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CHARLES DICKENS DOMBEY AND SON CHAPTER I Dombey and ...

CHARLES DICKENS DOMBEY AND SON CHAPTER I Dombey and ...

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She started, stopped, <strong>and</strong> looked in.<br />

A light was burning there, <strong>and</strong> showed her Florence in her bloom of innocence<br />

<strong>and</strong> beauty, fast asleep. Edith held her breath, <strong>and</strong> felt herself drawn on<br />

towards her.<br />

Drawn nearer, nearer, nearer yet; at last, drawn so near, that stooping<br />

down, she pressed her lips to the gentle h<strong>and</strong> that lay outside the bed, <strong>and</strong><br />

put it softly to her neck. Its touch was like the prophet's rod of old upon<br />

the rock. Her tears sprung forth beneath it, as she sunk upon her knees, <strong>and</strong><br />

laid her aching head <strong>and</strong> streaming hair upon the pillow by its side.<br />

Thus Edith Granger passed the night before her bridal. Thus the sun found<br />

her on her bridal morning.<br />

<strong>CHAPTER</strong> XXXI<br />

The Wedding<br />

DAWN, with its passionless blank face, steals shivering to the church<br />

beneath which lies the dust of little Paul <strong>and</strong> his mother, <strong>and</strong> looks in at<br />

the windows. It is cold <strong>and</strong> dark. Night crouches yet, upon the pavement, <strong>and</strong><br />

broods, sombre <strong>and</strong> heavy, in nooks <strong>and</strong> corners of the building. The<br />

steeple-clock, perched up above the houses, emerging from beneath another of<br />

the countless ripples in the tide of time that regularly roll <strong>and</strong> break on<br />

the eternal shore, is greyly visible, like a stone beacon, recording how the<br />

sea flows on; but within doors, dawn, at first, can only peep at night, <strong>and</strong><br />

see that it is there.

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