SIR RICHARD BRANSON reaches for the skies - Mayfair Times
SIR RICHARD BRANSON reaches for the skies - Mayfair Times
SIR RICHARD BRANSON reaches for the skies - Mayfair Times
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32 33<br />
JUST WHEN YOU THOUGHT MAYFAIR<br />
COULDN’T GET ANY COOLER, FASHION<br />
LEGEND JEAN-CHARLES DE CASTELBAJAC,<br />
THE DESIGNER WHO HAS DRESSED<br />
EVERYONE FROM POP STARS TO THE<br />
POPE, HAS ROCKED UP CONDUIT STREET<br />
WITH HIS FIRST LONDON STORE.<br />
SELMA DAY CAUGHT UP WITH HIM<br />
Jean-Charles de Castelbajac must be one of <strong>the</strong> few fashion<br />
designers – if not <strong>the</strong> only one – to have dressed <strong>the</strong> Pope. In<br />
1997, he was asked to design <strong>the</strong> ecclesiastical robes <strong>for</strong> <strong>the</strong> late<br />
Pope John Paul II, along with 500 bishops and 5,000 priests. It<br />
was <strong>for</strong> <strong>the</strong> historic World Youth Day and accompanying papal<br />
mass in Paris. Jean-Charles’s rainbow-striped creations were<br />
based on <strong>the</strong> story of Noah and <strong>the</strong> ark. When he pointed out to<br />
<strong>the</strong> Pope that <strong>the</strong> rainbow was also <strong>the</strong> symbol of <strong>the</strong> gay<br />
community, <strong>the</strong> Pope answered: “Young man, you have used <strong>the</strong><br />
colour as a cement of faith.”<br />
Colour is one of <strong>the</strong> fundamentals of <strong>the</strong> designer’s work. “I<br />
use colour with generosity,” he says. “And today is a good time<br />
<strong>for</strong> me because it’s a time of creativity, pop and colour and I’ve<br />
been doing that <strong>for</strong> many years now.”<br />
For <strong>the</strong> past 40 years, Jean-Charles’s bright, eclectic designs<br />
have been worn by everyone from Farah Fawcett – who he<br />
dressed <strong>for</strong> <strong>the</strong> original Charlie’s Angels television show – and<br />
Diana Ross to <strong>the</strong> New York Dolls and Madonna. Today, he is<br />
reaching a whole new generation of followers. A retrospective at<br />
<strong>the</strong> V&A in 2006 brought his designs to a younger hip-hop<br />
audience, who now refer to him as JC/DC.<br />
A pioneer of avant-garde and pop art fashion, Jean-Charles’s<br />
signature pieces include Iceberg’s cartoon sweaters, blanket<br />
coats made of – er, blankets, and a coat made of teddy bears.<br />
It’s no surprise <strong>the</strong>n that his new flagship store in Conduit<br />
Street, showcasing fashion collections, luggage, sunglasses,<br />
shoes, headwear and stationery, is a fusion of colour and<br />
creativity. Designed by Jean-Charles himself and architect<br />
Christian Ghion, <strong>the</strong> two-storey shop features a chalked<br />
biography across <strong>the</strong> wall behind a Rubik’s cube till, while white<br />
walls are decked with <strong>the</strong> designer’s quirky illustrations.<br />
“Whenever I do a store, I invent a new play,” he says. “I do <strong>the</strong><br />
décor to suit <strong>the</strong> city and my London store has to be about pop<br />
because my first love was <strong>the</strong> Kinks and <strong>the</strong> Yardbirds.<br />
“I want this to be a fashion store, art gallery and per<strong>for</strong>mance<br />
space – something exciting that will inspire kids and young<br />
fashion students. It’s not just about proving <strong>the</strong> power of <strong>the</strong><br />
brand – it’s also about giving and sharing.”<br />
Jean-Charles has set his sights on London <strong>for</strong> some time.<br />
“London is an excellent place <strong>for</strong> creativity today – it is<br />
incomparable,” he explains. “If you want your chance, you can<br />
have it here.”<br />
Jean-Charles – in contrast to his bright and bold designs –<br />
dresses mostly in black, on this occasion in a black jacket with<br />
white open-necked shirt and jeans. He says he used to wear<br />
suits by Chittleborough & Morgan around <strong>the</strong> corner in Savile<br />
Row be<strong>for</strong>e discovering “slim jeans”.<br />
For a man of contradictions, Jean-Charles’s store couldn’t be<br />
better placed. “On one side, you have <strong>the</strong> classicism of Savile<br />
Row and on <strong>the</strong> o<strong>the</strong>r side, you have upcoming London. This<br />
street is just starting now – it will be huge in five years.” He’s also<br />
in <strong>the</strong> company of his good friends Vivienne Westwood, Issey<br />
Miyake, Yohji Yamamoto and Sketch owner Mourad Mazouz.<br />
Flying<br />
colours<br />
Born in Morocco into French nobility, Jean-Charles started<br />
designing in Paris at <strong>the</strong> age of 17. His first job was at Kenzo. In<br />
1975 he launched MaxMara’s Sportsmax line. Although staying<br />
true to its traditional tailoring, he chose graffiti artist Keith Haring<br />
to design <strong>the</strong> catwalk shows and Malcolm McClaren, manager of<br />
<strong>the</strong> Sex Pistols, to produce <strong>the</strong> music. Then in 1978, he set up<br />
his own label.<br />
His designs are largely inspired by his tough upbringing. From<br />
<strong>the</strong> age of five to 17 he was sent to a military boarding school<br />
in France.<br />
“I had a tremendously difficult life,” he says. “When I was a<br />
child I had to be an adolescent – but in <strong>the</strong> end that’s what<br />
fuelled my imagination. And throughout my career I have had <strong>the</strong><br />
freshness of a kid in <strong>the</strong> way I see things. I’m convinced <strong>the</strong>re’s a<br />
child in all of us and I want my customers to find that freshness.<br />
It’s all about <strong>the</strong> fantasy inside <strong>the</strong>m. I am offering a passport <strong>for</strong><br />
Peter Pan.”<br />
Jean-Charles’s childhood experiences gave rise to some of<br />
his most famous creations. A boarding school blanket inspired a<br />
coat worn by John Lennon, while his teddy bear coat came<br />
about from not owning a teddy bear when he was a child.<br />
Although, he admits, <strong>the</strong>re was actually a more sinister side to<br />
that particular <strong>the</strong>me. “I’m going to be honest with you,” he says.<br />
“It’s a very dark inspiration. My first encounter with a teddy bear<br />
was through a priest who carried out exorcisms. Whenever he<br />
saw children, he asked <strong>the</strong>ir parents to bring <strong>the</strong>ir teddy bears to<br />
check <strong>the</strong>re wasn’t a black spell or something hidden in <strong>the</strong>re. I<br />
remember walking into this room and it was full of teddy bears –<br />
it was like a massive teddy bear chainsaw massacre. And I<br />
always had it in my mind to reconstruct that – and it became <strong>the</strong><br />
teddy bear coat.”<br />
Even today, Jean-Charles says <strong>the</strong>re is no limit to what<br />
inspires him. He has a passion <strong>for</strong> art, which he has been<br />
collecting from an early age. “I was always into art because I was<br />
into suffering,” he says. “I think to create, you need to suffer.<br />
“I really like English art. What I like about artists such as<br />
Tracey Emin is that <strong>the</strong>re is this humour or this very dark, cynical<br />
way of looking at life.”<br />
Along with art, Jean-Charles collects photography, flags – and<br />
even castles (including his own family castle). “But life is too short<br />
to collect everything,” he says.<br />
Outside his design work, Jean-Charles, who has already<br />
written a book, is busy writing songs, which he hopes will be<br />
per<strong>for</strong>med by his great friend Rufus Wainwright. He is also<br />
working on launching a new music label and is planning an<br />
exhibition of his paintings in London next year.<br />
But he is also now ready to develop <strong>the</strong> brand. “My brand is<br />
a mystery,” he says. “In a sense, I’ve never wanted to be very<br />
popular. I was always alternative and wanted to be<br />
underground. But today, I’m ready to hit <strong>the</strong> floor. So our next<br />
stop is New York because Paris talks, London rocks and New<br />
York makes it happen.”<br />
“I use colour with<br />
generosity, and today<br />
is a good time <strong>for</strong> me<br />
because it’s a time of<br />
creativity, pop and<br />
colour and I’ve been<br />
doing that <strong>for</strong> many<br />
years now.”<br />
JEAN-CHARLES DE CASTELBAJAC<br />
IS BEST KNOWN FOR HIS PRINTS<br />
AND BOLD SPLASHES OF COLOUR<br />
fashion