MOUNTAIN DULCIMERS FOR SALE - Nonsuch Dulcimer Club
MOUNTAIN DULCIMERS FOR SALE - Nonsuch Dulcimer Club
MOUNTAIN DULCIMERS FOR SALE - Nonsuch Dulcimer Club
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REVELS MUSIC<br />
<strong>MOUNTAIN</strong> DULCIMER CATALOGUE 2012:<br />
ITEMS <strong>FOR</strong> <strong>SALE</strong> OR LOAN (ISSUE 2)<br />
Section 1 <strong>Dulcimer</strong>s for Beginner/Intermediate players<br />
Section 2 <strong>Dulcimer</strong>s for Intermediate/Professional players<br />
Section 3 Historic or Unusual mountain dulcimers<br />
Section 4 Currently in the Workshop
Section 1 <strong>Dulcimer</strong>s for Beginner/Intermediate players<br />
1.1 Early 1970s McSpadden Hourglass 3 String £140<br />
McSpadden kit dulcimer from the early 70s. Overall length 35¾<br />
<br />
VSL 28½" (long scale). 6½ fret.<br />
The kits were a popular way of buying a cheaper instrument from one of the best known and most<br />
reliable larger scale dulcimer makers. This is an hourglass model based on the traditional small<br />
body Thomas design, with heart-shaped soundholes on a narrow, shallow body. Top, back and<br />
sides made of high quality, attractive walnut laminate. Simple, scroll headstock with replacement<br />
chrome friction tuners and genuine Koa wood buttons; narrow fingerboard made from solid walnut<br />
with a walnut overlay (like the more expensive McSpaddens of the time); brass frets; original<br />
walnut nut; zero fret for good intonation; replacement buffalo bone bridge. This one has a high<br />
gloss finish.<br />
Has had extensive work to improve sound quality, action and intonation. The small body dulcimer<br />
is usually bright sounding but this has a somewhat more muted tone, probably resulting from the<br />
heavy gloss finish. An attractive and very playable instrument for the dulcimer beginner and<br />
intermediate player alike. NB Currently on loan.<br />
Note: VSL = Vibrating String Length, i.e. the scale length of the dulcimer. Longer scale lengths<br />
often give better tone, but playing is a little more difficult because the fingers have to stretch<br />
further.<br />
----- {} -----<br />
1.2 2009 Tennessee Music Box 4 String Now reduced £160 ono
Handmade by Scott M Cowan (?), USA.<br />
This looks odd to modern eyes, but as the name suggests, it was a style of dulcimer quite common<br />
in parts of SW Tennessee. This modern interpretation of the old design has the front and back<br />
made out of book matched Alder. The sides, ends and peg box are quarter sawn White Oak. The<br />
fret board itself is made from Hard Maple.<br />
<br />
lower (and upper!) bout 9", VSL 25¾" (short/medium scale). Open-geared<br />
guitar tuners. 6½ fret.<br />
<br />
but is very playable, having accurate intonation and<br />
a pleasant tone. It is surprisingly light sounding, but with a slight edge to the bass. All the<br />
advantages of a modern dulcimer, but in an unusual package.<br />
----- {} -----<br />
1.3 Late 60s/early 70s <br />
-Style 4 String £160<br />
An attractive maple-bodied instrument handcrafted by Bill Davis from Tennessee.<br />
The shape is one made popular by Davis in the late 60s and early 70s, and continued by modern<br />
makers such as Mike Clemmer. This one has maple back, sides and top with an <br />
le-<br />
. Many of these dulcimers were sold, a fair proportion as kits. The ones built by Davis<br />
are usually signed on the lower bout (as this is) and have either better quality woods or more<br />
elaborate decoration on the headstock. Most were five string instruments, but from the original nut<br />
and bridge (now replaced), this may only have had four (despite the spare tuning peg hole!).<br />
Tuning pegs are agricultural (but actually very effective). The fingerboard may be walnut. Has<br />
been damp at some stage and hence lost areas of its finish. Needs re-finishing or just oiling to<br />
preserve the fine wood grain.<br />
<br />
<br />
No 6½ fret.<br />
The combination of large but shallow body with maple sides makes for a loud, but actually quite<br />
mellow instrument, with tones perhaps most suited to noter playing.<br />
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1.4 Late 70s <br />
£110<br />
Made by a Coventry man who had a shop, gave lessons and made instruments such as banjos<br />
etc. Mahogany single piece back and sides; basic mahogany (?) scroll shaped headstock with<br />
friction tuners (one slightly askew); spruce/pine top with heart soundholes. Fingerboard is<br />
probably softwood with a beech (?) top face. Replacement bridge with string compensation to<br />
improve tone, tuning and action. The workmanship is not always elegant but it functions really<br />
well. Overall length 34<br />
4½ lower bout 6", VSL 26" (short/medium scale), medium<br />
body depth (1 w with added 6½ fret.<br />
For a smallish instrument this sounds really nice - brash and cheerful. Very playable.<br />
1.5 Mid-70s <br />
Loan only
I bought this in the 70s from someone who had a <br />
of walnut with a cedar top. The fingerboard is very shallow and appears to be oak.<br />
I used to be rude about it, because it had a laughably low action and poorly fitting tuning pegs.<br />
Still, it got me into <br />
seated, it turns out to have a lovely sound both loud and mellow.<br />
Overall length 33<br />
5¼ lower bout 8", VSL 29" (long <br />
6½ fret. Still has a low action, so easy to play. A really good introduction to the instrument.<br />
----- {} -----<br />
1.6 1974 TEARDROP 6 STRING £120<br />
Handmade by Andrea Gilbert in Barlow (? Kentucky or California). Imported into East Anglia by<br />
US service personnel in the 1980s. Owned by Ken Okines, 1980s professional folk singer.<br />
Unusual possibly unique? compensating saddle/sliding bridge. Quality Grover tuning pegs.<br />
Rosewood fingerboard, walnut (?) soundboard, walnut back and sides, mother of pearl markers.<br />
No 6½ fret. Homemade wooden case decorated with some interesting 70s folk ephemera.<br />
Good, resonant tone a loud instrument, sounding rather like a 12 string guitar.<br />
1.7 Aug 1997 TEARDROP 4 STRING, 3 COURSE £130
Made in Somerset from a kit sold by US luthier suppliers Stewart-Macdonald.<br />
The instrument is solid cherry wood, including all major components (back, sides, top, fingerboard,<br />
headstock). The kit apparently permitted a wide range of design choices. The builder designed<br />
the scroll, soundholes and stained the cherry a slightly purple colour, darker on the top. Top and<br />
back overlap the sides. Fretboard and headstock are cut from a single piece of cherry, with no<br />
overlay. Frets are broad and accurately placed, and include a 6½ fret but not a 13½. The<br />
headstock is shallow with open-<br />
headstock and hitchpin ends of the body.<br />
Over<br />
<br />
6½ fret.<br />
A well-built instrument made from good materials, with good intonation and action. All hardwood<br />
construction gives a pleasingly loud, clean and bright sound. Opinions may divide on its<br />
<br />
a bargain!<br />
----- {} -----<br />
1.8 Angell Hourglass 4 string £140 (with cloth slip cover)<br />
Made by Joyce Angell of Angell Mountain <br />
Arkansas. Label gives date/model number as 6AWCH-99.<br />
A solid dulcimer, with walnut sides and lighter hardwood top and bookmatched back (possibly<br />
cherry?). Unusual double back (for volume?) with internal back plate made from maple (or<br />
similar). Elaborate (and very large) hearts and flowers soundhole on lower bout, with no<br />
soundhole at all on upper bout. Headstock is walnut with a stylised 3 dimensional scroll and<br />
decent quality enclosed guitar machines. Fingerboard also looks like walnut, with no overlay.<br />
Boxwood (?) dots on 3rd, 7th and 9th frets; has 6½ and 13½ frets. Zero fret and formica-type<br />
guide nut originally had formica-type thin bridge also.<br />
<br />
lower bout 6¾", upper bout 5<br />
Finish is a little glossy and bookmatching of back clumsy, although the soundhole design is pretty<br />
and well executed. With new bridge and some work on the lower frets, now sounds soft and sweet<br />
with an easy action suited particularly to finger-style playing.
1.9 2001 Bowen Hourglass 4 String £140 + case<br />
Handcrafted by Joel H Bowen of Franklin, SW Georgia.<br />
This is a solid and rather old-fashioned dulcimer in many respects, with 70s-style Grover sta-tite<br />
tuners and no 6½ fret. Bowen seems to have been making dulcimers on a low volume basis since<br />
the late 70s listed as a seller at two Alabama dulcimer festivals between 1977 and 1981<br />
when he would have been in his 40s. This is # 429, suggesting no more than 15-20 a year.<br />
Sides and back are made from walnut (?), stained a slightly reddish colour. Top is solid, nicely<br />
figured cherry (?), with heart soundholes facing the tail on the upper bout and a kind of bleeding<br />
heart motif for the lower bout. Top and back overlap the sides in traditional fashion. Fretboard is<br />
probably mahogany and scalloped or arched, with mother of pearl markers at 3 rd , 7 th and 13 th frets.<br />
Headstock is probably walnut with a stylised, hand carved scroll and friction peg tuners with real<br />
wood buttons.<br />
<br />
<br />
wooden friction tuners. No 6½ fret (could be fitted for £15). Soft slip case included, hardshell<br />
case extra.<br />
Light, soft tone with low action. Not perfect construction, but a nice-looking Georgia classic.
Section 2 <strong>Dulcimer</strong>s for Intermediate/Advanced players<br />
2.1 Dec 1977 McSpadden T34 Teardrop 4 String £225 SOLD<br />
T34 Model, No. 4647, handcrafted by the McSpadden workshop in Mountain View, Arkansas and<br />
signed by one of their three craftsmen, Richard Stoltze.<br />
2.2 October 1995 Folkcraft CFS Hourglass 4 String £220 SOLD<br />
Model CFSHCeW No. 770 made by Folkcraft Instruments, Winsted, Connecticut.<br />
Mid-range model from one of the biggest makers in the US, still in as-new condition in fact it<br />
needs playing in! Bookmatched walnut back with purpleheart inlay. Walnut sides and headstock.<br />
Maple cantilevered fingerboard with contrasting purpleheart overlay. Western red cedar top with<br />
<br />
um, noter and spare string set.<br />
----- {} -----
2.3 February 2007 Sweet Wood Custom Teardrop 6 String £200<br />
Pretty, c<br />
company. Made for a customer in Australia who designed the soundholes, it comprises a standard<br />
cherry teardrop body, bookmatched on the back; cherry headstock with ebony veneer and high<br />
quality Gotoh tuners; cherry fingerboard with highly figured ebony facing and mother of pearl<br />
markers; spruce top with heron soundhole on one side and bullrushes on the other. It has three<br />
paired strings with drop pins so you can temporarily remove one string from each outer pair.<br />
Overall length 34½ lower bout 8", VSL 25¾" (short/medium scale), deepish body (2¼ As a<br />
modern instrument has the complete set of extra frets: 1½, 6½, 8½ and 13½.<br />
Must have been subject to extremes of humidity somewhere, because the fingerboard has<br />
humped, requiring considerable fret levelling. With new bridge and new action sounds a different<br />
instrument rich, jangly, the kind of dulcimer equivalent of a 12 string guitar. Unique, exciting to<br />
look at and play.<br />
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2.4 August 2009 McSpadden Walnut Hourglass 4 String £275 SOLD
Model 4FHWW (4 string Flat peghead, Hourglass, Walnut sides/back and Walnut top) McSpadden<br />
signed by the craftsman, Brant Richardson, who built it - and all in absolutely mint condition. Still<br />
has original label attached, McSpadden starter kit (including care instructions, music book, noter,<br />
pick and guarantee), protective case and sales invoice. Sold in September 2009 by a well-known<br />
specialist dulcimer shop in Black Mountain, N Carolina and clearly never touched.<br />
Has an easy action, but with a longish scale and all-hardwood construction it also plays with a<br />
lively and well balanced sound.<br />
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2.5 Mid 1970s? <br />
-<br />
coloured suede cover bag Loan Only<br />
Unknown maker, but purchased in North Carolina by Don Keister of Washington DC.<br />
Unusual large, hand-carved, open scroll headstock with elegant, tapering shallow peg box and<br />
replacement gold banjo geared tuners. Heart-shaped soundholes (pointing to tail), inlay down<br />
middle of non-bookmatched back. Walnut peghead, back and sides with spruce (?) top. Softwood<br />
fingerboard with nicely figured walnut overlay and brass frets. Right hand end of fingerboard, from<br />
strum hollow to end pins, is undercut i.e. cantilevered over the soundboard/top. Woodworking is<br />
generally good but the fretting is not perfect and the original finish poorly applied and uneven.<br />
Overall length 34½ <br />
<br />
. Newly fitted<br />
6½ fret.<br />
Light construction, deepish body and cantilevered bridge/saddle result in a warm, attractive, loud<br />
tone, emphasising the bass, but with a short decay. Guitar-like.<br />
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2.6 March 1982 Fellenbaum Hourglass 4 String Loan Only<br />
No. 314. handcrafted by Tom Fellenbaum, Black Mountain, North Carolina.<br />
<br />
with handcarved, matching walnut paddle-shaped pegs (now replaced with geared banjo tuners).<br />
Walnut sides and back (single piece, not bookmatched). Walnut fingerboard and nickel frets.<br />
Spruce top with elegant f-holes (diamond centres). Light, compact, unshowy instrument. Badly<br />
damaged on the far side when purchased but neatly repaired by Tom himself in 2011.<br />
<br />
<br />
6½ fret.<br />
Light, responsive construction gives a bright, loud tone with an attractive depth of sustain and<br />
colour. A classic dulcimer sound.<br />
----- {} -----
2.7 Aug 1996 Folkcraft Hourglass 4 string £200 inc case<br />
Model FSHW No. 2688 made by Folkcraft Instruments, Winsted, Connecticut.<br />
Popular model from one of the biggest and best makers in the US, still in as-new condition. One<br />
piece solid walnut back, walnut sides and headstock, latter with good quality open-geared tuners.<br />
Walnut cantilevered fingerboard with no overlay. Walnut top with cute cat-shaped soundholes on<br />
lower bout and cat footprints on upper bout. Comes complete with (slightly untidy) hardshell case.<br />
<br />
<br />
6½<br />
fret. Spotless finish with attractive walnut grain on top and sides. Well-made instrument with easy<br />
action and <br />
----- {} -----
Section 3 Historic or Unusual mountain dulcimers<br />
3.1 1968 airport rank Bond Hourglass 4 String NFS<br />
Created by the once fashionable English maker Frank Bond a favourite of Roger Nicholson <br />
<br />
Chosen (and presumably used by) Richard Thompson (her then boyfr<br />
Hutchings.<br />
Elegant headstock like the prow of a boat, with a heart cutout on the underside. Slim, elegant<br />
outline with softwood (spruce) top AND back, (brazilian?) rosewood sides. Heart-shaped<br />
soundholes (pointing to tail). Mahogany neck with rosewood (?) overlay and nickel frets.<br />
Light construction and softwood back give this a light, transparent and sweet sound. An attractive<br />
and historic instrument.<br />
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3.2 1974 HOURGLASS 3 STRING, 3 COURSE NFS<br />
Handmade by Gene Wiggins, N Georgia.
Dr Wiggins was an ethno-musicologist who built mountain and hammered dulcimers in small<br />
quantities. The whole instrument (apart from the tuning pegs) appears to be of walnut and has an<br />
elegant shape with some unusually advanced construction features. The narrow fingerboard is<br />
scalloped and the tailpiece cantilevered to allow maximum movement of the soundboard. Strutting<br />
is light and two soundposts run diagonally from the treble side to the bass in the lower bout. The<br />
sides and top are thin to maximise sound pressure.<br />
<br />
<br />
tuners. No 6½ fret.<br />
Very loud with short attack, a clear treble and a rumbling bass. A historic and unusual, but<br />
extremely playable, mountain dulcimer.<br />
3.3 1980s (?) Galax-style Hourglass, 3 String £160<br />
Unknown maker. Looks like a replica of early Virginian dulcimers made around the Galax area.<br />
Has three hand-carved wooden tuning pegs for three unwound, unison strings.<br />
Sides, back and top are walnut, stained a reddish colour. The body is large and shaped with the<br />
equal sized bouts and reversed curve at the headstock end which are typical of some earlier<br />
Virginian dulcimers. The fingerboard is one piece of walnut without overlay. Simple scroll head,<br />
like Fellenbaum. Unusual brass tailpiece and distinctive D-shaped end block made from laminated<br />
strips of wood. Both nut and bridge are chunky plastic.<br />
<br />
<br />
No 6½<br />
fret.<br />
High action and unison strings give a distinctive whining, trebly sound typical of the Galax and<br />
ideal for fast, noter playing in a string band/dance music context. An interesting but useable rarity.<br />
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3.4 Early 70s A W Jeffreys Hourglass 3 String £180 (inc soft case)<br />
Classic model from A W Jeffreys, Jr, Staunton, Virginia with Serial No. 2883. The Jeffreys formed<br />
the Appalachian <strong>Dulcimer</strong> Corporation as a genuine family business from the early 60s onwards.<br />
A W and his son Jay made most of the bodies; daughter Jan pasted the labels and sanded the<br />
soundholes; mother Johnnie (Virginia) ran the business side of things <br />
http://www.mudcat.org/thread.cfm?threadid=60386 for more details). This dulcimer appears to be<br />
signed JCJ, presumably therefore put together by Jay.<br />
The dulcimer is plain, almost austere in design, with a high quality laminated walnut back and<br />
sides and solid spruce top; rounded heart soundholes pointing towards the tail end. The peghead<br />
is also walnut, with a stylised scroll and standard rosewood violin pegs. The fingerboard is walnut<br />
without an overlay. Walnut nut and bridge with zero fret (indicating a later model). Broad frets with<br />
no 6½ fret. Simple wooden dowel as string anchor. Overall length 32¼ bout , lower bout<br />
6½ , VSL 27¼" (medium scale).<br />
Relatively low action and medium scale length make for a dulcimer that is easy to play and<br />
started many people off with the instrument. A soft, trebly voice that is archetypical old-style<br />
dulcimer. Only let-down is the imperfect intonation, especially on fret 1 as with all Jeffreys<br />
apparently. Better suited therefore for noter playing rather than finger chording. This one is in<br />
perfect condition, having been little played a very collectable classic.<br />
3.5 1983 Clifford Glenn Hourglass 4 String NFS
Dated January 10 th 1983 and made by Clifford Glenn, Sugar Grove, N Carolina for the husband of<br />
Louisa M Douglass from Chapel Hill, NC. Clifford Glenn and his father Leonard kept the flame<br />
alive in the Appalachians between the traditional makers and the coming of the folk revival in the<br />
60s and 70s. They represent a very important part of the dulcimer heritage. These are truly<br />
handmade, beautifully crafted <br />
<br />
This instrument is made entirely of wormy chestnut, except for the nut, bridge and large,<br />
handcrafted tuning pegs which are made of walnut. A letter from Clifford to Mrs Douglass, which<br />
accompanies the instrument, runs in part as follows:<br />
<br />
it was a three stringer, and it was one of the best singing ones I ever made. I have made but very<br />
few like this (all chestnut wood) and it has probably been 20 years since I made the last one. One<br />
<br />
thought your husband might appreciate the fact that this wood is becoming increasingly rare, as it<br />
is not growing an<br />
Overall length 36 bout 5¾", lower bout 6¾ , VSL 28" (medium/long scale).<br />
Unexpectedly, has a 6½ fret.<br />
This is a delightful dulcimer. Long, light and elegant, with an inscribed purfling mark round the<br />
top, it has a beautiful, natural golden finish. Intonation is not perfect, but it has a gorgeous, big and<br />
attractively mellow voice<br />
er:<br />
<br />
<br />
3.6 Various Epinettes Des Vosges NFS<br />
<br />
(c1900).<br />
<br />
-style instrument but its length, number of strings (3 melody, 4 drone), the 6½ fret<br />
and its decal or transfer flower decoration suggest an instrument from Flanders or Brabant in the<br />
North. A very similar dulcimer (top instrument above) appears in the catalogue of a large scale
epinette maker from the turn of the century called Coupleux, based in Turcoing/Lille right on the<br />
Belgian border in the North East of France.<br />
The headstock appears to be have been machine-shaped from a hard, white wood such as beech<br />
or maple. The sides are softwood, probably spruce or pine. The top and back are likely to be<br />
hardwood, perhaps fruit wood (cherry/apple/pear)? Soundholes are simple shapes formed from<br />
holes a quatrefoil towards the bass and a duofoil in the treble. The brass staple frets (running<br />
under the melody strings only) are arranged diatonically (but with a 6½ fret) and attached directly<br />
to the soundboard. The nut is brass and the bridge hardwood. Overall length 25¼ (64mm), width<br />
<br />
pin style tuning pegs.<br />
Unfortunately, the body is significantly distorted and hence unlikely ever to be strung, but given the<br />
small volume of the body and very light construction, it is likely to have been typically light and<br />
trebly.<br />
LH epinette was handcrafted by Michael W Fluegge, Osnabruck, Germany (10/2009).<br />
Small model of epinette with 2 melody strings (chanterelles) and 3 drones (bourdons).<br />
Has a shallow rectangular box structure superimposed on a larger, more curvaceous body. Body<br />
(sides, back, peghead) is made from German cherry. Fretboard and peghead overlay are<br />
<br />
bridge are ebony.<br />
Soundboard is an unknown African softwood. 16 fret fingerboard has modern guitar-type frets<br />
<br />
<br />
or 47mm (very short scale!). 6½ fret.<br />
Very light construction gives a large and balanced sound which belies its small size - especially if<br />
played on a table top for added resonance.<br />
RH epinette is a student model from the eminent luthier/player Christophe Toussaint. Simple,<br />
maple box body with 3 melody and 3 drone strings; staple-type frets. No 6½ fret. Endpins <br />
placed on a printed stave show the notes to which the strings should be tuned!
Section 4 Currently in the Workshop<br />
4.1 November 1980 HOURGLASS 4 STRING, 3 COURSE NFS<br />
Handcrafted by Marnie Barberi MacLean, Westminster <strong>Dulcimer</strong>s, Westminster West, Vermont.<br />
An unusual instrument from a small, craft maker. Slim maple headstock with rosewood violin<br />
pegs; a cantilevered maple fingerboard with rosewood overlay, hollowed out beneath; maple sides<br />
and bookmatched maple back; cherry (?) endstock with single button (violin?) string anchor; good<br />
quality cedar top with an unusual soundhole design, each being formed from slices of walnut.<br />
Unusually for this age of instrument, has both 6½ and 13½ fret.<br />
When purchased, had damaged top edge, cracked top and loosened back/headstock. Very little<br />
strutting or lining meant, together with inadequate gluing surfaces, that it was basically falling<br />
apart. The integrity of the body has now been secured but it remains a little untidy in detail. The<br />
action and intonation have also been improved, including provision of a compensating bridge.<br />
Overall length 3 lower bout , upper bout 6¼ " (very long scale). 6½ and 13½ fret.<br />
This is a long, elegant instrument with attractive, contrasting woods. Following the extensive work,<br />
it has emerged as a stunning instrument, refined, clean/bright and transparent sounding, with a<br />
very loud voice, emphasising the mid-range.<br />
----- {} -----<br />
4.2 Mid 70s Magic Mountain Model 5400 NFS<br />
An exciting project which has not progressed too far at the moment because of the pressure of<br />
set-up work etc in the workshop.<br />
<br />
Jim Shellnutt who designed and<br />
built high-end Magic Mountain dulcimers in the 1970s. This was the last set of parts from the<br />
original workshop, still unassembled after nearly 40 years and left over when the business was<br />
sold and he turned to antique restoration.
Made of beautiful curly maple and sitka spruce, this is a work-in-progress instrument, unfinished, in<br />
three parts - a completely assembled body, a completely assembled neck, and a completely<br />
assembled "elephant trunk" scroll headstock. It comes straight out of the Magic Mountain dulcimer<br />
production of the mid-1970's. 32" long x 7 ¾" wide x 2" deep, 4 "C" shaped sound holes, top<br />
edges routed for 1/16" violin purfling and 1/16" edge binding, back edges routed for 1/16" edge<br />
binding, highly figured curly Broadleaf maple back and sides (book matched), extremely tightgrained<br />
book matched Sitka spruce top. The figure in the maple runs the entire length of the sides<br />
and back (not just a few curls on one end); it is exceptional. This instrument body was designed<br />
and built for high-tension strings. It has full interior bracing for the Magic Mountain "box beam"<br />
construction.<br />
Neck - American Cherry with black fiber fretboard, fretted, sanded and ready to use. Mother-ofpearl<br />
position dots (6 total), 32"L x 1 ½"W x "D, 30" scale length, diatonic with "extra" fret.<br />
The first picture is of a contemporary 5400 from Jim<br />
<br />
Geoff Black<br />
Tel: 01989 720242 or 07817 310083<br />
Email: reeve-black_revells[at]msn.com