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Untitled - the Digital Library of Georgia

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x FOREWORD.<br />

initial volume <strong>of</strong> which he now <strong>of</strong>fers to <strong>the</strong> public, is toi<br />

emphasize <strong>the</strong> preeminence <strong>of</strong> <strong>Georgia</strong> in this respect<br />

grouping toge<strong>the</strong>r some <strong>of</strong> <strong>the</strong> most savory incidents in <strong>the</strong>*<br />

lives <strong>of</strong> <strong>the</strong> great men <strong>of</strong> <strong>the</strong> State. Such an exhibit may<br />

serve <strong>the</strong> additional end <strong>of</strong> stimulating an increased in<br />

terest in <strong>the</strong> biographical literature <strong>of</strong> <strong>Georgia</strong>, especially<br />

on <strong>the</strong> part <strong>of</strong> <strong>the</strong> younger generations, who are to keep<br />

<strong>the</strong> light burning in <strong>the</strong> tower. At <strong>the</strong> cost <strong>of</strong> great labor'<br />

and patient research <strong>the</strong> author has also added an appen-;<br />

dix which he ventures to state, within <strong>the</strong> limits <strong>of</strong> be<br />

coming modesty, contains <strong>the</strong> most complete collection<br />

which has yet been made <strong>of</strong> <strong>the</strong> rare gems <strong>of</strong> <strong>Georgia</strong> elo<br />

quence.<br />

But <strong>the</strong> writer wishes it to be distinctly understood that<br />

<strong>the</strong> work is not intended to swell <strong>the</strong> number <strong>of</strong> conven<br />

tional biographies. He has used <strong>the</strong> term Reminiscences<br />

to indicate <strong>the</strong> purely informal character <strong>of</strong> <strong>the</strong> work, and<br />

to give him <strong>the</strong> largest amount <strong>of</strong> latitude in utilizing <strong>the</strong><br />

materials which he has ga<strong>the</strong>red. It is not for <strong>the</strong> pur<br />

pose <strong>of</strong> committing <strong>the</strong> fraud <strong>of</strong> an artificial recollection.<br />

The man who could project his own memory over <strong>the</strong><br />

dusty stretch <strong>of</strong> two civic centuries could just as easily<br />

write <strong>the</strong> memoirs <strong>of</strong> Methuselah; for he \vould be in<br />

essence an antediluvian, if not in instinct an Ananias. Nor<br />

do <strong>the</strong> sketches set forth <strong>the</strong> Tales <strong>of</strong> a Grandfa<strong>the</strong>r. The<br />

writer is not yet among <strong>the</strong> graybeards. He is still on<br />

<strong>the</strong> morning side <strong>of</strong> <strong>the</strong> mountains. And, except in <strong>the</strong><br />

spirit which makes him eager to keep bright <strong>the</strong> memory<br />

<strong>of</strong> <strong>the</strong> great men <strong>of</strong> <strong>Georgia</strong>, he can not lay claim to <strong>the</strong><br />

mantle <strong>of</strong> Old Morality; but he has ever coveted <strong>the</strong> shin<br />

ing chisel <strong>of</strong> that rare Scot, who yearly visited every

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