Catalogue - Metropolitan Museum of Art
Catalogue - Metropolitan Museum of Art
Catalogue - Metropolitan Museum of Art
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98<br />
This handle is in the shape <strong>of</strong> an exquisitely<br />
and naturalistically modeled fallow deer.<br />
Although found in Siberia, it is <strong>of</strong> Iranian<br />
manufacture. The spots on the body and<br />
the horns (now missing) were gilded. The<br />
bent knees would originally have rested<br />
on the vessel's rim.<br />
Leaping fallow deer, handle from a silver<br />
vase. Silver gilt, height 16 cm. (614 in.).<br />
Iranian, 4th-3rd century B.C. South Altai,<br />
near Bukhtarma. Acquired from G. F. Miller,<br />
1735. Hermitage, S 273.<br />
<strong>Art</strong>amonov, Sokrovishcha sakov, p. 216.<br />
99 (Color plate 22)<br />
This plaque depicts a fantastic creature-an<br />
eagle or griffin-clutching a contorted<br />
goat in its talons. Note the explicit and<br />
different ways the texture <strong>of</strong> the creature's<br />
body is delineated: parts are covered with<br />
cloisons that originally contained colored<br />
insets to simulate scales. The captured<br />
animal also has numerous areas for inlay,<br />
with a surviving bit <strong>of</strong> black glass in his<br />
eye. Remnants <strong>of</strong> light blue and cherry red<br />
enamel are reminders <strong>of</strong> the magnificent<br />
colors with which this dazzling ornament<br />
once glowed. Power and vitality radiate<br />
from this work <strong>of</strong> art: imagine it<br />
bedecking a warrior's headdress, with<br />
real plumes flying atop the griffin's tail,<br />
and the polychrome inlays and cloisonne<br />
glittering against the shining gold.<br />
Eagle or griffin holding a goat, possibly a<br />
headband ornament. Gold, height 15.4 cm.<br />
(61/6 in.), width 16 cm. (65/6 in.), weight<br />
209.78 gr.<br />
Eastern Iran or Central Asia, 4th-3rd century<br />
B.C. Siberian collection <strong>of</strong> Peter I. Acquired<br />
from M. P. Gagarin, 1716. Hermitage, Si<br />
1727, 1/31.<br />
<strong>Art</strong>amonov, Sokrovishcha sakov, pp. 189-<br />
190, fig. 241.<br />
98<br />
Altai culture<br />
6th-3rd centuries B.C.<br />
The northern nomads' textiles and<br />
woodcarvings are as strikingly<br />
characteristic a part <strong>of</strong> their art as the<br />
famous Siberian gold treasure <strong>of</strong> Peter the<br />
Great (see nos. 93-99). More perishable<br />
than the metal objects, which were found<br />
in many places, these have not been known<br />
to any extent in the modern world until<br />
five kurgans (the Russian term for a burial<br />
mound) near the hamlet <strong>of</strong> Pazyryk in the<br />
central Altai Mountains <strong>of</strong> Siberia were<br />
opened by Soviet scientists in the second<br />
quarter <strong>of</strong> this century. Here-and in similar<br />
burials nearby-frozen in the ice resulting<br />
from a combination <strong>of</strong> long, cold winters,<br />
the deep frost level <strong>of</strong> this mountainous<br />
terrain, and the fortuitous (for us) hacking<br />
open <strong>of</strong> the burial chambers by early grave<br />
robbers (which permitted the entry <strong>of</strong> a<br />
great deal <strong>of</strong> quickly frozen moisture), was<br />
preserved a record <strong>of</strong> the life <strong>of</strong> a tribe <strong>of</strong><br />
highly civilized nomads <strong>of</strong> the 5th to 4th<br />
century B.C., who were in touch with<br />
Achaemenid Persia on the west and feudal<br />
China (Chou period, about 1027-256 B.C.)<br />
on the east.<br />
Wood rarely survives in the climates <strong>of</strong><br />
Near Eastern and Central Asian countries,<br />
therefore the examples from the Altai<br />
are particularly valuable. The beveled<br />
carving <strong>of</strong> the surface is distinctive, and<br />
this treatment was deliberately reproduced<br />
by the goldworkers who made some <strong>of</strong><br />
the large animal figures found in the<br />
Scythian tombs in the Black Sea region<br />
(see nos. 18, 28, 77). Many <strong>of</strong> the wooden<br />
pieces were covered with gold leaf in<br />
order to give the appearance <strong>of</strong> that<br />
precious metal.