Choice Songs Women - Excavating The Song
Choice Songs Women - Excavating The Song
Choice Songs Women - Excavating The Song
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<strong>Choice</strong> <strong><strong>Song</strong>s</strong> <strong>Women</strong><br />
A Girl of Few Words (No One in the World)<br />
A Horse with Wings (Ricki Ian Gordon)<br />
A New Life (Jekyll and Hyde) Soprano-mix belt poperetta<br />
A Place Called Home (A Christmas Carol) - A simple, warm, mix-y song.<br />
A Way Back to <strong>The</strong>n (title of show)<br />
Ain't Nothing But a Kiss (Memphis)<br />
All the Men in My Life (Evil Dead) - A silly song with a 60’s groove. It works fine<br />
without the men’s part.<br />
All Things to One Man (Grind)<br />
Almost Everything I Need - Contemporary musical theatre art song<br />
Anytime (Elegies) - Good Bill Finn song. Also appears in Men’s section in a higher key.<br />
Are You Still Holding My Hand (Bright Lights Big City) Moody, mix pop ballad<br />
Around the World (Grey Gardens) - A difficult piece for a mature actor/singer<br />
Back to Before (Ragtime) - Powerful<br />
Be On Your Own (Nine)<br />
Belle Reve (Beth Falcone)<br />
Blue Hair (<strong>The</strong> Black Suits) - Contemporary character uptempo, Post-millennium<br />
Burden of Life (Man of No Importance, A) Comic, belt number. A favorite. Cut interior<br />
scene.<br />
Cautiously Optimistic (<strong>The</strong> Taxi Cabaret) Post-millennium charm song<br />
Chain of Love (<strong>The</strong> Grass Harp) - A lovely legit Soprano song.<br />
Change (A New Brain)<br />
Chanson (<strong>The</strong> Baker's Wife) - Beautiful Stephen Schwartz song with some French.<br />
Coffee (See What I Wanna See) - A difficult(!) Michael John LaChiusa song. Not for the<br />
faint of heart.<br />
Colored Woman (Memphis)<br />
Come Down from the Tree (Cut from Once on This Island)<br />
County Fair (Das Barbecu) - Good Country musical theatre ballad originally sung by<br />
Sally Mayes.<br />
Crimson Kiss (Lestat) from Elton John’s flop musical<br />
Dancing All <strong>The</strong> Time (Big)<br />
Easy Money (<strong>The</strong> Life) - Cut from measure 55 to measure 80<br />
Even Though (I Love You Because) - Musical theatre pop mix.<br />
Everyday is Night (Birds of Paradise) -<br />
Fair Warning (Destry Rides Again) Character uptempo<br />
Feels Like Home (Randy Newman's Faust)<br />
Fly Away (Never Never Land) (Piece, the Musical)<br />
Fly Away/Never Never Land (Piece, the Musical)<br />
Gainesville (Randy Newman's Faust)<br />
Get Out and Stay Out (Nine to Five)<br />
Goodbye for Now (Reds [movie])<br />
Goodbye, Emil (Romance, Romance) - Quasi-operetta.<br />
He Wasn't You (Hope)<br />
He's Here (How Now, Dow Jones)<br />
Hide and Seek (Daniel Green) Post-millennium story song, particularly good
<strong>Choice</strong> <strong><strong>Song</strong>s</strong> <strong>Women</strong><br />
Hold Down the Fort (john and jen) - Very strong piece from a great show. Start at<br />
measure 9.<br />
Holding to the Ground (Falsettos)<br />
Hostess With the Mostest (Call Me Madam) - Brassy and Belty<br />
How Can I Lose You? (Myths and Hymns)<br />
How Did I Get to Where I Am (Marguerite) A beautiful Michel Legrand ballad from the<br />
British production<br />
I Don't Know How To Help You (Elegies for Angels, Punks and Raging Queens)<br />
I Got Love (Purlie) - A terrific uptempo Pop/Soul song. Very wide range.<br />
I Hate Him (Destry Rides Again) Very fast character song<br />
I Have Found (Make Me a <strong>Song</strong>)<br />
I Miss the Mountains (Next To Normal) Great pop/rock song for mature actor<br />
I Never Knew His Name (Brooklyn)<br />
I Read (Passion) - Difficult (in every way) mezzo piece<br />
I Resolve (She Loves Me) Character Golden Era uptempo, belt<br />
I Slept With Someone Who Handled Kurt Cobain's Intervention (High Fidelity) -<br />
Sincere and weird.<br />
I Still Believe in Love (<strong>The</strong>y're Playing Our <strong>Song</strong>) - Nice Marvin Hamlish ballad<br />
I Sure Like the Boys (A My Name is Alice) - Difficult to read but worth the effort.<br />
I Wanna Be a Rockette (Kicks, the Musical)<br />
I Want More (Lestat) from Elton John’s flop musical, this one is great if you ignore the<br />
whole vampire thing<br />
I Want You (My Life with Albertine) Mezzo arty character musical theatre waltz<br />
I Won't Mind (<strong>The</strong> Other Franklin) Beautiful song recorded by Audra McDonald<br />
I'd Rather Watch You (<strong>The</strong> Adding Machine) A quirky, quasi-1930s rhythm ballad<br />
I'll Never Fall in Love Again (Promises, Promises) - Could be sung by a baritone too.<br />
Just ignore the harmony parts.<br />
I'll Never Have That Chance (Lestat) from Elton John’s flop musical<br />
I'm Just Movin' (Working)<br />
I'm Not At All in Love (Pajama Game) - This is really a group number but it works well<br />
with some edits as a solo number.<br />
I'm Not Waiting (Andrew Lippa)<br />
I've Never Said I Love You (Dear World)<br />
I’m Not Waiting (Andrew Lippa)<br />
If I Ever Loved Him (Angel)<br />
If Only (<strong>The</strong> Little Mermaid) - An adaptation for female soloist (Ariel) of the quartet<br />
from Act II. Lovely Disney-type tune.<br />
In a Perfect World (<strong>The</strong> Alchemists) Post-millennium<br />
In Short (Edges)<br />
Ireland (Legally Blonde) Comic character ballad, pop belt<br />
Is It Too Late? (My Life with Albertine) Contemporary classical/legit soprano dramatic<br />
ballad<br />
It Feels Like Home (John Bucchino) - Beautiful ballad. Not from a show.<br />
It Might As Well Be Spring (State Fair) - Perfect ingénue song<br />
It Would Have Been Wonderful (Annie Warbucks) - Challenging dramatic ballad
<strong>Choice</strong> <strong><strong>Song</strong>s</strong> <strong>Women</strong><br />
It's Hurts to Be Strong (Carrie) - Surprisingly good song from a flop musical. Youthful<br />
Pop ballad.<br />
Joey is a Punk Rocker (<strong>The</strong> Black Suits) Post-millennium Pop comedic uptempo<br />
Just Not Now (I Love You Because) - You could skip the verse and start at measure 8.<br />
Kindness (Bright Lights Big City) - Pop/rock<br />
Knowing When to Leave (Promises, Promises)<br />
Listen to Your Heart (Young Frankenstein) - An old-fashioned Beguine (a la Cole<br />
Porter)<br />
Lonely Pew (Reefer Madness)<br />
Lovely Lies (Jeff Blumenkrantz)<br />
Lying <strong>The</strong>re (Edges)<br />
Lying <strong>The</strong>re (Edges) Post-millennium ballad<br />
Man in the Moon (Jeff Blumenkrantz)<br />
Man Wanted (Copacabana) - Barry Manilow, yes! In a sultry, jazzy style.<br />
More (Dick Tracy)<br />
Much At All (Susan Werner) - This isn’t a musical theatre song but works very well<br />
theatrically. Low!<br />
My Big Mistake (<strong>The</strong> Will Rogers Follies)<br />
My Book (Jeff Blumenkrantz) Comic, contemporary, uptempo with lots of spoken lyrics<br />
My Childhood (Jacques Brel) A real rarity, A mini-masterpiece. Transcribed from the<br />
revival recording<br />
My Childhood in B (Jacques Brel) A higher key<br />
My Heart is Split (<strong>The</strong> Freshman Experiment) Post-millennium ballad<br />
My House (Leonard Bernstein's Peter Pan) Beautiful musical theatre ballad<br />
My One Night Stand (WAA-MU 2008) Post-millennium story song<br />
My Party Dress (Henry and Mudge) Post-millennium character story song<br />
My Unknown Someone (<strong>The</strong> Will Rogers Follies)<br />
Never Again (King David) - Alan Menken’s show is hit or miss but this is good.<br />
No Man Left for Me (Will Rogers Follies, <strong>The</strong>) - <strong>The</strong>atre torch song, mezzo/belt<br />
Not At Home (Angry Housewives)<br />
Oh, To Be a Movie Star (Apple Tree, <strong>The</strong>) - Charming “I Want” song<br />
On My Way (Violet) - This is a solo version of the great VIOLET opener.<br />
Once I Was (Ricki Ian Gordon)<br />
Once Upon A Time (Brooklyn) - Very powerful Pop ballad, high belt.<br />
One Life to Live (Lady in the Dark)<br />
One Step Ahead of Goodbye (cut from High Fidelity)<br />
One White Dress (A Catered Affair)<br />
Patience (Illyria) Peter Mills’ take on Twelfth Night. Legit middle range, dramatic ballad<br />
Patterns (Baby) Maltby and Shire classic<br />
Perfect (cut from High Fidelity)<br />
Perfect (cut from High Fidelity) A great Pop ballad<br />
Perfect (Edges)<br />
Pretty Lies (Taboo) - Wonderful Pop ballad<br />
Pulled (<strong>The</strong> Addams Family)<br />
Raven (Brooklyn) Pop ballad, very range-y, a little bit American Idol.<br />
Ready to Settle (High Fidelity) - A terrific folk/pop theatre ballad, with humor. Perfect!
<strong>Choice</strong> <strong><strong>Song</strong>s</strong> <strong>Women</strong><br />
Remember Me (Little Fish) - <strong>The</strong> accompaniment is sketchy but this is a favorite.<br />
Say Goodbye (Piece, the Musical)<br />
Screw Loose (Cry-Baby)<br />
See What I Wanna See (See What I Wanna See)<br />
Serenity (Triumph of Love) - Great unknown belt piece<br />
Shine Like the Sun (Nine to Five)<br />
Shine Like the Sun (Nine to Five) Solo edit<br />
Since You Stayed Here (Brownstone) - Sorry about the quality of the scan.<br />
Sleepy Man (Robber Bridegroom) -<br />
Small Town Girl (Debbie Does Dallas) - She gets an “I Want” song. Who knew! A<br />
favorite<br />
So Much Better - solo version (Legally Blonde) Great uptempo belt. Pop/Rock<br />
Someday (<strong>The</strong> Wedding Singer) - Another “I Want” song in the 1980’s style of Debbie<br />
Gibson. Uptempo.<br />
<strong>Song</strong> of Me (Starting Here Starting Now) - A favorite piece. Somewhat similar to<br />
“Much More” in tone.<br />
Soon (A Little Night Music)<br />
Spark of Creation (Children of Eden)<br />
Spring Cleaning - A very popular song among the musical theatre cognoscenti. Good for<br />
high belt.<br />
Stop and See Me (Weird Romance)<br />
Sunday Light Contemporary musical theatre art song<br />
Sweet Liberty (Jane Eyre) - Legit musical theatre soprano, beautiful and powerful<br />
Table Three (Dan Martin)<br />
Table Three (Dan Martin)<br />
Take <strong>The</strong> Filter Off (Jeff Blumenkrantz) Contemporary story song<br />
Tell Me It's Not True (Blood Brothers) - A British power ballad. Works fine without the<br />
chorus singers.<br />
That Mister Man of Mine (Dames At Sea)<br />
That's Why I'm Late (WAA-MU 2008) Post-millennium story song<br />
<strong>The</strong> Boy From (<strong>The</strong> Mad Show) - A very famous but difficult to find collaboration<br />
between Mary Rodgers and Stephen Sondheim. Difficult to read.<br />
<strong>The</strong> Greatest Practical Joke (See What I Wanna See)<br />
<strong>The</strong> Night It Had to End (Romance, Romance) - Very fine ballad<br />
<strong>The</strong> Usher From the Mezzanine (Fade Out Fade In) Charming Golden Era uptempo<br />
<strong>The</strong> World Above (<strong>The</strong> Little Mermaid) - Alan Menken’s new songs for LITTLE<br />
MERMAID are great.<br />
<strong>The</strong> World She Writes (Glorious Ones, <strong>The</strong>) Contemporary musical theatre ballad,<br />
soprano<br />
<strong>The</strong>re's a World Out <strong>The</strong>re (Little <strong>Women</strong>) A different show than the Broadway<br />
production<br />
<strong>The</strong>re’s a World Out <strong>The</strong>re (Little <strong>Women</strong>)<br />
<strong>The</strong>y Ask Me Why I Believe in You (I Believe in You)<br />
Think Positive (Angry Housewives)<br />
Toll (Jeff Blumenkrantz) Contemporary story song
<strong>Choice</strong> <strong><strong>Song</strong>s</strong> <strong>Women</strong><br />
Wanting (Rags) Dramatic ballad<br />
Wanting You Contemporary musical theatre art song<br />
Watching the Big Parade Go By (Starting Here Starting Now) - March-like.<br />
We Had a Dream (<strong>The</strong> Life)<br />
Welcome Home (Johnny Guitar) - A Country Ballad<br />
West End Avenue (<strong>The</strong> Magic Show)<br />
What About Today (Starting Here Starting Now) Maltby and Shire, folk/rock powerful<br />
belt ballad<br />
What Did I Have? (On a Clear Day) -<br />
When I Fall In Love (Pride and Prejudice) - Contemporary musical theatre, legit soprano<br />
When I Look at You (Scarlet Pimpernel)<br />
When the Earth Stopped Turning (Elegies) - Contemporary story song<br />
Whenever I Dream (A New Brain)<br />
Why Did I Choose You? (<strong>The</strong> Yearling)<br />
Wild and Reckless (Drat the Cat) Golden Era tango, start on page 5, belt (sing octave<br />
down)<br />
Will He Like Me (She Loves Me) Golden Era classic soprano dramatic ballad<br />
You <strong>The</strong>re In <strong>The</strong> Back Row (13 Days to Broadway) -