The Quaker's opera. As it is perform'd at Lee's and Harper's Great ...

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it The 9 UAKE R's O P E R A. Aft II. /'// ne'er be Content lill we do part. But Revenge pall fupply the place of Treacherous hove, It Jhall, Madam, it '/hall, as you pall prove. Oh may mv Curfes for evermore prove mofi compleat, If wh le I am viewing Approaching Ruin, Tours I forget. Stern Revenge Jh all fupply the Place of Treacherous Love y Itpall-— Madam -— it pall, a
Aft II. The gUJKER's OPERA, 25 SCENE the Street. Enter a Watchman. Watch. Paft Two o' Clock and a Cloudy Morning— Tol lol, lol. Morrow my Mailers all, good Morrow. Enter Thieves. Hemp. Zoons there's all the Watch and a new Con- (table ; he is not in our Secret yet, fo it is proper to Pike off. [Exeunt Thieves. Watch. Say you fo — - you'll come again tho', as foon as we are gone; you (han't want an Opportunity, that we may fnap you the better. Tol, Tol paft Two ; a Clock ; To], lol. [Exit. The Lawyer difc&vered in his Bed, his Maid waiting with a Candle. Law. Shane, hark you Duehomma, go, you may go your ways now; I think I would be lieepy But remember I charge you, taake care of the Doors, and make 'em faift and ftrong; for I tell you Shane, I hafe a great charge of Money in my Chamber, look you, and if I find 'tis gone To-morrow, py St. Tavy I (hall play the Tevil with you, and hang my felf to the Bargain ; and then Shane what will become of my Clients in Caermarthenjhtre ? Maid. Every thing is fectafe, and pkafe you. Law. Well Shane, if f find you be truth and honed, I (hall not forget to remember your Care—— I will hark you—-when I come home to Landilo I was feud you a piece of our IVeljh Flannel to make you fome goot Hollan Shifts : go your ways, that's my brave Girl Hey, ho! Mercy on me, I am very lieepy {Gapes .] You may taak the Cannol, for I cannot lleep if I do fee a Light. Maid. Yes, Sir. Enter Shepard with a dark Lanthorn. [Exit. Shep. I have had a damnable deal of Trouble with this Old Rogue's Locks and Bars —but where am I now ? • Oh,
Page 3 and 4: THE GLEN COLLECTION OF SCOTTISH MUS
Page 5: THE £^U J K E R's OPERA As it is P
Page 8 and 9: Dramatis Perform Old Quaker. Player
Page 10 and 11: INTRO cDVCTION. can tell jl I fuppo
Page 12 and 13: t The QVJKER's OPERA. A& I A ftrong
Page 14 and 15: % The gUJKE&s OPERA. Aft'L Car. Why
Page 16 and 17: 4 The QUAKER* OPERA. A& I Enter Qua
Page 18 and 19: 8 The £UJKER>$ OPERA. Aft I. Qu. V
Page 20 and 21: to The gUJKER's OPERA. A& I, AIR V.
Page 22 and 23: 12 The QUAKER'S OPERA. Aft. T : Cha
Page 24 and 25: *4 The QUAKER'S OPERA. Aft L will b
Page 26 and 27: 16 The QUAKER'S OPERA. A& II. Omnes
Page 28 and 29: 18 The QUAKER* OPERA. A6b II. Hemp.
Page 30 and 31: Z9 The QUJKER\ OPERA. Aft II. ifc.
Page 34 and 35: 24 The QUAKE R's O P E R A Aft JL O
Page 36 and 37: tS The QUAKER'S OPERA. Aft II, AIR
Page 38 and 39: x% The QUAKER'S OPERA. Ad II. Conft
Page 40 and 41: to the QUAKER'S OPERA. A&1I. Enter
Page 42 and 43: 3 i The gUJKER's OPERA. Afrit Enter
Page 44 and 45: 34 rhe QUAKER'S OPERA. Aft III. She
Page 46 and 47: %6 The QUJKER's OPERA. Aft III. Hac
Page 48 and 49: $ The QUJKE R *s O P ER A. Aft III,
Page 50 and 51: ! 4 o The QUAKERS OPERA. Ad III. An
Page 52 and 53: 4* the QUJKER's OV ER A. Aft tifi F
Page 54 and 55: 44 The QUAKERS OPERA. Aft III. Coax
Page 56 and 57: 45 Tte QUAKER'S OPERA. Aft IIL Ruft
Page 58 and 59: 48 The QUAKER'S OPERA. Aft III, Far
Page 64: mm ma rafsra tiSttm ml ^^JM HHam! 3

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