Symbol & Allegory The Road Not Taken Two roads diverged in a yello
Symbol & Allegory The Road Not Taken Two roads diverged in a yello
Symbol & Allegory The Road Not Taken Two roads diverged in a yello
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n By the last stanza, however, we realize that the poem is about someth<strong>in</strong>g<br />
more than the choice of paths <strong>in</strong> a wood, for that choice would be relatively<br />
unimportant.<br />
n This poem is about a critical life-‐alter<strong>in</strong>g choice.<br />
n Why a road?<br />
n We must <strong>in</strong>terpret the poet’s choice of a road as a symbol for any choice <strong>in</strong><br />
life between alternatives that appear almost equally attractive but will result<br />
through the years <strong>in</strong> a large difference <strong>in</strong> the k<strong>in</strong>d of experience one knows.<br />
n Image, metaphor, and symbol shade <strong>in</strong>to each other and are sometimes<br />
difficult to dist<strong>in</strong>guish.<br />
n Here’s an easy-‐to-‐follow breakdown:<br />
n In general, an image means only what it is.<br />
n <strong>The</strong> figurative term <strong>in</strong> a metaphor means someth<strong>in</strong>g other than what it is.<br />
n And a symbol means what it is and someth<strong>in</strong>g more, too.<br />
n A symbol functions literally and figuratively at the same time.<br />
n If I say that a shaggy brown dog was rubb<strong>in</strong>g its back aga<strong>in</strong>st a white picket<br />
fence, I am talk<strong>in</strong>g about noth<strong>in</strong>g more than a dog (and a picket fence) and<br />
am therefore present<strong>in</strong>g an image.<br />
n If I say, “Some dirty dog stole my wallet at the party,” I am not talk<strong>in</strong>g about a<br />
dog at all and am therefore us<strong>in</strong>g a metaphor.<br />
n BUT if I say, “You can’t teach an old dog new tricks,” I am talk<strong>in</strong>g not only<br />
about dogs but about liv<strong>in</strong>g creatures of any species and am therefore<br />
speak<strong>in</strong>g symbolically.<br />
n Images do not cease to be images when they become <strong>in</strong>corporated <strong>in</strong><br />
metaphors or symbols. We simply use the term most relevant to the aspect<br />
of the poem we are discuss<strong>in</strong>g.<br />
n If we’re discuss<strong>in</strong>g the sensuous qualities of “<strong>The</strong> <strong>Road</strong> <strong>Not</strong> <strong>Taken</strong>,” we would<br />
refer to the two leaf-‐strewn <strong>roads</strong> as an image.<br />
n If we are discuss<strong>in</strong>g the significance of the poem, we will talk about the <strong>roads</strong><br />
as symbols.<br />
n <strong>The</strong> symbol is usually so general <strong>in</strong> its mean<strong>in</strong>g that it can suggest a great<br />
variety of specific mean<strong>in</strong>gs.