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tant to bring the rod aa goickly as poasible from the heat<br />

source," where the tip la mede red hot, into the bore. To<br />

this end I lathed a funnel-shaped entrance to the guide tube<br />

and shaped the end of the rod to a point, ao that the hot rod<br />

could be quickly and dependably inserted.<br />

I wouìd ba most intereatea to heor from others who rnsy<br />

bave experimented with e similar technique, and alao from<br />

those who have successfully made alto Bhawms with more tra­<br />

ditional boring method8.<br />

<strong>FoMRHI</strong> Com 33<br />

COLOURING OF INSTRUMENTS<br />

R. Lawrence<br />

August 1976.<br />

It is often difficult to decide or judge what the final colour of an instrument is going<br />

to turn out like. The following method enables a final result to be judged at an early<br />

stage.<br />

Take sheets of thin glass, about 12" x 6". Paint each of these sheets with your colour<br />

varnishes. Divide each sheet into about three bands, giving one or two coats to the<br />

first band, three or four to the second and five or six to the third.<br />

Give the instrument its first coats of clear varnish until it is ready for colouring.<br />

Then place one or more of the coloured glass sheets on top of the back, one can<br />

immediately judge the effect of different colour, or number of coats needed.<br />

-23-

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