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Authentic<br />

Byzantine Chant<br />

ROMEIKO<br />

<strong>Ensemble</strong><br />

CHERUBIC<br />

Chorus<br />

TODAY, upon the CROSS<br />

Byzantine Court Chant and Laments from Good Friday<br />

1<br />

New Recording of the Royal Hour Nine and<br />

Apokathelosis Services of Good Friday as celebrated<br />

at Hagia Irene, Istanbul<br />

Greek Laments and Carol from Good Friday<br />

Old Byzantine melodies performed as<br />

transcribed by the scholar Ioannis Arvanitis<br />

<strong>Romeiko</strong> <strong>Ensemble</strong> & Cherubic Chorus<br />

Yorgos Bilalis, Domestikos<br />

CD + HD720p digital file/NTSC DVD + book (56 pgs)<br />

The Church of Hagia Irene, Istanbul, Turkey, is a much smaller and older church than Hagia<br />

Sophia. It became the Palace church for the Emperor and his family, after the construction<br />

of Hagia Sophia by Justinian. The service of the Royal Hours has its origin in the Palace<br />

church, and on Good Friday, the Royal Hours included the Emperor and his family. This production<br />

by <strong>Romeiko</strong> <strong>Ensemble</strong>, based on manuscript transcriptions by Ioannis Arvanitis, recreates<br />

the Royal Hour Nine and Apokathilosis services of Good Friday on CD and re-enacts<br />

them on HD digital disc. The chant heard <strong>here</strong> is from the original 13th century manuscripts<br />

which resides in the collection of the National Library in Athens. Greek Carols of Good Friday<br />

and a Cyprian Lament of Virgin Mary at the foot of the Cross are sung and played by the<br />

Cherubic Children’s Chorus.<br />

CD<br />

01. I gave my back to scourging, mode III, Chourmouzios (†1840)<br />

02. He bears our sins, mode III, Chourmouzios (†1840)<br />

03. A strange wonder, mode barys, Royal Hour Nine<br />

04. When the transgressors nailed, mode II, Royal Hour Nine<br />

05. Today He who hung the earth, mode pl. II, Royal Hour Nine<br />

06. Aposticha Stichera Great Saturday Vespers, mode II<br />

07. Joseph with Nicodemus took Thee down, mode plagal I<br />

08. Anagrammatismos in Doxastikon of Great Saturday Vespers<br />

Aposticha, mode plagal I<br />

09. Great Saturday Matins: Canon, mode plagal II<br />

10. Having Joseph seen the sun, mode plagal II<br />

11. Thou hast lain down, mode plagal II, Gregorios Prot. (†1821)<br />

12. Thou hast lain down, mode III, Chourmouzios Chart. (†1840)<br />

13. Lamentations, stanza I, mode plagal I, (Cherubic Chorus)<br />

14. Lamentations, stanza II, mode plagal I, (Cherubic Chorus)<br />

15. Lamentations, stanza III, mode III, (Cherubic Chorus)<br />

DVD<br />

1. Royal Hour Nine of Good Friday<br />

2. It Is Finished (TETELESTAI)<br />

3. A Message of Deep Sorrow<br />

4. Vespers of Good Friday<br />

(Apokathelosis)<br />

5. Sepulchre Lament<br />

6. Good Friday Carols of Samos<br />

7. Good Friday Carols of Thrace<br />

8. Great Saturday Lamentations<br />

9. End Titles<br />

Distributed exclusively by Liturgica.com


Authentic<br />

Byzantine Chant<br />

EUCHARIST<br />

The Liturgy of St. Basil<br />

Mode Plagal II<br />

ROMEIKO ENSEMBLE<br />

Yorgos Bilalis, Domestikos<br />

kouphisma<br />

ÎÔ ‡ Ê È ÛÌ ·<br />

A New Recording of the Divine Liturgy of St.<br />

Basil in Mode Plagal II<br />

St. Basil’s Liturgy chant in old byzantine style<br />

transcribed by Ioannis Arvanitis.<br />

Neobyzantine transcriptions of Ioannes<br />

Kladas’ compositions by Chourmouzios.<br />

<strong>Romeiko</strong> <strong>Ensemble</strong><br />

Yorgos Bilalis, Domestikos<br />

2 CDs + full color liner notes book (80 pgs)<br />

This second recording of the Divine Liturgy by <strong>Romeiko</strong> <strong>Ensemble</strong> brings to contemporary<br />

audiences neobyzantine transcriptions of Chourmouzios by one of the Byzantine Maistores<br />

(Byzantine Masters of composition), that of Ioannes Kladas in Mode Plagal II. Kladas<br />

(a contemporary of Ioannes Koukouzelis) was the most prominent master musician of<br />

the Great Church in the 15th Century. The recording includes the hymns of the Liturgy in<br />

their entirety, along with the Anaphora hymns of St. Basil’s Liturgy and the Creed in old<br />

byzantine style. This undertaking is once again made possible by the scholarship of Ioannis<br />

Arvanitis in transcribing the original medieval manuscripts, with <strong>Romeiko</strong> <strong>Ensemble</strong>’s<br />

world renown experience and their captivating performances of Byzantine Chant, they<br />

have remained true in an authentic manner to the original arrangement.<br />

CD 1<br />

01. Apolytikion Hypakoe, Kontakion, mode pl. II<br />

02. Typika stasis A’, mode plagal IV, Petros Ephesios<br />

03. Typika stasis B’, mode plagal I, Petros Ephesios<br />

04. Those who have been baptized, mode plagal I<br />

05. Dynamis, mode plagal I, P. Ephesios<br />

06. Dynamis, Trisagion, mode II, Xenos Koronis<br />

07. Kratema of Dynamis, mode II, Xenos Koronis<br />

08. Allelouia of Epistle, mode plagal II, I. Kladas<br />

09. Cherubic Hymn dysikon, mode plagal II, I. Kladas<br />

10. Father Son, mode plagal IV, Y. Moschianos<br />

11. The Creed, mode IV, Manuel Gazis<br />

12. St. Basil’s Liturgy: Holy Holy Holy, mode II, anonymous,<br />

Old Byzantine Melody<br />

13. St. Basil’s Liturgy: We hymn thee, mode II<br />

14. St. Basil’s Liturgy: Thou art full of grace, mode<br />

plagal IV, Xenos Koronis<br />

CD 2<br />

01. Kyrie eleison in five modes, Nilefs Kamarados<br />

02. Communion Hymn, mode pl. II, I. Kladas<br />

03. Let our mouth be filled, mode I, A. Sigeros<br />

04. Let our mouth be filled, mode plagal II,“Asma”<br />

05. Blessed be the name, mode pl. II, X. Koronis<br />

06. Terirem monopnous, mode pl. II, I. Koukouzeles<br />

07. Terirem, mode plagal II, Ioannes Kladas<br />

08. Polychronion to the Emperor, mode IV<br />

09. St. Basil’s Liturgy: Holy Holy Holy, mode II,<br />

“Ancient melody”<br />

10. St. Basil’s Liturgy: Holy Holy Holy, mode I,<br />

Kosmas Madytinos<br />

Distributed exclusively by Liturgica.com

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