THE INTERIORS AUCTION - deVeres Art Auctions
THE INTERIORS AUCTION - deVeres Art Auctions
THE INTERIORS AUCTION - deVeres Art Auctions
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107 A Set oF SiX HAnS weGneR teAK AnD cAne eLBow cHAiRS MADe<br />
BY JoHAnneS HAnSen ciRcA 1949, with shaped back rail and arms, partially<br />
wrapped with cane, cane seat, on tapered supports, branded Johannes Hansen,<br />
copenhagen, Denmark.<br />
Hans wegner’s career began with the designer and architects education being rooted in the<br />
School of <strong>Art</strong>s and crafts in copenhagen. His chairs are primarily championed for their level of<br />
high craftsmanship as well as their comfort. At a time when the furniture market was flooded by<br />
imitations and pieces influenced by the Bauhaus style of Weimer, Wegner’s chairs were among<br />
the first to reflect the new modernist movement and to exploit the opportunities provided by<br />
increased standardization in furniture production. wegner designed furniture for manufacturers Johannes Hansen and Fritz Hansen throughout<br />
his career and through the mass production of these firms his chairs earned the high status of classic yet comfortable chairs which helped mould<br />
the modern design movement of the era.<br />
the iconic design of this set of chairs gains its notoriety from its role in the Kennedy versus nixon debate of 1960. As Dara Flynn dutifully notes<br />
this was the first ever televised live debate and so the role of the chair reached new parameters and fame through this auspicious event.<br />
Especially imported from Denmark for the debate, the chair reflects the wider functionalist demands of the new domestic and interior sphere. Its<br />
formal composition promotes comfort while meeting the age old demand for pleasing aesthetic in interior design. Hans wegner, a well-known<br />
artist in the medium of furniture marries environmentalism with chic, fresh design and creates in this set an iconic and endurable style reflecting<br />
the nixon and Kennedy era, yet remaining relevant and functional in the 21st century. interestingly the “the chair” was not so called by the<br />
designer himself as he always allowed either the consumer or manufacturer to name his designs. the title, thus suggests the notoriety gained by<br />
the populace and the high esteem paid to it by national popular culture.<br />
est. €3,000 – 5,000<br />
32