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I O Drawings "Orpheus" in Milan's FI Maestro Dolphin rider in Narvacz "Psaltcs" In Mudarra German-Catalan dictionary Sculnturcs Vergerà lecturn in Toledo Portico in Ubeda Painting* Marti in Valencia Other illustrations without a player (not used here) Drawing in Milan El Maesto Drawing in Bermudo TABLE OF VIHUELA REPRESENTATIONS Ref 1 3 4 5 6 7 1 8 Approximate String Length (cm) 70 57 60 58 60 63 Number of Strings Depicted Pegbox 6 5 3 5 5 6 71 7 bridge-hand 8 hand-neck 9 over neck 6 7 10 pegs 8 pegs picture too small for pegs to be shown lute-like pegbox with 3 pegs on side visible missing indistinct in the illustration we have indistinct in the illustration we have 12 pegs 12 pegs
BIBLIOGRAPHY 1. Milan, L. de El maestro (1536) Orpheus illustration reproduced in The Lute Society Booklet No. 2 by CHI, D.(1976)L 2. Prynne, M. Galpin Society Journal XVI (1963) 22. 3. Narvaez, L. de El Delphin de musica(1538) illustration reproduced on cover of Early Music, October 1975. 4. Mudarra, A. Tres libros de musica en cifra para vihuela (1546") illustration reproduced in transcription by Pujol (1949), 5. Title page Vocabolari molt profititos per apendre Lo Catalan Alamany y lo Alamany Catalan(l502) Piate 15 in Tumbull, II., The Guitar
Page 1 and 2: •rf
Page 3 and 4: FELLOWSHIP of MAKERS and RESTORERS
Page 5 and 6: Bull.5. page 2 your colleagues. Als
Page 7 and 8: \ which can go f-40 or more. Bull.5
Page 9 and 10: i SI I ^ l ^ . - tr- DENZIL WRAIGHT
Page 11 and 12: list of members; 3rd sui.pl. p.l FE
Page 13 and 14: list of members, 3rd suppl. p.3 p.7
Page 15 and 16: of gut between a right hand drone s
Page 17 and 18: o and any dissonance becoraes very
Page 19 and 20: Fig. 6 End of Tailpiece go somewher
Page 21 and 22: where they pass over the wheel, the
Page 23 and 24: FoMRHI Com. 32 BUSHIUO AS AH ALTK3H
Page 25 and 26: tant to bring the rod aa goickly as
Page 27 and 28: compression, thereby avoiding tensi
Page 29 and 30: The botanista and zoologista, when
Page 31 and 32: PRAETORIUS AND THE VIOLA BASTARDA D
Page 33 and 34: The styles of written music for the
Page 35 and 36: FoMRHI Com 38 PRAETORIUS AND ENGLIS
Page 37 and 38: There is some evidence indicating t
Page 39 and 40: -ol v lr\rll Low. 23 ON THE STRING
Page 41: B a ^^^^^^^^^^^" the existence of m
Page 45 and 46: p0PTrVm ^utri. «f*. MUSEUMS, COMME
Page 47 and 48: Horniman wind instruments, p.2 p.76
Page 49 and 50: Horniman wind instruments, p.4 p.94
Page 51 and 52: Horniman wind instruments, p.6 p.lO
Page 53 and 54: The amount of information surviving

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