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Lecture 17: The Primeval Narrative (Genesis 1-3) History-telling in ...

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<strong>Lecture</strong> <strong>17</strong>, <strong>Genesis</strong> 1-3 – p. 3<br />

<strong>The</strong> beg<strong>in</strong>n<strong>in</strong>g of this Mesopotamian epic states <strong>in</strong> negative form the conditions<br />

exist<strong>in</strong>g at the moment of orig<strong>in</strong>s.<br />

A parallel, though reverse structure is to be found <strong>in</strong> the Egyptian work called<br />

“<strong>The</strong> Book of the Over-throw<strong>in</strong>g of Apophis,” <strong>in</strong> which the sun god, Re, asserts,<br />

“Many were the be<strong>in</strong>gs which came forth from my mouth, before heaven came <strong>in</strong>to<br />

be<strong>in</strong>g, before earth came <strong>in</strong>to be<strong>in</strong>g, before the ground and creep<strong>in</strong>g th<strong>in</strong>gs had<br />

been created <strong>in</strong> this place.” While this is not a list of what did not exist prior to<br />

creation, it is still a statement of circumstances that preceded creation and provides<br />

the backdrop for creation.<br />

But it’s not just creation literature from elsewhere <strong>in</strong> the ANE that uses this k<strong>in</strong>d<br />

of structure to speak of beg<strong>in</strong>n<strong>in</strong>gs. Let’s notice the way <strong>Genesis</strong> 2.4ff. prepares<br />

for its narrative of the creation of the man: “When the LORD God made earth and<br />

heaven – when no brush of the field had yet appeared <strong>in</strong> the earth, nor had any<br />

grass of the field risen, because the LORD God had not brought ra<strong>in</strong> upon the earth<br />

and there was no human to till the ground, but a spr<strong>in</strong>g used to come up from the<br />

ground and water all the surface of the ground – at that time the LORD God formed<br />

the man with dirt from the ground…”<br />

Room is cleared for the description of the creation of the male by speak<strong>in</strong>g of<br />

what did not exist: no brush of the field no grass of the field, no ra<strong>in</strong> and no human<br />

– noth<strong>in</strong>g but a spr<strong>in</strong>g that watered the ground. And notice, furthermore, the way<br />

this is set up as a when…then construction, just as we observed <strong>in</strong> the Enuma<br />

Elish.<br />

It is that commonly found pattern <strong>in</strong> the ancient Near Eastern creation stories<br />

that has led scholars to conclude it is prefer-able to translate the first verses of<br />

<strong>Genesis</strong> 1 as stat<strong>in</strong>g the conditions under which creation took place. And so the<br />

NRSV has translated this as a “when…then” construction. However, as a<br />

translation meant for use <strong>in</strong> religious communities, and thus not want<strong>in</strong>g to jar the<br />

readers too much, the translation committee fudged a bit by reta<strong>in</strong><strong>in</strong>g the phrase<br />

“<strong>in</strong> the beg<strong>in</strong>n<strong>in</strong>g” used by the KJV.<br />

Closer to the Hebrew, as understood <strong>in</strong> light of the ANE parallels we have<br />

exam<strong>in</strong>ed, is the translation offered by a scholar named Everett Fox: “ 1 At the<br />

beg<strong>in</strong>n<strong>in</strong>g of God’s creat<strong>in</strong>g of the heavens and the earth, 2 when the earth was wild<br />

and waste, darkness over the face of Ocean, rush<strong>in</strong>g-spirit of God hover<strong>in</strong>g over<br />

the face of the waters – 3 God said, “Let there be light!” And there was light.”<br />

In both Fox's translation and the NRSV, the first two verses set the backdrop for<br />

the stages of creation that beg<strong>in</strong> <strong>in</strong> v. 3. <strong>The</strong> state of affairs before the forg<strong>in</strong>g of<br />

the world is depicted as chaotic: the earth was a wild waste with darkness cover<strong>in</strong>g<br />

the ocean, over which a rush<strong>in</strong>g w<strong>in</strong>d* swirled. Darkness, water and w<strong>in</strong>d were<br />

the essential attributes.<br />

With that <strong>in</strong> m<strong>in</strong>d, I want to make some observations about the actions narrated

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