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Jools Gilson-Ellis CV - PDF document - half/angel

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Education<br />

JOOLS GILSON-ELLIS<br />

Artistic Director, <strong>half</strong>/<strong>angel</strong><br />

Company in Residence @ Triskel Arts Centre, Tobin Street, Cork<br />

(021) 4272022 / (086) 3946046 / jools@<strong>half</strong><strong>angel</strong>.ie / www.<strong>half</strong><strong>angel</strong>.ie<br />

PhD Theatre & Performance Studies (2000) University of Surrey, UK<br />

MA Theatre (1989) University of Colorado at Boulder, US<br />

BA (Hons.) English & Theatre Studies (1987) Lancaster University, UK<br />

Employment<br />

1995 - Artistic Director <strong>half</strong>/<strong>angel</strong> Performance Production Company, UK & Ireland<br />

1996 - Lecturer in English (Drama) University College Cork, Ireland<br />

1995 -1996 Researcher in Theatre Dartington College of Arts, Devon, UK<br />

1992 - 1995 Lecturer in Theatre Dartington College of Arts, Devon, UK<br />

1990 - 1992 Special Lecturer in Drama Department of Drama, University of Hull, UK<br />

Choreography / Performance / Installation<br />

The Knitting Map (installation)<br />

2006 Millenium Hall, Cork City Hall, Midsummer Festival<br />

2005 St. Luke’s Church, Summerhill, Cork. European Capital of Culture: Cork 2005<br />

The Knitting Map dance theatre performances during 2004:<br />

Jan Crawford Municipal Art Gallery, Cork<br />

Feb Offices of Cork 2005, Civic Trust House, Pope’s Quay, Cork<br />

Mar Merchant’s Quay Shopping Centre, Patrick’s Street, Cork<br />

Apr Blarney Woollen Mills, Blarney, Co. Cork<br />

May The Vision Centre, North Main Street, Cork<br />

Jun Bus Eireann (4 different bus routes) & in Daunt Square, Cork: Cork Midsummer Festival.<br />

July Fota House & Gardens, Fota Island, Fota, Co. Cork<br />

Aug Sexual Violence Centre, 5, Camden Place, Cork<br />

Sep Motorbike ride out, & performance from Kingsley Hotel to Emmet Place, Cork<br />

Oct Boole Lecture Theatre, University College Cork, Cork<br />

Nov St. Finbarre’s Cathedral, Cork<br />

Dec Cork City Gaol, Sunday’s Well, Cork<br />

The White Quadrangle (choreography)<br />

2005 The Quadrangle, University College Cork. European Capital of Culture: Cork 2005<br />

House (video)<br />

Jan 2005 C2: Contemporary Art from Cork. Crawford Municipal Art Gallery, Cork, Ireland<br />

Dec 1997 Experimental Intermedia Foundation, New York, US<br />

Nov 1996 Oberlin Conservatory of Music, Ohio, US<br />

The Lios (installation)<br />

Nov 2004 Triskel Arts Centre, Cork, Ireland<br />

Nov 2004 Exeter Phoenix, UK<br />

Mar 2004 Crawford Municipal Art Gallery, Cork, Ireland<br />

1


Spinstren (dance theatre)<br />

Oct 2003 Tacchi-Morris Arts Centre, Taunton, UK<br />

Queen Elizabeth Hall, Bristol, UK<br />

Corn Exchange, Dorchester, UK<br />

Sep 2003 THEatre SPACE @ Henry Place, Dublin Fringe Festival, Ireland<br />

Oct 2002 Institute for Choreography & Dance, Cork, Ireland<br />

July 2002 Marktalle, Hamburg, Germany<br />

Apr 2002 Exeter Phoenix, UK<br />

Mar 2002 The Granary Theatre, Cork, Ireland<br />

Underbreath (installation)<br />

Jun 2002 Customs House Quay, Cork. Daylighting Festival, National Sculpture Factory, Cork, Ireland<br />

The Secret Project (dance theatre)<br />

Feb 2001 The Project, Dublin, Ireland<br />

Nov 2000 Dutch Electronic Arts Festival, Rotterdam, The Netherlands<br />

Nov 1999 Institute for Choreography & Dance, Cork, Ireland<br />

Oct 1999 The Eric Harvey Theatre, The Banff Centre, Canada<br />

performance of extracts from The Secret Project:<br />

Sep 1999 Navigating Intelligence, The Banff Centre, Canada<br />

Mar 1999 International Association of Word & Image Studies, Scripps College, Claremont, CA, US<br />

Feb 1999 International Dance and Technology, Arizona State University, US<br />

Oct 1998 Discipline & Deviance: Genders, Technologies, Machines, Duke University, US<br />

Sept 1998 Out of the Box: The Future of Interface, The Banff Centre, Canada<br />

mouthplace (CD-ROM installation)<br />

Oct 2000 Virtual Incarnations, Institute of Contemporary Arts, London, UK<br />

Aug 2000 Electronic Language International Festival, Sao Paulo, Brazil<br />

June 1999 Darklight Digital Film Festival, Arthouse, Dublin, Ireland<br />

May 1999 MECAD, Media Centre for Art & Design, Barcelona, Spain<br />

Sep/Oct 97 Incomplete Dislocations, Eye Level Gallery, Halifax, Nova Scotia, Canada<br />

April 1997 CADE 1997: Digital Creativity, University of Derby, UK<br />

Mar 1997 Intermedia Festival, Main Gallery, Triskel Arts Centre, Cork<br />

Other<br />

Jun 2002 Underbreath (installation) Daylighting Commission, National Sculpture Factory, Cork<br />

May 1999 rice ghosts (dance theatre) Intermedia Festival, Triskel Arts Centre, Cork, Ireland<br />

April 1999 lunchtime concert (dance theatre) Irish World Music Centre, Limerick, Ireland<br />

Mar 1999 Quiet Corner (original text for radio) Lyric FM, Limerick, Ireland<br />

Dec 1998 Breath (choreography) Aspidistra Festival, Arthouse, Dublin, Ireland<br />

July 1998 The Knitting Machine (performance with Laura Gannon) Arthouse, Dublin, Ireland<br />

Mar 1998 Hand Fall (choreography) Solo Independents, Firkin Crane, Cork, Ireland<br />

Jan 1996 Difficult Joys (choreographic installation) Dartington Arts Gallery, Devon, UK<br />

April 1995 Difficult Joys (choreographic installation) Border Tensions, Dance & Discourse,<br />

University of Surrey, UK<br />

2


PUBLICATIONS<br />

Publications by <strong>Jools</strong> <strong>Gilson</strong>-<strong>Ellis</strong> on the work of <strong>half</strong>/<strong>angel</strong>:<br />

2004 ‘halving <strong>angel</strong>s: technology’s poem.’ (with Richard Povall) New Visions in Performance: The Impact of Digital<br />

Technologies. Colin Beardon & Gavin Carver (eds.) (Lisse, NL: Swets & Zeitlinger): 55 – 68<br />

2003 'Mouth Ghosts: The Taste of the Os-Text.' Languages of Theatre Shaped by Women. Lizbeth Goodman & Jane<br />

de Gay (eds.) (Bristol: Intellect): 153 – 175<br />

2001 'Loa & Behold: Voice Ghosts in the New Technoculture.' Digital Creativity: A Reader. Colin Beardon. & L.<br />

Malmborg (eds.) (Lisse, NL: Swets & Zeitlinger. 2002): 229 - 240. Reprinted from Digital Creativity. 2001, 12<br />

(2): 77 – 88<br />

2000 'Girling Troubled Spaces: Choreography, Writing and BigEye.' International Dance & Technology 1999. A.<br />

William Smith (ed.) (Lethbridge AB & Columbus OH: Fullhouse): 26 – 9<br />

1998 'Get Your Feminism off My Floppy: Seedy Roms and Technical Tales.' Acts of Passion: Sexuality, Gender and<br />

Performance. Maya Chowdhry and Nina Rapi (eds.) (New York: Haworth Press): 95 – 109, and in The Journal<br />

of Lesbian Studies. 1998, 2 (2/3): 95 – 109<br />

Other Publications on the work of <strong>half</strong>/<strong>angel</strong>:<br />

2006 Digital Performance: A History of New Technologies in Theater, Dance, Performance Art and Installation by Steve<br />

Dixon & Barry Smith. (Cambridge: MIT Press) [Chapter on mouthplace (1997), The Secret Project (1999) &<br />

Spinstren (2002)]<br />

2005 The Knitting Map Speaks by Kieran McCarthy (Dublin: Nonsuch Publishing)<br />

Interview with <strong>Jools</strong> <strong>Gilson</strong>-<strong>Ellis</strong>:<br />

2003 Theodores, Diana. ‘Speaking and Dancing at the Same Time: An Interview with <strong>Jools</strong> <strong>Gilson</strong>-<strong>Ellis</strong>.’ Dancing on<br />

the Edge of Europe: Irish Choreographers in Conversation. Diana Theodores (ed.) (Cork: Institute for<br />

Choreography and Dance. 2003): 138 – 147<br />

Other Publications by <strong>Jools</strong> <strong>Gilson</strong>-<strong>Ellis</strong>:<br />

Journal Articles<br />

2004 ‘Listening Differently: The Croon Collaboration.’ Modern Drama. 47 (4) Winter: 701 - 720<br />

1996 'Say Just What You Mean.' The Drama Review. Spring: 173 - 7<br />

1996 New Women Performance Writers: Rose English and Holly Hughes.' Journal of Gender Studies. 5 (2) July: 201<br />

– 210<br />

1995 'Text and the Dancing Body: Rose English and Laurie Anderson.' Border Tensions: Dance and Discourse. ed.<br />

Poetic Text<br />

Janet Adshead-Lansdale. (Guildford: University of Surrey Press): 125-133<br />

1998 'words here, like the slow building of a wall' (visual poetry) Circa: Irish and International Contemporary Visual<br />

Culture. 85 Autumn: 17 - 21<br />

1997 'cyber book / tongue'. (poetry) Split Screen. (Chichester: Chichester Institute of Higher Education.): 26 – 7<br />

3


Dance Reviews<br />

2002 ‘The Rite of Spring: Cois Céim Dance Theatre.’ Irish Theatre Magazine. 3 (11) Spring: 120 -<br />

122<br />

2001 'Uneasy Fictions: Daghdha's 10,000 Steps.' Dance Theatre Journal. 17 (3): 36 -8<br />

2001 ‘sioscarnach psshwssh!’ Dance Europe.<br />

1997 'These Beasts are Out to Lunch.' The Examiner. Sept 20: 14<br />

1997 'Steps in a New Direction.' The Examiner. Mar 8: 14<br />

Book Reviews<br />

1999 'Rachel Rosenthal ed. Moira Roth.' Women & Performance: A Journal of Feminist Theory.<br />

Issue 19 – 20: 291 – 4<br />

1998 'New Publications in Performance Studies.' Performance Research. 3 (1) Spring: 97 - 100<br />

1995 'Laurie Anderson. Stories from the Nerve Bible.' Over Here: Reviews in American Studies. Vol 15<br />

summer & winter: 217 – 9<br />

Visual Art Reviews<br />

1998 'Self Address, Catherine Owens.' Circa: Irish and International Contemporary Visual Culture. 85<br />

Autumn: 44<br />

Catalogue Articles<br />

2003 ‘Haunting Theory’, Art Trail Catalogue. (Cork: Art Trail)<br />

Theatre Journalism<br />

1992 'Voices in the Wilderness.' The Guardian. June 3: 17<br />

4


Choreographic / Writing Residencies<br />

April 04 Accademia dell’Arte, Villa Godiola, Arezzo, Italy.<br />

Choreographic Residency<br />

Feb/Mar 03 The Cill Rialaig Project, Ballinskelligs, Co. Kerry, Ireland<br />

Writing residency<br />

Feb 03 Institute for Choreography & Dance, Cork, Ireland<br />

Choreographic residency<br />

July 2000 Sirius Arts Centre, Roches Point Residency, Whitegate, Co. Cork, Ireland<br />

Writing residency<br />

May 2000 International Multimedia Lab 6, Bore Place, Kent. UK<br />

Invited Artist. Initial production research for ‘The Earth Diaries'<br />

Mar/Apr 00 The Tyrone Guthrie Centre at Annaghmakerrig, Co. Monaghan, Ireland<br />

Writing residency<br />

Nov/Dec 99 The Cill Rialaig Project, Ballinskelligs, Co. Kerry, Ireland<br />

Writing residency<br />

Sep/Oct 99 The Banff Centre for the Arts, Canada<br />

Choreographic residency: Co-production Media and Visual Arts / Theatre Arts<br />

Apr 99 The Banff Centre for the Arts, Canada<br />

Choreographic residency: Co-production Media and Visual Arts<br />

Sep 1998 Oberlin College, Ohio, US<br />

Choreographer in Residence<br />

Aug/Sep 98 The Banff Centre for the Arts, Canada<br />

Choreographic residency: Co-production Media and Visual Arts<br />

Mar/Apr 98 The Banff Centre for the Arts, Canada<br />

Choreographic residency: Co-production Media and Visual Arts<br />

Oct 1997 Institute for Choreography & Dance, Cork, Ireland<br />

Motion-sensing systems and contemporary choreographic practice<br />

Sep 1996 STEIM Studios, Amsterdam, The Netherlands<br />

The use of BigEye and LiSa in contemporary choreographic practice<br />

Jun 1996 STEIM Studios, Amsterdam, The Netherlands<br />

The use of BigEye and LiSa in contemporary choreographic practice<br />

5


Awards<br />

2003-5 Executive of the European Capital of Culture: Cork 2005 (€495,000)<br />

2003 Arts Council of Ireland, Multi-Disciplinary Artist’s Bursary (€12,000)<br />

2002 Arts Council of Ireland, Multi-Disciplinary Prof. Dev. & Training Award (€3925)<br />

2002 Arts Council of Ireland, Critical Reflection Award (€5000)<br />

2002 Arts Council of Ireland, Projects Scheme (€20,000)<br />

2002 Ésmee Fairbairn Foundation, UK (€16,000)<br />

2001 South West Arts, UK, Research & Development Grant (€15,954)<br />

2001 Arts Council of Ireland, Awards to Choreographers (€1500)<br />

2001 University College Cork, Ireland, Arts Faculty Research Award (€900)<br />

2001 University College Cork, Ireland, Arts Faculty Publishing Award (€1841)<br />

2001 University College Cork, Ireland, Research Travel Award, (€635)<br />

2000 University College Cork, Ireland, Arts Faculty Research Grant (€1651)<br />

2000 Cork County Council, Arts Office; Sirius Arts Centre, Roches Point Residency, Ireland<br />

1999 AT& T, US, Production Grant (€11,428)<br />

1999 Arts Council of England, Dept of Literature, New Audiences Programme (€20,125)<br />

1999 RESCEN (Centre for Research into Creation in the Performing Arts), UK (€12,443)<br />

1999 Department of Foreign Affairs, Ireland, Cultural Relations Committee, (€2540)<br />

1999 Arts Council of Ireland, Travel Award, (€317)<br />

1998 Arts Council of Ireland, Interdisciplinary Collaborative Commission (€10,158)<br />

1998 Arts Council of Ireland, Travel Award (€635)<br />

1998 University College Cork, Ireland, Arts Faculty Research Grant, ( €762)<br />

1997 University College Cork, Ireland, Arts Faculty Research Grant, (€1016)<br />

1995 The Arts Council of England, Department of Film, Television & Broadcasting,<br />

Emotional Computing Award (€1676)<br />

6


Professional Workshops<br />

July 1999 Choreography and Composition<br />

Ennis International Summer School in Composition, Co. Clare, Ireland<br />

May 1999 Cooking Up The Relationship Between Art and Food<br />

Triskel Arts Centre, Cork, Ireland<br />

Mar 1999 Working with BigEye and Choreography<br />

California Institute of the Arts, US.<br />

Feb 1999 Working with Live Sound and Image<br />

International Dance and Technology, Arizona State University, US<br />

Oct 1998 Choreography and New Technologies<br />

Department of Dance, Oberlin Conservatory of Music, Ohio, US<br />

July 1998 No Fit State: Multimedia and Performance<br />

Aspidistra Festival, Arthouse, Dublin, Ireland<br />

Mar 1998 Physical and Vocal Work in Theatre<br />

Cork School of Music, Cork, Ireland<br />

Nov 1997 Dance and Physical Theatre<br />

Institute for Choreography & Dance, Cork, Ireland<br />

Oct 1997 Introduction to Dance and Technology<br />

Institute for Choreography & Dance, Cork, Ireland<br />

Mar 1997 Introduction to Installation Practice<br />

Triskel Arts Centre Cork, Ireland<br />

July 1995 'Body Memory' Summer School<br />

Department of Theatre Studies, Lancaster University, UK<br />

Professional Development<br />

Aug 2005 Goat Island Intensive<br />

Triskel Arts Centre, Cork<br />

Apr 2003 Voice Intensive / Kevin Crawford<br />

Board of Drama & Theatre Studies / Granary Theatre, University College Cork<br />

Feb 2003 Emerging / Re-Emerging: Choreographic Workshop/ Susan Rethorst<br />

Institute for Choreography & Dance, Cork<br />

Jan / Feb 2003 Pantheatre: Paris Annual Professional Workshop<br />

THE VOICE: Research Techniques – Singing, Texts and Choreographic Theatre.<br />

July 2001 Roy Hart Voice Workshops / Kevin Crawford & Linda Wise<br />

International Centre for Voice, The Central School of Speech and Drama, London<br />

May 1999 Ultima Vez, Belgium / International Workshop Festival<br />

Trinity College, Dublin<br />

April 1996 Jean Binta Breeze, Poetry and Performance / Performance Writing Festival,<br />

Dartington College of Arts, UK<br />

April 1996 Contemporary Dance Easter School<br />

The Place, London, UK<br />

7


Conferences / Seminar Presentations<br />

Nov 2004 National Sculpture Factory Interdisciplinary Practice & Collaboration<br />

Feb 2004 Triskel Arts Centre, Cork Going Public: Public Practice Seminars for Artists<br />

Oct 2003 Dublin Intern’l Theatre Festival Conditions of Criticism<br />

July 2002 Universität Hamburg International Association of Word & Image Studies<br />

Nov 2001 Bristol University, UK Practice as Research in Performance<br />

June 2001 University College Cork Traditions Conference<br />

Oct 2000 Manchester Metropolitan Univ., UK Intensities: Praxis and the Body<br />

Aug 1999 Banff Centre for the Arts, Canada Curating New Media<br />

Mar 1999 Scripps College, California, US International Association of Word & Image Studies<br />

Feb 1999 Arizona State University, US International Dance and Technology<br />

Oct 1998 Duke University, US Discipline & Deviance: Genders, Technologies, Machines<br />

Sept 1998 Banff Centre for the Arts, Canada Out of the Box: The Future of Interface<br />

April 1998 University College Cork The Space of Literature<br />

Nov 1997 CADC, Cork Arts and the Information Society<br />

April 1997 Georgia Institute of Technology, US Performance Studies Conference<br />

Feb 1997 The Open University, UK Gender, Politics, Performance Seminar<br />

Feb 1997 University College Cork Women's Studies Seminar Series<br />

July 1996 University College Chichester, UK Split Screen<br />

April 1996 Dartington College of Arts, UK Performance Writing Symposium<br />

April 1995 University of Surrey, UK Border Tensions: Dance & Discourse<br />

Dec 1994 University of Hull, UK Literature & the Contemporary<br />

Referees<br />

Sara Diamond,<br />

Artistic Director & Executive Producer, Media & Visual Arts,<br />

The Banff Centre for the Arts, Box 1020, Banff, Alberta, Canada. TOL OCO<br />

t: +1 403 7626100<br />

e: Sara_Diamond@BanffCentre.AB.CA<br />

Dr. Lizbeth Goodman,<br />

Director, The SMARTlab Centre,<br />

Central Saint Martins College of Art and Design, The London Institute, Southampton Row, London WC1/ UK<br />

t. +44 (7900) 691604<br />

e: l.goodman@csm.linst.ac.uk<br />

8

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