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Tips for shooting great movies (PDF, 559KB)

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page 25<br />

TIPS FOR SHOOTING GREAT MOVIES<br />

Here are a few tips that will help you organise, set up, compose and shoot <strong>great</strong> video.<br />

1. Be Organised<br />

Make sure your equipment is booked, prepared and checked well in advance of the shoot. Make sure<br />

members of the production team aware of their responsibilities. Organise a checklist.<br />

2. Remember Your Stuff<br />

Bring spare tapes, microphones, spare battery, tripod, headphones and other equipment you think you<br />

may use. Also bring your storyboard, script, log sheets, gaffer tape, clapperboard, pen and paper.<br />

3. Pre- Roll Your Tape<br />

If using a tape based camera, press the record button on your camera <strong>for</strong> at least 5 seconds be<strong>for</strong>e<br />

<strong>shooting</strong> the action. If capturing to memory (SD) Card this is not as important.<br />

4. Camera Check<br />

If you are <strong>shooting</strong> in manual mode adjust white balance, exposure, focus settings and depth of the shot.<br />

Check the audio levels through headphones<br />

5. Compose Your Shots<br />

Use the Rule of Thirds by mentally dividing up your viewfinder’s image into 3 equal parts vertically and<br />

horizontally. The most important part of the picture should be where the lines intersect. Remember to<br />

check the background of the shot and how elements in the shot are arranged.<br />

6. Where’s the Light<br />

Shoot away from windows and other <strong>for</strong>ms of intense background light. If light is intense, use your<br />

camera’s backlight feature. The backlight feature allows your camera to compensate <strong>for</strong> bright light. If<br />

lighting is poor use a portable or camera mounted light. Always light your subject.<br />

6. Zooming is Out<br />

Zooming is a rarely used feature in production <strong>movies</strong> of most genres. Try not to use the zoom button<br />

while <strong>shooting</strong>. Zoom only to frame the shot.<br />

7. Steady On<br />

Try to avoid shaky shots unless they are called <strong>for</strong>. Use a tripod or monopod whenever possible. If no<br />

tripod is available, look <strong>for</strong> fixed objects that you can lean on, or lean the camera onto stabilize.<br />

8. Short Shots Only<br />

Engage the attention of an audience with a lot of short shots (sequences) instead of long, drawn out single<br />

shots. Shots of a 3–8 seconds duration usually work well.<br />

10. Hold that Shot<br />

Make sure you hold your shot steady long enough to edit. Compose a good shot and while <strong>shooting</strong> count<br />

to 10 be<strong>for</strong>e moving on to the next shot.<br />

11. Coverage<br />

Make sure you shoot enough footage <strong>for</strong> editing. Try <strong>shooting</strong> the same shot from a different angle,<br />

perspective or with a different type of shot.<br />

FILM-MAKING RESOURCE<br />

Created by Kym Nadebaum 2012


page 26<br />

TIPS FOR SHOOTING GREAT MOVIES (cont)<br />

12. Shot Variety<br />

When <strong>shooting</strong> video, get plenty of A-roll (main event shots) and B-roll footage (fill or cut away shots). If a<br />

<strong>shooting</strong> a sports day story as well as <strong>shooting</strong> each event, get shots of crowd reaction, the starter’s gun,<br />

preparing <strong>for</strong> an event, presentations etc.<br />

13. Watch Your Angle<br />

Take your shots from a variety of angles. Experiment by <strong>shooting</strong> from high and low angles. Try to avoid<br />

<strong>shooting</strong> all your shots from ‘front on’ and from eye level. Try to get perspective into your shots.<br />

14. Create Some Interest<br />

Try shoots that are different and creative. Experiment by <strong>shooting</strong> the reflection in a pond or mirror. Shoot<br />

from a moving car. Shoot from inside a dark room the action taking place outside an open door in bright<br />

light. Shoot ‘walking feet’ from ground level. Shoot lots of POV (Point of View Shots).<br />

15. Move It<br />

Moving with the camera while <strong>shooting</strong> can be very powerful. Follow a conversation taking place; a<br />

person walking; or move towards or away from a subject to create depth. Experiment by moving with<br />

the camera <strong>for</strong> POV and subjective shots. Use a dolly, wheelchair, skate-board or cushion to steady the<br />

camera while moving. Take care while <strong>shooting</strong>!<br />

16. Action and Reaction<br />

Where characters are involved action shots should be followed by reaction shots. If <strong>shooting</strong> a wide action<br />

shot of a person running and he/ she is becoming exhausted, shoot a close up reaction shot of their face<br />

panting.<br />

17. Establish the Setting<br />

An audience needs to connect with where the action (story) is taking place. Use establishing (wide, long)<br />

shots to verify a location. This can also be done with ‘on screen’ text during editing.<br />

18. Connect the Start and Finish<br />

Good stories often connect the beginning and end (either with a location or a statement or question). In<br />

some <strong>movies</strong>, we see a setting shot that is repeated at the end of the movie as a cap-off. This often works<br />

well in any video, particularly with short stories, commercials or documentaries.<br />

19. Listen<br />

Always wear headphones to monitor audio input level while <strong>shooting</strong> particularly <strong>for</strong> ambient and<br />

background sound and conversation shots. Use an external microphone where ever possible.<br />

20. Talk About It<br />

Communication is a key component of a successful production. Discuss in your production team issues<br />

such as shot type, location, framing, genre, mood and message. Also discuss new ideas that may arise.<br />

FILM-MAKING RESOURCE<br />

Created by Kym Nadebaum 2012

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