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SIR RICHARD BRANSON reaches for the skies - Mayfair Times

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32 33<br />

JUST WHEN YOU THOUGHT MAYFAIR<br />

COULDN’T GET ANY COOLER, FASHION<br />

LEGEND JEAN-CHARLES DE CASTELBAJAC,<br />

THE DESIGNER WHO HAS DRESSED<br />

EVERYONE FROM POP STARS TO THE<br />

POPE, HAS ROCKED UP CONDUIT STREET<br />

WITH HIS FIRST LONDON STORE.<br />

SELMA DAY CAUGHT UP WITH HIM<br />

Jean-Charles de Castelbajac must be one of <strong>the</strong> few fashion<br />

designers – if not <strong>the</strong> only one – to have dressed <strong>the</strong> Pope. In<br />

1997, he was asked to design <strong>the</strong> ecclesiastical robes <strong>for</strong> <strong>the</strong> late<br />

Pope John Paul II, along with 500 bishops and 5,000 priests. It<br />

was <strong>for</strong> <strong>the</strong> historic World Youth Day and accompanying papal<br />

mass in Paris. Jean-Charles’s rainbow-striped creations were<br />

based on <strong>the</strong> story of Noah and <strong>the</strong> ark. When he pointed out to<br />

<strong>the</strong> Pope that <strong>the</strong> rainbow was also <strong>the</strong> symbol of <strong>the</strong> gay<br />

community, <strong>the</strong> Pope answered: “Young man, you have used <strong>the</strong><br />

colour as a cement of faith.”<br />

Colour is one of <strong>the</strong> fundamentals of <strong>the</strong> designer’s work. “I<br />

use colour with generosity,” he says. “And today is a good time<br />

<strong>for</strong> me because it’s a time of creativity, pop and colour and I’ve<br />

been doing that <strong>for</strong> many years now.”<br />

For <strong>the</strong> past 40 years, Jean-Charles’s bright, eclectic designs<br />

have been worn by everyone from Farah Fawcett – who he<br />

dressed <strong>for</strong> <strong>the</strong> original Charlie’s Angels television show – and<br />

Diana Ross to <strong>the</strong> New York Dolls and Madonna. Today, he is<br />

reaching a whole new generation of followers. A retrospective at<br />

<strong>the</strong> V&A in 2006 brought his designs to a younger hip-hop<br />

audience, who now refer to him as JC/DC.<br />

A pioneer of avant-garde and pop art fashion, Jean-Charles’s<br />

signature pieces include Iceberg’s cartoon sweaters, blanket<br />

coats made of – er, blankets, and a coat made of teddy bears.<br />

It’s no surprise <strong>the</strong>n that his new flagship store in Conduit<br />

Street, showcasing fashion collections, luggage, sunglasses,<br />

shoes, headwear and stationery, is a fusion of colour and<br />

creativity. Designed by Jean-Charles himself and architect<br />

Christian Ghion, <strong>the</strong> two-storey shop features a chalked<br />

biography across <strong>the</strong> wall behind a Rubik’s cube till, while white<br />

walls are decked with <strong>the</strong> designer’s quirky illustrations.<br />

“Whenever I do a store, I invent a new play,” he says. “I do <strong>the</strong><br />

décor to suit <strong>the</strong> city and my London store has to be about pop<br />

because my first love was <strong>the</strong> Kinks and <strong>the</strong> Yardbirds.<br />

“I want this to be a fashion store, art gallery and per<strong>for</strong>mance<br />

space – something exciting that will inspire kids and young<br />

fashion students. It’s not just about proving <strong>the</strong> power of <strong>the</strong><br />

brand – it’s also about giving and sharing.”<br />

Jean-Charles has set his sights on London <strong>for</strong> some time.<br />

“London is an excellent place <strong>for</strong> creativity today – it is<br />

incomparable,” he explains. “If you want your chance, you can<br />

have it here.”<br />

Jean-Charles – in contrast to his bright and bold designs –<br />

dresses mostly in black, on this occasion in a black jacket with<br />

white open-necked shirt and jeans. He says he used to wear<br />

suits by Chittleborough & Morgan around <strong>the</strong> corner in Savile<br />

Row be<strong>for</strong>e discovering “slim jeans”.<br />

For a man of contradictions, Jean-Charles’s store couldn’t be<br />

better placed. “On one side, you have <strong>the</strong> classicism of Savile<br />

Row and on <strong>the</strong> o<strong>the</strong>r side, you have upcoming London. This<br />

street is just starting now – it will be huge in five years.” He’s also<br />

in <strong>the</strong> company of his good friends Vivienne Westwood, Issey<br />

Miyake, Yohji Yamamoto and Sketch owner Mourad Mazouz.<br />

Flying<br />

colours<br />

Born in Morocco into French nobility, Jean-Charles started<br />

designing in Paris at <strong>the</strong> age of 17. His first job was at Kenzo. In<br />

1975 he launched MaxMara’s Sportsmax line. Although staying<br />

true to its traditional tailoring, he chose graffiti artist Keith Haring<br />

to design <strong>the</strong> catwalk shows and Malcolm McClaren, manager of<br />

<strong>the</strong> Sex Pistols, to produce <strong>the</strong> music. Then in 1978, he set up<br />

his own label.<br />

His designs are largely inspired by his tough upbringing. From<br />

<strong>the</strong> age of five to 17 he was sent to a military boarding school<br />

in France.<br />

“I had a tremendously difficult life,” he says. “When I was a<br />

child I had to be an adolescent – but in <strong>the</strong> end that’s what<br />

fuelled my imagination. And throughout my career I have had <strong>the</strong><br />

freshness of a kid in <strong>the</strong> way I see things. I’m convinced <strong>the</strong>re’s a<br />

child in all of us and I want my customers to find that freshness.<br />

It’s all about <strong>the</strong> fantasy inside <strong>the</strong>m. I am offering a passport <strong>for</strong><br />

Peter Pan.”<br />

Jean-Charles’s childhood experiences gave rise to some of<br />

his most famous creations. A boarding school blanket inspired a<br />

coat worn by John Lennon, while his teddy bear coat came<br />

about from not owning a teddy bear when he was a child.<br />

Although, he admits, <strong>the</strong>re was actually a more sinister side to<br />

that particular <strong>the</strong>me. “I’m going to be honest with you,” he says.<br />

“It’s a very dark inspiration. My first encounter with a teddy bear<br />

was through a priest who carried out exorcisms. Whenever he<br />

saw children, he asked <strong>the</strong>ir parents to bring <strong>the</strong>ir teddy bears to<br />

check <strong>the</strong>re wasn’t a black spell or something hidden in <strong>the</strong>re. I<br />

remember walking into this room and it was full of teddy bears –<br />

it was like a massive teddy bear chainsaw massacre. And I<br />

always had it in my mind to reconstruct that – and it became <strong>the</strong><br />

teddy bear coat.”<br />

Even today, Jean-Charles says <strong>the</strong>re is no limit to what<br />

inspires him. He has a passion <strong>for</strong> art, which he has been<br />

collecting from an early age. “I was always into art because I was<br />

into suffering,” he says. “I think to create, you need to suffer.<br />

“I really like English art. What I like about artists such as<br />

Tracey Emin is that <strong>the</strong>re is this humour or this very dark, cynical<br />

way of looking at life.”<br />

Along with art, Jean-Charles collects photography, flags – and<br />

even castles (including his own family castle). “But life is too short<br />

to collect everything,” he says.<br />

Outside his design work, Jean-Charles, who has already<br />

written a book, is busy writing songs, which he hopes will be<br />

per<strong>for</strong>med by his great friend Rufus Wainwright. He is also<br />

working on launching a new music label and is planning an<br />

exhibition of his paintings in London next year.<br />

But he is also now ready to develop <strong>the</strong> brand. “My brand is<br />

a mystery,” he says. “In a sense, I’ve never wanted to be very<br />

popular. I was always alternative and wanted to be<br />

underground. But today, I’m ready to hit <strong>the</strong> floor. So our next<br />

stop is New York because Paris talks, London rocks and New<br />

York makes it happen.”<br />

“I use colour with<br />

generosity, and today<br />

is a good time <strong>for</strong> me<br />

because it’s a time of<br />

creativity, pop and<br />

colour and I’ve been<br />

doing that <strong>for</strong> many<br />

years now.”<br />

JEAN-CHARLES DE CASTELBAJAC<br />

IS BEST KNOWN FOR HIS PRINTS<br />

AND BOLD SPLASHES OF COLOUR<br />

fashion

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