool is as old as human history. Primitive tribes used knives for everyday<br />
survival – as tools of attack, defense, hunt<strong>in</strong>g, and domestic utility. In modern times we still use knives<br />
as one of our primary tools. Their uses range from cook<strong>in</strong>g knives, pocket knives, surgical scalpels,<br />
combat knives, and even as letter openers. Although knives have evolved <strong>in</strong> style and function, <strong>the</strong>ir<br />
core components are <strong>the</strong> same: a handle and a blade. This universal consistency has allowed humans to<br />
be very creative <strong>in</strong> utiliz<strong>in</strong>g function-specific grips.<br />
The history of <strong>the</strong> knife The earliest users of <strong>the</strong> knife were hunters and cooks. Hunters used knives not<br />
only for kill<strong>in</strong>g <strong>the</strong>ir prey, but also for defend<strong>in</strong>g <strong>the</strong>mselves from <strong>the</strong>m. From this essential need <strong>the</strong><br />
self-defense <strong>arts</strong> were born, not only for defense from <strong>the</strong> animals but also from o<strong>the</strong>r humans. Like<br />
Plautus said, “Homo hom<strong>in</strong>y lupus” (Man is <strong>the</strong> wolf of Mank<strong>in</strong>d).<br />
Over time, martial artists found ways to study and to teach <strong>the</strong>ir skills to o<strong>the</strong>rs. Historically <strong>in</strong><br />
Indonesia, a novice who learned <strong>the</strong>se <strong>arts</strong> had to study and live with <strong>the</strong>ir teacher <strong>in</strong> <strong>the</strong> mounta<strong>in</strong>s or<br />
<strong>in</strong> ano<strong>the</strong>r place isolated from <strong>the</strong> population. This concentrated study was meant to create a focused<br />
experience for <strong>the</strong> student, thus enabl<strong>in</strong>g him to completely <strong>in</strong>vest his attention to his studies. One<br />
teacher usually took up to 7 students; this number however was not randomly chosen. It orig<strong>in</strong>ates<br />
from <strong>the</strong> 7 days of <strong>the</strong> week <strong>in</strong> which <strong>the</strong> students had to take turns with <strong>the</strong> household chores and<br />
serve each o<strong>the</strong>r. One of <strong>the</strong> important chores <strong>the</strong> students shared was cook<strong>in</strong>g for everyone.<br />
The cook<strong>in</strong>g duty lasted <strong>the</strong> duration of <strong>the</strong> several years of ongo<strong>in</strong>g study <strong>in</strong> <strong>the</strong> martial art, thus a<br />
student would f<strong>in</strong>ish his studies with proficiency <strong>in</strong> both martial and cook<strong>in</strong>g skills. One of <strong>the</strong> benefits<br />
of such tra<strong>in</strong><strong>in</strong>g was <strong>the</strong> art of handl<strong>in</strong>g <strong>the</strong> knife for both self-defense and cook<strong>in</strong>g. As this article will<br />
demonstrate, <strong>the</strong> unique grips used for cook<strong>in</strong>g are also very effective for self-defense.<br />
The knife and Pencak Silat Pencak Silat is a self-defense art from Sou<strong>the</strong>ast Asia and <strong>the</strong> Malay<br />
Pen<strong>in</strong>sula. Many of <strong>the</strong> Pencak Silat movements are rooted <strong>in</strong> <strong>the</strong> cul<strong>in</strong>ary knife-handl<strong>in</strong>g techniques<br />
previously mentioned. The art of knife handl<strong>in</strong>g is a very important part of Pencak Silat, as <strong>the</strong> empty<br />
handed movements of this art are all based on <strong>the</strong>se knife handl<strong>in</strong>g skills. Inti Ombak, which translates<br />
from Indonesian as “Inner Wave”, is one of <strong>the</strong> schools that still emphasize this knife tra<strong>in</strong><strong>in</strong>g from <strong>the</strong><br />
very first class. This article will illustrate and expla<strong>in</strong> some of <strong>the</strong> knife handl<strong>in</strong>g techniques used by a<br />
Pencak Silat Inti Ombak practitioner.<br />
Inner Wave teaches twelve knife grips, which are fur<strong>the</strong>r divided <strong>in</strong>to two categories. The first category<br />
consists of <strong>the</strong> eight “Cook<strong>in</strong>g Knives” and <strong>the</strong> o<strong>the</strong>r are <strong>the</strong> four “Fisherman’s Knives”. This article will<br />
cover <strong>the</strong> first category.
The 8 Cook<strong>in</strong>g Grips<br />
#1 Peel<strong>in</strong>g <strong>the</strong> Potato<br />
Hold <strong>the</strong> knife po<strong>in</strong>t-up with <strong>the</strong> handle gripped between <strong>the</strong> <strong>in</strong>dex f<strong>in</strong>ger and <strong>the</strong> back of <strong>the</strong> last 3<br />
f<strong>in</strong>gers, while brac<strong>in</strong>g <strong>the</strong> blade with <strong>the</strong> thumb. The core movements for this grip are a downward<br />
slash or a straight thrust. You should be able to cut through cardboard when you execute this<br />
movement correctly.<br />
#2 Cutt<strong>in</strong>g <strong>the</strong> Potato<br />
This grip is easily achieved by flipp<strong>in</strong>g <strong>the</strong> knife po<strong>in</strong>t-downward from <strong>the</strong> previous grip, mov<strong>in</strong>g <strong>the</strong><br />
thumb out of <strong>the</strong> way without releas<strong>in</strong>g <strong>the</strong> grip. The knife is <strong>the</strong>n gripped <strong>in</strong> a fist, blade forward and<br />
po<strong>in</strong>t down. The handle is squeezed <strong>in</strong>to <strong>the</strong> palm between <strong>the</strong> <strong>in</strong>dex f<strong>in</strong>ger and <strong>the</strong> last 3 f<strong>in</strong>gers, and<br />
<strong>the</strong> butt of <strong>the</strong> knife should protrude above <strong>the</strong> hand from between <strong>the</strong> <strong>in</strong>dex and middle f<strong>in</strong>ger. The<br />
core movements executed from this grip are a downward stab, leftward slash, or a stab horizontally<br />
from left to right.
#3 Reach<strong>in</strong>g for <strong>the</strong> Vegetable<br />
The handle is gripped between <strong>the</strong> <strong>in</strong>dex f<strong>in</strong>ger and <strong>the</strong> thumb, with <strong>the</strong> blade fac<strong>in</strong>g back towards your<br />
forearm. The feel<strong>in</strong>g should be similar to hold<strong>in</strong>g a pencil backwards. The core movement for this grip<br />
is a backwards stabb<strong>in</strong>g motion. Aga<strong>in</strong>, this grip flows from <strong>the</strong> previous grip, as <strong>the</strong> entire grips do, <strong>in</strong><br />
sequence.<br />
#4 Crush<strong>in</strong>g <strong>the</strong> Onion<br />
This is <strong>the</strong> common grip that f<strong>in</strong>ds universal usage. This is also <strong>the</strong> core grip, used when switch<strong>in</strong>g<br />
between non-sequential grips; this grip is <strong>the</strong> <strong>in</strong>termediate transition to- and from- <strong>the</strong> rest of <strong>the</strong> grips.
#5 Cutt<strong>in</strong>g <strong>the</strong> Onion<br />
This grip is very similar to #4 except you will place your <strong>in</strong>dex f<strong>in</strong>ger on <strong>the</strong> <strong>in</strong>side of <strong>the</strong> blade, away<br />
from <strong>the</strong> o<strong>the</strong>r f<strong>in</strong>gers. The grip is essentially a fist with <strong>the</strong> knife project<strong>in</strong>g from between <strong>the</strong> <strong>in</strong>dex<br />
f<strong>in</strong>ger and <strong>the</strong> o<strong>the</strong>r 3. The butt of <strong>the</strong> knife can be held aga<strong>in</strong>st <strong>the</strong> palm of <strong>the</strong> hand so as to allow a<br />
punch<strong>in</strong>g motion with <strong>the</strong> knife. The core movement of this grip is a forward snapp<strong>in</strong>g motion, like you<br />
would use when knock<strong>in</strong>g on a door. This is typically used as a stunn<strong>in</strong>g hit for disarm<strong>in</strong>g.<br />
#6 Carv<strong>in</strong>g <strong>the</strong> Tomato<br />
This grip is made, from grip #5, by simply slipp<strong>in</strong>g your p<strong>in</strong>ky f<strong>in</strong>ger to <strong>the</strong> o<strong>the</strong>r side of <strong>the</strong> knife to<br />
match <strong>the</strong> <strong>in</strong>dex f<strong>in</strong>ger. The 2 middle f<strong>in</strong>gers squeeze <strong>the</strong> handle and <strong>the</strong> o<strong>the</strong>rs brace it. Aga<strong>in</strong> make<br />
sure <strong>the</strong> butt is protrud<strong>in</strong>g past <strong>the</strong> hand. This grip allows one to grab with <strong>the</strong> knife hand while<br />
affect<strong>in</strong>g a cut.
#7 Pull<strong>in</strong>g <strong>the</strong> Stem from <strong>the</strong> Tomato<br />
This grip is identical to <strong>the</strong> 3rd grip, with <strong>the</strong> exception of <strong>the</strong> blade po<strong>in</strong>t<strong>in</strong>g forward. The grip should<br />
aga<strong>in</strong> feel similar to hold<strong>in</strong>g a pencil. This grip is used for a forward stabb<strong>in</strong>g motion.<br />
#8 Cutt<strong>in</strong>g <strong>the</strong> Orange and Squeez<strong>in</strong>g It<br />
This grip is similar to <strong>the</strong> 5th grip with <strong>the</strong> exception of <strong>the</strong> thumb protrud<strong>in</strong>g from <strong>the</strong> hand. This grip is<br />
used to percussively strike, like grip #5, or to simultaneously p<strong>in</strong>ch with <strong>the</strong> thumb and cut.
Us<strong>in</strong>g <strong>the</strong>se grips <strong>in</strong> self defense<br />
The 8 “Cook<strong>in</strong>g Knives” basically use a three-f<strong>in</strong>gered grip. The three-f<strong>in</strong>gered grip is similar to <strong>the</strong> one<br />
employed <strong>in</strong> Jujutsu. When used properly, <strong>the</strong> three-f<strong>in</strong>gered grip can hold <strong>the</strong> knife more securely than<br />
a four-f<strong>in</strong>gered grip.<br />
To use more than one knife grip at a time you must practice <strong>the</strong> transitions from one to <strong>the</strong> next. In selfdefense,<br />
grips one-through-four can be used as a cont<strong>in</strong>uous sequence. The same is true for grips fivethrough-eight.<br />
To use both sequences, one can utilize <strong>the</strong> number-four grip to facilitate <strong>the</strong> transition.<br />
This grip, as stated earlier, serves as <strong>the</strong> general transition between all <strong>the</strong> grips. For example, one<br />
would use <strong>the</strong> number-four grip to transition between <strong>the</strong> eight and <strong>the</strong> first grip.