Jools Gilson-Ellis CV - PDF document - half/angel
Jools Gilson-Ellis CV - PDF document - half/angel
Jools Gilson-Ellis CV - PDF document - half/angel
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Education<br />
JOOLS GILSON-ELLIS<br />
Artistic Director, <strong>half</strong>/<strong>angel</strong><br />
Company in Residence @ Triskel Arts Centre, Tobin Street, Cork<br />
(021) 4272022 / (086) 3946046 / jools@<strong>half</strong><strong>angel</strong>.ie / www.<strong>half</strong><strong>angel</strong>.ie<br />
PhD Theatre & Performance Studies (2000) University of Surrey, UK<br />
MA Theatre (1989) University of Colorado at Boulder, US<br />
BA (Hons.) English & Theatre Studies (1987) Lancaster University, UK<br />
Employment<br />
1995 - Artistic Director <strong>half</strong>/<strong>angel</strong> Performance Production Company, UK & Ireland<br />
1996 - Lecturer in English (Drama) University College Cork, Ireland<br />
1995 -1996 Researcher in Theatre Dartington College of Arts, Devon, UK<br />
1992 - 1995 Lecturer in Theatre Dartington College of Arts, Devon, UK<br />
1990 - 1992 Special Lecturer in Drama Department of Drama, University of Hull, UK<br />
Choreography / Performance / Installation<br />
The Knitting Map (installation)<br />
2006 Millenium Hall, Cork City Hall, Midsummer Festival<br />
2005 St. Luke’s Church, Summerhill, Cork. European Capital of Culture: Cork 2005<br />
The Knitting Map dance theatre performances during 2004:<br />
Jan Crawford Municipal Art Gallery, Cork<br />
Feb Offices of Cork 2005, Civic Trust House, Pope’s Quay, Cork<br />
Mar Merchant’s Quay Shopping Centre, Patrick’s Street, Cork<br />
Apr Blarney Woollen Mills, Blarney, Co. Cork<br />
May The Vision Centre, North Main Street, Cork<br />
Jun Bus Eireann (4 different bus routes) & in Daunt Square, Cork: Cork Midsummer Festival.<br />
July Fota House & Gardens, Fota Island, Fota, Co. Cork<br />
Aug Sexual Violence Centre, 5, Camden Place, Cork<br />
Sep Motorbike ride out, & performance from Kingsley Hotel to Emmet Place, Cork<br />
Oct Boole Lecture Theatre, University College Cork, Cork<br />
Nov St. Finbarre’s Cathedral, Cork<br />
Dec Cork City Gaol, Sunday’s Well, Cork<br />
The White Quadrangle (choreography)<br />
2005 The Quadrangle, University College Cork. European Capital of Culture: Cork 2005<br />
House (video)<br />
Jan 2005 C2: Contemporary Art from Cork. Crawford Municipal Art Gallery, Cork, Ireland<br />
Dec 1997 Experimental Intermedia Foundation, New York, US<br />
Nov 1996 Oberlin Conservatory of Music, Ohio, US<br />
The Lios (installation)<br />
Nov 2004 Triskel Arts Centre, Cork, Ireland<br />
Nov 2004 Exeter Phoenix, UK<br />
Mar 2004 Crawford Municipal Art Gallery, Cork, Ireland<br />
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Spinstren (dance theatre)<br />
Oct 2003 Tacchi-Morris Arts Centre, Taunton, UK<br />
Queen Elizabeth Hall, Bristol, UK<br />
Corn Exchange, Dorchester, UK<br />
Sep 2003 THEatre SPACE @ Henry Place, Dublin Fringe Festival, Ireland<br />
Oct 2002 Institute for Choreography & Dance, Cork, Ireland<br />
July 2002 Marktalle, Hamburg, Germany<br />
Apr 2002 Exeter Phoenix, UK<br />
Mar 2002 The Granary Theatre, Cork, Ireland<br />
Underbreath (installation)<br />
Jun 2002 Customs House Quay, Cork. Daylighting Festival, National Sculpture Factory, Cork, Ireland<br />
The Secret Project (dance theatre)<br />
Feb 2001 The Project, Dublin, Ireland<br />
Nov 2000 Dutch Electronic Arts Festival, Rotterdam, The Netherlands<br />
Nov 1999 Institute for Choreography & Dance, Cork, Ireland<br />
Oct 1999 The Eric Harvey Theatre, The Banff Centre, Canada<br />
performance of extracts from The Secret Project:<br />
Sep 1999 Navigating Intelligence, The Banff Centre, Canada<br />
Mar 1999 International Association of Word & Image Studies, Scripps College, Claremont, CA, US<br />
Feb 1999 International Dance and Technology, Arizona State University, US<br />
Oct 1998 Discipline & Deviance: Genders, Technologies, Machines, Duke University, US<br />
Sept 1998 Out of the Box: The Future of Interface, The Banff Centre, Canada<br />
mouthplace (CD-ROM installation)<br />
Oct 2000 Virtual Incarnations, Institute of Contemporary Arts, London, UK<br />
Aug 2000 Electronic Language International Festival, Sao Paulo, Brazil<br />
June 1999 Darklight Digital Film Festival, Arthouse, Dublin, Ireland<br />
May 1999 MECAD, Media Centre for Art & Design, Barcelona, Spain<br />
Sep/Oct 97 Incomplete Dislocations, Eye Level Gallery, Halifax, Nova Scotia, Canada<br />
April 1997 CADE 1997: Digital Creativity, University of Derby, UK<br />
Mar 1997 Intermedia Festival, Main Gallery, Triskel Arts Centre, Cork<br />
Other<br />
Jun 2002 Underbreath (installation) Daylighting Commission, National Sculpture Factory, Cork<br />
May 1999 rice ghosts (dance theatre) Intermedia Festival, Triskel Arts Centre, Cork, Ireland<br />
April 1999 lunchtime concert (dance theatre) Irish World Music Centre, Limerick, Ireland<br />
Mar 1999 Quiet Corner (original text for radio) Lyric FM, Limerick, Ireland<br />
Dec 1998 Breath (choreography) Aspidistra Festival, Arthouse, Dublin, Ireland<br />
July 1998 The Knitting Machine (performance with Laura Gannon) Arthouse, Dublin, Ireland<br />
Mar 1998 Hand Fall (choreography) Solo Independents, Firkin Crane, Cork, Ireland<br />
Jan 1996 Difficult Joys (choreographic installation) Dartington Arts Gallery, Devon, UK<br />
April 1995 Difficult Joys (choreographic installation) Border Tensions, Dance & Discourse,<br />
University of Surrey, UK<br />
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PUBLICATIONS<br />
Publications by <strong>Jools</strong> <strong>Gilson</strong>-<strong>Ellis</strong> on the work of <strong>half</strong>/<strong>angel</strong>:<br />
2004 ‘halving <strong>angel</strong>s: technology’s poem.’ (with Richard Povall) New Visions in Performance: The Impact of Digital<br />
Technologies. Colin Beardon & Gavin Carver (eds.) (Lisse, NL: Swets & Zeitlinger): 55 – 68<br />
2003 'Mouth Ghosts: The Taste of the Os-Text.' Languages of Theatre Shaped by Women. Lizbeth Goodman & Jane<br />
de Gay (eds.) (Bristol: Intellect): 153 – 175<br />
2001 'Loa & Behold: Voice Ghosts in the New Technoculture.' Digital Creativity: A Reader. Colin Beardon. & L.<br />
Malmborg (eds.) (Lisse, NL: Swets & Zeitlinger. 2002): 229 - 240. Reprinted from Digital Creativity. 2001, 12<br />
(2): 77 – 88<br />
2000 'Girling Troubled Spaces: Choreography, Writing and BigEye.' International Dance & Technology 1999. A.<br />
William Smith (ed.) (Lethbridge AB & Columbus OH: Fullhouse): 26 – 9<br />
1998 'Get Your Feminism off My Floppy: Seedy Roms and Technical Tales.' Acts of Passion: Sexuality, Gender and<br />
Performance. Maya Chowdhry and Nina Rapi (eds.) (New York: Haworth Press): 95 – 109, and in The Journal<br />
of Lesbian Studies. 1998, 2 (2/3): 95 – 109<br />
Other Publications on the work of <strong>half</strong>/<strong>angel</strong>:<br />
2006 Digital Performance: A History of New Technologies in Theater, Dance, Performance Art and Installation by Steve<br />
Dixon & Barry Smith. (Cambridge: MIT Press) [Chapter on mouthplace (1997), The Secret Project (1999) &<br />
Spinstren (2002)]<br />
2005 The Knitting Map Speaks by Kieran McCarthy (Dublin: Nonsuch Publishing)<br />
Interview with <strong>Jools</strong> <strong>Gilson</strong>-<strong>Ellis</strong>:<br />
2003 Theodores, Diana. ‘Speaking and Dancing at the Same Time: An Interview with <strong>Jools</strong> <strong>Gilson</strong>-<strong>Ellis</strong>.’ Dancing on<br />
the Edge of Europe: Irish Choreographers in Conversation. Diana Theodores (ed.) (Cork: Institute for<br />
Choreography and Dance. 2003): 138 – 147<br />
Other Publications by <strong>Jools</strong> <strong>Gilson</strong>-<strong>Ellis</strong>:<br />
Journal Articles<br />
2004 ‘Listening Differently: The Croon Collaboration.’ Modern Drama. 47 (4) Winter: 701 - 720<br />
1996 'Say Just What You Mean.' The Drama Review. Spring: 173 - 7<br />
1996 New Women Performance Writers: Rose English and Holly Hughes.' Journal of Gender Studies. 5 (2) July: 201<br />
– 210<br />
1995 'Text and the Dancing Body: Rose English and Laurie Anderson.' Border Tensions: Dance and Discourse. ed.<br />
Poetic Text<br />
Janet Adshead-Lansdale. (Guildford: University of Surrey Press): 125-133<br />
1998 'words here, like the slow building of a wall' (visual poetry) Circa: Irish and International Contemporary Visual<br />
Culture. 85 Autumn: 17 - 21<br />
1997 'cyber book / tongue'. (poetry) Split Screen. (Chichester: Chichester Institute of Higher Education.): 26 – 7<br />
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Dance Reviews<br />
2002 ‘The Rite of Spring: Cois Céim Dance Theatre.’ Irish Theatre Magazine. 3 (11) Spring: 120 -<br />
122<br />
2001 'Uneasy Fictions: Daghdha's 10,000 Steps.' Dance Theatre Journal. 17 (3): 36 -8<br />
2001 ‘sioscarnach psshwssh!’ Dance Europe.<br />
1997 'These Beasts are Out to Lunch.' The Examiner. Sept 20: 14<br />
1997 'Steps in a New Direction.' The Examiner. Mar 8: 14<br />
Book Reviews<br />
1999 'Rachel Rosenthal ed. Moira Roth.' Women & Performance: A Journal of Feminist Theory.<br />
Issue 19 – 20: 291 – 4<br />
1998 'New Publications in Performance Studies.' Performance Research. 3 (1) Spring: 97 - 100<br />
1995 'Laurie Anderson. Stories from the Nerve Bible.' Over Here: Reviews in American Studies. Vol 15<br />
summer & winter: 217 – 9<br />
Visual Art Reviews<br />
1998 'Self Address, Catherine Owens.' Circa: Irish and International Contemporary Visual Culture. 85<br />
Autumn: 44<br />
Catalogue Articles<br />
2003 ‘Haunting Theory’, Art Trail Catalogue. (Cork: Art Trail)<br />
Theatre Journalism<br />
1992 'Voices in the Wilderness.' The Guardian. June 3: 17<br />
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Choreographic / Writing Residencies<br />
April 04 Accademia dell’Arte, Villa Godiola, Arezzo, Italy.<br />
Choreographic Residency<br />
Feb/Mar 03 The Cill Rialaig Project, Ballinskelligs, Co. Kerry, Ireland<br />
Writing residency<br />
Feb 03 Institute for Choreography & Dance, Cork, Ireland<br />
Choreographic residency<br />
July 2000 Sirius Arts Centre, Roches Point Residency, Whitegate, Co. Cork, Ireland<br />
Writing residency<br />
May 2000 International Multimedia Lab 6, Bore Place, Kent. UK<br />
Invited Artist. Initial production research for ‘The Earth Diaries'<br />
Mar/Apr 00 The Tyrone Guthrie Centre at Annaghmakerrig, Co. Monaghan, Ireland<br />
Writing residency<br />
Nov/Dec 99 The Cill Rialaig Project, Ballinskelligs, Co. Kerry, Ireland<br />
Writing residency<br />
Sep/Oct 99 The Banff Centre for the Arts, Canada<br />
Choreographic residency: Co-production Media and Visual Arts / Theatre Arts<br />
Apr 99 The Banff Centre for the Arts, Canada<br />
Choreographic residency: Co-production Media and Visual Arts<br />
Sep 1998 Oberlin College, Ohio, US<br />
Choreographer in Residence<br />
Aug/Sep 98 The Banff Centre for the Arts, Canada<br />
Choreographic residency: Co-production Media and Visual Arts<br />
Mar/Apr 98 The Banff Centre for the Arts, Canada<br />
Choreographic residency: Co-production Media and Visual Arts<br />
Oct 1997 Institute for Choreography & Dance, Cork, Ireland<br />
Motion-sensing systems and contemporary choreographic practice<br />
Sep 1996 STEIM Studios, Amsterdam, The Netherlands<br />
The use of BigEye and LiSa in contemporary choreographic practice<br />
Jun 1996 STEIM Studios, Amsterdam, The Netherlands<br />
The use of BigEye and LiSa in contemporary choreographic practice<br />
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Awards<br />
2003-5 Executive of the European Capital of Culture: Cork 2005 (€495,000)<br />
2003 Arts Council of Ireland, Multi-Disciplinary Artist’s Bursary (€12,000)<br />
2002 Arts Council of Ireland, Multi-Disciplinary Prof. Dev. & Training Award (€3925)<br />
2002 Arts Council of Ireland, Critical Reflection Award (€5000)<br />
2002 Arts Council of Ireland, Projects Scheme (€20,000)<br />
2002 Ésmee Fairbairn Foundation, UK (€16,000)<br />
2001 South West Arts, UK, Research & Development Grant (€15,954)<br />
2001 Arts Council of Ireland, Awards to Choreographers (€1500)<br />
2001 University College Cork, Ireland, Arts Faculty Research Award (€900)<br />
2001 University College Cork, Ireland, Arts Faculty Publishing Award (€1841)<br />
2001 University College Cork, Ireland, Research Travel Award, (€635)<br />
2000 University College Cork, Ireland, Arts Faculty Research Grant (€1651)<br />
2000 Cork County Council, Arts Office; Sirius Arts Centre, Roches Point Residency, Ireland<br />
1999 AT& T, US, Production Grant (€11,428)<br />
1999 Arts Council of England, Dept of Literature, New Audiences Programme (€20,125)<br />
1999 RESCEN (Centre for Research into Creation in the Performing Arts), UK (€12,443)<br />
1999 Department of Foreign Affairs, Ireland, Cultural Relations Committee, (€2540)<br />
1999 Arts Council of Ireland, Travel Award, (€317)<br />
1998 Arts Council of Ireland, Interdisciplinary Collaborative Commission (€10,158)<br />
1998 Arts Council of Ireland, Travel Award (€635)<br />
1998 University College Cork, Ireland, Arts Faculty Research Grant, ( €762)<br />
1997 University College Cork, Ireland, Arts Faculty Research Grant, (€1016)<br />
1995 The Arts Council of England, Department of Film, Television & Broadcasting,<br />
Emotional Computing Award (€1676)<br />
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Professional Workshops<br />
July 1999 Choreography and Composition<br />
Ennis International Summer School in Composition, Co. Clare, Ireland<br />
May 1999 Cooking Up The Relationship Between Art and Food<br />
Triskel Arts Centre, Cork, Ireland<br />
Mar 1999 Working with BigEye and Choreography<br />
California Institute of the Arts, US.<br />
Feb 1999 Working with Live Sound and Image<br />
International Dance and Technology, Arizona State University, US<br />
Oct 1998 Choreography and New Technologies<br />
Department of Dance, Oberlin Conservatory of Music, Ohio, US<br />
July 1998 No Fit State: Multimedia and Performance<br />
Aspidistra Festival, Arthouse, Dublin, Ireland<br />
Mar 1998 Physical and Vocal Work in Theatre<br />
Cork School of Music, Cork, Ireland<br />
Nov 1997 Dance and Physical Theatre<br />
Institute for Choreography & Dance, Cork, Ireland<br />
Oct 1997 Introduction to Dance and Technology<br />
Institute for Choreography & Dance, Cork, Ireland<br />
Mar 1997 Introduction to Installation Practice<br />
Triskel Arts Centre Cork, Ireland<br />
July 1995 'Body Memory' Summer School<br />
Department of Theatre Studies, Lancaster University, UK<br />
Professional Development<br />
Aug 2005 Goat Island Intensive<br />
Triskel Arts Centre, Cork<br />
Apr 2003 Voice Intensive / Kevin Crawford<br />
Board of Drama & Theatre Studies / Granary Theatre, University College Cork<br />
Feb 2003 Emerging / Re-Emerging: Choreographic Workshop/ Susan Rethorst<br />
Institute for Choreography & Dance, Cork<br />
Jan / Feb 2003 Pantheatre: Paris Annual Professional Workshop<br />
THE VOICE: Research Techniques – Singing, Texts and Choreographic Theatre.<br />
July 2001 Roy Hart Voice Workshops / Kevin Crawford & Linda Wise<br />
International Centre for Voice, The Central School of Speech and Drama, London<br />
May 1999 Ultima Vez, Belgium / International Workshop Festival<br />
Trinity College, Dublin<br />
April 1996 Jean Binta Breeze, Poetry and Performance / Performance Writing Festival,<br />
Dartington College of Arts, UK<br />
April 1996 Contemporary Dance Easter School<br />
The Place, London, UK<br />
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Conferences / Seminar Presentations<br />
Nov 2004 National Sculpture Factory Interdisciplinary Practice & Collaboration<br />
Feb 2004 Triskel Arts Centre, Cork Going Public: Public Practice Seminars for Artists<br />
Oct 2003 Dublin Intern’l Theatre Festival Conditions of Criticism<br />
July 2002 Universität Hamburg International Association of Word & Image Studies<br />
Nov 2001 Bristol University, UK Practice as Research in Performance<br />
June 2001 University College Cork Traditions Conference<br />
Oct 2000 Manchester Metropolitan Univ., UK Intensities: Praxis and the Body<br />
Aug 1999 Banff Centre for the Arts, Canada Curating New Media<br />
Mar 1999 Scripps College, California, US International Association of Word & Image Studies<br />
Feb 1999 Arizona State University, US International Dance and Technology<br />
Oct 1998 Duke University, US Discipline & Deviance: Genders, Technologies, Machines<br />
Sept 1998 Banff Centre for the Arts, Canada Out of the Box: The Future of Interface<br />
April 1998 University College Cork The Space of Literature<br />
Nov 1997 CADC, Cork Arts and the Information Society<br />
April 1997 Georgia Institute of Technology, US Performance Studies Conference<br />
Feb 1997 The Open University, UK Gender, Politics, Performance Seminar<br />
Feb 1997 University College Cork Women's Studies Seminar Series<br />
July 1996 University College Chichester, UK Split Screen<br />
April 1996 Dartington College of Arts, UK Performance Writing Symposium<br />
April 1995 University of Surrey, UK Border Tensions: Dance & Discourse<br />
Dec 1994 University of Hull, UK Literature & the Contemporary<br />
Referees<br />
Sara Diamond,<br />
Artistic Director & Executive Producer, Media & Visual Arts,<br />
The Banff Centre for the Arts, Box 1020, Banff, Alberta, Canada. TOL OCO<br />
t: +1 403 7626100<br />
e: Sara_Diamond@BanffCentre.AB.CA<br />
Dr. Lizbeth Goodman,<br />
Director, The SMARTlab Centre,<br />
Central Saint Martins College of Art and Design, The London Institute, Southampton Row, London WC1/ UK<br />
t. +44 (7900) 691604<br />
e: l.goodman@csm.linst.ac.uk<br />
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