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better known by the pen name Carlo Collodi

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<strong>Collodi</strong>, Pinocchio - overview<br />

<strong>Carlo</strong> Lorenzini (November 24, 1826 – October 26, 1890), <strong>better</strong> <strong>known</strong> <strong>by</strong> <strong>the</strong> <strong>pen</strong> <strong>name</strong><br />

<strong>Carlo</strong> <strong>Collodi</strong>, was a Florentine children’s writer and journalist, best <strong>known</strong> as <strong>the</strong> creator of<br />

Pinocchio, <strong>the</strong> wooden boy puppet who came to life: The Adventures of Pinocchio, first<br />

serialized in Il giornale per i bambini (The Children’s Magazine) as Le avventure di Pinocchio<br />

(1881-1883).<br />

Biography: During <strong>the</strong> Wars of Inde<strong>pen</strong>dence in 1848 and 1860 <strong>Collodi</strong> served as a<br />

volunteer with <strong>the</strong> Tuscan army. His active interest in political matters may be seen in his<br />

earliest literary works as well as in <strong>the</strong> founding of <strong>the</strong> satirical newspaper Il Lampione. This<br />

newspaper was censored <strong>by</strong> order of <strong>the</strong> Grand Duke of Tuscany in 1849 but re-emerged in<br />

May 1860.<br />

Lorenzini had won fame as early as 1856 with his novel In vapore and had also begun<br />

intense activity on o<strong>the</strong>r political newspapers such as Il Fanfulla; at <strong>the</strong> same time he was<br />

employed <strong>by</strong> <strong>the</strong> Censorship Commission for <strong>the</strong> Theatre. During this period he composed<br />

various satirical sketches and stories (sometimes simply <strong>by</strong> collating earlier articles), including<br />

Macchiette (1880), Occhi e nasi (1881), Storie allegre (1887).<br />

In 1875, he entered <strong>the</strong> domain of children's literature with Racconti delle fate, a translation<br />

of French fairy tales <strong>by</strong> Perrault. In 1876 Lorenzini wrote Giannettino (inspired <strong>by</strong> Alessandro<br />

Luigi Parravicini's Giannetto), <strong>the</strong> Minuzzolo, and Il viaggio per l'Italia di Giannettino, a series<br />

which explored <strong>the</strong> re-unification of Italy through <strong>the</strong> ironic thoughts and actions of <strong>the</strong> character<br />

Giannettino.<br />

Lorenzini became fascinated <strong>by</strong> <strong>the</strong> idea of using an amiable, rascally character as a means<br />

of expressing his own convictions through allegory. In 1880 he began writing Storia di un<br />

burattino ("The story of a marionette"), also called Le avventure di Pinocchio, which was<br />

published weekly in Il Giornale dei Bambini (<strong>the</strong> first Italian newspaper for children).<br />

Lorenzini died unaware of <strong>the</strong> fame and popularity that awaited his work; as in <strong>the</strong> allegory of<br />

<strong>the</strong> story, Pinocchio eventually went on to lead his own inde<strong>pen</strong>dent life, distinct from that of <strong>the</strong><br />

author. It has been said that this was one of <strong>the</strong> inspiring <strong>the</strong>mes of Luigi Pirandello's Sei<br />

Personaggi in Cerca d'Autore (Six Characters in Search of an Author). Lorenzini died in<br />

Florence in 1890 and is interred at San Miniato al Monte Basilica.<br />

Pinocchio is a fictional character that first appeared in 1883, in The Adventures of Pinocchio<br />

<strong>by</strong> <strong>Carlo</strong> <strong>Collodi</strong>, and has since appeared in many adaptations of that story and o<strong>the</strong>rs. Carved<br />

from a piece of pine <strong>by</strong> a woodcarver <strong>name</strong>d Geppetto in a small Italian village, he was created<br />

as a wooden puppet, but dreamt of becoming a real boy. The <strong>name</strong> Pinocchio is a Tuscan word<br />

meaning "pine nut" (<strong>the</strong> standard Italian term is pinolo), a compound of Italian pino meaning<br />

"pine" and occhio meaning "eye."<br />

History: The Adventures of Pinocchio is a story about an animated puppet, talking crickets,<br />

boys who turn into mules and o<strong>the</strong>r fairy tale devices that would be familiar to a reader of Alice<br />

in Wonderland or Bro<strong>the</strong>rs Grimm; in fact earlier in his career <strong>Collodi</strong> worked on a translation of<br />

Mo<strong>the</strong>r Goose. However, Pinocchio's world is not a traditional fairy-tale world, instead<br />

containing <strong>the</strong> hard realities of <strong>the</strong> need for food, shelter, and <strong>the</strong> basic measures of daily life.<br />

The setting of <strong>the</strong> story is in fact <strong>the</strong> very real Tuscan area of Italy. It was a unique literary<br />

melding of genres for its time. The story's Italian language is peppered with Florentine dialect<br />

features, such as <strong>the</strong> protagonist's Florentine <strong>name</strong>.<br />

<strong>Collodi</strong> originally had not intended <strong>the</strong> novel as children's literature; <strong>the</strong> ending was unhappy<br />

and allegorically dealt with serious <strong>the</strong>mes. In <strong>the</strong> original, serialized version, Pinocchio dies a<br />

gruesome death—hanged for his innumerable faults, at <strong>the</strong> end of Chapter 15. At <strong>the</strong> request of<br />

his editor, <strong>Collodi</strong> added chapters 16–36, in which <strong>the</strong> Fairy with Turquoise Hair (or "Blue Fairy",<br />

as <strong>the</strong> Disney version <strong>name</strong>s her) rescues Pinocchio and eventually transforms him into a real<br />

boy, when he acquires a deeper understanding of himself, making <strong>the</strong> story suitable for children.


<strong>Collodi</strong>, Pinocchio - overview<br />

In <strong>the</strong> second half of <strong>the</strong> book, <strong>the</strong> maternal figure of <strong>the</strong> Blue Fairy is <strong>the</strong> dominant character,<br />

versus <strong>the</strong> paternal figure of Geppetto, in <strong>the</strong> first part.<br />

Children’s’ literature was a new idea in <strong>Collodi</strong>'s time, an innovation in <strong>the</strong> nineteenthcentury.<br />

Thus in content and style it was new and modern, o<strong>pen</strong>ing <strong>the</strong> way to many writers of<br />

<strong>the</strong> following century. <strong>Collodi</strong>, who died in 1890, was respected during his lifetime as a talented<br />

writer and social commentator, but his fame did not begin to grow until after Pinocchio was<br />

translated into English, for <strong>the</strong> first time in 1892, but, in particular, with <strong>the</strong> widely-read<br />

Everyman's Library edition of 1911. The popularity of <strong>the</strong> story was bolstered <strong>by</strong> <strong>the</strong> powerful<br />

philosopher-critic Benedetto Croce who greatly admired <strong>the</strong> tale.<br />

Analysis: Pinocchio, in addition to being a children's tale, is a novel of education, with values<br />

expressed through allegory. There are many ways of viewing <strong>the</strong>se allegories. One is that <strong>the</strong>y<br />

mirror <strong>the</strong> values of <strong>the</strong> middle class of <strong>the</strong> nineteenth century, in particular, that of Italy, as it<br />

became a nation state. For example, not following <strong>the</strong> schemes of <strong>the</strong> fox and cat (i.e. <strong>the</strong><br />

thieving noble class), but, instead, honestly working for money, and obtaining an education, so<br />

that one is not treated like an ass (<strong>the</strong> mule working class). Unsurprisingly, although <strong>the</strong> book<br />

was very popular, in many upper-class families of <strong>the</strong> time it initially was not a book regarded<br />

suitable for "well-educated" children. It also is an allegory of contemporary society, a look at <strong>the</strong><br />

contrast between respectability and free instinct in a very severe, formal time. Behind <strong>the</strong><br />

optimistic, pedagogical appearance, <strong>the</strong> romance is sadly ironic, and sometimes a satire of that<br />

very formal pedagogy and, through this, against <strong>the</strong> nonsense of <strong>the</strong>se social manners in<br />

general.<br />

It contains many covert literary allusions. For example, <strong>the</strong> basic plot in which Pinocchio,<br />

through idle curiosity, is transformed into a donkey and is <strong>the</strong>n restored through <strong>the</strong> intervention<br />

of a benevolent female spirit is taken from Apuleius' The Golden Ass, while his being swallowed<br />

<strong>by</strong> a giant fish may owe something to <strong>the</strong> story of Jonah.<br />

Plot: Beginning life as a simple pine log in Tuscany, Pinocchio is given to <strong>the</strong> car<strong>pen</strong>ter,<br />

Antonio, called Maestro Ciliegia (Master Cherry), who plans to carve him into a leg for his table.<br />

When he begins, however, a little voice cries, "No, you hurt me!" Disturbed <strong>by</strong> <strong>the</strong> talking log,<br />

Maestro Ciliegia continues to carve <strong>the</strong> piece of wood, when again <strong>the</strong> little voice wails its pain.<br />

Becoming frustrated and confused, Maestro Ciliegia eventually gives up trying to carve <strong>the</strong><br />

wood, and ends up giving it to his friend, <strong>the</strong> car<strong>pen</strong>ter Geppetto, <strong>known</strong> for disliking children,<br />

who carves wooden dolls.<br />

As soon as Pinocchio's nose has been carved, it begins to grow with his congenital<br />

impudence. Once <strong>the</strong> puppet has been finished and Geppetto teaches him to walk, Pinocchio<br />

runs out <strong>the</strong> door and away into <strong>the</strong> town. He is caught <strong>by</strong> a carabineer, but when people reveal<br />

that Geppetto dislikes children, <strong>the</strong> carabineer assumes that Pinocchio has been abused and<br />

imprisons Geppetto.<br />

Once Pinocchio arrives home, The Talking Cricket, who has lived in <strong>the</strong> house for over a<br />

century, tells him that boys who do not obey <strong>the</strong>ir parents grow up to be donkeys. In retaliation,<br />

Pinocchio throws a hammer at <strong>the</strong> cricket, more accurately than he intended to, and accidentally<br />

kills it. Unable to find food in <strong>the</strong> house, Pinocchio cries himself to sleep with his feet upon <strong>the</strong><br />

stove. The next morning he wakes to find that his feet have burnt off. His fa<strong>the</strong>r, who has been<br />

released from jail and has with him three pears for a meal, makes his son a new pair of feet.<br />

Since Pinocchio says he is starving, Geppetto gives him <strong>the</strong> pears and teaches Pinocchio to<br />

waste nothing. In gratitude, Pinocchio promises to go to school. Since Geppetto has no money<br />

to buy schoolbooks, he sells his only coat.<br />

The marionette <strong>the</strong>ater: Pinocchio heads off to school, but on <strong>the</strong> way he hears music and<br />

crowds. Curious, he follows <strong>the</strong> sounds until he finds himself in a crowd of people, all<br />

congregated to see <strong>the</strong> Great Marionette Theater. Unable to withstand <strong>the</strong> urge, he sells his<br />

schoolbook for tickets to <strong>the</strong> show. During <strong>the</strong> performance, <strong>the</strong> puppets Harlequin, Pulcinella,


<strong>Collodi</strong>, Pinocchio - overview<br />

and Signora Rosaura (who are on stage) see Pinocchio and stop acting, crying out, "It is our<br />

bro<strong>the</strong>r Pinocchio!" While <strong>the</strong> puppets rejoice, however, <strong>the</strong> audience grows angry, and <strong>the</strong><br />

<strong>the</strong>ater director, Mangiafuoco, comes out to see what is going on. Upset, he breaks up <strong>the</strong><br />

excitement and decides to use Pinocchio as firewood to cook his lamb dinner. After Pinocchio<br />

pleads to be saved, Mangiafuoco gives in and decides to burn Harlequin. After Pinocchio pleads<br />

for Harlequin's salvation, Mangiafuoco gives up. When he learns about Pinocchio's poor fa<strong>the</strong>r,<br />

he gives <strong>the</strong> marionette five gold pieces for Geppetto.<br />

Encounter with <strong>the</strong> Fox and <strong>the</strong> Cat: As Pinocchio heads home to give <strong>the</strong> coins to his<br />

fa<strong>the</strong>r, he meets a fox (who pretends to be lame) and a cat (who pretends to be blind) on <strong>the</strong><br />

side of <strong>the</strong> road. They tell him that if he plants his coins in <strong>the</strong> Field of Miracles, outside <strong>the</strong> city<br />

of Catchfools, <strong>the</strong>n <strong>the</strong>y will grow into a tree with a thousand gold coins. Believing <strong>the</strong>m,<br />

Pinocchio heads off on a journey to Catchfools with <strong>the</strong> Cat and Fox. On <strong>the</strong> way <strong>the</strong>y stop at<br />

<strong>the</strong> Inn of <strong>the</strong> Red Lobster, where <strong>the</strong> Fox and Cat gorge <strong>the</strong>mselves on food at Pinocchio's<br />

ex<strong>pen</strong>se. During <strong>the</strong> night, <strong>the</strong> innkeeper wakes Pinocchio, saying that <strong>the</strong> Fox and Cat have<br />

left on an emergency, but will meet up with Pinocchio in Catchfools. As Pinocchio sets off for<br />

Catchfools, <strong>the</strong> ghost of <strong>the</strong> Talking Cricket appears, telling him to go home and give <strong>the</strong> coins<br />

to his fa<strong>the</strong>r. Pinocchio ignores him again, however, and sets off for Catchfools. As he passes<br />

through a forest, <strong>the</strong> Fox and Cat, disguised as bandits, jump out and try to rob Pinocchio. The<br />

marionette hides <strong>the</strong> coins in his mouth and runs up a tree, but <strong>the</strong> bandits kindle a fire<br />

underneath it. Pinocchio jumps down and <strong>the</strong>y try to pry his mouth o<strong>pen</strong>, but he bites <strong>the</strong> Cat's<br />

hand off and escapes deeper into <strong>the</strong> forest. As Pinocchio runs through <strong>the</strong> forest, he sees a<br />

white house ahead. Stopping to knock on <strong>the</strong> door, he is greeted <strong>by</strong> The Fairy with Turquoise<br />

Hair. However, as he speaks to her, <strong>the</strong> bandits catch him and hang him in a tree. After a while,<br />

<strong>the</strong> Fox and Cat get tired of waiting for <strong>the</strong> marionette to suffocate and leave.<br />

First meeting with <strong>the</strong> Fairy: The Fairy with Turquoise Hair sends a falcon and a poodle to<br />

rescue Pinocchio, and she calls in three famous doctors to tell her if Pinocchio is dead or not.<br />

The first two (an owl and a crow) are uncertain, but <strong>the</strong> third—<strong>the</strong> Talking Cricket—knows that<br />

Pinocchio is fine and tells <strong>the</strong> marionette that he has been disobedient and hurt his fa<strong>the</strong>r. The<br />

Turquoise Fairy asks Pinocchio where <strong>the</strong> gold coins are. Pinocchio lies, saying he has lost<br />

<strong>the</strong>m. As he tells this lie (and more) his nose begins to grow until it is so long he cannot turn<br />

around in <strong>the</strong> room. The Fairy explains to Pinocchio that it is his lies that are making his nose<br />

grow long, <strong>the</strong>n calls in a flock of woodpeckers to chisel down his nose. "There are two kinds of<br />

lies, lies with short legs and lies with long noses. Yours...hap<strong>pen</strong> to have long noses."<br />

The city of Catchfools: Pinocchio and <strong>the</strong> Turquoise Fairy decide to become bro<strong>the</strong>r and<br />

sister, and <strong>the</strong> Fairy sends for Geppetto to come live with <strong>the</strong>m in <strong>the</strong> forest. Pinocchio heads<br />

out to meet his fa<strong>the</strong>r, but on <strong>the</strong> way he meets <strong>the</strong> fox and cat again (whom he had not<br />

recognized as <strong>the</strong> bandits, even though he has a hint from <strong>the</strong> cat's bandaged front paw--which<br />

he had bitten earlier; <strong>the</strong> fox tells him <strong>the</strong> cat had shown mistaken kindness to a wolf). They<br />

remind Pinocchio of <strong>the</strong> Field of Miracles, and finally he agrees to go with <strong>the</strong>m and plant his<br />

gold. After half a day's journey, <strong>the</strong>y reach <strong>the</strong> city of Catchfools. Everyone in <strong>the</strong> town has done<br />

something exceedingly foolish and now suffers as a result. When <strong>the</strong>y reach <strong>the</strong> "Field of<br />

Miracles," Pinocchio buries his gold <strong>the</strong>n runs off to wait <strong>the</strong> twenty minutes it will take for his<br />

gold to grow. After twenty minutes, he returns, only to find no tree and—even worse—no gold<br />

coins. Realizing what has hap<strong>pen</strong>ed, he goes to Catchfools and tells <strong>the</strong> judge about <strong>the</strong> fox<br />

and cat. The judge (as is <strong>the</strong> custom in Catchfools) sends Pinocchio to prison for his<br />

foolishness. While in prison, however, <strong>the</strong> emperor of Catchfools declares a celebration, and all<br />

prisoners are set free.<br />

As Pinocchio heads back to <strong>the</strong> forest, he finds an enormous ser<strong>pen</strong>t with a smoking tail<br />

blocking <strong>the</strong> way. After some confusion, he asks <strong>the</strong> ser<strong>pen</strong>t to move, but <strong>the</strong> ser<strong>pen</strong>t remains<br />

completely still. Concluding that it is dead, Pinocchio begins to step over it, but <strong>the</strong> ser<strong>pen</strong>t


<strong>Collodi</strong>, Pinocchio - overview<br />

suddenly rises up and hisses at <strong>the</strong> marionette, toppling him over onto his head. Struck <strong>by</strong><br />

Pinocchio's fright and comical position, <strong>the</strong> snake laughs so hard he bursts an artery and dies.<br />

The farmer: While sneaking into a farmer's yard to take some grapes, Pinocchio is caught in<br />

a weasel trap. When <strong>the</strong> farmer comes out and finds Pinocchio, he ties him up in a doghouse to<br />

guard his chicken coop. That night, a group of weasels come and tell Pinocchio that <strong>the</strong>y had<br />

made a deal with former watchdog Melampo to let <strong>the</strong>m raid <strong>the</strong> chicken coop if he could have a<br />

chicken. Pinocchio says he wants two chickens, so <strong>the</strong> weasels agree and go into <strong>the</strong><br />

henhouse. Pinocchio <strong>the</strong>n locks <strong>the</strong> door and barks loudly. The farmer gets <strong>the</strong> weasels and<br />

frees Pinocchio as a reward. Pinocchio comes to where <strong>the</strong> cottage was and finds nothing but a<br />

gravestone. Believing <strong>the</strong> Turquoise Fairy died from sorrow, he weeps until a friendly pigeon<br />

offers to give him a ride to <strong>the</strong> seashore, where Geppetto is building a boat to go out and search<br />

for Pinocchio. They fly to <strong>the</strong> seashore and Pinocchio sees Geppetto out in a boat. The puppet<br />

leaps into <strong>the</strong> water and tries to swim to Geppetto, but <strong>the</strong> waves are too rough and Pinocchio is<br />

washed underwater as Geppetto is swallowed <strong>by</strong> terrible shark. A kind dolphin gives Pinocchio<br />

a ride to <strong>the</strong> nearest island, which is <strong>the</strong> Island of Busy Bees. Everyone is working and no one<br />

will give Pinocchio any food as long as he will not help <strong>the</strong>m. He finally offers to carry a lady's<br />

jug home in return for food and water.<br />

The Return of <strong>the</strong> Fairy: When <strong>the</strong>y get to <strong>the</strong> house, Pinocchio recognizes <strong>the</strong> lady as <strong>the</strong><br />

Turquoise Fairy, now miraculously old enough to be his mo<strong>the</strong>r. She says she will act as<br />

Pinocchio's mo<strong>the</strong>r and Pinocchio will begin going to school. She hints that if Pinocchio does<br />

well in school he will become a real boy. Pinocchio starts school next day and after showing his<br />

determination becomes a friend to all <strong>the</strong> schoolboys. A while later a group of boys tricks<br />

Pinocchio into playing hookey <strong>by</strong> saying <strong>the</strong>y saw a large whale at <strong>the</strong> beach. Hoping that it is<br />

<strong>the</strong> whale that swallowed Gepetto, he accompanies <strong>the</strong>m to <strong>the</strong> beach only to find he has been<br />

fooled. He begins fighting with <strong>the</strong> boys and one boy grabs a schoolbook of Pinocchio's and<br />

throws it at him. The marionette ducks and <strong>the</strong> book hits ano<strong>the</strong>r boy <strong>name</strong>d Eugene, who is<br />

knocked out. The o<strong>the</strong>r boys flee while Pinocchio tries to revive Eugene.<br />

Then two policemen come up and accuse Pinocchio of injuring Eugene. Before he can<br />

explain, <strong>the</strong> policemen grab him to take him to jail — but he escapes and is chased into <strong>the</strong> sea<br />

<strong>by</strong> <strong>the</strong> police dog. The dog starts to drown and Pinocchio saves him. The dog is grateful and<br />

promises to be Pinocchio's friend. Pinocchio happily starts swimming to shore. Then The Green<br />

Fisherman catches Pinocchio in his net and starts to eat <strong>the</strong> fish, saying Pinocchio must be a<br />

very special fish. Taking off <strong>the</strong> marionette's clo<strong>the</strong>s and covering him with flour, <strong>the</strong> ogre<br />

prepares to eat Pinocchio. The police dog <strong>the</strong>n comes in and rescues Pinocchio from <strong>the</strong> ogre.<br />

On <strong>the</strong> way home, Pinocchio stops at a man's house and asks about Eugene. The man says<br />

Eugene is fine, but that Pinocchio must be a truant. Pinocchio says that he is always truthful and<br />

obedient. Again his nose grows longer and Pinocchio immediately tells <strong>the</strong> truth about himself,<br />

causing <strong>the</strong> nose to shrink back to normal. Pinocchio gets home in <strong>the</strong> middle of <strong>the</strong> night. He<br />

knocks on <strong>the</strong> door and a snail o<strong>pen</strong>s <strong>the</strong> third-story window. Pinocchio pleads to be let in and<br />

<strong>the</strong> snail says he will come down. Since a snail is slow, it takes all night for <strong>the</strong> snail to come<br />

down and let Pinocchio in. By <strong>the</strong> time <strong>the</strong> snail comes down Pinocchio has banged his foot<br />

against <strong>the</strong> door and gotten stuck. The snail brings Pinocchio artificial food and <strong>the</strong> marionette<br />

faints. When he wakes, he is on <strong>the</strong> couch and <strong>the</strong> Fairy says she will give him ano<strong>the</strong>r chance.<br />

Pinocchio does excellently in school and passes with high honors. The Fairy promises that<br />

Pinocchio will be a real boy next day and says he should invite all his friends to a party. He goes<br />

to invite everyone, but he is sidetracked when he meets a boy <strong>name</strong>d Romeo—nick<strong>name</strong>d<br />

Candlewick because he is so tall and skinny. Candlewick is about to go to a place called<br />

Pleasure Island/Land of Play, where everyone plays all day and never works. Pinocchio goes<br />

along with him and <strong>the</strong>y have a wonderful time in <strong>the</strong> land of Play—until one morning Pinocchio<br />

awakes with donkey ears. A mouse tells him that boys who do nothing but play and never work<br />

always grow into donkeys.


<strong>Collodi</strong>, Pinocchio - overview<br />

As a donkey: Within a short while Pinocchio has become a donkey. He is sold to a circus<br />

and is trained to do all kinds of tricks. Then one night in <strong>the</strong> circus, he falls and sprains his leg.<br />

The circus owner sells <strong>the</strong> donkey to a man who wants to skin him and make a drum. The man<br />

throws <strong>the</strong> donkey into <strong>the</strong> sea to drown him — and brings up a living wooden boy. Pinocchio<br />

explains that <strong>the</strong> fish ate all <strong>the</strong> donkey skin off of him and he is now a marionette again.<br />

Pinocchio dives back into <strong>the</strong> water and swims out to sea — when he is swallowed <strong>by</strong> The<br />

Terrible Dogfish. Inside <strong>the</strong> dogfish Pinocchio meets a tuna who is resigned to <strong>the</strong> fate and just<br />

says <strong>the</strong>y will have to wait to be digested. Pinocchio sees a light from far off and he follows <strong>the</strong><br />

light. At <strong>the</strong> o<strong>the</strong>r end is Geppetto, who had been living on a ship that was also in <strong>the</strong> dogfish.<br />

Pinocchio and Geppetto and <strong>the</strong> tuna manage to get out from inside <strong>the</strong> dogfish and Pinocchio<br />

heroically attempts to swim with Geppetto to shore, which turns out to be too far; however, <strong>the</strong><br />

tuna rescues <strong>the</strong>m and brings <strong>the</strong>m to shore.<br />

Pinocchio and Geppetto try to find a place to stay. They pass two beggars, who are <strong>the</strong> Fox<br />

and <strong>the</strong> Cat. The Cat is, ironically, really blind now, and <strong>the</strong> fox is actually lame, tailless (having<br />

sold his tail for money) and mangy. They plead for food or money, but Pinocchio will give <strong>the</strong>m<br />

nothing. They arrive at a small house, and living <strong>the</strong>re is <strong>the</strong> Talking Cricket, who says <strong>the</strong>y can<br />

stay. Pinocchio gets a job doing work for a farmer, whose donkey is dying. Pinocchio recognizes<br />

<strong>the</strong> donkey as Candlewick. Pinocchio mourns over Candlewick's dead body and <strong>the</strong> farmer is<br />

perplexed as to why. Pinocchio says that Candlewick was his friend and <strong>the</strong>y went to school<br />

toge<strong>the</strong>r, causing Farmer John to be even more confused.<br />

Traditional ending: After long months of working for <strong>the</strong> farmer and supporting <strong>the</strong> ailing<br />

Geppetto he goes to town with what money he has saved (forty copper <strong>pen</strong>nies to be exact) to<br />

buy himself a new suit. He meets <strong>the</strong> snail, who tells him that <strong>the</strong> Turquoise Fairy is ill and<br />

needs money. Pinocchio instantly gives <strong>the</strong> snail all <strong>the</strong> money he has, promising that he will<br />

help his mo<strong>the</strong>r as much as he is helping his fa<strong>the</strong>r. That night, he dreams he is visited <strong>by</strong> <strong>the</strong><br />

Fairy, who kisses him. When he wakes up, he is a real boy at last. Fur<strong>the</strong>rmore, Pinocchio<br />

finds that <strong>the</strong> Fairy left him a new suit and boots, and a bag which Pinocchio thinks is <strong>the</strong> forty<br />

<strong>pen</strong>nies he originally loaned to <strong>the</strong> Blue Fairy. The boy is shocked to find instead forty freshly<br />

minted gold coins. He is also reunited with Geppetto, now healthy and resuming woodcarving.<br />

They live happily ever after.<br />

Characters: While <strong>the</strong>re is a wide array of characters in The Adventures of Pinocchio, from<br />

coffin-carrying rabbits to a pedantic glowworm, below is a list of characters who play significant<br />

parts, along with <strong>the</strong>ir Italian <strong>name</strong>s, pronunciations of <strong>the</strong> given <strong>name</strong>s, and short descriptions<br />

of <strong>the</strong> characters.<br />

• Pinocchio Pinocchio is a naughty, pine-wood marionette who gains wisdom through a<br />

series of misadventures which lead him to becoming a real human as reward for his<br />

good deeds.<br />

• Mister Geppetto Geppetto is an elderly, impoverished woodcarver and <strong>the</strong> creator (and<br />

thus fa<strong>the</strong>r) of Pinocchio. He wears a yellow wig that looks like cornmeal mush (or<br />

polendina), and subsequently <strong>the</strong> children of <strong>the</strong> neighborhood (as well as some of <strong>the</strong><br />

adults) call him "Polendina", which greatly annoys him. "Geppetto" is a nick<strong>name</strong> for<br />

Giuseppe.<br />

• Mister Antonio ([an tɔːnjo] in Italian, /ɑːn toʊnjoʊ/ ân·tō′·nyō in English; Mastro<br />

Antonio): Antonio is an elderly car<strong>pen</strong>ter. He finds <strong>the</strong> log that eventually becomes<br />

Pinocchio, planning to make it into a table leg until it cries out "Please be careful!" The<br />

children call Antonio "Mastro Cherry" because of his red nose.<br />

• The Talking Cricket (il Grillo parlante): <strong>the</strong> Talking Cricket is a cricket whom Pinocchio<br />

kills after it tries to give him some advice. The cricket comes back as a ghost to continue<br />

advising <strong>the</strong> marionette.


<strong>Collodi</strong>, Pinocchio - overview<br />

• Mangiafuoco ([mandʒa fwɔːko] in Italian, / mɑːndʒə fwoʊkoʊ/ mân′·jə·fwō′·kō in<br />

English; literally "Fire-Eater"): Mangiafuoco is <strong>the</strong> wealthy director of <strong>the</strong> Great<br />

Marionette Theatre. He has red eyes and a black beard which reaches to <strong>the</strong> floor, and<br />

his mouth is "as wide as an oven [with] teeth like yellow fangs". Despite his<br />

appearances, however, Mangiafuoco (which <strong>the</strong> story says is his given <strong>name</strong>) is not evil.<br />

• Harlequin (Arlecchino), Punch (Pulcinella), and Signora Rosaura: Harlequin, Punch,<br />

and Signora Rosaura are puppets at <strong>the</strong> Theatre who embrace Pinocchio as <strong>the</strong>ir<br />

bro<strong>the</strong>r.<br />

• The Fox and <strong>the</strong> Cat (la Volpe ed il Gatto): Greedy animals pretending to be lame and<br />

blind respectively, <strong>the</strong> pair lead Pinocchio astray, rob him, and eventually try to hang<br />

him.<br />

• The Innkeeper (l'Oste): an innkeeper who is in league with Fox and Cat, and tricks<br />

Pinocchio into an ambush.<br />

• The Fairy with Turquoise Hair (la Fata dai Capelli turchini): <strong>the</strong> turquoise fairy is <strong>the</strong><br />

spirit of <strong>the</strong> forest who rescues Pinocchio and adopts him first as her bro<strong>the</strong>r, <strong>the</strong>n as her<br />

son.<br />

• <strong>the</strong> Owl (la Civetta) and <strong>the</strong> Crow (la Cornacchia): two famous doctors who diagnose<br />

Pinocchio.<br />

• <strong>the</strong> Judge (il Giudice): <strong>the</strong> gorilla judge of Catchfool.<br />

• <strong>the</strong> Ser<strong>pen</strong>t (il Ser<strong>pen</strong>te): an enormous snake with a smoking tail.<br />

• <strong>the</strong> Farmer (il Contadino): a farmer whose chickens are plagued <strong>by</strong> weasel attacks.<br />

• The Terrible Dogfish (Il Terribile Pescecane): a mile-long, five-story-high fish;<br />

pescecane, while literally meaning "dog fish", generally means "shark" in Italian<br />

• Alidoro (del can mastino) ([ali dɔːro] in Italian, / ɑːli dɒroʊ/ â′·lē·dŏr′·ō in English): <strong>the</strong><br />

old mastiff of a carabineer.<br />

• The Green Fisherman (Il Pescatore Verde): a green skinned ogre who catches<br />

Pinocchio in his fishing net and attempts to eat him<br />

• Romeo ([ro mɛːo] in Italian, / roʊmi.oʊ/ rō′·mē·ō in English)/"Lampwick" or<br />

"Candlewick" (Lucignolo): a tall, thin boy (like a wick) who is Pinocchio's best friend and<br />

a trouble-maker.<br />

• <strong>the</strong> Little Man (l'Omino): <strong>the</strong> owner of Toy Country.<br />

• <strong>the</strong> Manager (il Direttore): <strong>the</strong> ringmaster of a circus.<br />

• <strong>the</strong> Master (il Padrone): a man who wants to make Pinocchio's hide into a drum.<br />

• <strong>the</strong> Tunny Fish (il Tonno): a tuna fish as "large as a two-year-old horse" who has been<br />

swallowed <strong>by</strong> <strong>the</strong> Terrible Dogfish.<br />

• Giangio ([ dʒandʒo] in Italian; / dʒɑːndʒoʊ/ jân′·jō in English): <strong>the</strong> farmer who buys<br />

Romeo as a donkey.<br />

Adaptations<br />

The story has been adapted into many forms on stage and screen, some keeping close to <strong>the</strong><br />

original <strong>Collodi</strong> narrative while o<strong>the</strong>rs treat <strong>the</strong> story more freely. There are at least fourteen<br />

English-language films based on <strong>the</strong> story (see also:The Adventures of Pinocchio), not to<br />

mention <strong>the</strong> Italian, French, Russian, German, Japanese, and many o<strong>the</strong>r versions for <strong>the</strong> big<br />

screen and for television, and several musical adaptations.<br />

• Aleksey Nikolayevich Tolstoy wrote a famous Russian adaptation of <strong>the</strong> book, entitled<br />

The Little Gold Key or <strong>the</strong> Adventures of Buratino (1936) illustrated <strong>by</strong> Alexander<br />

Koshkin, translated from Russian <strong>by</strong> Kathleen Cook-Horujy, Raduga Publishers,<br />

Moscow, 1990, 171 pages, SBN 5-05-002843-4 (burattino is Italian for "puppet"). Leonid<br />

Vladimirski later wrote and illustrated a sequel, Buratino in <strong>the</strong> Emerald City, bringing


<strong>Collodi</strong>, Pinocchio - overview<br />

Buratino to <strong>the</strong> Magic Land that Alexander Melentyevich Volkov based on <strong>the</strong> Land of<br />

Oz, and which Vladimirski had illustrated.<br />

• The Adventures of Pinocchio (1936), a historically-notable, unfinished Italian animated<br />

feature film.<br />

• The Disney animated film Pinocchio (released February 7, 1940). It loosely follows<br />

<strong>Collodi</strong>'s story and is considered a masterpiece of <strong>the</strong> art of animation. It was deemed<br />

culturally significant <strong>by</strong> <strong>the</strong> Library of Congress and selected for preservation in <strong>the</strong><br />

United States National Film Registry.<br />

• Pinocchio, a 1957 TV musical broadcast live during <strong>the</strong> Golden Age of Television,<br />

directed and choreographed <strong>by</strong> Hanya Holm, and starring such actors as Mickey<br />

Rooney (in <strong>the</strong> title role), Walter Slezak (as Geppetto), Fran Allison (as <strong>the</strong> Blue Fairy),<br />

and Martyn Green (as <strong>the</strong> Fox). This version featured songs <strong>by</strong> Alec Wilder and was<br />

shown on NBC. It was part of a <strong>the</strong>n-popular trend of musicalizing fantasy stories for<br />

television, following <strong>the</strong> immense success of <strong>the</strong> Mary Martin Peter Pan, which made its<br />

TV debut in 1955.<br />

• The New Adventures of Pinocchio A series of 5 minute stop-motion animated vignettes<br />

<strong>by</strong> Jules Bass and Arthur Rankin Jr.<br />

• Turlis Abenteuer an East German version released in 1967. In 1969 it was dubbed into<br />

English and shown in <strong>the</strong> US as Pinocchio.<br />

• Pinocchio (1968), a musical version of <strong>the</strong> story that aired in <strong>the</strong> United States on NBC,<br />

with pop star Peter Noone playing <strong>the</strong> puppet. This one bore no resemblance to <strong>the</strong><br />

1957 television version.<br />

• Un burattino di nome Pinocchio (1972) (The Adventures of Pinocchio for <strong>the</strong><br />

English/American version aka Las Fantasias de Pinocho for Spanish version), directed<br />

from <strong>the</strong> great master of Italian Animation Giuliano Cenci. The Giuliano Cenci’s<br />

Pinocchio, <strong>the</strong> Classic of <strong>the</strong> Italian Animation of <strong>the</strong> XX Century, of extraordinary<br />

technical and artistic quality in "full animation", has been doubled from <strong>the</strong> greatest<br />

Italian actors of <strong>the</strong> age directed from Lauro Gazzolo, with <strong>the</strong> advising of <strong>the</strong> <strong>Collodi</strong><br />

grandsons, Mario and Antonio Lorenzini, and <strong>the</strong> participation like narrator of Renato<br />

Rascel.<br />

• Le avventure di Pinocchio (1972), an exceptional high-quality TV mini-series <strong>by</strong> Italian<br />

director Luigi Comencini, starring Andrea Balestri as Pinocchio, Nino Manfredi as<br />

Geppetto and Gina Lollobrigida as <strong>the</strong> Fairy.<br />

• Pinocchio (1976), still ano<strong>the</strong>r live-action musical version for television, with Sandy<br />

Duncan in a trouser role as <strong>the</strong> puppet, Danny Kaye as Geppetto, and Flip Wilson as <strong>the</strong><br />

Fox. It was telecast on CBS, and is available on DVD.<br />

• A 1984 episode of Faerie Tale Theatre starring Paul Reubens as <strong>the</strong> puppet.<br />

• Golden Films's Pinocchio, released in 1993 and produced <strong>by</strong> Diane Eskenazi.<br />

• The Adventures of Pinocchio (1996), a film <strong>by</strong> Steve Barron starring Martin Landau as<br />

Geppetto and Johnathan Taylor Thomas as Pinocchio<br />

• Geppetto (2000), a television film broadcast on The Wonderful World of Disney starring<br />

Drew Carey in <strong>the</strong> title role and Julia Louis-Dreyfus as <strong>the</strong> Blue Fairy.<br />

• Pinocchio (2002), a live-action film directed <strong>by</strong> and starring Roberto Benigni.<br />

• An opera, The Adventures of Pinocchio, composed <strong>by</strong> Jonathan Dove to a libretto <strong>by</strong><br />

Alasdair Middleton, was commissioned <strong>by</strong> Opera North and premièred at <strong>the</strong> Grand<br />

Theatre in Leeds, England, on 21 December 2007.<br />

Derivative works<br />

• Cherubini, E (1911), Pinocchio in Africa, Italy.<br />

• Tolstoy, Aleksey Nikolayevich (1936), The Golden Key, or <strong>the</strong> Adventures of Buratino,<br />

Russia, a loose adaptation.<br />

• (bronze statues of Pinocchio, <strong>the</strong> Cat, and <strong>the</strong> Fox) Fontana a Pinocchio, Milan, 1956.


<strong>Collodi</strong>, Pinocchio - overview<br />

• (feature) Pinocchio in Outer Space, 1965: Pinocchio has adventures in outer space, with<br />

an alien turtle as a friend.<br />

• The Erotic Adventures of Pinocchio, 1971 was advertised with <strong>the</strong> memorable line, "It's<br />

not his nose that grows!"<br />

• Weldon, John (1977) (parody), Spinnolio, National Film Board of Canada. [2]<br />

• (animation) Pinocchio and <strong>the</strong> Emperor of <strong>the</strong> Night, 1987, a follow up.<br />

• (movie) Edward Scissorhands, 1990 contains elements both of Frankenstein and<br />

Pinocchio.<br />

• Coover, Robert (1991) (novel), Pinocchio in Venice continues <strong>the</strong> story of Pinocchio, <strong>the</strong><br />

Blue Fairy, and o<strong>the</strong>r characters.<br />

• Pinocchio's Revenge, 1996.<br />

• Spielberg, Steven (2001) (film), A.I. Artificial Intelligence, based on a Stanley Kubrick<br />

project that was cut short <strong>by</strong> Kubrick's death, recasts <strong>the</strong> Pinocchio <strong>the</strong>me; in it an<br />

android with emotions longs to become a real boy.<br />

• (movie) Shrek, 2001: Pinocchio was a character in <strong>the</strong> first three movies<br />

• Shrek <strong>the</strong> Musical, Broadway, December 14, 2008.<br />

• (CGI film) Pinocchio 3000, Canada.<br />

• Teacher's Pet, 2004 contains elements and references of <strong>the</strong> 1940 adaptation and A.I.<br />

Artificial Intelligence.<br />

• Dine, James ‘Jim’ (2006) (illustrations), Steidl.<br />

• (2007) (sculptural exhibition), Pinocchio, PaceWildenstein.<br />

• Navok, Lior (2009) (opera). Two acts: actors, woodwind quintet and piano.<br />

• Costantini, Vito (2011) (musical), The o<strong>the</strong>r Pinocchio, <strong>the</strong> first musical sequel to<br />

'Adventures of Pinocchio'. The musical is based on (book) The o<strong>the</strong>r Pinocchio, Brescia:<br />

La Scuola Editrice, 1999. The composer is Antonio Furioso. Vito Costantini wrote "The<br />

o<strong>the</strong>r Pinocchio" after <strong>the</strong> discovery of a few sheets of an old manuscript attributed to<br />

<strong>Collodi</strong> and dated 21/10/1890. The news of <strong>the</strong> discovery appeared in <strong>the</strong> major Italian<br />

newspapers. [3] It is assumed <strong>the</strong> Tuscan artist wrote a sequel to 'The Adventures of<br />

Pinocchio' he never published. Starting from handwritten sheets, Costantini has<br />

reconstructed <strong>the</strong> second part of <strong>the</strong> story. In 2000 'The o<strong>the</strong>r Pinocchio' won first prize<br />

in national children's literature Città of Bitritto.<br />

• Carter, Scott William (2012) (novel), Wooden Bones is described as <strong>the</strong> untold story of<br />

Pinocchio, with a dark twist. Pino, as he’s come to be <strong>known</strong> after he became a real boy,<br />

has discovered that he has <strong>the</strong> power to bring puppets to life himself.<br />

• Marvel Fairy Tales, a comic book series <strong>by</strong> C. B. Cebulski, features a retelling of The<br />

Adventures of Pinocchio with <strong>the</strong> robotic superhero called The Vision in <strong>the</strong> role of<br />

Pinocchio.<br />

Literature<br />

• Pinocchio, Geoffrey Brock, transl.; Umberto Eco, introd., New York Review Books, 2008.<br />

• (in Italian & English) The Adventures of Pinocchio, Nicolas J. Perella, transl., 1986,<br />

ISBN 0-520-07782-2, ISBN 0-520-24686-1.<br />

• The Story of a Puppet or The Adventures of Pinocchio, Mary Alice Murray, transl.,<br />

Wikisource, 1892.<br />

• The Adventures of Pinocchio, Carol Della Chiesa, transl., Wikisource.<br />

• * Pinocchio: <strong>the</strong> Tale of a Puppet at Project Gutenberg, Alice Carsey, illustr., 1916.<br />

• The Adventures of Pinocchio, Carol Della Chiesa, transl.; Attilio Mussino, illustr.,<br />

Illuminated books, 1926, http://www.illuminated-books.com/books/pinocchio.htm.<br />

• <strong>Collodi</strong> (in Italian), The Adventures of Pinocchio, IT: Liber Liber,<br />

http://www.liberliber.it/biblioteca/c/collodi/.<br />

• <strong>Collodi</strong> (in English & Italian), The adventures of Pinocchio, IT: Libero,<br />

http://digilander.libero.it/il_collodi/


Excerpted from different Wikipedia sites<br />

<strong>Collodi</strong>, Pinocchio - overview

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