Lecture 17: The Primeval Narrative (Genesis 1-3) History-telling in ...
Lecture 17: The Primeval Narrative (Genesis 1-3) History-telling in ...
Lecture 17: The Primeval Narrative (Genesis 1-3) History-telling in ...
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<strong>Lecture</strong> <strong>17</strong>, <strong>Genesis</strong> 1-3 – p. 5<br />
command<strong>in</strong>g it to be fruitful. Aga<strong>in</strong>, this is tied <strong>in</strong> with the theme of forg<strong>in</strong>g an<br />
orderly, prosperous environment out of what had been chaos.<br />
F<strong>in</strong>ally, let’s notice that the sixth day <strong>in</strong>troduces <strong>in</strong>to the narrative a very<br />
deliberate form of speech at the po<strong>in</strong>t God makes humans: “Let us make<br />
humank<strong>in</strong>d <strong>in</strong> our image, accord<strong>in</strong>g to our likeness; and let them have dom<strong>in</strong>ion<br />
over the fish of the sea, and over the birds of the air, and over the cattle, and over<br />
all the wild animals of the earth, and over every creep<strong>in</strong>g th<strong>in</strong>g that creeps upon the<br />
earth.” Only after this elaborate statement of <strong>in</strong>tent does the narrative describe<br />
God creat<strong>in</strong>g humans. This two stage process is not found earlier <strong>in</strong> the narrative<br />
and stresses, together with the statement about humans rul<strong>in</strong>g over the rest of<br />
creation, that the production of humank<strong>in</strong>d was the culm<strong>in</strong>ation of this project of<br />
giv<strong>in</strong>g form and shape to undifferentiated chaos.<br />
<strong>The</strong> orderly structure we have observed <strong>in</strong> these actions is underscored also by<br />
the overall arrangement of this narrative. And here the chart I had you download<br />
from the course web site will be helpful.<br />
First, let’s notice that there is a topical alignment between days 1 & 4, 2 & 5, 3<br />
& 6. Day one, as we saw, <strong>in</strong>volves the creation of light and its separation from<br />
darkness. Parallel to that, day 4 sees the creation of the sun, moon and stars – the<br />
sources of light for the world. Day 2 concerns the separation of the waters, with<br />
the <strong>in</strong>sertion of a dome – identified as the sky – <strong>in</strong>to the midst of the waters so as to<br />
create waters below and waters above – i.e. the ra<strong>in</strong> held <strong>in</strong> the sky. Correspond<strong>in</strong>g<br />
to that, on day 5 God summons the waters to produce the sea creatures and calls for<br />
birds to fill the sky – the two areas of the world demarcated on day 2. Lastly, Day<br />
3 focuses on the watery world below the sky, with God collect<strong>in</strong>g the waters <strong>in</strong>to<br />
bodies so as to create tracts of dry land. Parallel to that, day 6 narrates the creation<br />
of land animals and humans to <strong>in</strong>habit those tracts of land. So there is a deliberate<br />
structure to this narrative based on an alignment of activities on parallel days.<br />
At the same time, there is a thematic dist<strong>in</strong>ction between the two columns. On<br />
the one hand, the activities <strong>in</strong> column one have to do, above all, with the separation<br />
of elements from one another. This is <strong>in</strong> keep<strong>in</strong>g, once aga<strong>in</strong>, with the<br />
circumstances said to prevail at the outset, with the earth be<strong>in</strong>g a formless void and<br />
darkness cover<strong>in</strong>g the face of the deep, while a w<strong>in</strong>d from God swept over the face<br />
of the waters. <strong>The</strong> first half of the narrative is about br<strong>in</strong>g<strong>in</strong>g order out of chaos.<br />
<strong>The</strong> second column, on the other hand, speaks of fill<strong>in</strong>g that newly created order<br />
with entities appropriate to each part of it. Consequently, this story is selfevidently<br />
structured artistically, mean<strong>in</strong>g that this narrative is not meant to be<br />
anyth<strong>in</strong>g approach<strong>in</strong>g a scientific description of orig<strong>in</strong>s, as we would go about it,<br />
but is meant to say someth<strong>in</strong>g about the order of the world humans <strong>in</strong>habit.<br />
However, the significance of this order goes beyond simply the provision of a<br />
habitable environment. Recall that the seventh day is not about the establishment