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TLW 111 - Nomads Results

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94 Sonja Wyld<br />

93 Judy Beales<br />

93 Chris Chapman<br />

93 0941 Audrey Harvey<br />

93 Patricia Holmes<br />

93 Joan Johns<br />

93 <strong>111</strong>4 Barbara McLaren<br />

93 1030 Derek Neath<br />

93 0818 Rose Wall<br />

93 1076 Marianne Ward<br />

92 Peter Beales<br />

92 Ruth Binding<br />

92 Prue Buckingham<br />

92 Lionel Howard<br />

92 1141 Michael Murray<br />

92 Irene Newberry<br />

92 Les Searle<br />

91 Rosemarie Howis<br />

91 Olive Matthew<br />

91 0828 Moira Metcalf<br />

91 Vivian Mifsud<br />

91 Doreen Searles<br />

90 1039 Dorothy Edwards<br />

90 Maggie Fleming<br />

90 Iris Grover<br />

90 0859 John Macdonald<br />

90 0119 Mary Ralfs<br />

90 Winifred Stitt<br />

90 Richard Tempest<br />

90 1332 Sheila Wyatt<br />

89 0359 Vera Allen<br />

89 1235 Rita Barton<br />

89 Bernard Bruno<br />

89 Agnes Gray<br />

89 Anne Lawton<br />

89 0778 Gwen Linfoot<br />

89 Monica Marden<br />

89 1068 Lionel Millmore<br />

89 Christine Nicholson<br />

89 Patricia Parton<br />

89 0253 Peter Shuttlewood<br />

89 Beryl Trace<br />

88 1104 Hazel Brannan<br />

88 Jan Gibson<br />

88 1162 Betty Hallett<br />

88 Olive Martin<br />

88 Rena Waddell<br />

88 Rod Winfield<br />

87 Peter Basham<br />

87 0563 Fred Burford<br />

87 Marcia Hall<br />

87 1487 Sally Hanson<br />

87 Dorothy Henry<br />

87 1176 Gordon Lamb<br />

87 Evelyn Mankelow<br />

87 Maria Raffaelli<br />

87 Nicholas Robertson<br />

86 Jo Calvert-Mindell<br />

86 1453 Anne Corpe<br />

86 Josephine Croasdale<br />

86 1525 Caroline Foy<br />

86 Pat MacLellan<br />

86 1448 Joy Rowe<br />

86 Reg Wiseman<br />

85 Hilda Bristow<br />

85 1465 Doreen Clayton<br />

85 Joan Garlick<br />

85 Zoe Marlowe<br />

85 Barbara Pinto<br />

85 Roy Smith<br />

84 Mary Craddock<br />

84 1148 Renee Gilbert<br />

84 0290 May Gray<br />

84 0998 Jean Hendrick<br />

84 Connie Hudson<br />

84 1229 Eileen Hunter<br />

84 Audrey Jackson<br />

84 Jill Russell<br />

83 Anna Churchouse<br />

83 1407 Jan Hudson<br />

83 Patrick Kelleher<br />

83 1267 Margot Montgomery<br />

83 Betty Nichols<br />

83 Kitty Reid<br />

83 Kalpana Thakker<br />

82 0758 Kathy Carson<br />

82 1147 Brenda Lock<br />

82 June Lovett<br />

82 Angela Rigley<br />

82 1399 Carol Russell<br />

82 1252 Ruth Turner<br />

81 Chris Baker<br />

81 Sylvia Colledge<br />

81 Dorothy Double<br />

81 Paul Grimshaw<br />

81 1531 Lydia Sharkey<br />

80 Alice Bennell<br />

80 Ann Gregson<br />

80 1480 Doreen Jarvie<br />

80 1247 Edna Lindeck<br />

80 0583 Joan Murphy<br />

79 1490 Rita Robinson<br />

79 Helen Thompson<br />

78 1143 Letty Burrell<br />

78 Frank Goodier<br />

78 Ena Harding<br />

78 Eileen Johnson<br />

78 Jacqueline King<br />

78 1541 Marjorie Lunn<br />

78 Peter Munt<br />

77 1548 Vivienne Bishop<br />

77 1485 Winnie Haston<br />

20<br />

77 Teresa Haycock<br />

77 1334 Catherine McMillan<br />

77 Keith Woodruff<br />

76 Maris Bradley<br />

76 Mary Harris<br />

76 1324 Margaret Jaggs<br />

76 1290 Mary Kennedy<br />

76 Margaret Regan<br />

76 1234 Jean Ross<br />

76 1069 Olive Smith<br />

75 0908 Ted Anderson<br />

75 Audrey Paley<br />

75 Iris Semus<br />

75 1205 Patrick Teague<br />

75 0031 Norah Thompson<br />

75 1288 Millie Ward<br />

75 1086 Margaret Webb<br />

74 Marie Cross<br />

74 0153 Mary Lindsay<br />

73 0541 Pamela Brown<br />

73 1135 Sylvia Oates<br />

73 Nancy Yorkston<br />

72 Muriel Mortimer<br />

72 1377 Maria Moseley<br />

72 George Sinclair<br />

71 1316 Veronica Baker<br />

71 Doreen Coleman<br />

71 Connie Hardacre<br />

70 Christine Hall<br />

70 Jane Thomas<br />

70 Doreen Throssell<br />

70 Alec West<br />

69 Marcia Davies<br />

69 Julie Rees<br />

69 Margaret Scott<br />

68 Alan Fothergill<br />

68 Shelagh Howes<br />

68 Carl Szzvanowski<br />

67 Michael Slow<br />

66 Michael Double<br />

65 Zandra Begg<br />

65 Jessie Chisholm<br />

63 1386 Betty Meazey<br />

61 1284 Margaret Hallin<br />

61 Kath Harrison<br />

61 0949 Barbara Horlock<br />

61 1028 Peggy Lavender<br />

61 Helen Tegg<br />

58 Maureen Knox<br />

No. 18<br />

21<br />

this edition by DICK CHINNERY<br />

Phil Appleby is taking a welldeserved rest for this issue, so we have a special guest<br />

annotator actually commenting on one of Phil’s recent games!<br />

2006 BEST FINAL<br />

PHIL APPLEBY vs HARSHAN LAMABADISURIYA<br />

This is a brief annotation of the thrilling final game from the 2006 BEST tournament.<br />

It's nine games apiece as both players face each other for the 19th , and deciding game.<br />

Phil has just lost two in a row, and the fact that he could have won one of those to have<br />

already clinched the title must be preying on his mind. Has this unnerved him as he faces<br />

Harshan in the ultimate Scrabble show-down…...<br />

Annotation courtesy of ONWORDS Magazine's armchair expert, Dick Chinnery<br />

(sometimes known by his full name, Colin Dick Chinnery)<br />

Phil 1 AAEIRTX RETAX H8a 40 40<br />

A straightforward start for Phil, and a play that I'd imagine most of us would spot and agree<br />

on. Interestingly, computer simulation (hereafter referred to as 'sim'), shows that a simple<br />

AX ranks about the same. That's because of the strong bonus potential of the IRATE keep,<br />

and likely flexible bonus openings after AX, against the negatives of the two-vowel keep<br />

and the -ING tws risk of the RETAX play. But remember, such comparisons are only of<br />

value if you know all the possible bonuses that you might get from the IRATE keep! Play<br />

RETAX - it's easier!<br />

Harshan 1 CDIKLLS LICK K9a 24 24<br />

Harshan's choice is best. The synergy of the DLS keep with the floating E, and the tws<br />

opening created, give LICK value over the more obscure SKALDIC turnover play.<br />

Phil 2 A I I I M O W MIAOW E7a 26 6<br />

On another board this could be a changing rack, but MIAOW clearly fits the bill here best.<br />

Next best (although someway down from MIAOW), and on a par with a change clearout,<br />

are dumping I's in KIWI or AALII.<br />

Harshan 2 DLS AEOO DAMOSEL E5d 40 64<br />

Harshan goes for score and turnover, but the play leaves the board prone for easy pickings<br />

on premium squares. OODLES or DOOLES on the tws look better for similar score and<br />

turnover. The sim shows it's worth considering more defensive plays here (eg, ALOED F6a<br />

27 or ODAL E6a 25) for reasonable score and the S keep. However, there is some<br />

psychological value in staying level with the opponent, and keeping just one tile is never<br />

a bad leave, but I'd prefer DOOLES over DAMOSEL I think.

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