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Catalogue - Metropolitan Museum of Art

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98<br />

This handle is in the shape <strong>of</strong> an exquisitely<br />

and naturalistically modeled fallow deer.<br />

Although found in Siberia, it is <strong>of</strong> Iranian<br />

manufacture. The spots on the body and<br />

the horns (now missing) were gilded. The<br />

bent knees would originally have rested<br />

on the vessel's rim.<br />

Leaping fallow deer, handle from a silver<br />

vase. Silver gilt, height 16 cm. (614 in.).<br />

Iranian, 4th-3rd century B.C. South Altai,<br />

near Bukhtarma. Acquired from G. F. Miller,<br />

1735. Hermitage, S 273.<br />

<strong>Art</strong>amonov, Sokrovishcha sakov, p. 216.<br />

99 (Color plate 22)<br />

This plaque depicts a fantastic creature-an<br />

eagle or griffin-clutching a contorted<br />

goat in its talons. Note the explicit and<br />

different ways the texture <strong>of</strong> the creature's<br />

body is delineated: parts are covered with<br />

cloisons that originally contained colored<br />

insets to simulate scales. The captured<br />

animal also has numerous areas for inlay,<br />

with a surviving bit <strong>of</strong> black glass in his<br />

eye. Remnants <strong>of</strong> light blue and cherry red<br />

enamel are reminders <strong>of</strong> the magnificent<br />

colors with which this dazzling ornament<br />

once glowed. Power and vitality radiate<br />

from this work <strong>of</strong> art: imagine it<br />

bedecking a warrior's headdress, with<br />

real plumes flying atop the griffin's tail,<br />

and the polychrome inlays and cloisonne<br />

glittering against the shining gold.<br />

Eagle or griffin holding a goat, possibly a<br />

headband ornament. Gold, height 15.4 cm.<br />

(61/6 in.), width 16 cm. (65/6 in.), weight<br />

209.78 gr.<br />

Eastern Iran or Central Asia, 4th-3rd century<br />

B.C. Siberian collection <strong>of</strong> Peter I. Acquired<br />

from M. P. Gagarin, 1716. Hermitage, Si<br />

1727, 1/31.<br />

<strong>Art</strong>amonov, Sokrovishcha sakov, pp. 189-<br />

190, fig. 241.<br />

98<br />

Altai culture<br />

6th-3rd centuries B.C.<br />

The northern nomads' textiles and<br />

woodcarvings are as strikingly<br />

characteristic a part <strong>of</strong> their art as the<br />

famous Siberian gold treasure <strong>of</strong> Peter the<br />

Great (see nos. 93-99). More perishable<br />

than the metal objects, which were found<br />

in many places, these have not been known<br />

to any extent in the modern world until<br />

five kurgans (the Russian term for a burial<br />

mound) near the hamlet <strong>of</strong> Pazyryk in the<br />

central Altai Mountains <strong>of</strong> Siberia were<br />

opened by Soviet scientists in the second<br />

quarter <strong>of</strong> this century. Here-and in similar<br />

burials nearby-frozen in the ice resulting<br />

from a combination <strong>of</strong> long, cold winters,<br />

the deep frost level <strong>of</strong> this mountainous<br />

terrain, and the fortuitous (for us) hacking<br />

open <strong>of</strong> the burial chambers by early grave<br />

robbers (which permitted the entry <strong>of</strong> a<br />

great deal <strong>of</strong> quickly frozen moisture), was<br />

preserved a record <strong>of</strong> the life <strong>of</strong> a tribe <strong>of</strong><br />

highly civilized nomads <strong>of</strong> the 5th to 4th<br />

century B.C., who were in touch with<br />

Achaemenid Persia on the west and feudal<br />

China (Chou period, about 1027-256 B.C.)<br />

on the east.<br />

Wood rarely survives in the climates <strong>of</strong><br />

Near Eastern and Central Asian countries,<br />

therefore the examples from the Altai<br />

are particularly valuable. The beveled<br />

carving <strong>of</strong> the surface is distinctive, and<br />

this treatment was deliberately reproduced<br />

by the goldworkers who made some <strong>of</strong><br />

the large animal figures found in the<br />

Scythian tombs in the Black Sea region<br />

(see nos. 18, 28, 77). Many <strong>of</strong> the wooden<br />

pieces were covered with gold leaf in<br />

order to give the appearance <strong>of</strong> that<br />

precious metal.

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