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Authentic<br />
Byzantine Chant<br />
ROMEIKO<br />
<strong>Ensemble</strong><br />
CHERUBIC<br />
Chorus<br />
TODAY, upon the CROSS<br />
Byzantine Court Chant and Laments from Good Friday<br />
1<br />
New Recording of the Royal Hour Nine and<br />
Apokathelosis Services of Good Friday as celebrated<br />
at Hagia Irene, Istanbul<br />
Greek Laments and Carol from Good Friday<br />
Old Byzantine melodies performed as<br />
transcribed by the scholar Ioannis Arvanitis<br />
<strong>Romeiko</strong> <strong>Ensemble</strong> & Cherubic Chorus<br />
Yorgos Bilalis, Domestikos<br />
CD + HD720p digital file/NTSC DVD + book (56 pgs)<br />
The Church of Hagia Irene, Istanbul, Turkey, is a much smaller and older church than Hagia<br />
Sophia. It became the Palace church for the Emperor and his family, after the construction<br />
of Hagia Sophia by Justinian. The service of the Royal Hours has its origin in the Palace<br />
church, and on Good Friday, the Royal Hours included the Emperor and his family. This production<br />
by <strong>Romeiko</strong> <strong>Ensemble</strong>, based on manuscript transcriptions by Ioannis Arvanitis, recreates<br />
the Royal Hour Nine and Apokathilosis services of Good Friday on CD and re-enacts<br />
them on HD digital disc. The chant heard <strong>here</strong> is from the original 13th century manuscripts<br />
which resides in the collection of the National Library in Athens. Greek Carols of Good Friday<br />
and a Cyprian Lament of Virgin Mary at the foot of the Cross are sung and played by the<br />
Cherubic Children’s Chorus.<br />
CD<br />
01. I gave my back to scourging, mode III, Chourmouzios (†1840)<br />
02. He bears our sins, mode III, Chourmouzios (†1840)<br />
03. A strange wonder, mode barys, Royal Hour Nine<br />
04. When the transgressors nailed, mode II, Royal Hour Nine<br />
05. Today He who hung the earth, mode pl. II, Royal Hour Nine<br />
06. Aposticha Stichera Great Saturday Vespers, mode II<br />
07. Joseph with Nicodemus took Thee down, mode plagal I<br />
08. Anagrammatismos in Doxastikon of Great Saturday Vespers<br />
Aposticha, mode plagal I<br />
09. Great Saturday Matins: Canon, mode plagal II<br />
10. Having Joseph seen the sun, mode plagal II<br />
11. Thou hast lain down, mode plagal II, Gregorios Prot. (†1821)<br />
12. Thou hast lain down, mode III, Chourmouzios Chart. (†1840)<br />
13. Lamentations, stanza I, mode plagal I, (Cherubic Chorus)<br />
14. Lamentations, stanza II, mode plagal I, (Cherubic Chorus)<br />
15. Lamentations, stanza III, mode III, (Cherubic Chorus)<br />
DVD<br />
1. Royal Hour Nine of Good Friday<br />
2. It Is Finished (TETELESTAI)<br />
3. A Message of Deep Sorrow<br />
4. Vespers of Good Friday<br />
(Apokathelosis)<br />
5. Sepulchre Lament<br />
6. Good Friday Carols of Samos<br />
7. Good Friday Carols of Thrace<br />
8. Great Saturday Lamentations<br />
9. End Titles<br />
Distributed exclusively by Liturgica.com
Authentic<br />
Byzantine Chant<br />
EUCHARIST<br />
The Liturgy of St. Basil<br />
Mode Plagal II<br />
ROMEIKO ENSEMBLE<br />
Yorgos Bilalis, Domestikos<br />
kouphisma<br />
ÎÔ ‡ Ê È ÛÌ ·<br />
A New Recording of the Divine Liturgy of St.<br />
Basil in Mode Plagal II<br />
St. Basil’s Liturgy chant in old byzantine style<br />
transcribed by Ioannis Arvanitis.<br />
Neobyzantine transcriptions of Ioannes<br />
Kladas’ compositions by Chourmouzios.<br />
<strong>Romeiko</strong> <strong>Ensemble</strong><br />
Yorgos Bilalis, Domestikos<br />
2 CDs + full color liner notes book (80 pgs)<br />
This second recording of the Divine Liturgy by <strong>Romeiko</strong> <strong>Ensemble</strong> brings to contemporary<br />
audiences neobyzantine transcriptions of Chourmouzios by one of the Byzantine Maistores<br />
(Byzantine Masters of composition), that of Ioannes Kladas in Mode Plagal II. Kladas<br />
(a contemporary of Ioannes Koukouzelis) was the most prominent master musician of<br />
the Great Church in the 15th Century. The recording includes the hymns of the Liturgy in<br />
their entirety, along with the Anaphora hymns of St. Basil’s Liturgy and the Creed in old<br />
byzantine style. This undertaking is once again made possible by the scholarship of Ioannis<br />
Arvanitis in transcribing the original medieval manuscripts, with <strong>Romeiko</strong> <strong>Ensemble</strong>’s<br />
world renown experience and their captivating performances of Byzantine Chant, they<br />
have remained true in an authentic manner to the original arrangement.<br />
CD 1<br />
01. Apolytikion Hypakoe, Kontakion, mode pl. II<br />
02. Typika stasis A’, mode plagal IV, Petros Ephesios<br />
03. Typika stasis B’, mode plagal I, Petros Ephesios<br />
04. Those who have been baptized, mode plagal I<br />
05. Dynamis, mode plagal I, P. Ephesios<br />
06. Dynamis, Trisagion, mode II, Xenos Koronis<br />
07. Kratema of Dynamis, mode II, Xenos Koronis<br />
08. Allelouia of Epistle, mode plagal II, I. Kladas<br />
09. Cherubic Hymn dysikon, mode plagal II, I. Kladas<br />
10. Father Son, mode plagal IV, Y. Moschianos<br />
11. The Creed, mode IV, Manuel Gazis<br />
12. St. Basil’s Liturgy: Holy Holy Holy, mode II, anonymous,<br />
Old Byzantine Melody<br />
13. St. Basil’s Liturgy: We hymn thee, mode II<br />
14. St. Basil’s Liturgy: Thou art full of grace, mode<br />
plagal IV, Xenos Koronis<br />
CD 2<br />
01. Kyrie eleison in five modes, Nilefs Kamarados<br />
02. Communion Hymn, mode pl. II, I. Kladas<br />
03. Let our mouth be filled, mode I, A. Sigeros<br />
04. Let our mouth be filled, mode plagal II,“Asma”<br />
05. Blessed be the name, mode pl. II, X. Koronis<br />
06. Terirem monopnous, mode pl. II, I. Koukouzeles<br />
07. Terirem, mode plagal II, Ioannes Kladas<br />
08. Polychronion to the Emperor, mode IV<br />
09. St. Basil’s Liturgy: Holy Holy Holy, mode II,<br />
“Ancient melody”<br />
10. St. Basil’s Liturgy: Holy Holy Holy, mode I,<br />
Kosmas Madytinos<br />
Distributed exclusively by Liturgica.com